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<v Speaker 1>Dear listener, there's going to be some language that might

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<v Speaker 1>be offensive in this episode.

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<v Speaker 2>I don't think I identified as prominently as Latino as I

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<v Speaker 2>do now, But for me, it's always going to be black.

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<v Speaker 2>I think apparently recently some people started capitalizing black, and

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<v Speaker 2>I was like, is it not capitalized? Because I've been

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<v Speaker 2>doing that since elementary school. I went to call myself Blatino.

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<v Speaker 2>It was a capital B Blatin.

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<v Speaker 3>Yeah, I should do that.

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<v Speaker 4>I should do that.

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<v Speaker 5>The thing about it is that we were never separated

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<v Speaker 5>from being black. We always knew we were black, and

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<v Speaker 5>it wasn't just because of the color of our skin.

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<v Speaker 5>It was our culture.

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<v Speaker 1>From futuro media, it's Latino usay, I'm Marie no Hoosa. Today,

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<v Speaker 1>a year after George Floyd's murder, a family lets us

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<v Speaker 1>into an intimate conversation about race and Latini dad. On

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<v Speaker 1>May twenty twenty, George Floyd, a dad and a friend

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<v Speaker 1>to so many people, was choked to death in Minneapolis

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<v Speaker 1>by a white police officer, Derek Chauvin. His murderers sparked

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<v Speaker 1>outrage across the United States and beyond. In the middle

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<v Speaker 1>of a shutdown and a global pandemic, George Floyd's murder

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<v Speaker 1>focused attention once again on the systemic racism so many

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<v Speaker 1>people are experiencing daily in this country at the hands

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<v Speaker 1>of the police. His death also sparked difficult conversations within

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<v Speaker 1>the Latino community, where race is still often a taboo

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<v Speaker 1>in many families, or at a minimum, race can be

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<v Speaker 1>a very uncomfortable conversation. A year after George Floyd's death

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<v Speaker 1>and the massive protests that followed, we wanted to bring

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<v Speaker 1>you a family conversation on race and Latini Dad. Today

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<v Speaker 1>we're joined by two Afro Latino cousins. First, there's Umar

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<v Speaker 1>Malik Williams.

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<v Speaker 5>My name is Umar Malik Williams. I am forty five

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<v Speaker 5>years old.

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<v Speaker 1>Umar is a musician and radio host. He's lived in

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<v Speaker 1>the Twin Cities for close to twenty years, and he's

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<v Speaker 1>been involved in the racial justice movement in Minnesota for years.

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<v Speaker 1>And this is his younger cousin, Alex Newton.

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<v Speaker 2>My name is Alexander Manson Newton. I am thirty one

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<v Speaker 2>years old.

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<v Speaker 1>Alex is a strategy and analytics consultant and he lives

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<v Speaker 1>in Washington, DC. Umar and Alex are maternal cousins.

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<v Speaker 4>Both of our mothers are sisters.

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<v Speaker 1>Their mothers grew up together in Panama.

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<v Speaker 5>They were born in Panama City on Thirteenth Street.

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<v Speaker 1>But Umar and Alex's black identity doesn't end there. It's

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<v Speaker 1>much more complex. Umar's father is from Guyana in South America,

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<v Speaker 1>and Alex's father is from Ghana in Africa.

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<v Speaker 4>I grew up black as beautiful.

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<v Speaker 5>We are black here in the United States. We are

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<v Speaker 5>black in Central America, black in South America, black in

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<v Speaker 5>the Caribbean. Regardless of the language, our family is very,

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<v Speaker 5>very incredibly plar out of being Panamanian, being Latinos, we

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<v Speaker 5>cousins are the only ones that don't speak as much

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<v Speaker 5>Spanish or any Spanish at all.

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<v Speaker 3>Spanish. I didn't learn it from home, but I learned

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<v Speaker 3>it eventually, right right, right same here. We're same here.

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<v Speaker 5>They didn't speak to us in Spanish that much until

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<v Speaker 5>we had to learn in school.

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<v Speaker 1>Bumar and Alex grew up close in New York and

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<v Speaker 1>in New Jersey in a tight knit family of eleven cousins.

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<v Speaker 1>They still chat all the time on their phones.

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<v Speaker 5>The cousins considered ourselves siblings. There was no such thing

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<v Speaker 5>as a nuclear family with us, and we were also

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<v Speaker 5>steeped in who we were as black people and as Latinos.

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<v Speaker 1>In this conversation, Umar and Alex are going to dig

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<v Speaker 1>into their nuanced relationship with race, culture, and identity. It's

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<v Speaker 1>the kind of conversation that probably many Afro Latino families

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<v Speaker 1>were having even before George Floyd's murder, but among Latinos

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<v Speaker 1>who are not Black, this was a moment to engage

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<v Speaker 1>in these kinds of talks as well. Umar and Alex

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<v Speaker 1>begin their conversation by remembering that tragic day. Here's Umar,

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<v Speaker 1>who was in Minneapolis.

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<v Speaker 5>It was kind of chilly, kind of rainy Memorial Day,

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<v Speaker 5>as it always is out here in the cities. Friends

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<v Speaker 5>was right sometimes it knows. In April, it does know

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<v Speaker 5>that April he had a little bit of a cold snap.

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<v Speaker 5>It started to get warmer again. We're like, ooh, my

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<v Speaker 5>world is gonna be fun. And then we wake up

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<v Speaker 5>to that.

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<v Speaker 6>Following breaking news this midday and we have just learned

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<v Speaker 6>the name of the man who died while in Minneapolis

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<v Speaker 6>police custody late last night.

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<v Speaker 4>He is George Floyd.

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<v Speaker 2>It's weird for me. I honestly don't know. I don't

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<v Speaker 2>have a specific memory of when I first discovered that

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<v Speaker 2>George Floyd was murdered because I had so many memories

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<v Speaker 2>of black men being killed by police in the streets.

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<v Speaker 2>I was thinking about it for a while, and I

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<v Speaker 2>was just like, I don't know what got white people

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<v Speaker 2>so excited about this particular one, because this has been happening.

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<v Speaker 2>You know, Trevon Martin was not a drug dealer, was

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<v Speaker 2>not a big threatening, quote unquote black man. His sixteen

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<v Speaker 2>year old kid getting skittles in an iced tea happens

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<v Speaker 2>every day. People get shot every day. I was just

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<v Speaker 2>surprised that George Floyd became such a movement, right.

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<v Speaker 5>I think what's important is that there's a series of circumstances.

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<v Speaker 4>I could whittle off the names of people who were.

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<v Speaker 5>Brutalized to death or shot and killed by Minneapolis or

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<v Speaker 5>Saint Paul police. The significance with me about George Floyd

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<v Speaker 5>was the full camera footage about a year before George

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<v Speaker 5>Floyd was Kobe Heisler. There was no cam footage of that.

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<v Speaker 5>What happens with a lot of the other murders also

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<v Speaker 5>is that the time stamp is too quick. For example,

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<v Speaker 5>Filando can steal The first video we see is his

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<v Speaker 5>girlfriend's cam video of it already happening, and it happened

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<v Speaker 5>within a couple of minutes right before Filando Castill was

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<v Speaker 5>Jamar Clark again.

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<v Speaker 4>Dashcam footage.

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<v Speaker 5>You don't hear what's going on, just really confusing what's happening.

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<v Speaker 5>You see a flash of light and then you see

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<v Speaker 5>a body put into the petty riding. The same thing

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<v Speaker 5>with what happened with Makaiah Bryant, and we still see

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<v Speaker 5>the body of cam footage.

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<v Speaker 4>It's twenty seconds long. He shows up, bam, bam, bam.

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<v Speaker 4>She down on the ground.

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<v Speaker 5>So all these things are like just just rapid fire,

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<v Speaker 5>and you don't have a chance to really.

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<v Speaker 4>Process.

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<v Speaker 5>It's a different kind of disbelief. George Floyd over nine

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<v Speaker 5>minutes and you're seeing his humanity and then you see

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<v Speaker 5>the callous treatment of his body.

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<v Speaker 2>Part of me was starting to think that's definitely what

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<v Speaker 2>changed it is that people could see Chauvin was looking

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<v Speaker 2>directly at the camera. If you're gonna review bang bang bang,

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<v Speaker 2>most people like try and avoid the camera or they're

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<v Speaker 2>like turn the cameras off. But it was just so

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<v Speaker 2>brazen and in your face. The time thing is definitely

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<v Speaker 2>part of it. Then anythink back to Eric Carner, and

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<v Speaker 2>that was seven years ago, and it's like the whole

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<v Speaker 2>I can't breathe movement, like creating all these hashtags and

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<v Speaker 2>these new quotes that are hipping cool and easy snippets

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<v Speaker 2>to capture this system. Every time, it's hard to identify

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<v Speaker 2>it as a unique moment because you know, we've been here,

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<v Speaker 2>done that.

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<v Speaker 3>It's again and again and again and again.

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<v Speaker 4>It's true, man, it's true.

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<v Speaker 3>Umar. I do have a question for you.

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<v Speaker 2>Do you think if the pandemic wasn't this year and

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<v Speaker 2>people didn't want an excuse or desire to leave the house,

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<v Speaker 2>that they would have protested.

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<v Speaker 4>That's a very good question. That's a very good question.

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<v Speaker 5>Yeah.

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<v Speaker 2>I've been trying to think about what finally mobilized white

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<v Speaker 2>people because maybe they just wanted to get not to

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<v Speaker 2>you know, discredit people, but maybe people just wanted to

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<v Speaker 2>get out the house.

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<v Speaker 5>I mean, yeah, yeah, it wouldn't surprise me because there

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<v Speaker 5>was so man, Okay.

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<v Speaker 3>I don't know if it makes me more comfortable or

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<v Speaker 3>less comfortable, but.

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<v Speaker 4>Like no, nope, nope.

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<v Speaker 5>You don't need to find a way to justify it

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<v Speaker 5>or find validity in it, because it is valid and

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<v Speaker 5>not that there weren't white people protesting this race when

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<v Speaker 5>Jamar Clark happened, when Filando still happened, et.

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<v Speaker 4>Cetera, et cetera, et cetera, et cetera.

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<v Speaker 5>But then we stopped, and fine, if it took a

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<v Speaker 5>pandemic that people still deny, then cool. Finally, I'm still

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<v Speaker 5>holding people's feet to the fire about it.

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<v Speaker 4>But I think the other thing that really.

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<v Speaker 5>Helped in the mobilization is people taking control of that intersection.

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<v Speaker 4>It was something that had never been done. George Floyd Square.

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<v Speaker 4>That was the game changer.

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<v Speaker 5>The occupying of that intersection was the real deal. Out

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<v Speaker 5>in West side Saint Paul and the East side. Saint

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<v Speaker 5>Paul's a big Latin community and they've always been on

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<v Speaker 5>the forefront of organizing and protesting. We've always connected ourselves

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<v Speaker 5>as black and brown folk. And it's not just the

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<v Speaker 5>black and brown people, it's the white people there too,

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<v Speaker 5>And we want to blame the pandemic. Cool because at

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<v Speaker 5>least people have mobilized and organized in a small fashion

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<v Speaker 5>as much as we've been mobilizing and organizing for over

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<v Speaker 5>seven years. Finally we've organized and mobilized to take ownership,

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<v Speaker 5>autonomous ownership and create a sacred space for us to

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<v Speaker 5>say this is ours, and if you're gonna try to

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<v Speaker 5>take it, we ain't gonna just let you take it.

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<v Speaker 4>We put some real.

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<v Speaker 5>Fear into the police force by destroying the Third Precinct.

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<v Speaker 5>My daughter's mom, she lives five blocks away from the

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<v Speaker 5>Third Precinct, and the high school that my daughter went

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<v Speaker 5>to is right there. But to give a full visual,

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<v Speaker 5>we walk in and then there's the major mural that

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<v Speaker 5>everybody knows of George Floyd's face and chest and then

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<v Speaker 5>all the names.

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<v Speaker 4>And it's so beautiful. I actually witnessed the creation of

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<v Speaker 4>this mural.

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<v Speaker 5>Across the street where Dragon Walk is where he was

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<v Speaker 5>first removed from his vehicle, and right in the center

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<v Speaker 5>there is the big paper mache's fist and it's grown

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<v Speaker 5>to be what it is now.

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<v Speaker 4>Right where he was killed.

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<v Speaker 5>There's an outline of his body painted but like as

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<v Speaker 5>a talk outline, and there's a lot of pictures, paintings, prayers, blessings, flowers,

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<v Speaker 5>everything surrounded there. There's a manifesto, the People's Manifesto about

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<v Speaker 5>the bottishment of.

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<v Speaker 4>Police on the street.

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<v Speaker 5>The names names full on names, George Floyd, Sandra Bland,

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<v Speaker 5>Jamar Clark, all the names that we've been hearing since Trayvon,

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<v Speaker 5>and it became this thing that is like a monument now.

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<v Speaker 2>Out of the Bible gets tired of the fact that

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<v Speaker 2>we can't breathe.

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<v Speaker 3>I was in DC.

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<v Speaker 2>I had just started a data science boot camp, and

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<v Speaker 2>I was sitting in front of the computer and staring

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<v Speaker 2>at the screen, and I'm like, what the hell am

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<v Speaker 2>I doing in a basement staring at a computer typing

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<v Speaker 2>Hello World into Python? When there's huge protests outside for

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<v Speaker 2>my people being killed. It's like, what the what the

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<v Speaker 2>hell are you doing? Get the hell up and go

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<v Speaker 2>out and protest. So I finally made it out one week.

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<v Speaker 2>I went down to Black Lives Matter Plaza with a

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<v Speaker 2>couple of black friends of mine as well. It was

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<v Speaker 2>weird because the fence leading up to the lighthouse was

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<v Speaker 2>covered in memorial There was a lot of tributes to

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<v Speaker 2>the several dozen black people that had been killed by

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<v Speaker 2>police violence, and there were people that were actively curating

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<v Speaker 2>that museum content, so to speak. The occupation of a

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<v Speaker 2>space was a big thing that was different about those protests.

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<v Speaker 2>Mayor Bowser basically right in front of the White House

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<v Speaker 2>when Trump was in office, renamed that entire plaza Black

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<v Speaker 2>Lives Matter Plaza to Washington, DC avenue's worth of blocks

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<v Speaker 2>spelled out Black Lives Matter leading up to as close

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<v Speaker 2>as you can get to the White House. But it

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<v Speaker 2>was the first time I had seen an official capacity

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<v Speaker 2>support for the Black Lives Matter movement. It didn't happen

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<v Speaker 2>with Shaymon Martin, no mayors, no governors, nobody spoke out

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<v Speaker 2>about these moments in their official capacity.

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<v Speaker 3>And then I got there, it just kind of it

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<v Speaker 3>felt weird.

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<v Speaker 2>It felt like the protest part of it had faded

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<v Speaker 2>away and we had now leaned into protest tourism, and

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<v Speaker 2>I felt like a protest tourist taking pictures, even though

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<v Speaker 2>I personally just want, you know, I want to be

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<v Speaker 2>able to tell my little niece what it felt like

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<v Speaker 2>being in Washington, d C. During the George Floyd protests,

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<v Speaker 2>even though it was black and there to celebrate black

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<v Speaker 2>lives once you got there, like, okay, so what am

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<v Speaker 2>I doing about this?

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<v Speaker 4>Right?

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<v Speaker 3>Like, it's one thing to document, but this is what's

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<v Speaker 3>the next step.

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<v Speaker 5>It's one of those things that is a fine line

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<v Speaker 5>because you also want to honor and respect those who

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<v Speaker 5>are there to document, to see it. At the same time,

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<v Speaker 5>are you here to look at this as a museum

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<v Speaker 5>and post on social media about how cool it is

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<v Speaker 5>that you're here.

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<v Speaker 2>What is your purpose in that moment? A lot of

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<v Speaker 2>it was, you know, it's not for social media. And

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<v Speaker 2>the only thing that got me through the tiers and

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<v Speaker 2>the data science boot camp and sitting in front of

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<v Speaker 2>a computer is that the most effective thing I can

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<v Speaker 2>do to just demonstrate black lives matter is to just

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<v Speaker 2>to demonstrate black excellence, black beauty. I think the only

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<v Speaker 2>thing that got me through taking those pictures with my

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<v Speaker 2>friends was you know, this is for me. This is

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<v Speaker 2>to reinforce strength in my identity because no one else

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<v Speaker 2>is going to do it for me. Where I was giving,

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<v Speaker 2>it's to the future, it's to the next generation.

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<v Speaker 7>Data Minnesota plaintiff versus Derek Michael Chauvin, defendant Bert to

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<v Speaker 7>count one. We the jury in the above entitled manner

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<v Speaker 7>as to count one unintentional second degree murder while committing

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<v Speaker 7>a felony buying the defendant guilty verdic count two guilty three,

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<v Speaker 7>guilty three.

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<v Speaker 5>It came some tears flowed, breathe a bit, and then

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<v Speaker 5>I'm like, yeah, cool, what's next, and we have a

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<v Speaker 5>cousin chat.

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<v Speaker 3>I'm not gonna lie umar. I put you guys on

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<v Speaker 3>a mute for a big I don't know if I

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<v Speaker 3>was working or what I was doing.

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<v Speaker 4>No, it's all good. It's all good.

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<v Speaker 2>I joke about muting you guys. But part of it,

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<v Speaker 2>too is just like how much of it can you

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<v Speaker 2>can you take? I remember sitting in front of the

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<v Speaker 2>computer and crying and it doesn't feel good, and despite

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<v Speaker 2>how many times we've been through it, it still does

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<v Speaker 2>not feel great. The only thing I want to hear

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<v Speaker 2>about this trial is if and when Chauvin is in

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<v Speaker 2>jail and not getting out. That's what I want to

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<v Speaker 2>hear because that's the effective stuff that matters. Right, I

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<v Speaker 2>will go through the retraumatization of that experience if that's

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<v Speaker 2>the outcome. I'm not going to re engage with all

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<v Speaker 2>this stuff. It's just to hear sentencing in eight weeks

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<v Speaker 2>in his New York home on a ranch where he

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<v Speaker 2>has to wear a bracelet and can't leave a forty

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<v Speaker 2>five acre radius, and then he's up for probation in

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<v Speaker 2>two years. Like, I'm not going to be engaged with

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<v Speaker 2>that unless I hear the actual verdict.

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<v Speaker 5>Realistically, I just need money away from the police. I

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<v Speaker 5>would like for this to actually be a catalyst. I

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<v Speaker 5>don't want police reform. I want a full restructuring to

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<v Speaker 5>abolishment of police, learning a new way of dealing with

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<v Speaker 5>conflict and preserving life and culture. Let's all be able

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<v Speaker 5>to have food, Let's all be able to have a home,

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<v Speaker 5>Let's all be able to communicate, making sure that everybody

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<v Speaker 5>can live.

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<v Speaker 1>Coming up on Latino, USA, Umar and Alex discuss some

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<v Speaker 1>of their struggles with race and Latini Dad as they

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<v Speaker 1>were growing up. Stay with us not yes, Hey, We're

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<v Speaker 1>back Afro Latino cousins. Umar Williams and Alex Newton continue

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<v Speaker 1>their conversation about race and Latinidad one year after George

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<v Speaker 1>Floyd's murder, and now they're going to go deep into

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<v Speaker 1>their childhood and their teenage years. And also a quick note,

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<v Speaker 1>You'll notice some difference in the sound quality in this

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<v Speaker 1>part of the conversation because it was recorded on a

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<v Speaker 1>different day and in quarantine, so still not in the studio.

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<v Speaker 1>Here are Umar and Alex again.

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<v Speaker 5>I grew up in Brooklyn, born in nineteen seventy five.

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<v Speaker 5>Golden Asia hip hop, Lot of You know the crack era, Alex.

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<v Speaker 5>You guys are Brunswick, Princeton Junction area.

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<v Speaker 3>Yeah, Jersey, Jersey.

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<v Speaker 2>We grew up in New Jersey, so it seems kind

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<v Speaker 2>of like our parents like ran away to the suburbs

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<v Speaker 2>to avoid the crack era.

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<v Speaker 3>One thing I will throw in is that my dad

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<v Speaker 3>is actually from Ghana. He and my mother met in

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<v Speaker 3>New York.

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<v Speaker 2>My mom used to explain to when we were younger,

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<v Speaker 2>my dad dragged her away from from her.

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<v Speaker 3>Family in the city and we moved into a New Jersey.

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<v Speaker 3>I grew up very.

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<v Speaker 2>Closely with my African cousins, so the Newton side of

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<v Speaker 2>the family that they were literally a bike right away.

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<v Speaker 2>The one interesting thing I will say about, you know,

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<v Speaker 2>the black culture is, and especially given the time that

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<v Speaker 2>my parents were born and the time that they decided

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<v Speaker 2>to move, is.

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<v Speaker 3>This whole idea of Pan Africanism.

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<v Speaker 2>In the sixties, all these African countries were gaining independence.

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<v Speaker 3>I think Marcus Garvey was huge, grew up years that

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<v Speaker 3>has worked bothered, and there's this.

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<v Speaker 2>Whole movement and feeling of Pan Africanism that extended itself

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<v Speaker 2>into Jamaica and Barbados, made its way into Panama obviously,

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<v Speaker 2>and I think that's what my mother was very much too.

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<v Speaker 2>You know, she got herself some kente cloth, got herself

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<v Speaker 2>an African husband, and like really leaned into the whole

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<v Speaker 2>idea of you know, black people being united across the world.

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<v Speaker 5>And what's funny is that your mom she reps Patama

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<v Speaker 5>like nobody's business man. It's like, you know all about Badama,

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<v Speaker 5>but is you know, definitely steeped in that Pan Africanism

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<v Speaker 5>and the extension of preserving culture.

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<v Speaker 4>My mother is the same way.

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<v Speaker 2>I always grew up thinking we were West Indian before

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<v Speaker 2>we were Latino, right, the whole Latino part of it.

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<v Speaker 2>Because you go to West Indian Day Parade, which was

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<v Speaker 2>always an event for our family. Our grandparents' home was

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<v Speaker 2>literally blocks away from the epicenter of the parade. It's

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<v Speaker 2>mostly the West Indian Caribbean energy and culture. You know,

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<v Speaker 2>Trinidadians and Jamaicans and Saint Lucians and you know all that,

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<v Speaker 2>but there's also Panamanians and Puerto Ricans and Cubans and

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<v Speaker 2>Dominicans and brought the celebration of Carnival.

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<v Speaker 4>Into that strip of the Parkway. It was a way

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<v Speaker 4>for us all to gather together and celebrate.

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<v Speaker 2>You know who we are, right and the minority identity

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<v Speaker 2>with identity with which you probably most frequently identify is

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<v Speaker 2>the one that's most attacked.

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<v Speaker 3>For me growing up in New Jersey.

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<v Speaker 2>First of all, you look at me and people were like,

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<v Speaker 2>you're black, and nobody's like, oh, your dad's Ganaane. I mean,

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<v Speaker 2>it's like you figure out that Africa is not a country,

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<v Speaker 2>nobody's gonna specifiye that your dad's Ghanaan, and it's even

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<v Speaker 2>Panama for your Latino. It's like people aren't used to

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<v Speaker 2>seeing a black Latino. Amar was talking about, you know

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<v Speaker 2>how he always grew up knowing that we were black.

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<v Speaker 2>For us, it was at first and for me, just

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<v Speaker 2>when I started being able to have in memory, we

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<v Speaker 2>had just moved into a house in one of these

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<v Speaker 2>white Italian suburbs, this is North Brunswick, and I don't

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<v Speaker 2>remember exactly how it happened, but as soon as we

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<v Speaker 2>moved in, people broke into our house and wrote get

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<v Speaker 2>out on our wall.

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<v Speaker 4>I remember that. I remember that distinctly.

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<v Speaker 3>Yeah, I mean, if you, if you get explained, you

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<v Speaker 3>probably know better than I do.

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<v Speaker 5>Yeah, you were very young when that happened. I was

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<v Speaker 5>literally like the day or the day after you guys

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<v Speaker 5>moved in. I came to visit with my mom, who

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<v Speaker 5>wanted to see what was going on. And again, we're

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<v Speaker 5>close fit family. You mess with one, you're gonna mess

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<v Speaker 5>with the whole family. So we coming in and be ready.

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<v Speaker 4>I was just in college at that time. No, I

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<v Speaker 4>was in high school and.

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<v Speaker 5>Spray painted all over the world. Every room, every room,

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<v Speaker 5>Get out, just get out. They moved in there, and

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<v Speaker 5>it was really the first time my younger cousins, Newton cousins,

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<v Speaker 5>had ever had to really experience it that blankantly. I

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<v Speaker 5>I'm from Brooklyn. That would the cops a lot. I've

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<v Speaker 5>been called before, I've been called baboom monkey. Got into

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<v Speaker 5>a few fights in my youth because of that. But

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<v Speaker 5>his parents made sure that they were as sheltered from

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<v Speaker 5>that experience as possible.

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<v Speaker 2>I can't see it visually, and maybe it's one of

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<v Speaker 2>those things that my parents told me directly after that.

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<v Speaker 2>But brother Ryan, like we grew up just being kids,

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<v Speaker 2>not being black kids, until like that memory was brought

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<v Speaker 2>for them, and it's like we didn't really talk too

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<v Speaker 2>much about race.

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<v Speaker 3>It's always as balanced.

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<v Speaker 2>You know, and black families of how long can I

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<v Speaker 2>let my child grow up by the naive ignorance that

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<v Speaker 2>is just being a child and a human being. Before

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<v Speaker 2>the conversation these there is this debate of African American

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<v Speaker 2>and where we put the dashes and if we capitalize

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<v Speaker 2>certain things. And I never wanted to be called African American.

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<v Speaker 2>That was always like black is black is the way

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<v Speaker 2>to go. I don't have to separate myself from African

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<v Speaker 2>Americans quote unquote, or from black Latinos or whatever.

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<v Speaker 5>I despised being called African American, not because I didn't

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<v Speaker 5>connect to being African. You look at us, we go

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<v Speaker 5>down to Africa, so that was understood. That was always understood.

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<v Speaker 5>My mother made sure that was always understood with me,

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<v Speaker 5>so we don't need to be reminded of the continent.

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<v Speaker 5>It lumped us all in in a way that we

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<v Speaker 5>didn't need to be lumped in.

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<v Speaker 4>And erase a lot of who we are. I agree with,

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<v Speaker 4>like what you go work, I'm not from Africa.

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<v Speaker 5>I'm black. I'm not even going to call myself Black American.

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<v Speaker 5>I'm black, plain and simple. If anybody's African Americans, my

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<v Speaker 5>cousins because their fathers from Ghana.

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<v Speaker 2>Yeah, probably like most most directly African, right exactly exactly.

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<v Speaker 5>You're going to call somebody African American, can call them

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<v Speaker 5>Newton's African American because their their fathers from Ghana, but

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<v Speaker 5>their mother's from Panama.

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<v Speaker 3>So you can't just call them, Okay.

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<v Speaker 4>They Latin.

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<v Speaker 3>You know, we we don't play that.

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<v Speaker 4>Nobody gets to tell.

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<v Speaker 3>You who you are.

430
00:26:31.119 --> 00:26:34.920
<v Speaker 2>They sent my moms right right, right, right right exactly exactly,

431
00:26:35.160 --> 00:26:41.280
<v Speaker 2>not even our dads only. And thinking about when I

432
00:26:41.359 --> 00:26:45.160
<v Speaker 2>discovered my Latinia, it's hard because probably the only reason

433
00:26:45.240 --> 00:26:47.840
<v Speaker 2>that I realized that I was Latino was because I

434
00:26:47.960 --> 00:26:52.119
<v Speaker 2>grew up saying Panama and when you go to school,

435
00:26:52.280 --> 00:26:52.840
<v Speaker 2>they say.

436
00:26:52.720 --> 00:26:55.760
<v Speaker 3>Panama and get to school and people were like, why

437
00:26:55.800 --> 00:26:57.000
<v Speaker 3>do you say it that way? I was like, why

438
00:26:57.040 --> 00:26:58.840
<v Speaker 3>do you say it that way? That's not the day

439
00:26:58.880 --> 00:27:01.840
<v Speaker 3>of the country. Like that was like probably the only

440
00:27:01.920 --> 00:27:04.399
<v Speaker 3>thing I knew about my Latinidad as I was growing up.

441
00:27:04.840 --> 00:27:08.399
<v Speaker 2>I never really leaned into my Latino identity until I

442
00:27:08.520 --> 00:27:10.800
<v Speaker 2>was able to reconcile the blackness part of it.

443
00:27:11.160 --> 00:27:13.240
<v Speaker 3>That didn't come until college.

444
00:27:13.320 --> 00:27:17.520
<v Speaker 2>Actually, Africa and Latin America have all these commonalities from

445
00:27:17.560 --> 00:27:20.800
<v Speaker 2>the development perspective, to start, but also just from like

446
00:27:21.119 --> 00:27:25.880
<v Speaker 2>a colonization perspective, from language perspectives between like whether it's

447
00:27:25.920 --> 00:27:29.160
<v Speaker 2>like French in Africa or English in Africa and Spanish

448
00:27:29.200 --> 00:27:31.679
<v Speaker 2>in Latin America. It has all these they have all

449
00:27:31.720 --> 00:27:35.359
<v Speaker 2>these similarities. When I realized that, oh wait, both of

450
00:27:35.400 --> 00:27:36.600
<v Speaker 2>these people were pressing the same way.

451
00:27:36.640 --> 00:27:36.960
<v Speaker 3>That's why.

452
00:27:38.280 --> 00:27:41.760
<v Speaker 2>That's when I realized, my Latini Dad, it's probably slightly

453
00:27:41.800 --> 00:27:42.720
<v Speaker 2>different for you and Mark.

454
00:27:43.160 --> 00:27:47.800
<v Speaker 5>The difference was my mom was very steep in her

455
00:27:47.960 --> 00:27:51.720
<v Speaker 5>Latini Dad. All of the siblings, as we call them,

456
00:27:53.119 --> 00:27:56.200
<v Speaker 5>they spoke to each other in Spanish, the Panamanian Spanish,

457
00:27:56.200 --> 00:27:58.399
<v Speaker 5>which is different from Puerto Rican, which is different from Cuban.

458
00:28:00.119 --> 00:28:03.640
<v Speaker 5>Is definitely a West Indian inflection in the words.

459
00:28:04.920 --> 00:28:05.920
<v Speaker 3>That's very confusing.

460
00:28:06.200 --> 00:28:12.960
<v Speaker 5>Yeah, And they spoke to each other in Spanglish, their

461
00:28:13.080 --> 00:28:13.960
<v Speaker 5>version of Spanglish.

462
00:28:14.280 --> 00:28:22.800
<v Speaker 2>Yes, particular brand of Spanglish, spiculous specific kind a lot.

463
00:28:23.600 --> 00:28:23.720
<v Speaker 3>You know.

464
00:28:24.560 --> 00:28:31.159
<v Speaker 5>You know, my mother made sure that I knew my

465
00:28:31.320 --> 00:28:34.520
<v Speaker 5>culture and there was a pride about it. You know,

466
00:28:34.720 --> 00:28:38.160
<v Speaker 5>we knew our music, and you knew the language. We

467
00:28:38.240 --> 00:28:42.080
<v Speaker 5>knew our history. A big thing about our family is

468
00:28:42.200 --> 00:28:45.840
<v Speaker 5>understanding where we come from. Also, be strong, don't be

469
00:28:45.920 --> 00:28:48.800
<v Speaker 5>afraid of who you are. As much as people will

470
00:28:48.840 --> 00:28:52.480
<v Speaker 5>look at you and say you're not, you can say

471
00:28:52.840 --> 00:28:54.000
<v Speaker 5>yes the hell I am.

472
00:28:54.840 --> 00:28:56.400
<v Speaker 3>Yeah, and even taking a step farther.

473
00:28:56.840 --> 00:28:59.040
<v Speaker 2>I had an Argentinian friend in high school and I

474
00:28:59.120 --> 00:29:02.080
<v Speaker 2>was like, his last name is the Benedetti and he

475
00:29:02.320 --> 00:29:04.240
<v Speaker 2>was white and with blue eyes.

476
00:29:04.280 --> 00:29:08.480
<v Speaker 3>I was like, I'm confused. You say you're Argentinian, but

477
00:29:10.240 --> 00:29:15.040
<v Speaker 3>you white as hell, Like are you are you? That's

478
00:29:15.080 --> 00:29:17.520
<v Speaker 3>totally fair, that's totally fair. But I was like, I

479
00:29:17.640 --> 00:29:19.400
<v Speaker 3>know I'm Latino. What the hell are you?

480
00:29:19.920 --> 00:29:23.080
<v Speaker 2>You claim to be Latino and I claim to be Latino.

481
00:29:23.280 --> 00:29:25.680
<v Speaker 2>I don't know how we both was like, happened to be.

482
00:29:26.360 --> 00:29:28.480
<v Speaker 3>Latino under the same umbrella.

483
00:29:30.040 --> 00:29:33.400
<v Speaker 2>I had grown up presuming that Latinos were black or

484
00:29:34.040 --> 00:29:36.720
<v Speaker 2>some kind of mixed brownish, like a person of color.

485
00:29:37.080 --> 00:29:38.960
<v Speaker 3>And then I started beating white Latinos and I.

486
00:29:39.040 --> 00:29:42.440
<v Speaker 2>Was so confused, so confused, Like I guess the tough

487
00:29:42.480 --> 00:29:45.840
<v Speaker 2>part of seeing this Argentine was you can claim to

488
00:29:45.880 --> 00:29:49.640
<v Speaker 2>be just as different as I am just because you're

489
00:29:49.680 --> 00:29:52.520
<v Speaker 2>also Latino. But it's like when he goes to Spain

490
00:29:52.520 --> 00:29:56.920
<v Speaker 2>and speaks Spanish, people aren't doubting your identity based on

491
00:29:57.080 --> 00:29:58.040
<v Speaker 2>solely your appearance.

492
00:29:59.000 --> 00:30:02.640
<v Speaker 5>But we both the experience of having to actually prove ourselves,

493
00:30:02.920 --> 00:30:06.760
<v Speaker 5>which is a difficult thing when that's how you've grown

494
00:30:06.840 --> 00:30:10.880
<v Speaker 5>up and that's how you identify. There's another way of survival,

495
00:30:10.920 --> 00:30:14.680
<v Speaker 5>how to navigate through this life as an Afro Latino.

496
00:30:15.040 --> 00:30:17.520
<v Speaker 2>I have to say I had a conversation just the

497
00:30:17.600 --> 00:30:20.920
<v Speaker 2>other day with my roommate around all of this, this

498
00:30:21.080 --> 00:30:24.080
<v Speaker 2>concept of being black and being white. If I had

499
00:30:24.160 --> 00:30:27.000
<v Speaker 2>the choice to be born again and I could choose

500
00:30:27.080 --> 00:30:31.240
<v Speaker 2>my race, I would choose blackness again. And he's like, well,

501
00:30:32.320 --> 00:30:34.600
<v Speaker 2>you know, if you look at the data, you look

502
00:30:34.640 --> 00:30:36.200
<v Speaker 2>at the grass, and you look at the odds of

503
00:30:36.440 --> 00:30:40.640
<v Speaker 2>like being pulled over, being arrested, being killed and all that.

504
00:30:41.560 --> 00:30:43.240
<v Speaker 2>Not to just throw it in there lightly, but like

505
00:30:44.240 --> 00:30:46.360
<v Speaker 2>like why would you choose to be black again? But

506
00:30:46.840 --> 00:30:50.040
<v Speaker 2>when something happens, you know it fits the Watts riots

507
00:30:50.080 --> 00:30:54.080
<v Speaker 2>in la if it's to Derek Chauvin's trial. Today, black

508
00:30:54.120 --> 00:30:59.760
<v Speaker 2>people are not surprised because we've grown up with this perspective.

509
00:31:00.120 --> 00:31:02.640
<v Speaker 2>A lot of white people have to learn to have perspective,

510
00:31:02.760 --> 00:31:05.560
<v Speaker 2>and that's something that's just baked into being black, into

511
00:31:05.600 --> 00:31:08.520
<v Speaker 2>being other. My identity is always different I'm always the

512
00:31:08.600 --> 00:31:11.560
<v Speaker 2>one out because people can see you before they can

513
00:31:11.640 --> 00:31:13.640
<v Speaker 2>hear you. You know, the depth of all of this stuff.

514
00:31:13.800 --> 00:31:16.680
<v Speaker 2>It's not just the small stuff. It's not just the

515
00:31:16.880 --> 00:31:20.160
<v Speaker 2>brazen stuff like having your house spray painted. It's not

516
00:31:20.320 --> 00:31:23.000
<v Speaker 2>just people crossing the street and clutching their purses. It's

517
00:31:23.080 --> 00:31:26.280
<v Speaker 2>this whole invisible thing that you can't see. For a

518
00:31:26.320 --> 00:31:28.520
<v Speaker 2>lot of white people, they don't experience that. They don't

519
00:31:28.720 --> 00:31:32.840
<v Speaker 2>see how the zip codes are codified into Jim Crow.

520
00:31:33.200 --> 00:31:35.360
<v Speaker 2>People won't see that and they don't experience it because

521
00:31:35.400 --> 00:31:37.760
<v Speaker 2>they're not denied a home loan. But people like it

522
00:31:37.880 --> 00:31:40.320
<v Speaker 2>for every step of our lives. You know, it's every

523
00:31:40.440 --> 00:31:43.040
<v Speaker 2>little thing. There's always so many times like that that

524
00:31:43.160 --> 00:31:46.480
<v Speaker 2>stuff can happen there it's like, okay, we're not deceived.

525
00:31:46.880 --> 00:31:49.040
<v Speaker 2>So all the perspective that you get from that, I mean,

526
00:31:49.240 --> 00:31:52.760
<v Speaker 2>it's something that can't be taught. It's something that can't

527
00:31:52.760 --> 00:31:56.520
<v Speaker 2>be learned. It's something that we grew up in that's

528
00:31:56.560 --> 00:32:00.160
<v Speaker 2>baked into our culture or the way we raise is

529
00:32:00.240 --> 00:32:03.280
<v Speaker 2>and just the small moments of pride, just as being

530
00:32:03.360 --> 00:32:06.320
<v Speaker 2>a black person. But I think just to bring it

531
00:32:06.360 --> 00:32:07.760
<v Speaker 2>back to the pride thing too, I think it makes

532
00:32:07.800 --> 00:32:10.760
<v Speaker 2>us stronger. For every scab that you get, for every

533
00:32:10.760 --> 00:32:12.600
<v Speaker 2>cup that you get, the skin that we grows is

534
00:32:12.680 --> 00:32:14.360
<v Speaker 2>stronger than the skin that was there before.

535
00:32:15.120 --> 00:32:22.320
<v Speaker 5>What is really good about finding and living in blackness

536
00:32:22.400 --> 00:32:26.600
<v Speaker 5>and all the forms that we have is that we

537
00:32:28.160 --> 00:32:31.800
<v Speaker 5>have been able to live and navigate in a way

538
00:32:32.920 --> 00:32:40.120
<v Speaker 5>that has us understanding who we are and not being

539
00:32:40.280 --> 00:32:47.719
<v Speaker 5>ashamed of it, not staring away from it, but fully embracing.

540
00:32:47.240 --> 00:32:50.960
<v Speaker 4>It and fully being a part of it. All of it,

541
00:32:52.320 --> 00:32:53.840
<v Speaker 4>all of it, all of it is who.

542
00:32:53.800 --> 00:32:55.360
<v Speaker 5>We were, and all of it was rich, and all

543
00:32:55.400 --> 00:33:02.360
<v Speaker 5>of it was beautiful, absolutely beautiful. And don't let anybody,

544
00:33:02.840 --> 00:33:06.560
<v Speaker 5>whether they look like you or they look at your oppressors,

545
00:33:07.920 --> 00:33:09.200
<v Speaker 5>ever take that away from you.

546
00:33:19.680 --> 00:33:23.240
<v Speaker 1>Our thanks to Umar and Alex for sharing their thoughts

547
00:33:23.280 --> 00:33:46.720
<v Speaker 1>with us. This episode was produced by Mari es Kinka

548
00:33:46.800 --> 00:33:50.400
<v Speaker 1>and edited by Marta Martinez. The Latino USA team includes

549
00:33:50.600 --> 00:33:55.920
<v Speaker 1>Miel Marcias Andrello Escrusado, Mike Sargent, Julieta Martinelli, Victories, Trada,

550
00:33:56.200 --> 00:34:00.680
<v Speaker 1>Gini Montalbo, Alejandra Slasar, Renaldo Leanoz Junior, and Julia Rocha,

551
00:34:00.920 --> 00:34:04.160
<v Speaker 1>with help from Raoul Berez. Our engineers are Stephanie Lebou,

552
00:34:04.320 --> 00:34:07.960
<v Speaker 1>Julia Caruso and Leah Shaw. Our digital editor is Luis Luna.

553
00:34:08.280 --> 00:34:11.040
<v Speaker 1>Our intern is Oscar de Leon. Our theme music was

554
00:34:11.080 --> 00:34:13.640
<v Speaker 1>composed by Zane Ruinos. If you like the music you

555
00:34:13.719 --> 00:34:17.160
<v Speaker 1>heard on this episode, stop by Latinousa dot org and

556
00:34:17.320 --> 00:34:20.400
<v Speaker 1>check out our weekly Spotify playlist. I'm your host and

557
00:34:20.480 --> 00:34:23.759
<v Speaker 1>executive producer Maria no Josa. Join us again on our

558
00:34:23.840 --> 00:34:26.680
<v Speaker 1>next episode, and in the meantime, I'll see you on

559
00:34:26.880 --> 00:34:30.000
<v Speaker 1>all of our social media. Hi Losbo Bye.

560
00:34:32.920 --> 00:34:37.160
<v Speaker 6>Latino USA is made possible in part by W. K.

561
00:34:37.480 --> 00:34:42.160
<v Speaker 6>Kellogg Foundation, a partner with communities where Children Come First,

562
00:34:43.239 --> 00:34:50.360
<v Speaker 6>the Chan Zuckerberg Initiative, and the Heisin Simons Foundation Unlocking knowledge,

563
00:34:50.719 --> 00:34:55.759
<v Speaker 6>opportunity and possibilities more at hsfoundation dot org.

564
00:35:00.000 --> 00:35:02.840
<v Speaker 5>I was like, if we have to celebrate the Catholic

565
00:35:02.920 --> 00:35:05.719
<v Speaker 5>holidays and the Jewish holidays, we're going to celebrate Black

566
00:35:05.760 --> 00:35:09.040
<v Speaker 5>holidays too. You ain't going to school for Black Solidarity Day,

567
00:35:09.200 --> 00:35:11.439
<v Speaker 5>and don't worry about it. I'm not going to work either,

568
00:35:12.280 --> 00:35:13.919
<v Speaker 5>and I'm going to teach you about being black.

569
00:35:16.719 --> 00:35:19.960
<v Speaker 1>I'm Maria no Josa. Next time on Latino USA. A

570
00:35:20.120 --> 00:35:23.440
<v Speaker 1>year after its scheduled release in the Heights hits theaters

571
00:35:23.480 --> 00:35:26.359
<v Speaker 1>across the country. I speak with director John M Two

572
00:35:26.440 --> 00:35:30.480
<v Speaker 1>about why he thinks immigrant narratives deserve to be summer blockbusters.

573
00:35:30.560 --> 00:35:33.080
<v Speaker 5>The best parts are the struggle, because that's how you

574
00:35:33.120 --> 00:35:34.279
<v Speaker 5>see how tough everyone is.

575
00:35:34.400 --> 00:35:36.640
<v Speaker 4>That's how you see how much people care about each other.

576
00:35:36.880 --> 00:35:38.520
<v Speaker 4>That's next time on Latino USA.