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<v Speaker 1>I am not a white person, I am not a mestizo.

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<v Speaker 1>A'macholo from Futuro media.

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<v Speaker 2>It's Latino Usa. I'm Maria no josa. Today we're digging

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<v Speaker 2>into the meaning of the term cholo, how it's being reclaimed,

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<v Speaker 2>and how it's violent history still plagues those who use it.

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<v Speaker 2>In the United States, the mere utterance of the word

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<v Speaker 2>cholo invokes images of gang members, low writers, and tattoos.

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<v Speaker 2>But in South America, where many of you, dear listeners

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<v Speaker 2>have roots, the term cholo or cholito can either be

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<v Speaker 2>a term of endearment or a racial slur used against

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<v Speaker 2>people of indigenous ancestry. How come one word is used

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<v Speaker 2>to describe two very different groups of people on opposite

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<v Speaker 2>sides of the world. Well, it turns out that while

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<v Speaker 2>contrasting the word cholo in Lima, Peru and the cholo

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<v Speaker 2>of California, they actually share a common past, the long

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<v Speaker 2>history of racism and colorism in Latin America that began

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<v Speaker 2>with the arrival of the Spaniards over five centuries ago,

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<v Speaker 2>and that has endured all of this time. In many

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<v Speaker 2>of our home countries and also here in the US.

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<v Speaker 2>Producer emilsee Kiros Is here to take us on a

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<v Speaker 2>journey from the streets of California to the andes of

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<v Speaker 2>Peru to find the roots of an ancient and harmful

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<v Speaker 2>term that some people are nonetheless reclaiming as an element

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<v Speaker 2>of pride and identity.

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<v Speaker 3>Here's Emise, As a Chicana who grew up in southern California,

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<v Speaker 3>the term cholo meant a very specific thing to me.

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<v Speaker 3>It meant flannel shirts fastened up to the last button,

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<v Speaker 3>with khaki pants, writing in a low rider listening to oldies.

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<v Speaker 3>Cholo culture is such a vibe that it's been appropriated

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<v Speaker 3>by everyone from superstars like Rihanna to Lana del Rey

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<v Speaker 3>and even crossed Frontiers which Cholo subculture is popping up

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<v Speaker 3>in places as far away as Japan, youngest in Thailand,

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<v Speaker 3>where locals have begun to identify as Cholos, where cholo

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<v Speaker 3>clothing and love Chicano culture. This is Mona aka Sad Girl.

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<v Speaker 4>I just want to Fly, I want to be a flow.

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<v Speaker 3>What one of Japan's foremost Japanese Chicano rappers. You may

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<v Speaker 3>remember this early two thousands hit song lean Like Acholo

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<v Speaker 3>by Down aka Kila Shot, or watched movies about cholo

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<v Speaker 3>culture like blood and blood out three.

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<v Speaker 4>Vatos locos full of carnal.

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<v Speaker 3>Or American me, the state is so lame.

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<v Speaker 5>They paid for the game.

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<v Speaker 3>But do you know where the word cholo really comes from?

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<v Speaker 3>And did you know that a cholo in South America

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<v Speaker 3>is not the same as acholo from the United States.

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<v Speaker 3>I only recently learned that there were toolos in South

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<v Speaker 3>America during a conversation with my partner, who's prove An American.

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<v Speaker 6>So I feel like provins are always really proud, right,

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<v Speaker 6>and it's like even if you're a cholo, like.

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<v Speaker 7>At least for me and my wait, what do you mean?

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<v Speaker 6>Like like my dad was always like, you know, listening

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<v Speaker 6>to Waino or like speaking.

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<v Speaker 3>Which I literally didn't, but like was he a gangster?

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<v Speaker 7>No, he wasn't a gangster.

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<v Speaker 6>He like like very indigenous, like he wore that poncho

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<v Speaker 6>and like Thenolo then.

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<v Speaker 5>It's like indigenous people in Peru.

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<v Speaker 3>Tolo is like just an indigenous person for you. Yeah,

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<v Speaker 3>this was the first time I had ever heard the

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<v Speaker 3>word cholo used to describe someone in a way that

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<v Speaker 3>didn't mean hood or gangster. I immediately wanted to know

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<v Speaker 3>if the cholo from Southern California, and if the cholo

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<v Speaker 3>from South America had the same meaning, and if so,

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<v Speaker 3>how did they come to mean such vastly different things?

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<v Speaker 3>Where the word originate? Who was first the trollo of

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<v Speaker 3>California or the soolo of the Andes. In my search

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<v Speaker 3>for answers, I reached out to doctor Raquel Chang Rodriguez,

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<v Speaker 3>a professor in colonial literature at the City University of

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<v Speaker 3>New York.

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<v Speaker 7>Its origins are uncertain. Some scholars believe that it comes

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<v Speaker 7>from the now show load, which was the word for dog.

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<v Speaker 3>Now what is the language of the assets?

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<v Speaker 7>But one of the earliest mentioned of the warl appears

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<v Speaker 7>in Commentarios Realists Royal Compentarists by the Peruvian mestizo writer

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<v Speaker 7>in Ca Garcilaso de la Vega that work days back

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<v Speaker 7>to sixteen h nine. He indicates there that the word

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<v Speaker 7>means dog and it was used in a priorative way

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<v Speaker 7>by the Spaniards to refer to these individuals of mixed

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<v Speaker 7>origins African and Indian. But now it is applied differently,

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<v Speaker 7>is applied to almost anyone that could be of mixed parentage.

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<v Speaker 3>This was a really good start, but I decided to

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<v Speaker 3>do a little more digging to see if I could

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<v Speaker 3>find any earlier mentions of the word, and I did.

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<v Speaker 3>I found that in fifteen fifty five, a man named

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<v Speaker 3>Freya Lonso de Molina, living in Mexico, then called Novaspana,

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<v Speaker 3>wrote a bilingual dictionary of Spanish and Nawat called mccabulario

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<v Speaker 3>in Linguo Castellana i Mexicana. In this dictionary, the word cholo,

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<v Speaker 3>spelled with an X, not a ch in Nawat, is

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<v Speaker 3>directly translated to criallo or esclavo, a servant a slave.

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<v Speaker 3>Cholos also appeared in the Spanish castas, a series of

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<v Speaker 3>paintings that date back to the sixteenth century that portrayed

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<v Speaker 3>the ethnic mixing in the Americas in elaborate detail.

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<v Speaker 5>Listen to this.

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<v Speaker 3>The Spanish had a label and a cast for every

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<v Speaker 3>kind of racial mix there was to be found in

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<v Speaker 3>the Americas. For example, a person born to a Spanish

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<v Speaker 3>father and a native mother produced a mestizo, and mestiso

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<v Speaker 3>sat in the middle of the social latter. At the

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<v Speaker 3>top were pure blooded Europeans and at the very bottom

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<v Speaker 3>were black and indigenous people. In this caste system, cholo

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<v Speaker 3>was a name given to a person who was three

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<v Speaker 3>quarters Native and a quarter Spanish. For centuries, this is

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<v Speaker 3>how the word was used both in the United States

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<v Speaker 3>and in Mexico up until the Chicano Movement of the

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<v Speaker 3>nineteen sixties and seventies, when Chicano gang members began to

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<v Speaker 3>reclaim the word and call themselves chorlos.

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<v Speaker 5>We are a bronze people with a bronze culture.

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<v Speaker 2>Before the world, before all.

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<v Speaker 6>Of North America, before all our brothers, the Bronx continents.

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<v Speaker 2>We are a nation, We are a union, are pre pueblos.

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<v Speaker 3>We are at plan Today we are exploring the term chorlo,

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<v Speaker 3>but just really quickly, Chicano, in case you're not familiar

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<v Speaker 3>with the term, typically refers to people of Mexican descent

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<v Speaker 3>born in the United States. Chican X identity, as it

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<v Speaker 3>is often called today, is centered around social justice and

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<v Speaker 3>indigenous pride. Okay, so back to cholo. After learning about

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<v Speaker 3>the origin of the term, I wanted to know if

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<v Speaker 3>Mexican tolo's today still knew the racist history behind this word.

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<v Speaker 3>So I reached out to Michael Flores, a former gang

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<v Speaker 3>member turned actor who's pretty much who you'd picture when

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<v Speaker 3>you think of a Mexican cholo.

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<v Speaker 5>My name is Michael Flores. I'm an actor, producer, director, creator.

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<v Speaker 3>Michael identifies as a cholo and doesn't try to hide it.

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<v Speaker 5>I'm proud to be a chilo. I'm proud to be

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<v Speaker 5>someone who says, hey, you know what, I grew up

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<v Speaker 5>that way and this is who I am today, you know.

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<v Speaker 5>So yeah, I'm proud of it. You know.

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<v Speaker 3>Michael's from South central Los Angeles. He's six foot two,

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<v Speaker 3>has a bald head, a go tee, and a body

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<v Speaker 3>full of tattoos. He's someone that most people would find

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<v Speaker 3>pretty intimidating, but it's actually a real sweetheart once you

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<v Speaker 3>get to know him. Yeah, so, Michael, what is being

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<v Speaker 3>a cholo mean to you?

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<v Speaker 5>Trolo is a lifestyle. Toto is the way you carry yourself.

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<v Speaker 5>Being a troll is also territorial. You know, you have

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<v Speaker 5>territories where you can't go or something could happen. So yeah,

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<v Speaker 5>I think. And then the pride, you know, walking with pride,

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<v Speaker 5>walking with your head up, with your body straight, you know,

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<v Speaker 5>feeling feeling the power you know, of being a troller.

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<v Speaker 5>Or I go somewhere they know what I am. They're like, damn,

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<v Speaker 5>look at that trollo. You know what I mean. They're like, oh, shoot,

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<v Speaker 5>sometimes people move out of the line. I'm like, nah,

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<v Speaker 5>you can stay in line, you know what I mean.

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<v Speaker 5>It's cool. I'm not gonna take your wallet or none

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<v Speaker 5>of that stuff. But you know, those are things that

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<v Speaker 5>people identify us as, you know, as a thief or

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<v Speaker 5>someone who beat you up, and I don't even do that,

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<v Speaker 5>you know what I mean. But that's what the total is.

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<v Speaker 3>Michael. What does it mean for you then to not

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<v Speaker 3>just be someone who identifies as a trollo, but to

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<v Speaker 3>have been a gangster also.

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<v Speaker 5>Like I made mistakes. I want to prison for eight years,

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<v Speaker 5>you know what I mean, for being in a gang.

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<v Speaker 5>You know, I still identify with my hood because that's

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<v Speaker 5>where I've been from my whole life, you know. So

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<v Speaker 5>I'm not active anything like that, but you know, I

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<v Speaker 5>still have it all over my body, you know. And

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<v Speaker 5>there's times where I'm filming something and someone will walk

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<v Speaker 5>up with me with a gun and I'm not paying

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<v Speaker 5>attention real life. Cocked the gun in front of me,

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<v Speaker 5>put it in my chest and be like where the

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<v Speaker 5>fuck are you from? And I'm like like, hey man,

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<v Speaker 5>I'm filming a movie. It doesn't matter how old I am.

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<v Speaker 5>It doesn't matter. I'm in someone else's neighborhood. I'm in

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<v Speaker 5>a violation. I need to tell those guys, hey, you

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<v Speaker 5>know what. I'm here.

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<v Speaker 3>As an actor, many of the roles Michael has played

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<v Speaker 3>have either been an inmate or a villain or something

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<v Speaker 3>along those lines. So I asked him what he thought

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<v Speaker 3>those roles say about Torlos.

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<v Speaker 5>I'm always hired to be a prisoner. I'm always hired

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<v Speaker 5>to be a gunman. All these things that I would

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<v Speaker 5>never do, but that I'm hired to do, you know,

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<v Speaker 5>or written for me or but what I'm also doing

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<v Speaker 5>is creating movies with trollos, like comedies like Central Clause.

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<v Speaker 5>I just created Central Clause. You know. We just have

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<v Speaker 5>to change the way people think of us. I want

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<v Speaker 5>to do funny stuff. I want to give people an

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<v Speaker 5>opportunity to see that trollos can make you laugh. That's

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<v Speaker 5>one of our jobs. One of our jobs is to

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<v Speaker 5>change the way Trollo is used. I think our job

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<v Speaker 5>is to show them that tolo's aren't bad. I think

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<v Speaker 5>it's on us to change that, and I think everything

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<v Speaker 5>that we do to educate people is a step to

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<v Speaker 5>making Trollo a better word and something to be proud of. Man.

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<v Speaker 3>Yeah, talking to Michael was really eye opening for me,

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<v Speaker 3>but it also left me with more questions than I

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<v Speaker 3>had before. Why are trolo's always associated with gang life

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<v Speaker 3>and violence? How did the reclamation of this word as

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<v Speaker 3>a positive thing by Chicanos turn into a word that's

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<v Speaker 3>become almost synonymous with gang life and criminal activity. To

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<v Speaker 3>get answers, I spoke with him.

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<v Speaker 8>My name is al Valdez and currently I'm a professor

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<v Speaker 8>at the University of California, Irvine, and I teach classes

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<v Speaker 8>on gangs, prison gangs, the effect of trauma, and the

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<v Speaker 8>developing brain.

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<v Speaker 3>Doctor Beldez, when did you start to realize the relationship

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<v Speaker 3>between the term cholo and Mexican street gang members.

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<v Speaker 8>I really didn't know this word until I wrote a

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<v Speaker 8>book where the Mexican Mafia drop out Renee Boxer and Ricez.

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<v Speaker 8>He indoctrinated me into the ways of the Mexican mafia

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<v Speaker 8>prison gang culture. He also trained me in the other

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<v Speaker 8>three major prison gangs in California and in theme.

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<v Speaker 3>Theme stands for the Mexican mafia.

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<v Speaker 8>They understand and look at the Aztec culture. They consider

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<v Speaker 8>themselves sort of Aztec warriors, and when I was getting

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<v Speaker 8>my history lessons from him, that's soon I heard the

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<v Speaker 8>word cholo and I saw it. We have the fire

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<v Speaker 8>god and the word for dog in the Aztec culture

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<v Speaker 8>that's abbreviated asololo.

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<v Speaker 3>The fire god doctor Valdez mentioned is Charlotte xol Otl.

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<v Speaker 3>He was the god of fire and of the underworld,

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<v Speaker 3>and the Mexican herost dog cholot Squinty, or simply Cholo,

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<v Speaker 3>was named after him. Doctor Valdez, Why do you think

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<v Speaker 3>Mexican gang members call themselves cholos.

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<v Speaker 8>I think it's a term of endearment, of recognition. Uh,

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<v Speaker 8>they don't use it in a derogatory way at all.

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<v Speaker 8>Sometimes Mexicans are called cholo's and that's not in a

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<v Speaker 8>nice way. And some people who are not of color,

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<v Speaker 8>the true color, will use the N word to refer

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<v Speaker 8>to people of color, and they don't mean it in

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<v Speaker 8>a nice way. But yet in rap songs, in TVs

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<v Speaker 8>and movies, you see people of color calling each other.

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<v Speaker 8>The word is a term of endearment, and so I

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<v Speaker 8>think that's what cholo has come to be used as.

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<v Speaker 3>Could you explain a little bit because I'm still not

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<v Speaker 3>understanding how do the gang association start and why do

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<v Speaker 3>you think that Chicanos who were being called cholos as

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<v Speaker 3>this racial slur, started to form street gangs.

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<v Speaker 8>Cholo is one of those words that's always been associated

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<v Speaker 8>with Latino gangs. I think they begin with an excluded group,

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<v Speaker 8>and I think whether the exclusion is real or perceive,

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<v Speaker 8>and you add racism, class distinction, and bias. People form

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<v Speaker 8>together for protection. It's my opinion that all the street

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<v Speaker 8>gangs and prison gangs in the United States initially formed

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<v Speaker 8>for protection and very quickly they turned into criminal organizations

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<v Speaker 8>because they understand whether that grouping and solidarity they have

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<v Speaker 8>a power base.

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<v Speaker 2>Coming up on Latino USA, we talked to another kind

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<v Speaker 2>of cholo, the Andean one, and look at why Peruvians

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<v Speaker 2>have a complicated relationship with the term. Stay with us notes, Hey,

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<v Speaker 2>we're back. And when we left off, we had learned

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<v Speaker 2>about the centuries old roots of the word colo and

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<v Speaker 2>heard from a US Cholo from California. Now let's meet

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<v Speaker 2>Marco Abiles. He's a Peruvian Cholo living in Maine. Here's

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<v Speaker 2>producer Emil Sekiros.

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<v Speaker 3>Cholo is a word Mexicans and people in the US

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<v Speaker 3>have used to label Chicanos that they deemed to be

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<v Speaker 3>second class citizens, people from the inner city, people from

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<v Speaker 3>el barrio who had limited resources and were subjected to

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<v Speaker 3>systemic and state violence. This doesn't sound like a term

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<v Speaker 3>of endearment that I heard my partner use, but again,

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<v Speaker 3>I don't really know how it is used in South America.

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<v Speaker 3>In order to understand Cholo culture from the Andes, I

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<v Speaker 3>reached out to Marc Guabiles, a Peruvian journalist and self

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<v Speaker 3>identifying Cholo in the South American sense. He's also a

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<v Speaker 3>published author with two books on the Andy and Cholo.

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<v Speaker 3>In his first book, or I'm Not Your Cholo, Marco

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<v Speaker 3>explores how harmful the word cholo is when it's used

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<v Speaker 3>as an insult, the violence that carries, and how deep

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<v Speaker 3>this violence is embedded in Peruvian history.

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<v Speaker 1>We Peruvians have like a very complicated relationship with this work.

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<v Speaker 1>When I was a kid, cholo was an insult that

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<v Speaker 1>I tried to run run away from. Cholo meant like

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<v Speaker 1>dirty Indian.

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<v Speaker 3>I had no idea that the word clo was still

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<v Speaker 3>being used as a racial slur towards indigenous people in

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<v Speaker 3>South America. The first time I had ever heard cholo

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<v Speaker 3>in the South American sense was remember when my partner

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<v Speaker 3>casually called her father a chorlito, But for her and

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<v Speaker 3>her family, the term cholo or toilito is used to

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<v Speaker 3>acknowledge their indigenous heritage with pride. So I asked Marco

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<v Speaker 3>if the sport was being reclaimed and if it was,

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<v Speaker 3>whether this revendication had been successful. He mentioned Bolivia, another

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<v Speaker 3>Indian country that commonly uses the word cholo.

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<v Speaker 1>So in Bolivia, for example, that cholita is is a

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<v Speaker 1>woman dressed up with like you know, beautiful long skirts

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<v Speaker 1>and like very colorful like dressing. And in the in

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<v Speaker 1>the past in Bolivia, these women, like as most indigenous people,

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<v Speaker 1>were treated like like aliens, like pretty bad. But with

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<v Speaker 1>a Moralis government in the early to thousands, there was

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<v Speaker 1>this movement and rabnication of the indigenous identities and also

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<v Speaker 1>the identity of indigenous women. So now when you go

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<v Speaker 1>to Olivia you see these indigenous women like everywhere in

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<v Speaker 1>La Paz or in Elato, of course, but there's also

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<v Speaker 1>a culture around like the tolita. It's an image of pride,

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<v Speaker 1>of indigenous pride, So that is something very very very interesting,

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<v Speaker 1>but still there in Bolivia, tolo mierda, like factinglo is

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<v Speaker 1>still is used as an insult and very very very bad.

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<v Speaker 1>So I think what I'm trying to say is that

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<v Speaker 1>rave indication is not erasing the violence that is embedded

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<v Speaker 1>in this world.

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<v Speaker 3>Marco is aware of the Mexican origin of the word

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<v Speaker 3>and told me how it came to be introduced to Peru.

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<v Speaker 1>So the arena meaning of toolo is dug because in Mexico,

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<v Speaker 1>in the now, there's this like type of dog call

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<v Speaker 1>cholie squintly. So when they when they bring the world

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<v Speaker 1>to Peru, they used it to name indigenous people. For

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<v Speaker 1>Spanish conquerors, indigenous were not like human beings. They were

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<v Speaker 1>like animals. They were treated like animals, not only because

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<v Speaker 1>the color of their skin or because of their culture,

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<v Speaker 1>but because of the they were not like Christians. And

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<v Speaker 1>for me, it's very important to like notice that it

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<v Speaker 1>was an insult in the beginning, and it is an

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<v Speaker 1>insult now. So that's that's the line that crosses the

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<v Speaker 1>history of the word soolo, it's it was always a weapon.

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<v Speaker 3>Marco was unaware that cholo meant something different in the

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<v Speaker 3>US and in Mexico too. It wasn't until he moved

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<v Speaker 3>to the United States that his version of cholo and

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<v Speaker 3>the Mexican version of cholo collided.

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<v Speaker 1>I was working as an interpreter and it was like,

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<v Speaker 1>I think in the in two thousand and sixteen, and

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<v Speaker 1>I was driving my car with a guy from I

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<v Speaker 1>think he was from what Is and we were talking

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<v Speaker 1>about about my book. And I was telling, hey, Roberto,

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<v Speaker 1>I'm going to publish this book. What's what's the name

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<v Speaker 1>of the book. Not so Tolo. I am not your chlo.

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<v Speaker 1>And he said, but you are not tallo. Why do

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<v Speaker 1>you use the word you are not cholo and I

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<v Speaker 1>and I said, of course, no, yes I am. I

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<v Speaker 1>am a chilo. In people like would call me like

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<v Speaker 1>tolo uh. And then he told me, no, Tolo in

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<v Speaker 1>Mexico is like this kind of like the member of

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<v Speaker 1>a gang, like like a young guy using all this

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<v Speaker 1>like jewelry and with this like weird.

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<v Speaker 3>Hair, confused, just like I was. Marco also did his research.

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<v Speaker 1>I could see still that the word cholo in used

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<v Speaker 1>in Mexico or in the US, feel like something very aggressive.

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<v Speaker 1>There's a general parttern that I can see is like

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<v Speaker 1>it is used the word sholo is used to name

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<v Speaker 1>like super standard people. So there's a standard people, which

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<v Speaker 1>is like white people or mestizo in in Latin American countries.

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<v Speaker 1>So we are the standard, we are the people, and

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<v Speaker 1>Cholos are the super standard those who are not yet

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<v Speaker 1>like the standard or human beings. And that is like,

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<v Speaker 1>that is crazy. But what is also crazy for me

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<v Speaker 1>is that people who have power, people who are in power,

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<v Speaker 1>like white people, who we would say can't use the

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<v Speaker 1>word soolo in Latin America in a in a sweet

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<v Speaker 1>way like expressions of law. To do that, they need

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<v Speaker 1>to like eliminate all the context. And they eliminate all

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<v Speaker 1>the context through ignorance, through you know, white innocence or

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<v Speaker 1>white privilege.

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<v Speaker 3>So why did you start identifying as a troller?

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<v Speaker 1>I try to improve my relationship with this world because

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<v Speaker 1>I feel that, okay, this is an insult, but what

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<v Speaker 1>would happen if I just take the word from those

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<v Speaker 1>who use it to like insult me or punish me.

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<v Speaker 1>So I started like self identifying myself as a tolo

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<v Speaker 1>as a way to fight against that violence. What I

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<v Speaker 1>tried to say is I come from this indigenous history

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<v Speaker 1>and I am not super standard, but I am like

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<v Speaker 1>part of a marginalized community, and I want to make

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<v Speaker 1>that clear. I don't want to erase that, but that

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<v Speaker 1>is something that I started to do, like in my

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<v Speaker 1>late twenties, early thirties.

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<v Speaker 3>And then Marco told me that in Peru and in

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<v Speaker 3>other countries in Latin America, there's this idea that we're

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<v Speaker 3>all mestizos is persistent. It's the idea that we're all

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<v Speaker 3>mixed race without acknowledging the indigenous populations.

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<v Speaker 1>And that is that is a very very crazy idea

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<v Speaker 1>because you go to the streets and you just see

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<v Speaker 1>different types of people white, black, brown, whatever. So for me,

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<v Speaker 1>it is important to say that I am a Toto

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<v Speaker 1>because I don't want to erase the disparities. I want

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<v Speaker 1>people to know it. And a way to do that

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<v Speaker 1>is just like calling myself a cholo. I am not

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<v Speaker 1>a white person, I'm not a mestizo. I'm a cholo.

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<v Speaker 3>After listening to Michael and Marco talk about their different

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<v Speaker 3>Trolo identities and we're reflecting on the racist, aggressive origin

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<v Speaker 3>and nature of this term, I wondered if there would

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<v Speaker 3>ever be a time where the term trolo could ever

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<v Speaker 3>just be something universally positive. Here's Michael again.

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<v Speaker 5>For me. Trollo here is derogatory in some ways the

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<v Speaker 5>way people use it, but the way we interpret it

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<v Speaker 5>is the way it should be looked at. You know

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<v Speaker 5>what I mean, Like I walk around, I'm a trollo.

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<v Speaker 5>I'm proud, you know what I mean. I go everywhere

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<v Speaker 5>and people know what I am, so I'm proud of it.

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<v Speaker 5>You know, if we let it be a derogatory term,

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<v Speaker 5>then it just belittles us. Can't give that word power.

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<v Speaker 5>We have to use it to our advantage. But we

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<v Speaker 5>also have to teach the young kids the total doesn't

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<v Speaker 5>mean you have to kill another guy or you know

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<v Speaker 5>what I mean. We have to reach out to the

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<v Speaker 5>children and say, hey, look guys, I grew up like this.

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<v Speaker 5>You know I've done that. You don't have to do that.

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<v Speaker 3>Michael is less enthusiastic.

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<v Speaker 1>So for indigenous people, the word total still is an insult,

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<v Speaker 1>and I think that is not going to change because sadly,

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<v Speaker 1>the conditions in which Indienous people living in Latin America

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<v Speaker 1>has not changed, and they are not changing. It's Indianus people.

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<v Speaker 1>We see what's going on with them in equal or

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<v Speaker 1>in Peru, in Guatemala, they are like sometimes it feels

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<v Speaker 1>drastic to talk about, like genoeside, but that's what is

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<v Speaker 1>happening with Indienus people since the Congress, and that it

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<v Speaker 1>hasn't stopped. So I think maybe we can start like

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<v Speaker 1>finding different meanings for the word soolo and we can

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<v Speaker 1>use it in a very in a more sweet way.

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<v Speaker 1>But what is going to be hard, really hard, is

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<v Speaker 1>to create h a Latin America that doesn't kill in

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<v Speaker 1>the NUS people just for being in the enns. That

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<v Speaker 1>is that is the real challenge here.

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<v Speaker 3>Cholo, kinggster, indio, savage, perro, slave, These are all terms

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<v Speaker 3>we've normalized to describe the same people, Indigenous people, the castaways,

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<v Speaker 3>the ones that colonization tried so hard to erase, but

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<v Speaker 3>are still here. They're on the streets of La LAPAs

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<v Speaker 3>and Lima, and they're reclaiming what they can and learning

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<v Speaker 3>to be proud of who they are, no matter whether

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<v Speaker 3>their total music sounds like this.

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<v Speaker 7>Or like this, Oh no No.

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<v Speaker 2>This episode was produced by Emil Sekiros and edited by

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<v Speaker 2>Andrea Lopez Grussado. Latino USA team include Nil Massias, Mike Sargent,

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<v Speaker 2>Marta Martinez, Julia Ta Martinelli, Gini Montalbo, Alejandra Salasar, Renaldo

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<v Speaker 2>Leanos Junior and Julia Rocha, with help.

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<v Speaker 5>From Raoul Perez.

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<v Speaker 2>Special thanks to Jocelin Asusina Contreras. Our engineers are Stephanie Lebaud,

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<v Speaker 2>Julia Caruso and Leah Shaw. Our digital editor is Louis Luna.

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<v Speaker 2>Our New York Women's Foundation nig Knight Fellow is Mari

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<v Speaker 2>es Quinka. Our theme music was composed by Sighera Rubinos.

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<v Speaker 2>If you like the music you heard on this episode,

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<v Speaker 2>stop by Latinousa dot org and check out our weekly

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<v Speaker 2>Spotify playlist. I'm your host and executive producer Maria jo Josa.

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<v Speaker 2>Join us again on our next episode, and in the meantime,

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<v Speaker 2>look for us on all of your social media. Hi

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<v Speaker 2>loos BeO estella proxima cho.

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<v Speaker 4>Latino Usa is made possible in part by W. K.

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<v Speaker 4>Kellogg Foundation, a partner with Communities where Children Come First,

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<v Speaker 4>the chan Zuckerberg Initiative, and the Heising Simons Foundation Unlocking knowledge,

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<v Speaker 4>opportunity and possibilities. More at hsfoundation dot org.

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<v Speaker 2>Take it away, It meanstick. I'm Mariao Hossa. Next time

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<v Speaker 2>on Latino USA. A year after George Floyd's murder, a

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<v Speaker 2>family conversation about race and Latini that.

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<v Speaker 8>We were never separated from being black.

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<v Speaker 4>We always knew we were black, and it wasn't just

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<v Speaker 4>because of the color of our skin.

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<v Speaker 2>It's our culture that Next time on Latino USA