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<v Speaker 1>This is Latino USA, the radio journal of News and

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<v Speaker 1>Kurturre Latino usaix Le Latino Usa. I'm Maria Inojosa. We

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<v Speaker 1>bring you stories that are underreported but that mattered to you,

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<v Speaker 1>overlooked by the rest of the media.

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<v Speaker 2>And while the country is struggling to deal with these,

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<v Speaker 2>we listen to the stories of black and Latinos, Studios United,

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<v Speaker 2>Latino Front, a cultural renaissance organizing at the forefront of

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<v Speaker 2>the movement.

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<v Speaker 1>I'm Maria Inojosa, nose Bayan, Hey, hey, hey, hey, get us.

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<v Speaker 1>Latino USA is celebrating thirty years today, Ain't that amos?

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<v Speaker 1>And we would love to hear from you. Dear listener.

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<v Speaker 1>Do you want to share with us exactly what Latino

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<v Speaker 1>USA has meant to you? Do you have a birthday

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<v Speaker 1>wish for us? Leave us a voicemail at six four

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<v Speaker 1>six five seven to one one two two four. That's

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<v Speaker 1>six four six five seven to one one two two four,

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<v Speaker 1>and we might feature your message in an upcoming show

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<v Speaker 1>Grassias from Fudro Media and PRX. It's Latino USA. I'm

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<v Speaker 1>Maria Noofosa. Today, Madre Aijor, mother and son, chefs sare

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<v Speaker 1>La Martinez and Aaron Sanchez reflect on their careers and

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<v Speaker 1>their relationship. Chefs sare La Martinez and Aaron Sanchez have

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<v Speaker 1>each had long and successful careers, but recently this mother

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<v Speaker 1>and son duo decided to join forces.

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<v Speaker 3>Welcome everyone to another episode of Cooking in Mexican from

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<v Speaker 3>eighty see. I'm your host, Aron Sanchez alongside my beautiful.

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<v Speaker 4>Mother cere La Martinez.

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<v Speaker 3>Wonderful. Today we're going to be talking about edible bugs.

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<v Speaker 1>And in their podcast Cooking in Mexican from A to Z,

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<v Speaker 1>Aaron and sare last year recipes and talk about the

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<v Speaker 1>ingredients that make up different Mexican dishes like bayniya, tomatillos

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<v Speaker 1>and chiles verdez.

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<v Speaker 3>My mom is, without a doubt, undisputably the queen of

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<v Speaker 3>Mexican food.

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<v Speaker 1>The goddess Sarelas and Aaron's love of Mexican food and

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<v Speaker 1>their desire to educate people about it is actually a

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<v Speaker 1>family tradition. Sarella grew up along the US Mexico border

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<v Speaker 1>in a Waprieta so Nora, spending time in the kitchen

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<v Speaker 1>with her mom, Memma, who was also a well known

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<v Speaker 1>Mexican cook.

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<v Speaker 3>We have a unique distinction of being three generations of

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<v Speaker 3>cookbook authors, which I think is really amazing.

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<v Speaker 1>Aaron was born in El Paso. He grew up in

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<v Speaker 1>New York City with his mom and twin brother, Rodrigo.

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<v Speaker 1>When Sarela arrived in New York and decided to open

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<v Speaker 1>her own restaurant called Sarelas, it was a huge deal,

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<v Speaker 1>not only for Mexicans like me who had been looking

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<v Speaker 1>for authentic Mexican food for a long time, but for everybody,

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<v Speaker 1>and Saree Las restaurant was like the place to be seen.

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<v Speaker 1>And also if you were lucky like I was, you'd

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<v Speaker 1>get invited to Sada LA's private dinner parties where there'd

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<v Speaker 1>be like seventy five people eating with food that she

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<v Speaker 1>was cooking herself. What Sada La did in New York

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<v Speaker 1>City was basically bring Mexican food into the mainstream of

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<v Speaker 1>New York City, and so she got a lot of attention,

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<v Speaker 1>which led to cookbook deals and TV shows on PBS

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<v Speaker 1>like Saree Las Veracruz.

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<v Speaker 4>Just what is a saca win It's a gigantic taman.

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<v Speaker 4>There are too.

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<v Speaker 1>Man and her son ad On was witnessing all of

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<v Speaker 1>this food culture, so he followed in his mom's footsteps,

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<v Speaker 1>he opened a Pan Latin American restaurant, and eventually he

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<v Speaker 1>was on TV shows like Master Chef, Chopped, and Taco Trip. Now,

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<v Speaker 1>over three decades since Sarela opened her eponymous restaurant, there

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<v Speaker 1>has been an explosion of Mexican food all over New

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<v Speaker 1>York City. I mean, it says a lot that when

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<v Speaker 1>I first got to New York in nineteen seventy nine,

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<v Speaker 1>there were no tortillas that you could puie in this

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<v Speaker 1>city essentially, and now this many decades later, you have

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<v Speaker 1>people who are specializing in particular kinds of Mexican cuisine,

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<v Speaker 1>but you've also got Mexican street food by your food.

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<v Speaker 1>It has changed the culinary landscape of this city forever.

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<v Speaker 1>Sarela is seventy five years old now, but is no

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<v Speaker 1>longer running a restaurant, but she keeps busy developing recipes

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<v Speaker 1>and working on other projects. Meanwhile, forty seven year old

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<v Speaker 1>ad On is still working in the restaurant industry. So

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<v Speaker 1>today they get on a call, Sarela from her bustling

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<v Speaker 1>New York City apartment and ad On from his home

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<v Speaker 1>in Nework Lands. They're going to talk about the early

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<v Speaker 1>years in New York City. And how they're navigating. Sadie

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<v Speaker 1>last Parkinson's. Here are Sadie, La Martinez and Adon Sanchez

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<v Speaker 1>in conversation.

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<v Speaker 3>And Mom, good to see you. I love you, I

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<v Speaker 3>miss you. I think about you every day. I'm happy

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<v Speaker 3>that you had a good time in Los Angeles. I'm

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<v Speaker 3>back in New Orleans. I was away from work this

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<v Speaker 3>week and so I'm excited to see you.

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<v Speaker 4>It's good to see you. Baby. You get to working

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<v Speaker 4>places like the Bahamas.

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<v Speaker 3>Well, yeah, but it doesn't happen easy. You know. Everyone

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<v Speaker 3>thinks it's very Methanian and Jinga like they say. But

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<v Speaker 3>all good.

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<v Speaker 4>Well, we were always the cooking family. First thing was

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<v Speaker 4>in the ranch in Shiwawa where I grew up, and

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<v Speaker 4>my mother used to cook for all the cowboys and

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<v Speaker 4>all the family and all the cousins that went to

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<v Speaker 4>miss it all the time. So we are totally food

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<v Speaker 4>focused family and we continue.

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<v Speaker 3>To be that. Yeah. But also Mom, talk about a

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<v Speaker 3>little bit how revolutionary and pioneering memo was. She would

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<v Speaker 3>bring all those ingredients that were very foreign. You guys

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<v Speaker 3>would do like Chinese food on the ranch, right, Mom,

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<v Speaker 3>you would do very different things, right, we did.

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<v Speaker 4>She always wanted to write a book. And it's only

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<v Speaker 4>recently that I started to understand just how innovative she was,

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<v Speaker 4>because you know, let's say I made a pigattio recipe,

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<v Speaker 4>and she always added a little something to make it

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<v Speaker 4>a more debt to verys that she would toast some

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<v Speaker 4>flower and that would give me a nutty's neighbors. So

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<v Speaker 4>even though she was doing a lot of the traditional

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<v Speaker 4>sono of food, there was always her little treat. You know,

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<v Speaker 4>in the north of Mexico, it's totally separate from the

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<v Speaker 4>rest of Mexico. So what I grew up in this

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<v Speaker 4>so northern food, so no on food, plus international continental

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<v Speaker 4>things like ravel, provinceha, that Chinese food and all those

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<v Speaker 4>things my mom used to make. But the thing is

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<v Speaker 4>that when I opened Cafe Marienbak, which was the first restaurant,

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<v Speaker 4>I realized that I didn't know anything about Mexican food.

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<v Speaker 4>My mom was great. She was the most generous person

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<v Speaker 4>that you can imagine, and she took me and my

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<v Speaker 4>friend Laurie on this trip to Wahaka chap As, Yubatan

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<v Speaker 4>that approves, and that's what I really learned about Mexican food.

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<v Speaker 4>That was not till eighty five and then I became

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<v Speaker 4>passionate about it, that said, this has got to be

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<v Speaker 4>known in the United States, and that's how I found

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<v Speaker 4>that mission.

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<v Speaker 3>It was so traditional and non traditional the way we

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<v Speaker 3>grew up, you know, it was amazing. My mom has

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<v Speaker 3>always been somebody that's cutting edge, pioneer, does not subscribe

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<v Speaker 3>to the norm, you know, and always surround us with

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<v Speaker 3>really eclectic and quirky people from New York that really

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<v Speaker 3>molded a lot of our worldliness. And then we would

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<v Speaker 3>also have our traditional side of our family in Mexico,

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<v Speaker 3>and so we kind of grew up with this beautiful

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<v Speaker 3>balance at both of that.

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<v Speaker 4>But you know, it was just so fabulous. You remember

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<v Speaker 4>all night I used to go out a lot, the

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<v Speaker 4>kids who go away, we all want to lan. It

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<v Speaker 4>was just the best. We also all the parties used

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<v Speaker 4>to have.

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<v Speaker 3>Yeah, yeah, the parties were the big thing, because it

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<v Speaker 3>was like this beautiful collage of not just your boyfriend's mom,

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<v Speaker 3>but also like really awesome guests that were from all

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<v Speaker 3>different walks and inevitably would have a couple of minutes

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<v Speaker 3>to talk to me and my brother Ole Ego and

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<v Speaker 3>kind of inform us and what was up. You know

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<v Speaker 3>what I mean you look performed well, I remember, and

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<v Speaker 3>we came with resources to New York City, lots of connections. Yeah,

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<v Speaker 3>my mom checked to dream.

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<v Speaker 4>When I got here. I came in here right at

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<v Speaker 4>the top. I never felt discriminated against. That was totally

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<v Speaker 4>accepted because nobody was doing the kind of food that

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<v Speaker 4>I was doing, you know at that point, which is

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<v Speaker 4>really home style food, and people were just shocked to

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<v Speaker 4>have to have these flavors. People wrote things like Mexican

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<v Speaker 4>food of incredible finesse, or my food was like discovering colors.

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<v Speaker 3>Yeah, but also you are part of the renaissance of

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<v Speaker 3>American regional cuisine exactly. That's when Paulpridome and Alice Waters

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<v Speaker 3>and all of these pioneers started to break down the

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<v Speaker 3>regions of this country and say, look, we have our

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<v Speaker 3>own identities. We have a group of ingredients and immigrants

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<v Speaker 3>that live here that informed the way that we cook

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<v Speaker 3>in these particular regions. It's very interesting time in American

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<v Speaker 3>food history, you know. And then because of that, she

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<v Speaker 3>was this bright example for me. It was very important

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<v Speaker 3>for me early on to distinguish myself from her.

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<v Speaker 4>That so not and you have to create your own style.

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<v Speaker 4>You know, because you don't want to be imitating me,

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<v Speaker 4>because I was, you know, doing very traditional food at

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<v Speaker 4>that time. He wanted to be cutting into which is

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<v Speaker 4>really a very interesting thing because I don't know and

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<v Speaker 4>I had been talking a lot lately about how all

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<v Speaker 4>these young chefs wanted to recapture the nineties. See my

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<v Speaker 4>chef's my age want to recapture the eighties. Because I

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<v Speaker 4>got here in eighty three and that was just about

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<v Speaker 4>the time when the restaurant business was starting to bud.

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<v Speaker 4>You know, Jonathan Watson had come to town that Boigione

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<v Speaker 4>was starting doing it for and have his fabulous restaurant.

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<v Speaker 4>Everybody was coming up at that time. So for me

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<v Speaker 4>to be able to come in and do like a

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<v Speaker 4>new Mexican restaurant and people were spending a lot of money,

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<v Speaker 4>and it was just like a dream come true.

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<v Speaker 3>Mom. You know, you were very very hard on me

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<v Speaker 3>early on. Well, I see the promise. I started way

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<v Speaker 3>too early. I look back now and I'm like, wow, Wow,

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<v Speaker 3>I could have done with a couple more years under

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<v Speaker 3>some other chefs probably and you know, learn a little

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<v Speaker 3>bit more of the business side. I had good ideas,

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<v Speaker 3>and I think that was kind of what people were

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<v Speaker 3>attracted to about me, and then obviously and your road

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<v Speaker 3>and my lucks yet and also I come from restaurant royalty,

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<v Speaker 3>you know what I mean. So I got a lot

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<v Speaker 3>of opportunity really early.

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<v Speaker 4>But that was really hard on you because when you

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<v Speaker 4>start going to August clubs at night when you were

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<v Speaker 4>fourteen and fifteen, I had that you had to be

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<v Speaker 4>home by by twelve, and you wouldn't get there and

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<v Speaker 4>I would throw a pillow to the stairway and a

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<v Speaker 4>blanket and I would say, you're gonna say come on,

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<v Speaker 4>let me know. Until he learned it, yeah, yeah.

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<v Speaker 3>I was very realistic, you know, growing up, like I

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<v Speaker 3>understood what was what, And so every time I would

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<v Speaker 3>make a bad decision, like we'd be in Central Park,

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<v Speaker 3>or we'd be with our friends and maybe smoking some

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<v Speaker 3>weed or something, I'd be like, I already miss curfew,

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<v Speaker 3>so let's have a good time because I'm going to

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<v Speaker 3>be sleeping on the landing this evening. Want to be

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<v Speaker 3>on the landing. So at least, you know, I was

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<v Speaker 3>always like, you.

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<v Speaker 4>Were impossible, so difficult. I pushed to cry. So I

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<v Speaker 4>had the right idea of calling Paul Prudom, who had

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<v Speaker 4>discovered me and I said, you take this kin, I

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<v Speaker 4>want to kill him.

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<v Speaker 3>And so.

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<v Speaker 4>Anyway, so Paul very kindly took you for two summers,

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<v Speaker 4>and that was really information.

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<v Speaker 3>As soon as I got in there, I was like, oh,

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<v Speaker 3>this is something different. Like it really it was a

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<v Speaker 3>kick in the ass in the best of ways when

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<v Speaker 3>I need it. I think Bala Lada. I made some

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<v Speaker 3>mistakes early.

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<v Speaker 4>On, but that was a classic.

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<v Speaker 3>Yeah. But then when I opened Balla Lada, I think

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<v Speaker 3>that's really when I got into my stride. We were

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<v Speaker 3>a very busy restaurant and everybody wanted to come to

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<v Speaker 3>our place. And just like my mom's restaurant too. Like Mom,

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<v Speaker 3>you know, your restaurant was always packed up, and I

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<v Speaker 3>took cash for the first five years of my restaurant.

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<v Speaker 3>It's you know, it's funny because you think about it now,

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<v Speaker 3>right Mom, you're thinking, damn, all I know is busy restaurants,

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<v Speaker 3>like our restaurants, of course are going to be busy

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<v Speaker 3>because we're that good. I've never known one of my

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<v Speaker 3>places or our restaurants as a family to not be busy.

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<v Speaker 3>It's just something that we've always expected, you know, now

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<v Speaker 3>that I'm mentoring young people's funny and ironic because I'm like,

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<v Speaker 3>when young people act out like that, they're asking for help.

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<v Speaker 3>They want to be listening to. And that's what I

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<v Speaker 3>was doing. I was acting ostentatious and I was rebelling

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<v Speaker 3>because I wanted somebody to hear me. So that's a

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<v Speaker 3>big part of it as well. Mom, you never pressured

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<v Speaker 3>us to go into this business or actually tell us

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<v Speaker 3>anything to do. You just say you're going to find

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<v Speaker 3>what you want in life, and then I'll be there

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<v Speaker 3>to support you.

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<v Speaker 4>I wanted you to be independent and have your own mind,

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<v Speaker 4>you know. I didn't want to be pushing you in

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<v Speaker 4>any way that you might not be happy.

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<v Speaker 3>Yeah. But then also, mommy, dak creates another kind of

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<v Speaker 3>challenge where we're so independent, we're not always there for

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<v Speaker 3>Sunday dinners.

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<v Speaker 4>Where you weren't, but everybody else was.

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<v Speaker 3>I was always more incorrigible, and as you know that,

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<v Speaker 3>you know, incorrigible is a good word.

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<v Speaker 4>Remember how we used to separate the duties. You know,

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<v Speaker 4>I always maybe andres and because you always got the leg,

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<v Speaker 4>you had to make the vegetables.

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<v Speaker 3>Yes, ma'am, I remember the first time I got the

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<v Speaker 3>car of a Turkey. I thought I thought my ship

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<v Speaker 3>had come in. This is amazing. I'm a big man now. Yeah.

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<v Speaker 4>No, I remember we did the second pig moment.

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<v Speaker 3>Yeah, I remember doing that. And we cooked a lot

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<v Speaker 3>of things that were not necessarily traditional. You know. People

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<v Speaker 3>want to say, oh, did you guys make the molas

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<v Speaker 3>during Christmas? And we're like, well, not really, we did

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<v Speaker 3>other things. And that just shows how neat growing up

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<v Speaker 3>in New York City was. Right, Mom, You're influenced by

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<v Speaker 3>so many different people in their backgrounds, and it kind

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<v Speaker 3>of informs the way you cook. And I love that.

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<v Speaker 4>You remember we also went down to restaurants all the

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<v Speaker 4>time with the family, and that you was a stairical way.

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<v Speaker 4>You would freak out because you knew that I was

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<v Speaker 4>going to be difficult.

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<v Speaker 3>Oh yeah, yeah, well you still are. My mom would

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<v Speaker 3>sit there and anything went wrong, like if they caught

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<v Speaker 3>her too much wine in her glass, she would have

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<v Speaker 3>like a conniption, like a fit, and then she would

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<v Speaker 3>inevitably she would say, you know, I have a restaurant.

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<v Speaker 3>Have you heard of it? And then all of us

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<v Speaker 3>kids would be like cowering, be like, oh, here she goes, here,

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<v Speaker 3>she goes reprimanding this poor gentleman.

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<v Speaker 4>No, no, no, but you know, I wanted things to

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<v Speaker 4>be to come out in a certain particular and know who.

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<v Speaker 4>I wanted things to come out in a certain warrior

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<v Speaker 4>to get the talent based man. And they still remember,

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<v Speaker 4>they still remember, They're still going to have the.

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<v Speaker 3>Tel and Jalepeno and all that. Yeah, I remember, trust me,

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<v Speaker 3>we were there so embarrassed. So we really appreciate that, Mom,

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<v Speaker 3>thanks for that.

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<v Speaker 4>Well we went to an other places.

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<v Speaker 3>Yeah, it was nice, And I think that really helped

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<v Speaker 3>me personally, Mom, to understand why it's important to where

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<v Speaker 3>I'm at now, because in New Orleans we still have

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<v Speaker 3>a lot of that traditional restaurants. I mean, we have

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<v Speaker 3>restaurants that many that are over two hundred years old here,

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<v Speaker 3>which is very unique, you know. So there's a certain

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<v Speaker 3>amount of decorum and steps of service that need to

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<v Speaker 3>be here too and all that.

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<v Speaker 4>So you're reacky to be there.

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<v Speaker 3>That's a big part of why I love living here,

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<v Speaker 3>you know.

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<v Speaker 4>Yeah, I've been thinking about it. Maybe it would be

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<v Speaker 4>fun to end my life there.

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<v Speaker 3>Okay, Mom, don't be so morbid about it, but I'm

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<v Speaker 3>just saying, would love to have you down here. You

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<v Speaker 3>always tell me you're like, I don't know anybody down there.

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<v Speaker 3>I don't have any set of friends. You'll make friends us.

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<v Speaker 3>Everyone here is very open to help everybody.

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<v Speaker 4>I would do it exactly the same way I did.

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<v Speaker 5>Then.

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<v Speaker 4>I would invite a few core friends and then they

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<v Speaker 4>would ask me what she would bring, and then I

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<v Speaker 4>would say, bring me somebody who I would enjoy differently.

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<v Speaker 4>Single actor Mann.

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<v Speaker 3>Yes, of course, Mom. Thanks Mom. We'll get you a boyfriend. Yeah, yeah,

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<v Speaker 3>we'll get you some gallant man.

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<v Speaker 1>Coming up on Latino USA, mother and son Madre and

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<v Speaker 1>Echo sad La Martinez and Aron Sanchez talk about their

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<v Speaker 1>identities and their legacies as chefs of Mexican cuisine. Stay

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<v Speaker 1>with Us.

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<v Speaker 5>Latino USA. I'm Ricardo A roacha colin in from Fairfield, Connecticut.

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<v Speaker 5>I was born in Venezuela, raised here. My first time

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<v Speaker 5>was probably around twenty eleven. I was a bachelor and

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<v Speaker 5>had just moved to Connecticut and pictured myself in my

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<v Speaker 5>room doing chores and listening to Latino USA. I just

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<v Speaker 5>remember that moment feeling like, yes, this is awesome. I

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<v Speaker 5>found something that I'm going to be listening to by yearly.

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<v Speaker 5>And I am reflecting on this as I hold my

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<v Speaker 5>newborn baby girl. The work you do is so so good,

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<v Speaker 5>so important, so rich and okay, let me feel on it.

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<v Speaker 1>Right. Hey, we're back and before the break, we heard

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<v Speaker 1>from award winning chefs sarey La Martinez and Aaron Sanchez

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<v Speaker 1>about how they made it in New York City. Now,

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<v Speaker 1>the mother and son duo reflect on their podcast collaboration

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<v Speaker 1>and how they support each other through sati Les Parkinson's diagnosis.

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<v Speaker 1>Here are Sadi La Martinez and Aron Sanchez. Once again.

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<v Speaker 3>I think when it comes to our podcast, my mom

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<v Speaker 3>wants to tell stories and anecdotes and have the authenticity

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<v Speaker 3>behind it, and I kind of facilitated and ask questions

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<v Speaker 3>and learn along the way too.

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<v Speaker 4>While we close the restaurant, I freaked out because I

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<v Speaker 4>didn't feel like I need to be reverent. And I

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<v Speaker 4>told you and I said I wanted to do this podcast,

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00:19:24.200 --> 00:19:27.480
<v Speaker 4>and you were so nice to accept it, and you know,

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<v Speaker 4>started doing this the podcast, which is right now what

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<v Speaker 4>I most enjoyed doing professionally. So yeah, I mean, I

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<v Speaker 4>never I know, because I could share all the knowledge

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<v Speaker 4>that I had that I've learned. I was thinking, what

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<v Speaker 4>am I going to do without this and an avenue

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<v Speaker 4>to you know, thet's share it.

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<v Speaker 3>I got you.

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<v Speaker 4>It's just a fascinating time to be in cooking in

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<v Speaker 4>Mexico and learning about Mexican food, which is one of

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<v Speaker 4>the mess that the podcast is so popular because we

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<v Speaker 4>cover this ingredients and the techniques and it's so so interesting,

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<v Speaker 4>you know, Poe, especially because Mexico is really retaking its

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<v Speaker 4>traditional food.

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<v Speaker 3>Something that was like a huge revelation recently in one

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<v Speaker 3>of my trips was we went to lash calla what

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<v Speaker 3>they call it Plashkalla down there, which is near Mexico

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<v Speaker 3>City and it has all the volcanoes around it. And

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<v Speaker 3>we were there and we cooked with a senora and

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<v Speaker 3>a Dounia and it's unbelievable because now these women are

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<v Speaker 3>known in these neighborhoods for being the best cook in

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<v Speaker 3>the neighborhood. So they'll do like block parties and sort

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<v Speaker 3>of small gatherings and everybody in the surrounding area know,

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<v Speaker 3>you got to go over there and get her tame

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<v Speaker 3>out of there, oh yeah, or whatever it is. And

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<v Speaker 3>it's really cool. They're like little celebrities within their neighborhoods.

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<v Speaker 4>And everybody's taking a lot of the traditions back you know,

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<v Speaker 4>cocina de lumo and native corn. People are with insects,

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<v Speaker 4>people are cooking with all sorts of greens, so it's changed.

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<v Speaker 4>The whole panoram of Mexican food is really interesting.

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<v Speaker 3>Yeah, I think to the podcast what it does for me,

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<v Speaker 3>It reaffirms what I've always known, you being this unbelievable

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<v Speaker 3>resource of knowledge and legacy and all those good things.

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<v Speaker 3>I already knew that, but now I understand where I

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<v Speaker 3>get my interest level to learn all the time. You know,

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<v Speaker 3>it's from my mom.

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<v Speaker 4>I could not do it without you, because I'm always

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<v Speaker 4>amazed at how much you've learned and can contribute to

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<v Speaker 4>the different ingredients, and how funny you are as a levity.

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<v Speaker 4>That's there's a lot of fun and welcome to a podcast.

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<v Speaker 4>It's what I love about it is the way you

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<v Speaker 4>and I interact, you know, It's just you're so polite

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<v Speaker 4>and everything and so sweet to me, and I'm three

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<v Speaker 4>to you. I've gone to learn how professional and how

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<v Speaker 4>you are at your job. I mean, you're magnificent in

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<v Speaker 4>keeping the conversation flowing and keeping me on the subject.

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<v Speaker 4>So it is a wonderful experience.

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<v Speaker 3>Yeah, I agree, I agree. Right now we're living in

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<v Speaker 3>a time where people of not Mexican descent are taking

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<v Speaker 3>full advantage of opening restaurants and doing their thing. And

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<v Speaker 3>you know, the question is are you studied enough. Have

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<v Speaker 3>you spent the time to understand not just the technique

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<v Speaker 3>but also to understand the cultural relevance behind it, which

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<v Speaker 3>is super important? Yeah, you know, are the influences coming

396
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<v Speaker 3>from Spain. That's why the debate comes. You want to

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<v Speaker 3>be known as Hispanic because you're kind of acknowledging the conquista,

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<v Speaker 3>you know, like, so how we're labeled as Latinos is

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<v Speaker 3>unique right now, how people want to be defined.

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<v Speaker 4>See, the thing is that people are always saying that

401
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<v Speaker 4>there's a certain kind of Mexican.

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<v Speaker 3>Yeah.

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<v Speaker 4>I cannot you how many discussions I've had in bars

404
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<v Speaker 4>where people will say, you're not Mexican. Yes i am.

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<v Speaker 4>I was born and raised in Mexico from a long lived,

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<v Speaker 4>you know, family tradition. I am Mexican, and people don't

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<v Speaker 4>believe me because people are barely now starting to understand

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<v Speaker 4>that there are different kinds of Mexicans.

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<v Speaker 3>You just have to be worldly and open minded when

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<v Speaker 3>you're saying things like what does a Mexican look like? Well,

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<v Speaker 3>I don't know. Tell me.

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<v Speaker 4>Yeah, I now describe myself as an American Mexican.

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<v Speaker 3>I identify as a Mexican American, and I'm excited about that.

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<v Speaker 3>And I prefer to speak Spanish. To be very honest,

415
00:23:38.280 --> 00:23:40.639
<v Speaker 3>I feel more at home when I'm talking in Spanish.

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<v Speaker 3>It was very important for me to keep my language

417
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<v Speaker 3>because you know, there's the same patria. You know, when

418
00:23:47.600 --> 00:23:50.040
<v Speaker 3>you lose your tongue, you lose your country. So I

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<v Speaker 3>just always wanted to make sure that I kept that connection,

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<v Speaker 3>you know. I remember my mom was really smart about

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<v Speaker 3>sending me with my tamelan and my primos and all

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00:23:59.000 --> 00:24:02.360
<v Speaker 3>that to Mexico to make sure that I kept that connection. So,

423
00:24:02.760 --> 00:24:05.320
<v Speaker 3>if you want to talk about a bicultural upbringing, we

424
00:24:05.440 --> 00:24:08.240
<v Speaker 3>had that for sure. And my mom raised this Mexican

425
00:24:08.280 --> 00:24:11.000
<v Speaker 3>with those values and the manners and manners and not

426
00:24:11.080 --> 00:24:13.600
<v Speaker 3>to complain and all those kind of things.

427
00:24:13.880 --> 00:24:15.760
<v Speaker 4>And I used to tell the kids, I said, don't

428
00:24:15.840 --> 00:24:17.960
<v Speaker 4>tell me what you want. Do you think I want

429
00:24:18.000 --> 00:24:20.640
<v Speaker 4>to hear? Tell me what you really mean.

430
00:24:25.240 --> 00:24:27.360
<v Speaker 3>I just think we're living in an interesting time where

431
00:24:27.480 --> 00:24:31.480
<v Speaker 3>Latinos first generation kids are coming back to roots. The

432
00:24:31.560 --> 00:24:34.239
<v Speaker 3>millennials are like, Wow, it's cool to be Latino and

433
00:24:34.280 --> 00:24:37.680
<v Speaker 3>it's cool to represent It wasn't necessarily the case when

434
00:24:37.680 --> 00:24:40.520
<v Speaker 3>my mom got When we got here. I remember I

435
00:24:40.560 --> 00:24:43.280
<v Speaker 3>went to junior high school in Harlem. It was all

436
00:24:43.320 --> 00:24:46.480
<v Speaker 3>Dominican and Puerto Rican kids. There was very few Mexicans

437
00:24:46.520 --> 00:24:49.119
<v Speaker 3>when I went to school there, and it was you know,

438
00:24:49.160 --> 00:24:52.240
<v Speaker 3>I was one of the few, and it was a

439
00:24:52.760 --> 00:24:54.960
<v Speaker 3>whole different vibe, you know what I mean. And try

440
00:24:54.960 --> 00:24:55.840
<v Speaker 3>to hold on to that.

441
00:24:55.960 --> 00:24:59.080
<v Speaker 4>But I never had that problem. I always tell Mexican

442
00:24:59.160 --> 00:25:00.760
<v Speaker 4>I had not crisis.

443
00:25:00.960 --> 00:25:03.120
<v Speaker 3>No, No, I did too. I knew I was Mexican.

444
00:25:03.200 --> 00:25:05.800
<v Speaker 3>It just was like I'm talking about the just a

445
00:25:05.960 --> 00:25:08.800
<v Speaker 3>ratio of the time in New York. Yeah, it was

446
00:25:08.840 --> 00:25:12.600
<v Speaker 3>different where now New York is very Mexican. Yeah, you know,

447
00:25:12.760 --> 00:25:15.520
<v Speaker 3>before it wasn't necessarily like that. Now you go to

448
00:25:15.600 --> 00:25:18.240
<v Speaker 3>Queens and Brooklyn and they call it Puebla York because

449
00:25:18.240 --> 00:25:20.400
<v Speaker 3>there's so many people from Puebla, you know what I mean.

450
00:25:20.440 --> 00:25:25.240
<v Speaker 3>And he planed to they have a direct flight from

451
00:25:25.320 --> 00:25:28.719
<v Speaker 3>JFK to Puebla, just to put in perspective. So I

452
00:25:28.720 --> 00:25:30.840
<v Speaker 3>think the future is bright and a.

453
00:25:30.760 --> 00:25:33.080
<v Speaker 4>Lot of the sets of hot restaurants are.

454
00:25:33.000 --> 00:25:34.399
<v Speaker 3>Women yep as well.

455
00:25:34.600 --> 00:25:37.359
<v Speaker 4>Absolutely, yeah, So it was a very exciting time.

456
00:25:41.720 --> 00:25:44.000
<v Speaker 3>It's my job to make sure my mom has everything

457
00:25:44.080 --> 00:25:46.880
<v Speaker 3>she needs. I've been asking to move to New Orleans

458
00:25:46.880 --> 00:25:49.320
<v Speaker 3>for years now. I've been hearing what I think, nine

459
00:25:49.400 --> 00:25:53.040
<v Speaker 3>years now, eight years somewhere like that. So I'm blessed

460
00:25:53.119 --> 00:25:54.879
<v Speaker 3>in the sense that I have the resources to be

461
00:25:54.880 --> 00:25:56.720
<v Speaker 3>able to help my mom and make sure she's always

462
00:25:56.720 --> 00:25:58.600
<v Speaker 3>taking care of That's my job as it a son.

463
00:25:59.400 --> 00:26:02.080
<v Speaker 3>You have to understand, and it's just when you have Parkinson's,

464
00:26:02.200 --> 00:26:04.920
<v Speaker 3>you're all there and you just might shake a little bit,

465
00:26:05.080 --> 00:26:06.840
<v Speaker 3>you know what I'm saying, or you might move around

466
00:26:06.840 --> 00:26:09.560
<v Speaker 3>a lot, but it's not like my mom's faculties are gone.

467
00:26:09.880 --> 00:26:13.520
<v Speaker 4>People need to understand that I have. I've had Parkins's

468
00:26:13.520 --> 00:26:17.479
<v Speaker 4>since nineteen eighty seven. I did my entire career with

469
00:26:17.600 --> 00:26:21.679
<v Speaker 4>this disgusting disease, and I have managed to have a fulfilling,

470
00:26:21.800 --> 00:26:27.679
<v Speaker 4>successful life with a beautiful family, wonderful friends, and a

471
00:26:27.720 --> 00:26:30.920
<v Speaker 4>great quality of life. It's tough, and I was trying

472
00:26:30.960 --> 00:26:35.320
<v Speaker 4>to find new ways of dealing with this merciless condition.

473
00:26:35.920 --> 00:26:38.679
<v Speaker 4>The kids are very supportive, but I try not to

474
00:26:38.760 --> 00:26:39.879
<v Speaker 4>bother them. Too much.

475
00:26:40.119 --> 00:26:40.280
<v Speaker 3>I do.

476
00:26:40.880 --> 00:26:45.399
<v Speaker 4>It's very good with financially helping me because it's a

477
00:26:45.560 --> 00:26:49.439
<v Speaker 4>very expensive disease. You need to have caretakers, and you

478
00:26:49.520 --> 00:26:54.280
<v Speaker 4>need to have assistance here just to get around, and

479
00:26:54.359 --> 00:26:57.360
<v Speaker 4>all sorts of things and that are not covered by insurance.

480
00:26:57.760 --> 00:27:00.159
<v Speaker 4>It's today. The truth is very tough.

481
00:27:00.640 --> 00:27:03.120
<v Speaker 3>When you're dealing with something like brocas and to see

482
00:27:03.119 --> 00:27:10.520
<v Speaker 3>your mom, you just have to be supports, be there

483
00:27:11.119 --> 00:27:13.960
<v Speaker 3>and she's like, never makes any excuses and never complains,

484
00:27:14.800 --> 00:27:17.600
<v Speaker 3>you know, mom, and always there. But it's strong.

485
00:27:18.000 --> 00:27:21.680
<v Speaker 4>Yeah, it's a tough thing. It's not an easy condition,

486
00:27:21.800 --> 00:27:24.840
<v Speaker 4>let's put it that way. But I will I will

487
00:27:24.880 --> 00:27:25.680
<v Speaker 4>be okay.

488
00:27:26.160 --> 00:27:30.040
<v Speaker 3>Absolutely, of course we all know that. I'm sorry.

489
00:27:30.359 --> 00:27:31.119
<v Speaker 4>Don't be sad.

490
00:27:31.640 --> 00:27:35.160
<v Speaker 3>I'm not sad. I just want you the best. Autonoamate

491
00:27:35.240 --> 00:27:36.360
<v Speaker 3>be happy.

492
00:27:36.680 --> 00:27:37.359
<v Speaker 4>Well, I'm happy.

493
00:27:37.680 --> 00:27:38.280
<v Speaker 3>I know you are.

494
00:27:38.359 --> 00:27:39.560
<v Speaker 4>I choose to be happy.

495
00:27:39.800 --> 00:27:43.280
<v Speaker 3>Indeed, it's not easy, you know, get me. Look at

496
00:27:43.280 --> 00:27:46.359
<v Speaker 3>Michael J. Fox, I mean, look at Montel Williams. You

497
00:27:46.359 --> 00:27:48.360
<v Speaker 3>can go down the list, you know what I mean. Yeah,

498
00:27:48.400 --> 00:27:51.520
<v Speaker 3>it's not something that's uncommon and living very fruitful life

499
00:27:51.640 --> 00:27:52.240
<v Speaker 3>and you.

500
00:27:52.200 --> 00:27:55.679
<v Speaker 4>Know it's life. Can to Lemas make.

501
00:27:56.840 --> 00:28:03.160
<v Speaker 3>Exactly totally Obviously, I wouldn't be here if it wasn't

502
00:28:03.160 --> 00:28:06.520
<v Speaker 3>for you, And well, you kind of gave birth to

503
00:28:06.560 --> 00:28:09.040
<v Speaker 3>me the hope, so that's a little different. But you know,

504
00:28:09.080 --> 00:28:13.840
<v Speaker 3>the idea of everything that I've done is a huge

505
00:28:13.880 --> 00:28:17.000
<v Speaker 3>portion because of you. And I told you, like this weekend,

506
00:28:17.040 --> 00:28:18.920
<v Speaker 3>I was in the Bahamas doing a food and wine

507
00:28:18.920 --> 00:28:22.280
<v Speaker 3>festival and people were stopping me and they were like, man,

508
00:28:22.520 --> 00:28:24.920
<v Speaker 3>I can tell you this development you from the bath.

509
00:28:25.880 --> 00:28:28.040
<v Speaker 3>One of the women that's that I work with grew

510
00:28:28.080 --> 00:28:29.639
<v Speaker 3>up in New York City kind on the same around

511
00:28:29.640 --> 00:28:31.800
<v Speaker 3>of time. She goes, I will go away to like

512
00:28:32.240 --> 00:28:34.400
<v Speaker 3>camp and come back and beg my mom to take

513
00:28:34.440 --> 00:28:38.760
<v Speaker 3>me to have the moleynside of Las and that food,

514
00:28:38.840 --> 00:28:41.360
<v Speaker 3>and people still talk about it all the time. I

515
00:28:41.400 --> 00:28:44.480
<v Speaker 3>get stopped all the time. I think, you just it's

516
00:28:44.520 --> 00:28:47.800
<v Speaker 3>just bizarre to me. I know, inevitably, when I travel,

517
00:28:48.040 --> 00:28:49.760
<v Speaker 3>somebody from the kitchen will come out of you know,

518
00:28:49.880 --> 00:28:52.480
<v Speaker 3>somebody of Latin descent will come to me and say, man,

519
00:28:52.560 --> 00:28:57.000
<v Speaker 3>you're our guy, and your mom's awesome. You're so fortunate.

520
00:28:57.400 --> 00:29:01.320
<v Speaker 3>So that's the responsibility that that one carries. And when

521
00:29:01.360 --> 00:29:03.600
<v Speaker 3>you hear stuff like that, you always worry about your

522
00:29:03.680 --> 00:29:06.800
<v Speaker 3>legacy and being remembered, and I'm telling you, mom, You're

523
00:29:06.840 --> 00:29:09.040
<v Speaker 3>never going to be forgotten.

524
00:29:13.320 --> 00:29:15.280
<v Speaker 4>Well, you know, when I decided to move to New

525
00:29:15.360 --> 00:29:19.120
<v Speaker 4>York in nineteen eighty three, I made a lifetime. I said,

526
00:29:19.160 --> 00:29:21.200
<v Speaker 4>I'm going to move to New York. I'm going to

527
00:29:21.280 --> 00:29:24.280
<v Speaker 4>open a restaurant. I'm going to write a book covered

528
00:29:24.320 --> 00:29:28.280
<v Speaker 4>in three. I'm going to have a series, Pebare series.

529
00:29:28.800 --> 00:29:30.720
<v Speaker 4>I'm want to have a line of products, and I

530
00:29:30.760 --> 00:29:34.000
<v Speaker 4>did have one in Walmart. And then I'm going to

531
00:29:34.080 --> 00:29:37.880
<v Speaker 4>leave a legacy. And when Harvard bought my papers for

532
00:29:38.000 --> 00:29:41.840
<v Speaker 4>this Lessons Your Library, I felt that I had finished

533
00:29:41.840 --> 00:29:44.280
<v Speaker 4>my job. I didn't know that I was going to

534
00:29:44.360 --> 00:29:47.880
<v Speaker 4>have all this opportunity to do the podcast and other things.

535
00:29:48.280 --> 00:29:52.400
<v Speaker 4>But the thing is that all my research material, all

536
00:29:52.480 --> 00:29:55.920
<v Speaker 4>the recipes that everybody gave me, a film, everything is

537
00:29:55.960 --> 00:29:58.920
<v Speaker 4>at this Lessons your Library. And I feel that's my legacy.

538
00:29:59.360 --> 00:30:02.440
<v Speaker 3>And how about me the legal love?

539
00:30:03.040 --> 00:30:05.640
<v Speaker 4>You know, I said I said that before.

540
00:30:05.840 --> 00:30:08.640
<v Speaker 3>I know I'm just joking, but that's important. They say

541
00:30:08.720 --> 00:30:12.959
<v Speaker 3>in Buddhism that your children supersede all of your accomplishments

542
00:30:13.280 --> 00:30:15.960
<v Speaker 3>because you've been that good of an example as a parent.

543
00:30:17.160 --> 00:30:18.680
<v Speaker 3>I don't know if I'll be able to do that

544
00:30:18.720 --> 00:30:22.640
<v Speaker 3>with my mom. But I'm gonna get close. I'm gonna

545
00:30:22.640 --> 00:30:24.160
<v Speaker 3>get close. I can tell you that.

546
00:30:24.360 --> 00:30:26.760
<v Speaker 4>Yeah, well you have a good start.

547
00:30:28.160 --> 00:30:30.480
<v Speaker 3>Okay, Mama, you know me. It's already time to get

548
00:30:30.520 --> 00:30:32.600
<v Speaker 3>to the restaurant, okay, because I don't want to hear

549
00:30:32.640 --> 00:30:34.280
<v Speaker 3>you give me any bs that I'm not at my

550
00:30:34.360 --> 00:30:35.840
<v Speaker 3>place all the time. So I'm going to get off

551
00:30:35.880 --> 00:30:38.160
<v Speaker 3>for a little bit, okay, But I just want to

552
00:30:38.160 --> 00:30:39.840
<v Speaker 3>say I love you and I miss you, and I

553
00:30:39.840 --> 00:30:42.000
<v Speaker 3>can't wait to see you shortly. I know that we

554
00:30:42.040 --> 00:30:43.160
<v Speaker 3>have a visit plan soon.

555
00:30:44.880 --> 00:30:48.480
<v Speaker 4>I love you and love your baby, and then I'm

556
00:30:48.480 --> 00:30:49.440
<v Speaker 4>so proud of you.

557
00:30:56.760 --> 00:30:59.960
<v Speaker 1>That was chef sarre La Martinez in conversation with her son,

558
00:31:00.600 --> 00:31:25.320
<v Speaker 1>Chef Aron Sanchez. This episode was produced by Elizabeth Loental

559
00:31:25.440 --> 00:31:29.120
<v Speaker 1>Torres and edited by Daisy Contreras. It was mixed by

560
00:31:29.360 --> 00:31:34.200
<v Speaker 1>Julia Caruso. The Latino USA team includes Andrea Lopez Gruzado,

561
00:31:34.520 --> 00:31:39.400
<v Speaker 1>Mike Sargent, Marta Martinez, Victoria Strada, Rinaldo Leanos Junior, and

562
00:31:39.440 --> 00:31:44.520
<v Speaker 1>Patricia Subaran. Our editorial director is Fernando Santos. Our director

563
00:31:44.560 --> 00:31:48.120
<v Speaker 1>of engineering is Definitely le Beau. Our associate engineers are

564
00:31:48.200 --> 00:31:51.720
<v Speaker 1>gabriel Lebiez and J. J. Carubin. Our marketing manager is

565
00:31:51.760 --> 00:31:55.560
<v Speaker 1>Luis Luna. Special Things this Week too, Cooking in Mexican

566
00:31:55.600 --> 00:31:59.240
<v Speaker 1>from a to Z produced by Heritage Radio Network. Our

567
00:31:59.280 --> 00:32:02.000
<v Speaker 1>theme music was composed by saying It Rubinos, I'm your

568
00:32:02.040 --> 00:32:04.720
<v Speaker 1>host and executive producer Mariguerno Mosa join us again on

569
00:32:04.760 --> 00:32:07.200
<v Speaker 1>our next episode. In the meantime, look for us on

570
00:32:07.240 --> 00:32:16.640
<v Speaker 1>social media and Aguerda deete bayas a stella proxima Bye.

571
00:32:15.520 --> 00:32:16.040
<v Speaker 6>Latino.

572
00:32:16.160 --> 00:32:16.560
<v Speaker 4>USA.

573
00:32:16.920 --> 00:32:20.880
<v Speaker 6>Is made possible in part by the Heising Simons Foundation,

574
00:32:21.600 --> 00:32:27.960
<v Speaker 6>unlocking knowledge, opportunity and possibilities more at hsfoundation dot org,

575
00:32:28.600 --> 00:32:32.440
<v Speaker 6>the Ford Foundation, working with visionaries on the front lines

576
00:32:32.440 --> 00:32:37.320
<v Speaker 6>of social change worldwide, and the John D. And Catherine T.

577
00:32:37.520 --> 00:32:38.440
<v Speaker 6>MacArthur Foundation.

578
00:32:42.800 --> 00:32:44.040
<v Speaker 4>And he used to steal my weed.