WEBVTT

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<v Speaker 1>From Futro Media and PRX. It's Latino USA. I'm Mariano Rosa.

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<v Speaker 1>Today a preview of the second episode of season two

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<v Speaker 1>of our Bulletzer Prize winning podcast Suave. Well, Dear listener,

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<v Speaker 1>it's been seven years since the release of David Luis

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<v Speaker 1>Suave Gonzalez from a maximum security prison. Suave had been

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<v Speaker 1>sentenced to life without parole as a teenager. But you

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<v Speaker 1>might remember we were there when Suave finally walked out

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<v Speaker 1>of prison seven years ago. Now, Suave is navigating life

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<v Speaker 1>as a freeman and dealing with all of the feelings

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<v Speaker 1>and pressure that comes with it, because starting over is

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<v Speaker 1>complicated and on the outside, life can come at you

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<v Speaker 1>dangerously fast. This season, we're gonna go deep into Suave's

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<v Speaker 1>quest to define what freedom really means for him. Ririeta

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<v Speaker 1>Martinelli is the host of Suavest season two, and she's

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<v Speaker 1>gonna guide us through this journey. And just a warning,

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<v Speaker 1>dear listener, this episode contained some strong language.

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<v Speaker 2>Sometimes I do think that I was better off locked up,

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<v Speaker 2>and that's hard to say, but it's the truth.

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<v Speaker 3>You know, it's the truth, man, And whoever.

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<v Speaker 2>Been locked up thirty one years or more and tell

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<v Speaker 2>you otherwise it's Lyne dayline.

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<v Speaker 3>I'm still living. I still live like I'm in prison.

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<v Speaker 2>Like locked up, like I'm in my father fucking jail set.

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<v Speaker 2>You know, that's the scary part for me, because I

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<v Speaker 2>haven't been able to shake it off. Shit another day

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<v Speaker 2>in this world. Five o'clock in the morning, just cutting up. Bella, Bella,

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<v Speaker 2>I'm gonna whip your ass.

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<v Speaker 4>Bella Suave, formerly one of the hardest guys on the

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<v Speaker 4>block at Greater for Prison, now a doting cat.

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<v Speaker 3>Dat man.

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<v Speaker 2>Bella just snuck in the bed and chucked in under

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<v Speaker 2>my arms when I was sleeping, got hair all over

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<v Speaker 2>my black sheets.

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<v Speaker 1>And this cat, she's got an adorable wardrobe of yes,

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<v Speaker 1>pink dresses.

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<v Speaker 2>I get her these little warm outfits. I think it's

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<v Speaker 2>so cute. I don't think Bella understands she's a girl,

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<v Speaker 2>so I put pink onhot to let her know, Like,

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<v Speaker 2>look at yourself in the mirror, you are a girl.

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<v Speaker 3>Bella.

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<v Speaker 4>Swabe's studio apartment is pretty tiny, but after decades in

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<v Speaker 4>a small cell, Swabi says it felt kind of palatial

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<v Speaker 4>when he moved in. He calls his apartment a.

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<v Speaker 2>Hard class prison cell. I don't need a whole lot.

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<v Speaker 2>It's better than a house for.

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<v Speaker 4>Me, unlike a prison cell.

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<v Speaker 3>Though.

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<v Speaker 4>There's a big fluffy bed here. Also, it's kind of

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<v Speaker 4>Bella's bed. But after sleeping on a three inch mattress

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<v Speaker 4>over a metal slab for three decades, he can't really

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<v Speaker 4>get comfortable on this bed sometimes.

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<v Speaker 2>And you know, I don't even tell people this, but

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<v Speaker 2>sometimes I just take a sheet or quilt, put it

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<v Speaker 2>on the floor and lay on the floor.

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<v Speaker 4>It turns out it's harder than it seems to break

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<v Speaker 4>some prison habits.

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<v Speaker 3>In prison, you got.

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<v Speaker 2>To get up and the gul walk around and make

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<v Speaker 2>sure you physically there. They blow a boohall like ten

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<v Speaker 2>minutes before they come around. Count Ton, Count Tom. That's

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<v Speaker 2>what they would yell every morning. At home. It's almost

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<v Speaker 2>the same thing. I get up Bella and be all

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<v Speaker 2>content together.

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<v Speaker 1>You know, I always worry about suavez sleeping situation. It's

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<v Speaker 1>kind of weird. It's one of the things that I'm like,

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<v Speaker 1>is he sleeping? And lately he's been telling me that

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<v Speaker 1>he's sleeping even less, and you know, he he jokes

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<v Speaker 1>about it. Actually he's I think he's kind of like

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<v Speaker 1>showing off because you know, he's working a bunch of

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<v Speaker 1>jobs and there's always something going on and.

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<v Speaker 3>It's a thing.

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<v Speaker 4>And Maria, you've offered him some advice that has helped

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<v Speaker 4>you sleep.

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<v Speaker 1>I worry because you're like, I've been up all night,

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<v Speaker 1>haven't slept, and I do have some cannabis bills that

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<v Speaker 1>will knock you out.

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<v Speaker 3>Well.

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<v Speaker 2>I appreciate the cannabis, right, but also I just want

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<v Speaker 2>to make you aware and the whole team that if

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<v Speaker 2>I do take some cannabis, whether it's medically or not,

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<v Speaker 2>you are like saying we see you in about six months,

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<v Speaker 2>because that's like a direct violation for parole.

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<v Speaker 3>Shit. I'm sorry, and so I would stay away from

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<v Speaker 3>that one.

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<v Speaker 1>Damn bro.

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<v Speaker 4>From Futura Studios. This is Suave. I'm Julie de Martinelli.

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<v Speaker 4>In twenty seventeen, David Luis Swave Gonzalez was released from

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<v Speaker 4>prison after thirty one years serving a life sentence without parole.

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<v Speaker 4>He was one of thousands of juvenile lifers granted a

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<v Speaker 4>second chance at This is a story about life after

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<v Speaker 4>incarceration and the search for the true meaning of freedom.

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<v Speaker 4>This is season two. On this episode the Long Shadow

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<v Speaker 4>of Parole.

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<v Speaker 1>So you know, ju I don't know if this happens

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<v Speaker 1>to you, but at this point, I've been checking in

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<v Speaker 1>with Swavee basically weekly, if not multiple times a week

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<v Speaker 1>for years now, and you know, it's like, you can

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<v Speaker 1>forget that this guy is still essentially governed by a

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<v Speaker 1>very strict set of rules that keep him tethered like emotionally, psychologically,

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<v Speaker 1>spiritually to this prison past. And you know, it's bigger

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<v Speaker 1>than sleeping on the floor or waking up for count time.

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<v Speaker 1>I mean, it's it's deep.

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<v Speaker 4>You're right, because seven years out, Suave is still on

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<v Speaker 4>parole and he will be forever. And that's because he

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<v Speaker 4>has lifetime parole. And that means.

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<v Speaker 2>Basically, you're still incarcerated. You're just serving your time out

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<v Speaker 2>in society.

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<v Speaker 1>The thing is is that even though Suave is free

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<v Speaker 1>on parole, he still technically has a life sentence, but

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<v Speaker 1>he just gets to serve it on the outside.

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<v Speaker 4>Yeah, and he can be so nonchalant about it, I mean,

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<v Speaker 4>but the reality still is that freedom is a privilege

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<v Speaker 4>for Suave, and that privilege can be taken away pretty

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<v Speaker 4>much for anything.

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<v Speaker 1>Yeah, So we asked him to actually list some of

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<v Speaker 1>the rules that he has to follow forever.

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<v Speaker 3>I can't travel without permission.

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<v Speaker 2>I can't move from one house to another house without

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<v Speaker 2>asking permission.

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<v Speaker 1>You really can't have any interaction with the police.

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<v Speaker 2>I can't be around certain people. I can't go to

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<v Speaker 2>certain establishment.

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<v Speaker 4>Right, so he's banned forever from visiting anyone in prison

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<v Speaker 4>that he was incarcerated with, even if it's family.

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<v Speaker 3>I can't drink.

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<v Speaker 2>I cannot smoke a little bit of weed or smoke

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<v Speaker 2>me a Philly blunt.

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<v Speaker 1>And that's even though alcohol is legal for any adult

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<v Speaker 1>and that weed has been decriminalized in Philly, but not

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<v Speaker 1>for Swave.

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<v Speaker 2>Can't do that because if they take the or and

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<v Speaker 2>come up hot as a volidation.

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<v Speaker 1>Oh yeah, Also, he has to pay them for this privilege.

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<v Speaker 2>You paying the parole bull a monthly fee to supervise

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<v Speaker 2>you for what.

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<v Speaker 1>For someone on the outside, just imagining living with all

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<v Speaker 1>of these rules, it sounds entirely crazy. Swave has to

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<v Speaker 1>be perfect one hundred percent of the time because guaiget

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<v Speaker 1>Go si that any little thing can literally change the

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<v Speaker 1>course of his life in an instant.

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<v Speaker 4>Yeah. That means that even the most monday of things

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<v Speaker 4>that you and I never think of in our daily

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<v Speaker 4>life can become really really scary for Suave.

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<v Speaker 2>Today is probably the first time I take my card

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<v Speaker 2>out in six months out to a drive. I'm fucking nervous.

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<v Speaker 2>I'm shaking, I get anxiety.

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<v Speaker 4>It's a weekday and Swave usually takes the Septa bus

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<v Speaker 4>to get to work at Community College of Philadelphia, but

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<v Speaker 4>today he's got so many errands it's just not feasible

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<v Speaker 4>to take the bus.

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<v Speaker 2>For a lot of people, driving is something they look

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<v Speaker 2>forward to doing.

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<v Speaker 3>Not me, not me.

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<v Speaker 2>I hate fucking driving. I hate it. I don't know

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<v Speaker 2>how to deal with my anxiety. When I'm behind the

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<v Speaker 2>will my anxiety take over to the point where I

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<v Speaker 2>just want to crash the car somewhere and stop and

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<v Speaker 2>get out and leave it running.

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<v Speaker 3>So I just don't drive. I just don't drive.

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<v Speaker 4>It's a sunny day and Suave is writing in his

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<v Speaker 4>gray Hyundai. He's wearing a gray suit with a black

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<v Speaker 4>shirt underneath. He's sitting close to the wheel and he's

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<v Speaker 4>holding it pretty tight.

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<v Speaker 2>I am really, really, really afraid to get stopped by

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<v Speaker 2>the police. The minute they stop you and they find

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<v Speaker 2>out you on parole, you're getting handcuffed. Now your car

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<v Speaker 2>getting searched, and if you don't report that traffic stop

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<v Speaker 2>to parole. It's a violation of your conditions and that

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<v Speaker 2>could lock you up.

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<v Speaker 4>The anxiety is so bad that Swave ends up asking

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<v Speaker 4>a friend to drive him home that night. But there

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<v Speaker 4>is some hope for the future. Technically, there is some

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<v Speaker 4>legal recourse that could allow Suave to get off of

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<v Speaker 4>lifetime parole, even if it's kind of a long shot.

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<v Speaker 2>We gotta file for complete commotation from the parting board.

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<v Speaker 4>Commutation just means that the remaining term of his sentence

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<v Speaker 4>is completely forgiven. But it's not easy to get.

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<v Speaker 3>It's almost like hitting the lottery.

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<v Speaker 2>You got to have the Attorney General's vote and then

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<v Speaker 2>unanimous vote basically before it gets to the governor's office,

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<v Speaker 2>and then he got to consider it.

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<v Speaker 1>Like not easy at all.

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<v Speaker 4>The Board of Pardons doesn't state just how long after

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<v Speaker 4>a conviction they'll consider a pardon. They just mentioned that

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<v Speaker 4>they do consider the length of time. But a report

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<v Speaker 4>by the Community Legal Services of Philadelphia, who work with

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<v Speaker 4>clients that are going through this process, confirms that the

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<v Speaker 4>majority of people who are successful have been out of

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<v Speaker 4>prison for about five to ten years, depending on the offense.

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<v Speaker 3>I'm coming up by my seven years in November.

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<v Speaker 4>It might be impossible, but maybe us, maybe would that

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<v Speaker 4>feel like true freedom?

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<v Speaker 3>We have to do that.

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<v Speaker 1>Good afternoon, God, I haven't talked to you in a

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<v Speaker 1>long time, man.

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<v Speaker 3>Three years to talk all the time.

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<v Speaker 2>Listen, I'm gonna tell you I don't laugh at this

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<v Speaker 2>fleet it was you could laugh.

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<v Speaker 1>So on this Sunday afternoon, Save calls me like he

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<v Speaker 1>usually does, and he tells me about his weekend. Tells

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<v Speaker 1>me that he was hanging out with a group of

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<v Speaker 1>guys that he knew from prison. That they showed up

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<v Speaker 1>to his place for a barbecue, and you know, these

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<v Speaker 1>are guys that he used to be locked up with.

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<v Speaker 2>So we started off sinking karaoke with Lavo and we

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<v Speaker 2>had a we had a food drink.

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<v Speaker 4>Oh no that, Oh no, why did you say that?

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<v Speaker 3>Maria?

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<v Speaker 1>At that moment, I'm like, no, no, no, no, no,

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<v Speaker 1>because you know you can't be drinking. And then I'm

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<v Speaker 1>all like, oh my god, what happens if Perole calls

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<v Speaker 1>him right now at this precise moment. But you know

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<v Speaker 1>the good news is that the story didn't end up

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<v Speaker 1>going in that direction.

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<v Speaker 3>And guess what's song we end up singing? Manulo sue what.

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<v Speaker 2>They helped me more, I swear to God.

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<v Speaker 1>And then he tells me that like one of his

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<v Speaker 1>friends had her phone out at that moment and then

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<v Speaker 1>she recorded.

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<v Speaker 3>Me dancing to Mark Anthony Dan I was drunk.

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<v Speaker 1>Oh my God's right. I can't believe you got drunk.

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<v Speaker 1>I can't believe you got drunk. Actually, I've never seen drunk.

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<v Speaker 2>Sat.

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<v Speaker 3>I really enjoyed.

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<v Speaker 2>I'm having two or three of my friends that we've

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<v Speaker 2>done time with. You know, my friend says something to me.

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<v Speaker 2>He's like, damn, we walked the first in yard together

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<v Speaker 2>for decades and now we're sitting in your.

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<v Speaker 1>Backyard drinking the head and eating burned.

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<v Speaker 2>Hot dogs, and they paste sue it.

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<v Speaker 1>You know, it was really sweet just hearing Suavit tell

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<v Speaker 1>this story with so much joy and happiness.

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<v Speaker 4>But Swaba doesn't always enjoy getting together with his prison friends.

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<v Speaker 4>Part of it is parole and it can be risky

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<v Speaker 4>to be around people that are drinking or smoking wheat

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<v Speaker 4>around you. But that's not really it. It's because it

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<v Speaker 4>can get complicated for him emotionally.

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<v Speaker 2>I don't have the desire to meet with guys that

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<v Speaker 2>I did thirty forty.

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<v Speaker 4>Years after telling me that Swave sits with this thought

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<v Speaker 4>for a minute, then he backtracks. It's not about not

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<v Speaker 4>wanting to see the guys, but.

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<v Speaker 2>A lot of it has to do with y'all not

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<v Speaker 2>on parole. I'm on parole. It's like a reality check, like, Bro,

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<v Speaker 2>you really not free. Bro, You're really not free.

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<v Speaker 3>You're just alone for the ride.

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<v Speaker 4>So former joy know lifers like Suavet they're all on parole.

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<v Speaker 4>But most people who go to prison, they're going for

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<v Speaker 4>shorter terms, so they're actually coming out with a clean

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00:15:09.840 --> 00:15:14.120
<v Speaker 4>slate after their sentence. And many of Swave's prison buddies

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<v Speaker 4>don't really have to worry about parole. After decades of

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<v Speaker 4>supporting each other in prison, the rules that guy, their

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<v Speaker 4>lives are now very different.

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<v Speaker 1>Yeah, I mean. Swabet tells me that he's starting to

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<v Speaker 1>find it harder and harder to relate and that for

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<v Speaker 1>a long time these were the only people in his

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<v Speaker 1>life who could really understand him. But it's changing.

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<v Speaker 2>Sometimes it feels like, wow, damn, man, I deserve that

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<v Speaker 2>chance more than you. I get that feeling sometimes like

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<v Speaker 2>you got a chance and you ain't doing shit with it.

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<v Speaker 3>Man, I deserve that chance more than you.

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<v Speaker 4>It sounds harsh, but what does it feel like to

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<v Speaker 4>know the people on the outside can't ever really understand

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<v Speaker 4>how you feel? And then Swabi's prison friends, who are

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<v Speaker 4>supposed to understand, well, they're moving on themselves.

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<v Speaker 2>Sometimes if oh, man, while is I'm saying this on

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<v Speaker 2>tape man.

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<v Speaker 3>But sometimes it just feels.

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<v Speaker 2>It just feel like, damn, I'm fucking jealous, like the fuck.

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<v Speaker 4>In January, I meet up with Swave in Atlanta, where

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<v Speaker 4>I live. Swab is in town to speak at a

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<v Speaker 4>criminal justice reform conference. Over the last five years that

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<v Speaker 4>I've been producing Suave, I've gone to Philly a lot,

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<v Speaker 4>but we never really hung out in my turf. So

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<v Speaker 4>we are in front of a waffle house right in

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<v Speaker 4>front of Centennial Olympic Park.

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<v Speaker 3>It's Alana. I love it down here.

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<v Speaker 4>And while he's in town, we've been invited to an

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<v Speaker 4>artist showcase at the infamous Stanconia Studios. Suaves seems really excited.

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<v Speaker 1>Okay, So I know I'm supposed to know what Stankonia

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<v Speaker 1>Studios is, but I don't, So what is it.

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<v Speaker 4>Stanconia is the most Atlanta of all Atlanta places. I mean,

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<v Speaker 4>it's just this legendary studio where Outcasts recorded a bunch

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<v Speaker 4>of classics. Honestly, it's pretty iconic, Maria. Everyone from TLC

285
00:18:01.320 --> 00:18:03.920
<v Speaker 4>to TI to Ludacris have recorded there.

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<v Speaker 1>Oh my god. So like Suave a big hip hop head.

287
00:18:08.760 --> 00:18:10.639
<v Speaker 1>I mean, he's just got to be like, wait, what

288
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<v Speaker 1>I get to go to this studio?

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00:18:13.000 --> 00:18:15.679
<v Speaker 4>Yeah, he was, you know. And anyway, so we decided

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00:18:15.720 --> 00:18:18.400
<v Speaker 4>to meet there, and that night, as I'm getting ready

291
00:18:18.400 --> 00:18:22.040
<v Speaker 4>to head out, Swavic just suddenly stops responding to all

292
00:18:22.119 --> 00:18:31.080
<v Speaker 4>my phone calls. Your call has been forwarded to an

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00:18:31.119 --> 00:18:34.000
<v Speaker 4>automatic voice message. So the next day I finally hear

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00:18:34.119 --> 00:18:37.120
<v Speaker 4>back from him, and it turns out he did go,

295
00:18:37.640 --> 00:18:40.199
<v Speaker 4>but he was out of there so fast, and he

296
00:18:40.320 --> 00:18:42.400
<v Speaker 4>just didn't know how to explain it to me, so

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00:18:42.800 --> 00:18:45.960
<v Speaker 4>he just ignored my calls. So I ask him why,

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<v Speaker 4>I mean, like, what's up? What happened? We had all

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00:18:48.640 --> 00:18:50.879
<v Speaker 4>these plans and then he just left me hanging.

300
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<v Speaker 2>We go through the Dog and you like in this

301
00:18:53.800 --> 00:19:03.560
<v Speaker 2>space hogh stage, Spaceship Smoke DJ. It was like going

302
00:19:03.680 --> 00:19:07.600
<v Speaker 2>into an outcast rack video, like for real, it was

303
00:19:07.640 --> 00:19:09.080
<v Speaker 2>like being in a video.

304
00:19:10.200 --> 00:19:11.000
<v Speaker 3>But then the.

305
00:19:11.080 --> 00:19:15.600
<v Speaker 2>Crowd, the energy, it's like WHOA. I met with my

306
00:19:15.720 --> 00:19:18.960
<v Speaker 2>friend's friend he's you know what's up, bro?

307
00:19:19.080 --> 00:19:19.520
<v Speaker 3>You good?

308
00:19:19.760 --> 00:19:22.520
<v Speaker 2>You know you with me? But I see the budge

309
00:19:22.560 --> 00:19:26.160
<v Speaker 2>in his waistline like I'm like, shit, everybody in here

310
00:19:26.840 --> 00:19:27.920
<v Speaker 2>has a gun.

311
00:19:33.840 --> 00:19:35.520
<v Speaker 4>And the thing is, you know a lot of people

312
00:19:35.520 --> 00:19:38.800
<v Speaker 4>in Atlanta carry a gun. It's kind of become normal

313
00:19:38.840 --> 00:19:41.720
<v Speaker 4>for me. You know, open carry is legal here in Georgia.

314
00:19:42.240 --> 00:19:45.359
<v Speaker 4>So I had never really considered that Swaven might find

315
00:19:45.359 --> 00:19:49.280
<v Speaker 4>it risky or even like upsetting until this moment.

316
00:19:50.280 --> 00:19:52.639
<v Speaker 2>If somebody bump in to me, I got to be

317
00:19:52.680 --> 00:19:54.600
<v Speaker 2>the one that bitch up and be like, oh my bad,

318
00:19:54.760 --> 00:19:58.000
<v Speaker 2>you know, because I'm probably the only one did not packing.

319
00:19:58.960 --> 00:20:03.040
<v Speaker 2>You get liud with somebody, you might get shot, seriously,

320
00:20:03.400 --> 00:20:06.440
<v Speaker 2>So I'm like, no, I'm cool, I'm out. I don't

321
00:20:06.480 --> 00:20:09.240
<v Speaker 2>like being in them places where I feel defenseless.

322
00:20:09.800 --> 00:20:13.080
<v Speaker 4>And of course he has to think about his lifetime.

323
00:20:12.680 --> 00:20:17.120
<v Speaker 2>Parole something jump off, dude, what was you even doing

324
00:20:17.160 --> 00:20:17.720
<v Speaker 2>in that he room.

325
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<v Speaker 3>That's the first thing that parole won't say.

326
00:20:19.840 --> 00:20:23.120
<v Speaker 1>The thing is Ripe is right. Anything going sideways here

327
00:20:23.160 --> 00:20:24.760
<v Speaker 1>could land him back in prison.

328
00:20:24.920 --> 00:20:27.320
<v Speaker 3>So better just to get out of there.

329
00:20:27.880 --> 00:20:30.359
<v Speaker 2>You know, I'm not hanging with little ray Red and

330
00:20:30.480 --> 00:20:34.040
<v Speaker 2>Raheem from not the block, I'm not now. When I

331
00:20:34.080 --> 00:20:37.120
<v Speaker 2>came home, I wanted it. I've wanted that seventeen year

332
00:20:37.119 --> 00:20:39.440
<v Speaker 2>old life. I wanted what I missed when I went

333
00:20:39.440 --> 00:20:43.199
<v Speaker 2>to jail, minus standing in the corner.

334
00:20:43.400 --> 00:20:45.919
<v Speaker 3>But I like, I liked that shit. I like that smoke.

335
00:20:45.960 --> 00:20:49.320
<v Speaker 2>I like I like that irving excitement where I could

336
00:20:49.320 --> 00:20:51.719
<v Speaker 2>be in the corner and hit gun shots. And but

337
00:20:51.760 --> 00:20:53.800
<v Speaker 2>I'm not involved with it. But I like that shit,

338
00:20:54.600 --> 00:20:56.040
<v Speaker 2>you know I still do.

339
00:20:57.119 --> 00:20:59.760
<v Speaker 4>I mean, think about what he said about the guns.

340
00:21:00.320 --> 00:21:02.920
<v Speaker 4>Before he went to prison. He used to be one

341
00:21:02.920 --> 00:21:07.800
<v Speaker 4>of these guys, packing, talking, bold, just fearless, you know

342
00:21:07.840 --> 00:21:11.280
<v Speaker 4>how he is. But now he really can't be that

343
00:21:11.359 --> 00:21:17.159
<v Speaker 4>way anymore. The risk is too big. So it's interesting

344
00:21:17.480 --> 00:21:21.240
<v Speaker 4>and also even a little confusing. Swabe has to live

345
00:21:21.320 --> 00:21:24.639
<v Speaker 4>by all these rules, but he also pushes back on

346
00:21:24.720 --> 00:21:25.679
<v Speaker 4>them regularly.

347
00:21:26.440 --> 00:21:29.000
<v Speaker 2>Somebody might say, well, that's a dangerous game. They could

348
00:21:29.080 --> 00:21:32.359
<v Speaker 2>violate you truth. Those are the consequences that come with

349
00:21:32.440 --> 00:21:36.239
<v Speaker 2>you making certain actions. Man, So I do a lot

350
00:21:36.280 --> 00:21:38.760
<v Speaker 2>of stuff that I'm not supposed to do, only because

351
00:21:38.840 --> 00:21:39.760
<v Speaker 2>I want to feel human.

352
00:21:40.880 --> 00:21:45.960
<v Speaker 1>When he says this, like, it really does click for me. Yeah,

353
00:21:46.000 --> 00:21:49.280
<v Speaker 1>We're like, it's always this balance, right of how we

354
00:21:49.359 --> 00:21:53.040
<v Speaker 1>live out there in the world. And in some ways,

355
00:21:53.320 --> 00:21:56.000
<v Speaker 1>I kind of think that we've gotten a little comfortable

356
00:21:56.160 --> 00:22:00.280
<v Speaker 1>with the risks that Suave takes. I mean, the thing

357
00:22:00.440 --> 00:22:03.160
<v Speaker 1>or not paying his parole fees on time, and it's

358
00:22:03.240 --> 00:22:05.720
<v Speaker 1>kind of like, haha, you know, move on, ha ha.

359
00:22:06.359 --> 00:22:10.440
<v Speaker 1>But the reality is that Suave is doing constant risk assessment,

360
00:22:11.000 --> 00:22:14.000
<v Speaker 1>deciding how much to break the rules, when and where,

361
00:22:14.400 --> 00:22:16.679
<v Speaker 1>how much can he live with, and how much of

362
00:22:16.720 --> 00:22:21.000
<v Speaker 1>this actually gives him life. And for me, it's always like, yo, bro,

363
00:22:22.000 --> 00:22:25.879
<v Speaker 1>why why take that risk? And you can see Suave

364
00:22:25.960 --> 00:22:28.639
<v Speaker 1>is struggling. And you know, I think about his past.

365
00:22:29.480 --> 00:22:31.240
<v Speaker 1>Is he a rule follower?

366
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<v Speaker 4>No?

367
00:22:32.480 --> 00:22:35.520
<v Speaker 1>I mean absolutely not. That has not been his identity.

368
00:22:36.240 --> 00:22:39.959
<v Speaker 1>And I can see he's feeling this disconnect between his

369
00:22:40.160 --> 00:22:44.160
<v Speaker 1>new friends and his old friends, his new life and

370
00:22:44.200 --> 00:22:48.359
<v Speaker 1>his old life. He's somewhere in the middle wrestling with

371
00:22:48.680 --> 00:22:51.280
<v Speaker 1>this new identity.

372
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<v Speaker 4>Later that day, in Atlanta, Swabe and I sit across

373
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<v Speaker 4>from each other at the hotel lobby. He's wearing a

374
00:23:07.720 --> 00:23:11.240
<v Speaker 4>cream hoodie with a pair of matching Joggers cream and

375
00:23:11.320 --> 00:23:15.520
<v Speaker 4>mint green sneakers, and of course a Yankee sat and

376
00:23:15.560 --> 00:23:18.119
<v Speaker 4>he tells me a story about a friend from inside

377
00:23:18.320 --> 00:23:19.920
<v Speaker 4>who just got out of prison.

378
00:23:21.960 --> 00:23:24.920
<v Speaker 3>A couple of days ago. My homie just came home.

379
00:23:25.680 --> 00:23:28.959
<v Speaker 4>He was able to work out or release without lifetime parole.

380
00:23:29.640 --> 00:23:31.800
<v Speaker 2>This dude was like, my brother got him a job.

381
00:23:32.680 --> 00:23:35.920
<v Speaker 2>He told me straight up, I'm not going to work

382
00:23:35.920 --> 00:23:39.040
<v Speaker 2>for them. No, you know, oh, they're not paying me enough.

383
00:23:40.640 --> 00:23:43.359
<v Speaker 2>And you know, I left the conversation there because the

384
00:23:43.440 --> 00:23:45.400
<v Speaker 2>that is like my brother, right, But.

385
00:23:45.440 --> 00:23:49.840
<v Speaker 4>Then the conversation went into some pretty interesting territory.

386
00:23:50.440 --> 00:23:55.399
<v Speaker 2>But then I'm thinking, like he had no restrictions, he

387
00:23:55.440 --> 00:23:59.000
<v Speaker 2>had no parole, so he freed to go anywhere he

388
00:23:59.080 --> 00:24:05.720
<v Speaker 2>wanted to go. That's dangerous. The why it's dangerous because

389
00:24:05.760 --> 00:24:06.600
<v Speaker 2>he could say I.

390
00:24:06.520 --> 00:24:08.040
<v Speaker 3>Don't want to work no way you said.

391
00:24:08.680 --> 00:24:12.080
<v Speaker 4>He came home. He's not on parole. That's dangerous. That

392
00:24:12.200 --> 00:24:13.040
<v Speaker 4>really caught my ear.

393
00:24:13.280 --> 00:24:14.040
<v Speaker 3>It's dangerous.

394
00:24:14.960 --> 00:24:17.440
<v Speaker 4>Oh that's a loaded sentence. I want to talk a

395
00:24:17.480 --> 00:24:20.159
<v Speaker 4>little more about that because we've been talking about, you know,

396
00:24:20.160 --> 00:24:21.600
<v Speaker 4>how to get you off like in parole.

397
00:24:21.960 --> 00:24:26.480
<v Speaker 2>And see what I mean, I keep telling you I'm institutionalized, right,

398
00:24:26.560 --> 00:24:28.560
<v Speaker 2>And what I mean my institutional lives.

399
00:24:30.440 --> 00:24:32.960
<v Speaker 3>I do things and patterns a b C.

400
00:24:33.240 --> 00:24:36.200
<v Speaker 2>I can't do things with A and then see, because

401
00:24:36.240 --> 00:24:37.199
<v Speaker 2>I'm like, what happened to be?

402
00:24:37.280 --> 00:24:37.840
<v Speaker 3>What was? B?

403
00:24:38.240 --> 00:24:41.280
<v Speaker 2>What I was supposed to do? And B that's because

404
00:24:41.320 --> 00:24:48.200
<v Speaker 2>I'm institutionalized. When you not on parole, you can say cool,

405
00:24:48.240 --> 00:24:51.600
<v Speaker 2>I'm gonna sleep all day and then tomorrow he smoking

406
00:24:51.640 --> 00:24:52.000
<v Speaker 2>the weed.

407
00:24:52.520 --> 00:24:53.440
<v Speaker 3>I can't do that shit.

408
00:24:53.640 --> 00:24:55.679
<v Speaker 4>So what if you had to come home without parole?

409
00:24:55.680 --> 00:24:58.399
<v Speaker 4>Are you saying that you wouldn't be in that You

410
00:24:58.400 --> 00:25:00.600
<v Speaker 4>would be no worse position. I'm really serious about this.

411
00:25:00.680 --> 00:25:03.200
<v Speaker 2>Yeah, probably would have been in a fucked up predictament

412
00:25:03.200 --> 00:25:04.720
<v Speaker 2>because I like to do fucked up shit.

413
00:25:15.000 --> 00:25:18.080
<v Speaker 4>For so long, Swabe has talked about parole as something

414
00:25:18.200 --> 00:25:21.000
<v Speaker 4>getting in the way of his ability to succeed and

415
00:25:21.040 --> 00:25:25.280
<v Speaker 4>feeling truly free. Another hurdle, another tide of the past.

416
00:25:26.240 --> 00:25:28.840
<v Speaker 1>But this time Suave is saying that maybe, in some

417
00:25:28.880 --> 00:25:32.080
<v Speaker 1>ways it's actually parole that has led him to a

418
00:25:32.119 --> 00:25:34.080
<v Speaker 1>lot of the good things about his life right now.

419
00:25:34.640 --> 00:25:37.719
<v Speaker 4>And you know, that's kind of a complicated concept for

420
00:25:37.760 --> 00:25:41.280
<v Speaker 4>me to grasp in that moment. I haven't never heard

421
00:25:41.320 --> 00:25:42.879
<v Speaker 4>you say this. This is really shocking for me.

422
00:25:43.000 --> 00:25:43.439
<v Speaker 2>No, it is.

423
00:25:43.960 --> 00:25:46.040
<v Speaker 3>You know, you have to be true with yourself.

424
00:25:46.680 --> 00:25:51.000
<v Speaker 4>I have to ask you, is there a part of

425
00:25:51.040 --> 00:25:56.080
<v Speaker 4>you that maybe fears getting off of lifetime parole. Let's

426
00:25:56.080 --> 00:25:56.440
<v Speaker 4>be real.

427
00:25:57.119 --> 00:26:01.200
<v Speaker 3>No, no, no, I don't fear.

428
00:26:01.920 --> 00:26:03.879
<v Speaker 4>Maybe Okay, so maybe fears not the word. But is

429
00:26:03.920 --> 00:26:05.320
<v Speaker 4>there a part of you that maybe feels like it's

430
00:26:05.320 --> 00:26:08.960
<v Speaker 4>a little safer in this moment for now to stay

431
00:26:09.000 --> 00:26:09.760
<v Speaker 4>on lifetime Pero.

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00:26:12.880 --> 00:26:16.560
<v Speaker 2>I wouldn't say it's safer. I say it's more structure.

433
00:26:18.400 --> 00:26:20.560
<v Speaker 2>That's fair to say that. I gotta have structure. I

434
00:26:20.600 --> 00:26:24.320
<v Speaker 2>can't be like free to go, just do what you see,

435
00:26:24.320 --> 00:26:25.960
<v Speaker 2>what you think is best.

436
00:26:26.240 --> 00:26:27.200
<v Speaker 3>It's not gonna.

437
00:26:26.920 --> 00:26:30.479
<v Speaker 2>Work, and it won't work from it because I know,

438
00:26:31.640 --> 00:26:34.360
<v Speaker 2>and I really I hate to say this on tape, man,

439
00:26:34.520 --> 00:26:38.159
<v Speaker 2>but it's the truth. Like I know that if I

440
00:26:38.200 --> 00:26:42.199
<v Speaker 2>didn't have that safety that work to row, I don't know,

441
00:26:42.240 --> 00:26:47.280
<v Speaker 2>I probably be in some other shit, man, because because

442
00:26:47.359 --> 00:26:51.920
<v Speaker 2>I'm really emotional and I like to act on those emotions.

443
00:26:53.160 --> 00:26:56.200
<v Speaker 2>And I realized that nobody got to tell me that.

444
00:26:57.680 --> 00:27:00.520
<v Speaker 3>So it's like a balance. It's like a balance. We're

445
00:27:00.600 --> 00:27:01.320
<v Speaker 3>keeping you safe.

446
00:27:01.320 --> 00:27:09.760
<v Speaker 4>Bro. Swabe found a way to free himself from his cage,

447
00:27:10.240 --> 00:27:13.920
<v Speaker 4>only to find himself trapped in a completely new one.

448
00:27:16.080 --> 00:27:18.720
<v Speaker 4>As long as he's on parole, he'll never be able

449
00:27:18.760 --> 00:27:22.679
<v Speaker 4>to just do what he wants, take a spontaneous trip

450
00:27:23.280 --> 00:27:27.399
<v Speaker 4>drive without looking over his shoulder, even take a little

451
00:27:27.400 --> 00:27:31.520
<v Speaker 4>weed gummy for sleep. But what does it mean for

452
00:27:31.600 --> 00:27:35.159
<v Speaker 4>Suave that this new cage is also kind of a

453
00:27:35.200 --> 00:27:40.400
<v Speaker 4>safety net? Is total freedom what he really desires after all,

454
00:27:44.080 --> 00:27:47.080
<v Speaker 4>all those years in a jail cell, many of them

455
00:27:47.119 --> 00:27:51.360
<v Speaker 4>in solitary confinement. I mean, it has to change you

456
00:27:51.400 --> 00:27:56.080
<v Speaker 4>pretty profoundly. And one of the hardest things for Suaves

457
00:27:56.080 --> 00:27:59.560
<v Speaker 4>since getting out is navigating relationships.

458
00:28:00.400 --> 00:28:03.240
<v Speaker 3>When it comes to friends. I don't even know what

459
00:28:03.320 --> 00:28:05.520
<v Speaker 3>that is. I come from a place where there is

460
00:28:05.520 --> 00:28:06.200
<v Speaker 3>no friends.

461
00:28:06.520 --> 00:28:08.240
<v Speaker 1>How is it that I became the mother figure in

462
00:28:08.280 --> 00:28:10.840
<v Speaker 1>your fucking life? Because that's not what I want to be. Well,

463
00:28:10.920 --> 00:28:12.480
<v Speaker 1>you know what, No, No, I don't know.

464
00:28:13.000 --> 00:28:13.600
<v Speaker 3>People don't know.

465
00:28:13.840 --> 00:28:15.600
<v Speaker 4>Yeah, yeah, they.

466
00:28:15.600 --> 00:28:16.400
<v Speaker 3>Throw it in your face.

467
00:28:18.359 --> 00:28:19.760
<v Speaker 4>That's next time on Swave.

468
00:28:33.320 --> 00:28:37.000
<v Speaker 1>My thanks to Julieta Martinelli for hosting this episode with me.

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00:28:37.600 --> 00:28:41.640
<v Speaker 1>What you just heard, Dear Listener is the second episode

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00:28:41.680 --> 00:28:46.360
<v Speaker 1>of the Suave Podcast season two. It's a rollercoaster of

471
00:28:46.400 --> 00:28:49.680
<v Speaker 1>an incredible story about the very long shadow of prison.

472
00:28:49.840 --> 00:28:52.640
<v Speaker 1>So I highly recommend you go and listen to it

473
00:28:52.720 --> 00:28:57.000
<v Speaker 1>wherever you get your podcasts. Just find Swavee the podcast

474
00:28:57.400 --> 00:28:59.840
<v Speaker 1>and if you want to listen to all of the

475
00:29:00.000 --> 00:29:03.640
<v Speaker 1>episodes of Suave and I'm telling you I binged on

476
00:29:03.680 --> 00:29:05.479
<v Speaker 1>it right away, and if you want to do that

477
00:29:05.640 --> 00:29:11.000
<v Speaker 1>ad free right now plus get exclusive bonus episodes like

478
00:29:11.120 --> 00:29:14.160
<v Speaker 1>Swave and Me getting deep about the challenges of making

479
00:29:14.240 --> 00:29:18.160
<v Speaker 1>this season or Suave getting into how he made music

480
00:29:18.240 --> 00:29:21.600
<v Speaker 1>in prison. Then you can sign up and join Futuro

481
00:29:21.720 --> 00:29:34.240
<v Speaker 1>Plus at Futuro Studios dot Bord. Suave Season two is

482
00:29:34.280 --> 00:29:38.480
<v Speaker 1>produced by Julia Ta Martinelli with help from associate producer Lileanadries,

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00:29:38.720 --> 00:29:41.840
<v Speaker 1>and edited by Marlon Bishop. Dan ri Veos is the

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00:29:41.880 --> 00:29:46.200
<v Speaker 1>post production producer. Our production managers are Jessica Ellis and

485
00:29:46.280 --> 00:29:51.040
<v Speaker 1>Nancy Trujillo. Our engineers are Stephanie Lebau and Julia Caruso.

486
00:29:51.400 --> 00:29:55.640
<v Speaker 1>Our fact checker is Amy Tardiff. Production help from Joaquim Coppler,

487
00:29:55.920 --> 00:30:00.960
<v Speaker 1>Juan Diego, Ramirez, Nicole Rothwell, Joey Dilbaye, Evelyn Bardo Alvarez,

488
00:30:01.080 --> 00:30:06.120
<v Speaker 1>Dorim Marquez, and Tasha Sandoval. Our executive editors are Marlon Bishop,

489
00:30:06.280 --> 00:30:10.880
<v Speaker 1>Maria Garcia, Suave Gonzalez and myself. And now for our

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00:30:10.960 --> 00:30:14.280
<v Speaker 1>weekly Latino USA show, here are the credits for the

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00:30:14.360 --> 00:30:18.600
<v Speaker 1>rest of the team Troxana Guire, Felicia Dominguez, Fernanda Chavari,

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00:30:18.880 --> 00:30:24.320
<v Speaker 1>Victoria Strada, Dominiquin, Estrosa Rinaldo, Leanos Junior, Andrea Lopez Gruzado,

493
00:30:24.680 --> 00:30:29.960
<v Speaker 1>Luis Luna, Marta Martinez, Monica Morales, Garcia, JJ Carubin and

494
00:30:30.120 --> 00:30:34.480
<v Speaker 1>Nour Saudi, Beni, Lee, Ramidez, Marlon Bishop, Maria Garcia and

495
00:30:34.600 --> 00:30:38.240
<v Speaker 1>I are co executive producers and I'm your host, Mariaojosa.

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<v Speaker 1>Join us again on our next episode. In the meantime,

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00:30:41.360 --> 00:30:43.760
<v Speaker 1>I'll see you on all of our social media. Not

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00:30:43.920 --> 00:30:46.360
<v Speaker 1>teva yas, yesta, la proxima.

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00:30:46.000 --> 00:30:46.640
<v Speaker 3>Chiaou.

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00:30:48.560 --> 00:30:53.000
<v Speaker 4>Latino USA is made possible in part by the Melon Foundation.

501
00:30:53.680 --> 00:30:57.600
<v Speaker 4>Melon makes grants to support the visionaries and communities that

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00:30:57.840 --> 00:31:01.360
<v Speaker 4>unlock the power of the arts and humanities to help

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00:31:01.400 --> 00:31:02.160
<v Speaker 4>connect us all.

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00:31:02.600 --> 00:31:04.320
<v Speaker 3>More at Melon dot org.

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00:31:04.760 --> 00:31:09.959
<v Speaker 4>Public Welfare Foundation catalyzing transformative approaches to justice that are

506
00:31:10.000 --> 00:31:15.360
<v Speaker 4>community led, restorative, and racially just, and the Heising Simons

507
00:31:15.360 --> 00:31:22.680
<v Speaker 4>Foundation Unlocking knowledge, opportunity and possibilities. More at hsfoundation dot org.