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<v Speaker 1>Dear listener, before we start, we do mention suicide in

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<v Speaker 1>this piece, so take care.

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<v Speaker 2>Okay, hold this side again. Okay, I'm going to do

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<v Speaker 2>the meddle now, Okay.

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<v Speaker 1>Okay, this, dear listener is the sound of me getting

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<v Speaker 1>my eyebrows done. I know, I know you're like, what

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<v Speaker 1>what we do for beauty?

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<v Speaker 2>Right? Right?

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<v Speaker 1>The thing is, this is where the story first began

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<v Speaker 1>with me and Lisbeth. Thank God for threatening, because that's

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<v Speaker 1>how I met you.

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<v Speaker 2>Right oky, you can bring your hand down.

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<v Speaker 1>I met Lisbeth about two years ago when she was

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<v Speaker 1>just nineteen years old. She was working as a brow

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<v Speaker 1>technician on the posh Upper West Side of Manhattan. And

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<v Speaker 1>at the time, Lisbeth, who's Dominican, was a new mom.

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<v Speaker 1>Her baby girl was only six months old. And I

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<v Speaker 1>remember the first time she threaded my eyebrows and that

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<v Speaker 1>we immediately clicked. We bonded over our love of Dominican culture.

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<v Speaker 1>We were talking about music, food, you know, all of it,

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<v Speaker 1>and well, I do love meeting young Latinas who are

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<v Speaker 1>tough New Yorkers, and that is Lisbeth. Hair already okay, good, yeah,

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<v Speaker 1>I get comfortable, are you okay? Yeah, Today's interview is

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<v Speaker 1>just for audio for radio, right, But Liz Beth has

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<v Speaker 1>got on a full face of makeup and all of

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<v Speaker 1>her bling. She says. Her outfit is her low effort

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<v Speaker 1>single mom. Look, it's a cozy matching sweatsuit. Oh hello,

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<v Speaker 1>you know pumpkin.

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<v Speaker 2>Hi.

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<v Speaker 1>And as we're getting ready to record our conversation in

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<v Speaker 1>the studio, Lisbeth pulls out her phone and shows me

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<v Speaker 1>photos and videos of her now to an a half

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<v Speaker 1>year old daughter.

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<v Speaker 2>Oh look, this was the video of her hair.

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<v Speaker 1>My god, is she adorable?

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<v Speaker 2>Yeah? She called her grandpa life. But Paul, look at

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<v Speaker 2>my hair?

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<v Speaker 1>And you know me, dear, letting know Usay, listener, you

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<v Speaker 1>know that I love to start conversations with people wherever

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<v Speaker 1>I go, and I like to get deep. So two

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<v Speaker 1>years ago, there I was telling my brow technician, who

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<v Speaker 1>I had just met, that I had come back recently

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<v Speaker 1>from reporting in Uvaldi, Texas, that I was feeling all

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<v Speaker 1>of this stress and pain and trauma from talking to

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<v Speaker 1>folks who lost loved ones in that tragic mass shooting

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<v Speaker 1>in Uvaldi. And when I was telling her this story,

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<v Speaker 1>I noticed a serious change in these bets face. And

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<v Speaker 1>that is the reason why she's in the studio with

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<v Speaker 1>me today.

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<v Speaker 2>Like every time, I'm just like dang, only twenty one

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<v Speaker 2>and I've done live and lived the life already.

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<v Speaker 1>Because just weeks after Lisbeth's daughter was born in twenty

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<v Speaker 1>twenty two, and she was in the midst of dealing

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<v Speaker 1>with postpartum at just eighteen years old. Right at that

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<v Speaker 1>time is when lis Beth gets shot on a street

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<v Speaker 1>in Harlem, not once, but four times. It was an

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<v Speaker 1>event that would change her life entirely, from her personal relationships,

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<v Speaker 1>to her relationship with therapy, to everything that she understood

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<v Speaker 1>about being a young mom. And like that would be

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<v Speaker 1>enough to have Lizbeth come on and share her story

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<v Speaker 1>with us. But the thing is the most unexpected part

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<v Speaker 1>of all of this is that Lisbeth owes her survival

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<v Speaker 1>in large part to a very traditional Latina postpartum staple,

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<v Speaker 1>which is la faja or a girdle from Fudromedia and PRX.

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<v Speaker 1>It's Latino Usa. I'm Maria in no Josa, and today

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<v Speaker 1>we hear about a young Latina mom's journey of healing

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<v Speaker 1>from gun violence and postpartum depression in a country where

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<v Speaker 1>there's little support for either, and also we'll talk all

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<v Speaker 1>about La Faja. Now. I had heard snippets of Lisbeth's

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<v Speaker 1>story during the time that I would be seeing her

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<v Speaker 1>to get my brows done, but this is the first

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<v Speaker 1>time that we're actually sitting down to talk about what happened.

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<v Speaker 2>It was like eight thirty one. I got off work.

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<v Speaker 2>My daughter's dad have picked me up from work, and

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<v Speaker 2>we have went back uptown to Harlem, where my parents were.

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<v Speaker 1>Lisbeth grew up on the same street as her best friend,

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<v Speaker 1>Angelia or Angie for short, and all of this is

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<v Speaker 1>happening in Harlem. Angie and Lizabeth were inseparable until Angie

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<v Speaker 1>moved to Virginia for college, and that's where she ended

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<v Speaker 1>up getting shot and killed. Angie, who was black, had

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<v Speaker 1>left the streets of Harlem, only to be killed at

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<v Speaker 1>a college house party in Virginia.

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<v Speaker 2>My best friend passed away on September fourth of twenty

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<v Speaker 2>twenty two, so every fourth of the month we would

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<v Speaker 2>do something to honor her, whether it was lighting up candles,

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<v Speaker 2>releasing balloons, or just getting together. Usually it would be

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<v Speaker 2>on my block because me and her lived on the

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<v Speaker 2>same block.

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<v Speaker 1>But this time, in November of twenty twenty two, the

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<v Speaker 1>outdoor memorial for Angie was moved just four blocks away

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<v Speaker 1>to a friend's place.

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<v Speaker 2>Then I see this guy come in a pink bike,

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<v Speaker 2>which Angie's favorite color was pink, so he just had

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<v Speaker 2>like spray painted it and had a picture of her

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<v Speaker 2>on it.

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<v Speaker 1>The guy on the pink bike was a friend of Angie's,

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<v Speaker 1>but Lizabeth didn't recognize him, and neither did Angie's mom. Now,

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<v Speaker 1>at this point, we're literally just a few minutes into

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<v Speaker 1>our interview, But right when Lizabeth mentions this young man,

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<v Speaker 1>I can see her start to physically react. Right, she's

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<v Speaker 1>taking deeper breaths now, and her voice begins to waver

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<v Speaker 1>as she speaks. Just need a second, It's okay, babe,

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<v Speaker 1>take as long as you need. You want to tell

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<v Speaker 1>me what you're feeling right now?

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<v Speaker 2>Anxiety a little bit?

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<v Speaker 1>Yeah, yeah, because you're you're actually telling this story like

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<v Speaker 1>in a formal way.

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<v Speaker 2>Yeah.

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<v Speaker 1>My sense is that you've been thinking about this interview

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<v Speaker 1>for a while. Yeah, Am I right? Yes, it's not like, oh,

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<v Speaker 1>it's just another day I have to go. Do you've

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<v Speaker 1>been anxious about this for a while? Yes, I'm so sorry.

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<v Speaker 1>It's okay, I asked lisbith if she wants to stop

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<v Speaker 1>or if she wants to talk about something else. But

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<v Speaker 1>she looks at me with this determination, right, and she says, no, no, no,

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<v Speaker 1>let's keep going. She wants to keep talking about that

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<v Speaker 1>precise moment at her best friend's memorial.

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<v Speaker 2>I am talking with Angie's mom and two other mutual friends.

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<v Speaker 2>And then next thing you know, I look across the

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<v Speaker 2>street and I see two guys with ski mask. But

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<v Speaker 2>by the time I kind of noticed it was too late.

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<v Speaker 2>It was like I looked and then boom, I was

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<v Speaker 2>on the floor.

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<v Speaker 1>The men started shooting towards her direction. They were targeting

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<v Speaker 1>that young guy on the pink bike.

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<v Speaker 2>At first, I was like, did I get shot? Is

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<v Speaker 2>that why I'm on the floor or am I just

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<v Speaker 2>in shock right now? And then I started feeling excruciating

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<v Speaker 2>pain all in my left body, and I was just like, no,

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<v Speaker 2>this is not a shot. My blood was like boiling inside.

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<v Speaker 1>Lizabeth had been shot. She had four gunshot wounds, one

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<v Speaker 1>in her chest, one in her back, and two in

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<v Speaker 1>her arm.

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<v Speaker 2>We were there for about forty minutes. I'm sorry what

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<v Speaker 2>it took the ambulance about forty minutes to get there.

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<v Speaker 1>Four zero minutes.

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<v Speaker 2>Yes, in Manhattan, So the hospital and the precinct were

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<v Speaker 2>one avenue away from each other and eight blocks away

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<v Speaker 2>from where this happened.

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<v Speaker 1>Oh my god.

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<v Speaker 2>And when the police officers finally got there, they walked

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<v Speaker 2>to me, they thought I was already dead.

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<v Speaker 1>Oh my god. These beds didn't bleed out, and that's

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<v Speaker 1>mostly because of what she was wearing.

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<v Speaker 2>I had a faha which is a waist strainer, because

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<v Speaker 2>I was two months postpartum. You know, I was just

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<v Speaker 2>trying to help my body bounce back after having my baby.

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<v Speaker 1>Now, it's not an uncommon thing, especially if you're a Latina.

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<v Speaker 1>You know, you give birth and then you get wrapped

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<v Speaker 1>up almost immediately in a kind of girdle that goes

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<v Speaker 1>around your waist and it just kind of tightens you up.

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<v Speaker 2>Once I get in the ambulance, they're like ripping my

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<v Speaker 2>clothes apart. And then one of the emt she was

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<v Speaker 2>a Hispanic girl, and she sees that I have a

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<v Speaker 2>fah on and everybody's like, what is that, and she's like, well,

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<v Speaker 2>she did mention that she had a baby two months ago,

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<v Speaker 2>and our culture is very common for you to have

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<v Speaker 2>a faha on after you have a baby. My faja

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<v Speaker 2>was extremely thick, Like I paid almost one hundred dollar

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<v Speaker 2>for that faha in Washington Heights. It had to be

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<v Speaker 2>like almost this thick, about an inch, and it was

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<v Speaker 2>something that I didn't even know how I could last

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<v Speaker 2>my whole workshift with that thing on without suffocating because

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<v Speaker 2>it was tay.

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<v Speaker 1>So you're smiling, no, now you're now you're smiling.

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<v Speaker 2>They're like fighting with the scissor, trying to get through it,

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<v Speaker 2>and then they take it off and the girls like what,

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<v Speaker 2>Like nobody really believe what they were seeing because they

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<v Speaker 2>see me with four bullet holes and no blood. She

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<v Speaker 2>was like, literally like what the fuck? It's like, you

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<v Speaker 2>guys are not understanding right now.

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<v Speaker 1>Of course I knew all about these facs. I mean,

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<v Speaker 1>it's pretty serious stuff. And when I had my daughter,

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<v Speaker 1>I don't remember how, oh, but a fajha made its

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<v Speaker 1>way to me from my family's home in Mexico so

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<v Speaker 1>that I could wear it. And my mom wore her

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<v Speaker 1>own version of the faja and got wrapped up after

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<v Speaker 1>she had me and my siblings. So it's like something

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<v Speaker 1>that you don't really think about a lot. It's kind

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<v Speaker 1>of like, you know, the FAA's going to help you.

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<v Speaker 1>But never in my life could I have imagined that

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<v Speaker 1>a faha would end up saving someone's life like literally,

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<v Speaker 1>And neither did Li's bed.

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<v Speaker 2>They were surprised because the girl just kept saying, if

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<v Speaker 2>she would have never had this fahan, she would have

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<v Speaker 2>bled and died because the biggest wound that I have

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<v Speaker 2>is right here, and it's between the front of my

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<v Speaker 2>chest and the back, which also is right through the

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<v Speaker 2>spleen and your lung. God forbid, I wouldn't have had

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<v Speaker 2>the fahan. It would have went straight from my spleen

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<v Speaker 2>to my lung and that's it. Yeah, I had a

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<v Speaker 2>fah on. But a gun is a gun. A bullet

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<v Speaker 2>hole is a bullet hole. It's not like I have

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<v Speaker 2>a what's those things with a bulletproof vest?

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<v Speaker 1>When we come back these, Beth explains the daily consequences

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<v Speaker 1>of being a survivor of gun violence, and she takes

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<v Speaker 1>us on her path to find strength from the shooting.

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<v Speaker 1>Stay with us, Yes, Hey, we're back. So Whendy's Beth

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<v Speaker 1>was shot two years ago. She was wearing a paha

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<v Speaker 1>it's a girdle, and it literally saved her life.

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<v Speaker 2>If I would have known that my faha would have

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<v Speaker 2>saved me. I wouldn't have overthought so much while I

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<v Speaker 2>was laying on that ground.

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<v Speaker 1>I mean, you would have having a different kind of conversation.

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<v Speaker 2>Okay, okay, God, I see the point now, but thank you.

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<v Speaker 2>You know. But no, like I was really scared, and

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<v Speaker 2>it wasn't even because I was scared of losing my life.

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<v Speaker 2>I wasn't even thinking about myself. Everyone that touched me

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<v Speaker 2>that night knew that I had a two month old

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<v Speaker 2>back home, because that's all I kept pleading, Please don't

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<v Speaker 2>let me die. My baby's waiting for me. Like she's

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<v Speaker 2>only two months. I haven't even experienced her that long.

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<v Speaker 2>And I feel like she really saved me in so

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<v Speaker 2>many different ways that I would have never thought where's Lea.

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<v Speaker 2>And now that it's like two years later, now I

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<v Speaker 2>really understand. If I would have never had her, I

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<v Speaker 2>would have never been wearing a f aha. If I

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<v Speaker 2>wouldn't had her, I don't think I would have made

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<v Speaker 2>it out that dark place that I was in. What

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<v Speaker 2>is the most beautiful girl in the world. Oh, gimme keyses,

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<v Speaker 2>gimme kisses.

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<v Speaker 1>The layers of mental health struggles Lise Beth went through

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<v Speaker 1>after being shot. It was a lot. Not only did

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<v Speaker 1>she develop intense emotional trauma from the shooting, she had

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<v Speaker 1>post traumatic stress disorder, or PTSD, but she was also

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<v Speaker 1>a new mom coping with postpartum anxiety and depression. Even

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<v Speaker 1>for moms who don't struggle so much with postpartum, it's

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<v Speaker 1>still a period that's already a fragile moment in a

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<v Speaker 1>woman's life. And these are two issues that, frankly often

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<v Speaker 1>go overlooked. In the United States. There aren't many resources

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<v Speaker 1>or services specifically dedicated to mental health needs, no matter

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<v Speaker 1>if it's for new moms or survivors of gun violence,

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<v Speaker 1>and both of these issues are not easy to talk about,

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<v Speaker 1>so it can end up feeling very lonely.

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<v Speaker 2>Growing up, mental health was not something that we talked about.

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<v Speaker 2>It was always, Oh, what are you sad for? You

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<v Speaker 2>have a roof over your head, you have both of

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<v Speaker 2>your parents, you have food. Nothing's wrong. You shouldn't be crying.

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<v Speaker 2>You shouldn't be feeling like this. We grew up on survival.

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<v Speaker 2>We didn't grow up on love. We came from a

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<v Speaker 2>really really poor campo in the dominicure public where you know,

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<v Speaker 2>it was days where there was nothing.

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<v Speaker 1>And that survival mindset that she learned in the dr

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<v Speaker 1>it stayed with her when she and her family came

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<v Speaker 1>to the United States when Lee's Beth was seven years old.

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<v Speaker 1>Then in her early teens, these Beth began struggling with anxiety.

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<v Speaker 1>She was just about to go into high school, the

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<v Speaker 1>only one of her siblings to end up doing that,

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<v Speaker 1>and that put a lot of pressure on her not

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<v Speaker 1>to fail, especially from her parents. She said the anxiety

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<v Speaker 1>attacks sometimes got so overwhelming that she'd end up blacking out,

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<v Speaker 1>and through it all she felt entirely misunderstood by her parents.

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<v Speaker 2>They're like, we don't know what you're talking about. They

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<v Speaker 2>thought that it was just like, oh, you know, these

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<v Speaker 2>American kids, once they come here, they get so sensitive.

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<v Speaker 1>And that's a common feeling for a lot of immigrant families,

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<v Speaker 1>like even acknowledging mental health issues exist can be challenging,

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<v Speaker 1>let alone having a meaningful, open, calm conversation about it.

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<v Speaker 1>You see, many first generation kids grow up with immigrant

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<v Speaker 1>parents who were raised in essence hiding their emotional struggles,

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<v Speaker 1>and they want their kids to be grateful for the

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<v Speaker 1>opportunities that they have in the United States and to

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<v Speaker 1>not complain about their feelings, so it wasn't easy for

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<v Speaker 1>Lisbeth to talk about all of this with her family.

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<v Speaker 1>But then one day, when Lisbeth was seventeen, just after

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<v Speaker 1>she'd graduated high school, things got really bad. These Beth

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<v Speaker 1>had a severe anxiety attack at home. She was throwing up,

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<v Speaker 1>she couldn't stop shaking, she couldn't stop crying. And that

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<v Speaker 1>was when her parents finally took her seriously.

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<v Speaker 2>They really were like, I'm so sorry that you've had

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<v Speaker 2>to deal with this, and we didn't know.

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<v Speaker 1>But even after that incident, these Beth didn't get professional help.

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<v Speaker 1>It wasn't until her shooting about two years later that

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<v Speaker 1>Lisbeth finally considered therapy.

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<v Speaker 2>I will wake up every day at the same time,

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<v Speaker 2>having the same nightmare over and over again, hyperventilating, thinking

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<v Speaker 2>I was seeing blood on me and feeling extremely scared.

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<v Speaker 2>I just kept living the same snai over and over

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<v Speaker 2>and over and over again. I was like having voices

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<v Speaker 2>in my head and I wouldn't come out my room

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<v Speaker 2>because I felt like someone was after me and my baby,

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<v Speaker 2>to the point where I wouldn't sleep. I was scared

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<v Speaker 2>to like be away from her any second. I will

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<v Speaker 2>have the same thought every day just like I'm not

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<v Speaker 2>good enough. What am I here for? I have no family,

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<v Speaker 2>I have nobody. I feel so alone, nobody cares for me.

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<v Speaker 2>I'll be better not here. I would put a lighter

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<v Speaker 2>to like my leg to kind of like feel something,

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<v Speaker 2>to kind of bring me back. Like, girl, you kind

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<v Speaker 2>of taken it too far. It's not back. You cannot

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<v Speaker 2>just abandon your child and harm yourself.

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<v Speaker 1>For young Latinas in the United States, struggling with mental

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<v Speaker 1>health is very real, and the data shows it. More

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<v Speaker 1>than one in four Latina teenagers has had suicidal thoughts.

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<v Speaker 1>And for Li's Beth, who was only nineteen at the time,

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<v Speaker 1>these thoughts became constant and they were weighing really heavily

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<v Speaker 1>on her. And so whenever these Beth had moments that

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<v Speaker 1>basically snapped her out of this hopeless void. It was

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<v Speaker 1>when she would think about her baby.

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<v Speaker 2>That was kind of like bursting the bubble, like admitting

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<v Speaker 2>to myself, I'm suicidal. I need you to help me.

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<v Speaker 1>She had the number of a therapist office on a

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<v Speaker 1>post it note that she had taped on her door,

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<v Speaker 1>and it was there for weeks, but finally, one day,

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<v Speaker 1>three months after the show, shooting. Lisbeth picked up the

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<v Speaker 1>phone and made the call to book an appointment.

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<v Speaker 2>The lady is like, the wait is not until July.

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<v Speaker 2>I said, ma'am, can I tell you something please? She's like, yeah,

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<v Speaker 2>of course. I was like, I got shot three months ago,

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<v Speaker 2>four times. I am gone also through a post part

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<v Speaker 2>of depression. I have a five month old baby, and

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<v Speaker 2>I also have extreme PTSD right now, so I would really, really,

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<v Speaker 2>really really appreciate you if you can help me. She's like, oh,

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<v Speaker 2>I'm so sorry. Let me see if I can transfer

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<v Speaker 2>you somewhere else. And then she transferred me to a

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<v Speaker 2>trauma department and they squeezed me into the list. A

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<v Speaker 2>week later, I had a therapist.

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<v Speaker 1>Remember when I told you about tough Latina and New Yorkers.

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<v Speaker 1>You see, that's what I'm talking about. But when it

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<v Speaker 1>came time to go to that first appointment, and she

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<v Speaker 1>was hesitant the thought of opening up about her struggles

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<v Speaker 1>to a complete stranger. I mean it terrified her until

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<v Speaker 1>she got to that first session and she saw the

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<v Speaker 1>man who was going to be her therapist, and it

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<v Speaker 1>changed everything.

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<v Speaker 2>He looked just like my dad, and he had such

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<v Speaker 2>a like soft energy. He also grew up in Harlem,

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<v Speaker 2>and the little girl and me was like, you can

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<v Speaker 2>open up, you can tell him these things, this is

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<v Speaker 2>what he's here for.

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<v Speaker 1>And this was life changing for at least bit. Knowing

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<v Speaker 1>she was brave enough to have those conversations actually made

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<v Speaker 1>her look forward to every therapy session every week.

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<v Speaker 2>My therapist taught me about box breathing. It's like a

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<v Speaker 2>form of meditation. He was just like, you know, close

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<v Speaker 2>your eyes, relax, try to not hear any of the

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<v Speaker 2>outside noise, and just act like you're connecting the dots

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<v Speaker 2>in a box and you're breathing in and out as

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<v Speaker 2>you go. So let's say we're here.

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<v Speaker 1>These bed points her index finger at an imaginary spot

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<v Speaker 1>in front of her.

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<v Speaker 2>You'll breathe in, breathe out, and then you stay at

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<v Speaker 2>that point.

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<v Speaker 1>She draws an imaginary line to another point horizontally.

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<v Speaker 2>And then you go back again breathe in, breathe.

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<v Speaker 1>Out, and then another one going down, and then you

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<v Speaker 1>go to the other point and she completes this square

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<v Speaker 1>with her finger and she's taking deep breaths.

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<v Speaker 2>You can do four, you can do eight, you can

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<v Speaker 2>do as many as you need to calm yourself and

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<v Speaker 2>get into more of a Okay, I'm feeling, I'm breathing,

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<v Speaker 2>I'm gonna be okay.

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<v Speaker 1>None of this would be happening, like you would not

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<v Speaker 1>have found therapy that allows you to have come up

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<v Speaker 1>with these coping mechanisms that allow you to basically live

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<v Speaker 1>on a daily basis. We wouldn't be sitting in this

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<v Speaker 1>studio for a national audience hearing your story were it

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<v Speaker 1>not for the fact that you got shot. How do

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<v Speaker 1>you put that together?

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<v Speaker 2>Honestly, when this first happened, I was just in such

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<v Speaker 2>a dark place and I was like, Wow, why would

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<v Speaker 2>God torture me like this? Why would you keep me here?

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<v Speaker 2>What am I supposed to look forward to? And now

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<v Speaker 2>I am like, okay, yes I got shot.

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<v Speaker 1>It was therapy that helped Lisbeth finally start to move forward.

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<v Speaker 1>It gave her the clarity to leave a relationship that

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<v Speaker 1>wasn't great, and it gave her the strength to take

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<v Speaker 1>on being a single mom at just nineteen. Slowly, Li's

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<v Speaker 1>bed began to rebuild her life and her confidence.

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<v Speaker 2>I got an amazing promotion at my job, seeing my

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<v Speaker 2>daughter grow to be such a beautiful, smart little girl.

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<v Speaker 2>Let's count in Spanish? Oh no, yes, good job. And

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<v Speaker 2>it's like, if only I could just hug myself from

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<v Speaker 2>two years ago and just tell myself, girl, you don't

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<v Speaker 2>even know none of this is gonna matter. In two

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<v Speaker 2>years I would have never believed her because I'm like,

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<v Speaker 2>there's no way this is getting better. And it did,

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<v Speaker 2>and it got so much better because it made me

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<v Speaker 2>such a different person. I see life completely different, I

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<v Speaker 2>see motherhood completely different because I'm here because I wanted

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<v Speaker 2>to be the best version of myself for her.

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<v Speaker 1>I gotta say, like, I'm really loving this moment of

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<v Speaker 1>Lizbeth being in the chair in the studio and I

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<v Speaker 1>get a chance to see all of her strength, all

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<v Speaker 1>of the confidence that she's built up, even as she

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<v Speaker 1>takes me to the worst moment in her life. But

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<v Speaker 1>part of that journey for Lisad has also been learning

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<v Speaker 1>how to protect herself and how to prioritize her safety. So,

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<v Speaker 1>for instance, she recently moved out of Harlem and she's

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<v Speaker 1>now living in New Jersey. Unfortunately, the thing about PTSD

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<v Speaker 1>is that the trauma doesn't stay in the past, and

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<v Speaker 1>it doesn't stay in one place. It often follows you

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<v Speaker 1>no matter where you go. So one small trigger, whether

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<v Speaker 1>it's a sound or a smell, or just a feeling.

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<v Speaker 1>It can snap you back to that moment, to the

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<v Speaker 1>exact time and place of your trauma. This bed is

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<v Speaker 1>always scanning her surroundings.

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<v Speaker 2>That experience has just made me be on my ten

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<v Speaker 2>toes about everything and just listen. You want to cut

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<v Speaker 2>the line, cut the line, I don't care. You want

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00:26:29.440 --> 00:26:32.520
<v Speaker 2>to go ahead, go ahead, I'll give you the pass

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00:26:32.640 --> 00:26:36.920
<v Speaker 2>to drive. You want my seat, take it. But it's

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00:26:37.040 --> 00:26:41.080
<v Speaker 2>not worth getting into an argument. You don't even know

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<v Speaker 2>where that person's mental health is at. They're ready to

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<v Speaker 2>risk at all. You just don't know.

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<v Speaker 1>Also, because you're not wearing the fa anymore.

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<v Speaker 2>You know, It's so funny because after I had gotten shot,

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<v Speaker 2>I kept wearing my Fah. I got a new one

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<v Speaker 2>and I kept wearing it. But it wasn't in the

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<v Speaker 2>same attempt. It was more like, this is my bulletproof.

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<v Speaker 2>And you know, like my coworkers they knew about it,

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<v Speaker 2>and they're like, this is not funny, Like you're messed

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<v Speaker 2>up in the head. And I'm like, guys, laugh, laugh,

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00:27:12.320 --> 00:27:13.880
<v Speaker 2>it's funny.

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<v Speaker 1>Please, that is your bullet yes, and you're proud.

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<v Speaker 2>Yeah, I'm like, listen, I'm very proud if it was me.

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<v Speaker 2>I'll swing this up baha all through because oh my God,

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<v Speaker 2>whoever created it, I gotta thank you too, because you

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<v Speaker 2>got some good stuff in there.

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<v Speaker 1>This episode was produced by New Saudi. It was edited

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<v Speaker 1>by our managing editor. It was mixed by Leah Shaw

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<v Speaker 1>damar On. The Latino USA team also include Roxanna Guire,

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<v Speaker 1>Julia Caruso, Felicia Dominguez, Jessica Ellis, Victori Estrada, Dominique, Ineestrosa,

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<v Speaker 1>Renaldo Leanoz Junior, Stephanie Lebou, Andrea Lopez, Gruzsado, Luis Luna

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<v Speaker 1>Marta Martinez, Bonica Morealis, Garcia, Jjkrubin, Tasha Sandoval and Nancy Trujillo,

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<v Speaker 1>Venille Ramirez, Marlon Bishop, Maria Garcia and I are co

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<v Speaker 1>executive producers and I'm your host, Mariano Josa. Join us

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<v Speaker 1>again for our next episode. In the meantime, I'll see

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<v Speaker 1>you on social media, especially on Instagram. Iyatu savez not mayus.

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<v Speaker 2>Latino USA is made possible in part by La Tau Foundation,

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<v Speaker 2>New York Women's Foundation. The New York Women's Foundation funding

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<v Speaker 2>women leaders that build solutions in their communities and celebrating

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<v Speaker 2>thirty years of radical generosity and funding for Latino usa

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<v Speaker 2>is Coverage of a culture of health is made possible

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<v Speaker 2>in part by a grant from the Robert Wood Johnson

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<v Speaker 2>Foundation