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<v Mike Rugnetta>Friends, hello,
and welcome to Never Post. This

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is a mailbag episode. It's the
one for, I don't know, spring

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twenty twenty five? How's that
sound?

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<v Jason Oberholtzer>Sounds
beautiful. Spring has sprung.

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<v Georgia Hampton>Yeah. Spring is
here.

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<v Mike Rugnetta>Okay. Great. If
you are new here, a mailbag

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episode is where we respond to
listener emails, comments,

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voicemails, and voice messages
about our segments. Do you want

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to get in touch with us and tell
us your thoughts about our

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thoughts? We want to hear your
thoughts on our thoughts.

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All the ways that can get ahold
of us are in the show notes. You

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can drop us a line. I'm your
host, Mike Rugnetta. Joining me

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today in order of how uproarious
I assume their go to karaoke

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song is ascending. Hans Buto,
never post senior producer.

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<v Hans Buetow>You've nailed it.
Can I tell you something?

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<v Mike Rugnetta>Yeah.

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Sure.

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<v Hans Buetow>I've never done
karaoke, so I don't have Wow. I

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don't have a karaoke song.

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<v Mike Rugnetta>The maximum on
uproarious.

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<v Hans Buetow>Exactly. Oh my god.
First runs. Of the gate.

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<v Mike Rugnetta>Jason Oberholzer,
Never Post executive producer.

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<v Jason Oberholtzer>The middle's
a good spot for me because it

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really depends on how my cover
of D'Angelo's Untitled is going

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to go over.

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<v Mike Rugnetta>I think we should
stop the recording because I

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just wanna think about that

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<v Jason Oberholtzer>for a while.
Swings wildly depending on the

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room.

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<v Mike Rugnetta>Yeah. Right.
Georgia Hampton, never post

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producer.

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<v Georgia Hampton>Yes. Let me be
clear about something. I am a

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performer first and a podcaster
second.

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<v Jason Oberholtzer>That's what
that is.

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<v Georgia Hampton>And my
performance of I'm With You by

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Avril Lavigne. Oh. We're talking
I fall to my knees. I'm crying.

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The whole room is crying.

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It's very emotional.

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<v Jason Oberholtzer>I believe it.
Now quickly, do you believe

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Avril is still with us?

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<v Georgia Hampton>No comment.
Okay. I think I think we need

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more more intel first.

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<v Mike Rugnetta>Very smart. It's
one of those things, know, you

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gotta do your own research.

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<v Georgia Hampton>So true.

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<v Hans Buetow>Our perennial
question, where do you fit into

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this Mike Rugnetta?

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<v Mike Rugnetta>I think that I am
probably in the mid mid low. My

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go to is Johnny Cash. Oh. I can
do a ring of fire, which I like

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because everybody knows the
words too. Yeah.

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It's, you know, it can be
uproarious, but there's an upper

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limit to how uproarious I think
ring of fire can be. Fair.

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<v Georgia Hampton>Fair enough.
Yeah. I've had people come up to

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me after a karaoke performance
and shake my hand.

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<v Jason Oberholtzer>That's what I
would have wanted.

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<v Hans Buetow>Is that is that
good?

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<v Georgia Hampton>I take it as
good. That was after a

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performance of Lips of an Angel
though by Hinder.

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<v Jason Oberholtzer>Oh, wow.
Okay. So how

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<v Mike Rugnetta>This is now.
We're gonna abandon my bag.

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Actually, this is now just a
karaoke roundtable in which Hans

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is unable to participate.

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<v Georgia Hampton>Hans, you can
just you can just log off if

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you'd like.

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<v Mike Rugnetta>Georgia, are you
a singer? Like, do you can you

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sing?

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<v Georgia Hampton>I think I'm
fine. I'm not like I'm not one

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of those people who's gonna show
up to karaoke early and be like,

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me

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<v Mike Rugnetta>me me me me. Like
Do those people exist?

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<v Georgia Hampton>Oh, they super
exist. At bar karaoke?

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<v Mike Rugnetta>Oh, yes.
Absolutely.

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<v Georgia Hampton>You hear the
first few notes of At Last by

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Etta James, you're like, oh,
Jesus Christ.

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<v Jason Oberholtzer>Yeah. They're
taking this seriously.

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<v Mike Rugnetta>You there are
other rooms for you to do that.

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<v Georgia Hampton>There's other
places. But I mean, I did, like,

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I did musical theater in, like,
middle school. So I was never,

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you know Mhmm. I can't read
music. I never took voice

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lessons, but I can belt when it
is called for.

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<v Mike Rugnetta>Got it. This is
good intel. Let's talk about

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some listener stuff.

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<v Jason Oberholtzer>It's a
beautiful transition.

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<v Hans Buetow>Oh, that god.
Seamless. This

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<v Jason Oberholtzer>mailbag is
also of note because it is our

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first one as a member of
Radiotopia. And we got some mail

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as requested from our longtime
listeners about what it means

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that we are a part of
Radiotopia. And one in

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particular I thought it'd be
interesting for us all to weigh

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in on came from Malcolm Toll.
Malcolm says, I write now about

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one concern I have about podcast
ad networks. It unnerves me to

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hear the hosts read out ads.

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Paragons like The Verge have a
deliberate firewall between ads

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in the newsroom. It prevents
undue financial influence and

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bias from impacting reporting.
Malcolm provides an example of

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this that he thought was
particularly odious, says that

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he understands the sort of
pressures that places can be

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under when they are parts of
organizations. Goes on to say,

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could be wrong. I believe the
only ads I've ever heard on the

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member feed are for the show
itself.

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That's sensible. But if the
producers are going to read ads

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for other companies, I'd like to
see a discussion about the

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practice in the audio industry.
And that's what you're gonna

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get, Malcolm, right now.

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<v Georgia Hampton>Let's go. Let's
go.

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<v Mike Rugnetta>I mean, I think
this is something that we could

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probably talk about, maybe not
in a segment, but in something

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else that we release and record.
Just our experience with, you

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know, not just to this show, but
other shows that we've worked on

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and been involved in about,
like, how advertising works and

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what those pressures are, at
least from my perspective as the

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nominal host of the show who,
you know, when they come to us

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and they're like, okay. This ad
has to be a host read. My name

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is gonna be at the top of the
list. I also don't like it.

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I just wanna be right really
upfront about that. But I think

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we have a broad remit in our
relationship to say no to ads

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just in general. So if we are
brought ads for things that we

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don't like, then we can say, oh,
no. We don't wanna advertise

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that. We also have broad sort of
like permission to it's like

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when they're like, we want you
to read this ad and we want you

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to include some of your personal
experience with this product.

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We get to say, I don't have any.
And then, you know, just read

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the ad. And I think that over
time, we're gonna figure out how

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that works, and we're probably
gonna do some stuff that's

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uncomfortable along the way.

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<v Jason Oberholtzer>Yeah. That
seems fair. I think the other

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thing that's important to point
out here is that Radio Topia has

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handled this very
collaboratively Yeah. Yeah. And

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sent us a huge list of things to
sign no on essentially.

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<v Mike Rugnetta>Yeah. Where we
were able

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<v Jason Oberholtzer>to point out
all the places that we might

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have some sort of conflict of
interest, things that we are

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going to have to cover, things
that are on our beat, things

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that we just don't like. And we
have a huge list of those we

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sent over, and they said thanks,
and they're not gonna send us

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those things.

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<v Mike Rugnetta>It's great. I
mean, this is maybe one of the

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things we could talk about if we
ever explain this at length, but

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it's like a spreadsheet because
it's all standardized. So every

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ad has to slot into a basically
like type, like a tag type.

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<v Georgia Hampton>Category.

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<v Mike Rugnetta>Category. Yeah.
That's that's the word. Uh-huh.

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And, yeah, we just went through
and we're like, no supplements.

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Just no. Just a blanket. No
supplements. No. Thank you.

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Yeah. And, yeah, they were like,
cool. Sounds good. You know? And

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then probably dozens of other
things that we said no to.

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<v Georgia Hampton>Oh, I mean,
this list, like, imagine a long

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list and then times it by, like,
800 of how specific you can get

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about what kind of ads you don't
want.

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<v Jason Oberholtzer>Think about a
list. Now think about a bigger

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list than the list you're
thinking of.

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<v Georgia Hampton>This list is so
unimaginably big. But

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<v Mike Rugnetta>I think, you
know, we are trying to be

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thoughtful about it, and we
would hope that when we miss,

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you guys will tell us. And, you
know, the list of things that we

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don't wanna read ads for, like
financial services and health

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insurance Yeah. And just all the
stuff that make you feel just

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generally.

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<v Jason Oberholtzer>The other
response we saw a few times to

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our Radiotopia announcement was
fear on the part of the

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listeners that we would get rid
of what has been described many

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different things, many different
ways, the little sonic eye dent

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at the end of every episode. Oh.
You know the sound. I'll put it

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<v Hans Buetow>crack this.

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<v Jason Oberholtzer>Right here.
What would you all call I

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<v Mike Rugnetta>think of it as
the egg crack in my brain.

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<v Georgia Hampton>That's what it
is. Yes. I completely agree

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<v Jason Oberholtzer>with that.

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<v Mike Rugnetta>Oh, that's
interesting. I I

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<v Hans Buetow>think of it as the
snap.

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<v Jason Oberholtzer>Yeah. It is
it is, I think, mostly described

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as the egg crack and genuine
fear from the listeners that the

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egg crack would go away to make
room for the dulcet tones of

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Radiotopia. Fear not, they are
all there. We are cracking eggs

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and singing opera at the end of
every show. I always think of

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that sound as like pulling out a
quarter inch plug.

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That's like a little wet.

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<v Mike Rugnetta>Okay. I was gonna
say. From an uncooked hamburger

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patty? Yeah. Like

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<v Georgia Hampton>oh my god.
Anyway,

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<v Jason Oberholtzer>it's not
going anywhere.

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<v Mike Rugnetta>Jason, you also
got a bunch of outreach from

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folks who wanted to let you know
that there are in fact podcasts

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of music, and how dare you not
know about them?

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<v Jason Oberholtzer>Yes. People
wanted to let me know that I was

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wrong. Can you imagine this? No.
This is very helpful.

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This is exactly what I asked
for. I wanted people to send me

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things that were podcasts that
they thought amounted to a

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musical expression of the form.
What if a podcast was music?

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What if music arrived as if it
were a podcast? And we're gonna

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list off some of the things I
thought were more interesting

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that got sent in.

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So thank you, everybody. One of
the ones that seemed more

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interesting was Ultima Thule, an
Australian radio show that seems

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to have gone dormant at the end
of twenty twenty four. So it

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seems like we just missed the
window on that, but let me know

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if I'm wrong about that since
you all love to let me know when

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I'm wrong about things. And some
other examples people sent in

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were real synthetic audio, a
state of trance, song of the day

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from the current, morning
becomes eclectic. Turns out

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there's just a lot of stuff out
there that people believe to be

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music that arrives via podcast.

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<v Hans Buetow>I actually got a
text, Jason, from my

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brother-in-law, Steven from
Brooklyn. Hello, Steven. He's a

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listener and a fan who feels bad
that he doesn't write in and

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only text me individually. So
now I'm forcing him into the

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show. That's good.

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<v Mike Rugnetta>That's good.
Yeah. You should

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<v Georgia Hampton>Yeah. Believe
in bullying on the show.

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<v Hans Buetow>Let's let's bully
our families. So he suggested a

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couple of VivaRONT Radio by
Jeremy Olander and Above and

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Beyond puts out something called
group therapy. He said there

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were a lot of these that he has
listened to over the years

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because he listens while he
works. He listens to ambient

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music while he works.

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<v Jason Oberholtzer>Okay.

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<v Hans Buetow>And he pointed me
interestingly, what I thought

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was interesting, to the final
episode of a podcast called

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Anjuna Deep Edition. And so they
publish this in May 2022, and

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they open it by explaining a bit
about why they're not doing

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podcasts anymore.

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<v Clip>As you might have
realized, the weekly Anjuna Deep

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Edition mixes haven't been
appearing in your podcast feed

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since episode 400 a few weeks
ago. Sadly, this isn't a glitch

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in your app, and we are in fact
closing down the podcast feed.

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When we first launched the Deep
Edition and our other radio

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shows, there were very few
options for distributing those

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kind of mixes. And so like many
other labels and artists, we

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turned to podcasts. Today, there
are a whole host of music

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specific platforms that host our
mix content, including YouTube,

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SoundCloud, and Mixcloud, where
you can find the Angunity

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petition, along with Apple
Music, where you can find our

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new Anguno Mix series, and on
Spotify, where we've got various

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other mixes along with all of
our new releases.

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These platforms all cater for
music in a way that the podcast

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feed sadly doesn't, in that the
musicians and creators behind

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the mixes can receive royalties
for their music being played. So

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thank you so much for listening.

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<v Mike Rugnetta>Suck. I mean,
hard to argue. Do you guys know

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Camp? Mm-mm. No.

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00:11:20.900 --> 00:11:24.500
It's like a French, like, artist
residency for electronic

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musicians, and they have a radio
show sort of radio station,

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really just a website that
collects mixes that people do.

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And it's all hosted on Mixcloud,
which I've never encountered

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before, you know, like, a couple
weeks ago when I found out about

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this. Mixcloud rules. Okay. So
just hearing this now.

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It's like this I'm sure this is
frequency illusion. You know

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what I mean? Like, suddenly,
this is everywhere, but I'm sure

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I just never encountered it
before. But yeah. I mean, it's

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compelling.

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It's a compelling reason.

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<v Hans Buetow>Yeah. It makes some
sense.

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<v Jason Oberholtzer>One email I
wanted to spend a little bit of

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time on was one from Jam, who
suggested that they're a casual

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music listener, but the first
thing that jumped to mind were

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DJ sets and playlists, such as
Isaac Varzim's Groovy sets,

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Humano Studios guest sets,
Boiler Room sets, made me want

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to ask the question in the other
direction. Rather than what

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podcast might be music, what
music might actually be a

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podcast and I nominate DJ sets.

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<v Mike Rugnetta>Interesting.
Yeah. Okay. In a way, opera.

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<v Jason Oberholtzer>You're right.
The original podcast is

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<v Mike Rugnetta>talk people
talking about their problems.

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<v Jason Oberholtzer>Yeah. Sorry.
The second podcast. First, had

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cereal, then we had opera.

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<v Georgia Hampton>Traditional
Italian opera.

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<v Jason Oberholtzer>That's
actually the perfect answer. Oh,

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my god.

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<v Georgia Hampton>So up next, in
response to an email from Thales

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Baretto in our last mailbag
regarding our segment from last

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year's live show at xoxo, which
is about TikTok shop. We

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attempted to identify which
online business might be the

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most parasitic. And in Talis's
words, the question was, which

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online business is able to
profit while being the least it

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can be? Jason Mehmel writes in
with his contender, which is

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PayPal. Jason writes, I'm sure
there was some level of work to

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make initial bank connections
and such.

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But at this point, it's just a
middle stop between whatever

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banks are involved in the
transaction. Maybe that initial

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work deserves credit, but it's
devolved into being just a

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membrane skimming from the
transactions moving through it.

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I'd love to know if there are
better methods now. I feel like

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PayPal is an an entity that
seems vaguely evil to me, but I

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know so little about.

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<v Mike Rugnetta>PayPal, don't
listen. PayPal, if you're

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listening, just just fast
forward. PayPal sucks. And

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PayPal

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<v Georgia Hampton>All my homies
hate PayPal.

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<v Mike Rugnetta>Can only exist
because payment infrastructure

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in The United States is so
atrophied and at under the

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control of, like, corporate
interests and doesn't actually

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benefit people. Whenever you,
like, talk to someone who

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doesn't live in The United
States about just, like, sending

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00:14:10.640 --> 00:14:12.720
small bits of money back and
forth to your friends, they're

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00:14:12.720 --> 00:14:16.800
like, just use your bank. And
our answer is, oh, you can't.

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Well, yeah. We got PayPal, a
third service that is like the

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money mafia.

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<v Georgia Hampton>It really feels
like that. Like, as someone I

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00:14:25.495 --> 00:14:28.055
don't feel like I interface that
much with PayPal. I don't know

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00:14:28.055 --> 00:14:31.975
why that is. Maybe just the
transactions I'm doing. But

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usually, in my experience, the
methods that are used are like

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Venmo or Zelle.

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00:14:38.390 --> 00:14:42.150
PayPal kinda doesn't exist in my
life. So I I sort of defer to to

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you guys.

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00:14:43.190 --> 00:14:45.590
<v Mike Rugnetta>Well, Venmo is
just is owned by PayPal. So it's

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00:14:45.590 --> 00:14:49.110
just it's just another scan on
it. It's just a yeah. It's just

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one level on top of PayPal.

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00:14:50.710 --> 00:14:53.285
<v Georgia Hampton>Also, isn't
there just they have like a

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00:14:53.285 --> 00:14:56.645
really easy backdoor to get into
or something? I feel like I've

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00:14:56.645 --> 00:14:59.845
heard so many stories of people
having like, their identity

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00:14:59.845 --> 00:15:03.445
stolen through PayPal, or like
their bank information stolen

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00:15:03.445 --> 00:15:06.485
through PayPal. Something
horrible happening. The main

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00:15:06.485 --> 00:15:06.805
thing that

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00:15:06.805 --> 00:15:10.770
<v Mike Rugnetta>they do is they
they have an even more sensitive

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00:15:10.770 --> 00:15:14.370
tripwire than, say, Visa does as
far as just saying, well, you

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00:15:14.370 --> 00:15:18.130
can't do that anymore. And that
they are well known for if they

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don't like something that you're
doing or just mildly suspicious

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00:15:21.090 --> 00:15:23.330
of you, just shutting your
account down and taking all your

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money, which, of course, is in
their interest

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00:15:25.675 --> 00:15:28.315
<v Georgia Hampton>to So what I'm
hearing is maybe this is

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00:15:28.315 --> 00:15:31.275
actually exactly the most
parasitic. It's pretty bad.

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00:15:31.275 --> 00:15:33.195
Maybe we just got it. Like,
maybe this is it.

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00:15:33.195 --> 00:15:34.635
<v Mike Rugnetta>Yeah. Okay.
PayPal, you can start listening

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00:15:34.635 --> 00:15:37.195
again. And that's why I love
PayPal. And that's why the

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00:15:37.195 --> 00:15:38.715
<v Georgia Hampton>sponsor,
PayPal.

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00:15:39.570 --> 00:15:42.370
<v Mike Rugnetta>It's it's just
it's extremely convenient. And

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00:15:42.530 --> 00:15:45.170
honestly, their trust and safety
team, I feel like they go out of

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00:15:45.170 --> 00:15:47.730
their way Above and beyond.
Sure. Yeah. To make sure that

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everybody who uses the service,
like, really knows what they're

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doing.

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00:15:50.130 --> 00:15:51.810
<v Jason Oberholtzer>So to rewind
to the beginning of this

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00:15:51.810 --> 00:15:56.065
mailbag, we're gonna get no
advertisers. Okay.

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00:15:58.625 --> 00:16:02.545
<v Mike Rugnetta>Good news. In our
last mailbag, Toby called in,

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00:16:03.025 --> 00:16:07.200
and the voicemail got cut off.
And then Toby called in again.

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00:16:07.200 --> 00:16:07.840
<v Jason Oberholtzer>Hell, yeah.

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00:16:07.840 --> 00:16:08.800
<v Georgia Hampton>Yes, Toby.

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00:16:09.120 --> 00:16:11.680
<v Toby>Hey, Never Post. I'm so
sorry about whatever happened. I

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00:16:11.680 --> 00:16:14.160
think what I was getting at is
my social media algorithm in

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00:16:14.160 --> 00:16:17.920
terms of specifically ads has
changed significantly since I,

340
00:16:17.920 --> 00:16:20.535
like, medically transitioned.
And so basically what happened

341
00:16:20.535 --> 00:16:24.615
is I started noticing I was
getting a lot more gun oriented

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00:16:24.615 --> 00:16:28.695
things, a lot more fitness. I
was getting more ads for shitty

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00:16:28.695 --> 00:16:29.575
supplements.

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00:16:29.575 --> 00:16:35.095
And I was just curious about,
like, the sort of gender

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00:16:33.480 --> 00:16:36.680
assigned at social media
algorithm idea.

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00:16:36.760 --> 00:16:37.560
What do you all think?

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00:16:37.560 --> 00:16:38.520
Is this, like, a legitimate

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00:16:38.520 --> 00:16:42.440
thing in terms of, like, your
ads predicting sort of, like,

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00:16:42.440 --> 00:16:43.480
your gender?

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00:16:43.640 --> 00:16:46.280
<v Mike Rugnetta>So I would like
to just remind everyone that we

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00:16:46.280 --> 00:16:47.080
accept pitches.

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00:16:47.285 --> 00:16:49.125
<v Georgia Hampton>Yes. Toby.

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00:16:49.125 --> 00:16:52.245
<v Mike Rugnetta>And that we pay
people to make segments and that

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00:16:52.245 --> 00:16:53.765
this is interesting.

355
00:16:53.765 --> 00:16:55.685
<v Georgia Hampton>Fascinating. So
interesting.

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00:16:55.845 --> 00:16:58.005
<v Hans Buetow>Toby, call us back
again.

357
00:17:00.500 --> 00:17:02.260
<v Jason Oberholtzer>Just call
Hans. Just call Hans.

358
00:17:02.260 --> 00:17:02.820
<v Mike Rugnetta>Just give me a

359
00:17:02.820 --> 00:17:03.300
<v Hans Buetow>raise time.

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00:17:03.300 --> 00:17:08.660
<v Mike Rugnetta>Hans' phone
number is Hi. Next up, in

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00:17:08.660 --> 00:17:11.780
response to our segment about
section two thirty with Mike

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00:17:11.780 --> 00:17:14.740
Masnik, my pal Guy, and Hans'
pal Guy

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00:17:14.955 --> 00:17:15.675
<v Hans Buetow>Oh, Guy.

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00:17:15.675 --> 00:17:16.475
<v Mike Rugnetta>Called in.

365
00:17:16.875 --> 00:17:21.995
<v Guy>Section two thirty is a US
law. Laws have jurisdiction, and

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00:17:21.995 --> 00:17:24.795
I wondered how section two
thirty sort of related to the

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00:17:24.795 --> 00:17:30.060
Internet and the the global
entity. And I know you guys have

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00:17:30.060 --> 00:17:33.020
talked about, you know, this in
other shows about, you know,

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00:17:33.020 --> 00:17:36.540
it's hard to know the Internet
from other perspectives other

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00:17:36.540 --> 00:17:40.540
than The US. But I wondered if,
you know, if there was anything

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00:17:40.540 --> 00:17:44.355
to say about if section two
thirty does go away, how does

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00:17:44.355 --> 00:17:47.475
that impact the Internet in
other places? Do other countries

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00:17:47.475 --> 00:17:48.115
follow it?

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00:17:48.115 --> 00:17:53.715
That would that make The US an
outlier, or would then they join

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00:17:53.715 --> 00:17:57.875
more countries that also don't
have anything like section two

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00:17:57.875 --> 00:17:58.195
thirty?

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00:17:59.250 --> 00:18:02.210
<v Hans Buetow>So Guy yes. Guy
lives in Canada. Mike, I have a

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00:18:02.210 --> 00:18:05.170
question for you. I I wanna
predict your answer just a

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00:18:05.170 --> 00:18:08.050
little bit and actually see if
I'm at all right about this.

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00:18:08.050 --> 00:18:08.530
<v Jason Oberholtzer>Alright.

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00:18:08.530 --> 00:18:11.570
<v Hans Buetow>That the torch is
being passed. Two thirty does

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00:18:11.570 --> 00:18:16.355
affect it at the moment because
so many places have to deal

383
00:18:16.355 --> 00:18:20.595
with, do business in, and be
subject to American laws.

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00:18:20.595 --> 00:18:25.555
However, that source of power
has been shifting over the last

385
00:18:26.240 --> 00:18:31.840
ten years maybe to the European
Union who is coming and being

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00:18:31.840 --> 00:18:35.280
much more strict with all sorts
of places that The US is

387
00:18:35.280 --> 00:18:38.080
currently choosing not to be
strict at all, especially with

388
00:18:38.080 --> 00:18:40.320
the demise of net neutrality.
Like, the European Union is the

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00:18:40.320 --> 00:18:42.755
only one who is actually doing
this and are shaping

390
00:18:42.755 --> 00:18:43.795
<v Mike Rugnetta>the Internet for
the rest of us.

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00:18:43.795 --> 00:18:44.915
<v Hans Buetow>Am I sort of right?

392
00:18:44.915 --> 00:18:46.115
<v Mike Rugnetta>So, I mean, the
important thing to remember

393
00:18:46.115 --> 00:18:48.595
about net neutrality is that
that is not a content level

394
00:18:48.595 --> 00:18:52.915
decision. Right? That is or or
it is content level insofar as

395
00:18:52.915 --> 00:18:55.555
its content that goes through
infrastructure, which the EU is

396
00:18:55.555 --> 00:18:59.560
trying to regulate both both of
those things. But the

397
00:18:59.560 --> 00:19:01.800
infrastructure is like a
completely different thing.

398
00:19:01.800 --> 00:19:01.960
Right?

399
00:19:01.960 --> 00:19:05.560
The cables are where the cables
are, but the information is

400
00:19:05.560 --> 00:19:09.320
everywhere. So I think there is
a way to think about this where

401
00:19:09.320 --> 00:19:13.165
we get two Internets,
essentially, and we see a larger

402
00:19:13.165 --> 00:19:15.405
version of what already exists
with, say, the right to be

403
00:19:15.405 --> 00:19:19.885
forgotten, where every year I
think it's every year. The EU

404
00:19:20.045 --> 00:19:25.565
gets, like, 50,000,000 requests
for results on Google to be

405
00:19:26.340 --> 00:19:32.180
removed or to be downranked, and
Google adheres to or accepts,

406
00:19:32.180 --> 00:19:35.780
like, half of them. I think it
is. But that only happens in the

407
00:19:35.780 --> 00:19:36.180
EU.

408
00:19:36.180 --> 00:19:38.340
Right? There's no right to be
forgotten in The United States.

409
00:19:38.340 --> 00:19:41.220
There's just the Internet works
in two different ways in two

410
00:19:41.220 --> 00:19:44.735
different places. There's a
chance that that happens. I

411
00:19:44.735 --> 00:19:46.495
think it's probably really
unlikely.

412
00:19:47.135 --> 00:19:50.495
The, like, bigger thing to
consider is that most of the

413
00:19:50.495 --> 00:19:53.215
largest Internet players right?
And really, we're talking about,

414
00:19:53.215 --> 00:19:56.760
like, social media is really
what is what is to be considered

415
00:19:56.760 --> 00:20:00.920
here. They're all US companies.
They will have to abide by US

416
00:20:00.920 --> 00:20:04.600
law. And so in their if section
two thirty goes away, right,

417
00:20:04.600 --> 00:20:06.840
they have basically two choices.

418
00:20:06.920 --> 00:20:11.225
They can moderate everything.
They take the path of, like,

419
00:20:11.225 --> 00:20:12.985
we're gonna look at everything.
We're gonna approve it before it

420
00:20:12.985 --> 00:20:15.625
all goes up, where everything's
gonna get the green check mark.

421
00:20:15.625 --> 00:20:19.065
Everything's treated very, very
equally that way. The things

422
00:20:19.065 --> 00:20:22.025
that I've seen written about
this is that other countries,

423
00:20:22.105 --> 00:20:25.780
especially other authoritarian
countries, look at that and they

424
00:20:25.780 --> 00:20:29.460
say, oh, so you are looking at
every post.

425
00:20:29.460 --> 00:20:33.060
Great. When you come across
posts that say Erdogan is bad,

426
00:20:33.140 --> 00:20:35.940
could you take all those down?
Like, you you're already doing

427
00:20:35.940 --> 00:20:37.460
it. You're already looking at
everything. Like, why don't you

428
00:20:37.460 --> 00:20:38.420
just don't take it all down?

429
00:20:38.625 --> 00:20:42.865
What happens then? Do they
agree? Do they stop offering

430
00:20:42.865 --> 00:20:44.705
their services in those
countries because they don't

431
00:20:44.705 --> 00:20:47.345
wanna get involved in that
situation? Do they offer a

432
00:20:47.345 --> 00:20:50.145
different version of the
Internet in those countries? You

433
00:20:50.145 --> 00:20:52.385
sort of end up at the two
Internets again.

434
00:20:53.160 --> 00:20:56.120
The other outcome is they say,
okay, two thirty goes away.

435
00:20:56.120 --> 00:20:58.200
Okay. We can't moderate
anything. We don't moderate

436
00:20:58.200 --> 00:20:59.640
anything. We're not gonna look
at anything.

437
00:20:59.720 --> 00:21:02.440
That means the Internet, as Mike
Masnik described it, becomes a

438
00:21:02.440 --> 00:21:07.000
cesspit for everybody who
engages with it. Until the EU

439
00:21:07.000 --> 00:21:11.535
then says, well, you can't there
are certain uses or posts. There

440
00:21:11.535 --> 00:21:14.815
are certain kinds of content
that just cannot be seen here,

441
00:21:15.215 --> 00:21:20.975
and so fix it. Does that then
mean, you know, there's now two

442
00:21:20.975 --> 00:21:23.695
versions of the Internet again?
There's the one in The US that's

443
00:21:23.695 --> 00:21:26.190
not at all moderated, and
there's the one in The EU that

444
00:21:26.190 --> 00:21:27.950
is moderated to their
regulations.

445
00:21:28.030 --> 00:21:31.950
You know? There's so many things
that have to happen before we

446
00:21:31.950 --> 00:21:36.510
know what happens, but those are
the two sort of, like, branching

447
00:21:36.510 --> 00:21:40.505
paths that I've seen other
people talk about as far as what

448
00:21:40.505 --> 00:21:43.145
is the rest of the world like if
section two thirty goes away in

449
00:21:43.145 --> 00:21:44.025
The United States?

450
00:21:44.025 --> 00:21:45.785
<v Jason Oberholtzer>Well, our
most recent relevant example is

451
00:21:45.785 --> 00:21:51.705
GDPR, which is now fairly old.
Yeah. But American companies

452
00:21:51.705 --> 00:21:55.305
ended up just by and large
becoming GDPR compliant across

453
00:21:55.305 --> 00:21:59.740
the board because it's more of a
hassle not to have been. So that

454
00:21:59.740 --> 00:22:03.260
was EU taking the lead and
everyone just opting into the

455
00:22:03.260 --> 00:22:04.860
ease of just following along.

456
00:22:04.860 --> 00:22:10.700
<v Mike Rugnetta>Yeah. Yeah. So I
think the answer here is

457
00:22:12.385 --> 00:22:12.945
<v Hans Buetow>no.

458
00:22:15.185 --> 00:22:19.025
<v Georgia Hampton>Up next, Jay
wrote in about my conversation

459
00:22:19.025 --> 00:22:23.185
about having fun on the Internet
with Kyle Chaeka. And Jay said,

460
00:22:23.820 --> 00:22:27.660
I gave some thought into the
ways that I combat algorithmic

461
00:22:27.660 --> 00:22:32.060
fun. And this is what I've come
up with. And here's a fabulous

462
00:22:32.060 --> 00:22:36.460
list of options. Disable auto
play or auto preview.

463
00:22:36.460 --> 00:22:40.285
I always manually select the
next thing. Yes. I do this too.

464
00:22:40.285 --> 00:22:45.085
It's amazing. Click on the
subscriptions tab on YouTube.

465
00:22:45.165 --> 00:22:50.685
I also do this. Very smart.
Whenever possible, sort only by

466
00:22:51.165 --> 00:22:53.325
chronology. Yep. Which
interesting.

467
00:22:53.325 --> 00:22:57.310
I hadn't even thought of that.
Whenever possible, use RSS in

468
00:22:57.310 --> 00:23:01.230
quote unquote quiet apps.
Subscribe to newsletters when

469
00:23:01.230 --> 00:23:06.190
it's important to me, and RSS is
unavailable. I often find cool

470
00:23:06.190 --> 00:23:11.295
stuff tag surfing on Mastodon,
Tumblr, Bandcamp, maybe soon on

471
00:23:11.295 --> 00:23:15.775
Blue Sky. Whenever I go to the
library weekly, which wow.

472
00:23:15.775 --> 00:23:21.455
Nice. Thank you. I will grab one
comic, one jazz CD, and one

473
00:23:21.455 --> 00:23:22.735
movie I've never heard of.

474
00:23:23.180 --> 00:23:24.620
<v Jason Oberholtzer>And do them
all at the same time,

475
00:23:24.620 --> 00:23:25.180
<v Clip>I assume?

476
00:23:25.180 --> 00:23:27.660
<v Georgia Hampton>Multiple
screens, full While

477
00:23:28.300 --> 00:23:30.380
<v Mike Rugnetta>watching a Subway
Surfers video.

478
00:23:30.380 --> 00:23:35.020
<v Georgia Hampton>That's a really
beautiful practice. I really

479
00:23:35.020 --> 00:23:39.385
love this. And then finally,
they say, anthologies. I enjoy

480
00:23:39.385 --> 00:23:43.305
buying things in bundles on
itch.io. We're supporting

481
00:23:43.305 --> 00:23:46.505
anthologies on Kickstarter, and
that's a fun way to discover new

482
00:23:46.505 --> 00:23:47.145
creators.

483
00:23:47.785 --> 00:23:49.385
This is a wonderful list.

484
00:23:49.385 --> 00:23:50.265
<v Jason Oberholtzer>It's
beautiful, Jasmine. It's

485
00:23:50.540 --> 00:23:52.460
<v Mike Rugnetta>Tag surfing on
Bandcamp rules. I cannot

486
00:23:52.460 --> 00:23:55.020
recommend it highly enough. I do
it almost every day.

487
00:23:55.100 --> 00:23:58.380
<v Jason Oberholtzer>I want more
of these. Where else are people

488
00:23:58.380 --> 00:24:02.060
finding intentional interactions
with their media and attention?

489
00:24:03.245 --> 00:24:06.285
<v Georgia Hampton>And then Sam
also called in with message

490
00:24:06.285 --> 00:24:07.325
about this segment.

491
00:24:07.965 --> 00:24:13.565
<v Sam>I have to say, I have gone
back to using RSS feeds for

492
00:24:13.805 --> 00:24:20.680
pretty much all of my Internet
consumption. And I actually spun

493
00:24:20.680 --> 00:24:28.840
up my own RSS server on a web
server that I have. And since

494
00:24:28.840 --> 00:24:35.655
then, I have been using that and
it is so much better. Oh, I know

495
00:24:35.655 --> 00:24:39.175
exactly what's there. I want
exactly what's there.

496
00:24:39.495 --> 00:24:44.455
And I don't have to deal with
some algorithm getting in my

497
00:24:44.455 --> 00:24:46.150
way. And it's great.

498
00:24:46.230 --> 00:24:47.910
<v Georgia Hampton>Mike, I want
you to go first.

499
00:24:47.910 --> 00:24:51.590
<v Hans Buetow>Mike's Alright.
Punching the air that rules so

500
00:24:51.590 --> 00:24:52.630
hard. Yes.

501
00:24:52.630 --> 00:24:55.830
<v Georgia Hampton>All time. Mike,
I see the floor to you.

502
00:24:55.830 --> 00:24:57.510
<v Mike Rugnetta>That's it. That's
I mean, that's all I have to say

503
00:24:57.510 --> 00:25:03.175
is punching the air. Sam, that
rules. I I fully I think I don't

504
00:25:03.175 --> 00:25:05.015
wanna call it a resurgence
because it never really went

505
00:25:05.015 --> 00:25:09.095
anywhere, but the refocusing,
let's say, on RSS has been a

506
00:25:09.095 --> 00:25:11.335
long time in the making, and I
think it's only going to

507
00:25:11.335 --> 00:25:16.110
continue in focus as people
realize what the current way of

508
00:25:16.110 --> 00:25:19.070
getting information has done to
the information environment and

509
00:25:19.070 --> 00:25:23.630
to our brains. And we're gonna
go back to calm, as the last

510
00:25:23.630 --> 00:25:28.910
comment said, quiet ways of
getting information in organized

511
00:25:28.515 --> 00:25:31.955
streams in particular places and
not having to just sort of,

512
00:25:31.955 --> 00:25:34.995
like, live underneath the
waterfall.

513
00:25:35.635 --> 00:25:36.435
<v Georgia Hampton>God. Yeah.

514
00:25:36.435 --> 00:25:38.595
<v Hans Buetow>It's real simple.
It's real simple.

515
00:25:39.475 --> 00:25:41.155
<v Jason Oberholtzer>One other
email I wanted to take a look at

516
00:25:41.155 --> 00:25:45.240
here for your sake, Georgia, The
payment about this piece

517
00:25:45.240 --> 00:25:50.200
involves pretty much exclusively
Titanium Daydream.

518
00:25:50.200 --> 00:25:52.200
<v Georgia Hampton>Let's go. Yes.

519
00:25:53.000 --> 00:25:54.520
<v Jason Oberholtzer>You wanna
tell the folks what Ethan wrote

520
00:25:54.520 --> 00:25:55.240
in to say?

521
00:25:55.320 --> 00:25:58.515
<v Georgia Hampton>Absolutely. It
would be my pleasure. Ethan

522
00:25:58.515 --> 00:26:01.715
writes in that they are also a
huge fan of Titanium Daydream,

523
00:26:01.715 --> 00:26:05.235
which is fabulous news for me.
Ethan, get in touch. Would love

524
00:26:05.235 --> 00:26:06.995
to talk to someone else who's
watching.

525
00:26:07.235 --> 00:26:11.075
But they also write that what's
interesting is that I think it

526
00:26:11.075 --> 00:26:14.590
both shows what's incredible
about TikTok and the problem

527
00:26:14.590 --> 00:26:18.430
with algorithmic content feeds.
I'm thrilled that an equation

528
00:26:18.430 --> 00:26:21.310
somehow produced the numbers
that served this incredibly

529
00:26:21.310 --> 00:26:25.150
niche and esoteric video series
to me. But the big caveat is

530
00:26:25.150 --> 00:26:28.590
that its weekly output schedule
doesn't work well with the

531
00:26:28.590 --> 00:26:31.865
platform. You either have to
diligently check-in on the

532
00:26:31.865 --> 00:26:35.545
account every Tuesday, which I
sometimes do, or pray the

533
00:26:35.545 --> 00:26:39.225
algorithm brings you the next
episode. So far, I haven't

534
00:26:39.225 --> 00:26:40.505
missed any episodes.

535
00:26:40.665 --> 00:26:44.025
But this randomness gives the
completionist in me a bit of

536
00:26:44.025 --> 00:26:49.120
anxiety. They go on to say that
this is true for a lot of other

537
00:26:49.120 --> 00:26:53.920
serialized content on TikTok,
which this is exactly how I feel

538
00:26:53.920 --> 00:26:55.040
about Titanium Daydream.

539
00:26:55.040 --> 00:26:57.520
<v Jason Oberholtzer>So do you are
you a Tuesday viewer? How do you

540
00:26:57.520 --> 00:26:57.840
engage?

541
00:26:58.285 --> 00:27:01.245
<v Georgia Hampton>I kind of have
the the other approach, which is

542
00:27:01.245 --> 00:27:05.805
just that I regularly use TikTok
and kind of hope Yeah. That it

543
00:27:05.805 --> 00:27:10.205
will bring Titanium Daydream to
me. I also do I will say this. I

544
00:27:10.205 --> 00:27:15.400
follow that account on Instagram
as well. And so that account

545
00:27:15.400 --> 00:27:20.120
will post on their story like,
hey, the next episode is up.

546
00:27:20.440 --> 00:27:23.800
So that I can be like, oh,
right. And maybe go on TikTok.

547
00:27:23.955 --> 00:27:27.075
TikTok's algorithm knows I like
Titanium Daydream, and I will

548
00:27:27.155 --> 00:27:30.115
Mhmm. Always see it. I I also
have not skipped an episode.

549
00:27:30.115 --> 00:27:31.715
<v Jason Oberholtzer>It is funny
as a counterpoint to the

550
00:27:31.715 --> 00:27:35.395
intentional Internet we were
just championing a moment ago. I

551
00:27:35.395 --> 00:27:38.810
have stopped following new
accounts on TikTok even. I am

552
00:27:38.810 --> 00:27:41.850
just entirely to the algorithm
behold them. I I don't even like

553
00:27:41.850 --> 00:27:43.850
things anymore. I forget to
heart them.

554
00:27:43.930 --> 00:27:46.650
I just watch something and I'm
like, for sure, more of this

555
00:27:46.650 --> 00:27:49.290
will get back to me because I
have watched it, and I let the

556
00:27:49.290 --> 00:27:51.450
numbers do their thing. I have
nothing in the middle anymore.

557
00:27:51.985 --> 00:27:54.145
<v Mike Rugnetta>Yeah. I think a
lot of this speaks to the kind

558
00:27:54.145 --> 00:27:57.745
of fundamental dishonesty of the
algorithm whose promise was,

559
00:27:57.905 --> 00:28:00.145
hey, don't worry about it. We're
gonna bring you the stuff that

560
00:28:00.145 --> 00:28:03.265
you like. And then it just
doesn't. It just simply doesn't.

561
00:28:03.265 --> 00:28:05.425
It just brings you stuff that's
close to the thing that you

562
00:28:05.425 --> 00:28:08.680
like, so that you spend more
time letting content happen to

563
00:28:08.680 --> 00:28:11.880
you as you turn into a puddle on
your couch. And I think it

564
00:28:11.880 --> 00:28:16.120
speaks to the intentionality and
the specificity of RSS where you

565
00:28:16.120 --> 00:28:19.880
get to say, I like this. Bring
more of it to me. And RSS just

566
00:28:19.880 --> 00:28:20.520
says, okay.

567
00:28:22.265 --> 00:28:23.625
<v Georgia Hampton>Done. I love
you.

568
00:28:26.265 --> 00:28:28.345
<v Mike Rugnetta>Alright. On that,
we're gonna take a break. We're

569
00:28:28.345 --> 00:28:54.165
gonna listen to some ads. For
PayPal. Okay.

570
00:28:54.165 --> 00:28:59.365
We are back. Hans, we had some
people write in about the just

571
00:28:59.365 --> 00:29:01.285
unbelievable number of cameras
in the world.

572
00:29:01.470 --> 00:29:03.230
<v Hans Buetow>It is a shocking
number of cameras, and I

573
00:29:03.230 --> 00:29:06.830
appreciate that everybody gets
that. Pat wrote in. Pat Reddick

574
00:29:06.830 --> 00:29:11.870
wrote in to say that they really
appreciated the AP footage that

575
00:29:11.870 --> 00:29:16.205
I referenced from April 2006. I
found this video of how how

576
00:29:16.205 --> 00:29:18.445
amazing it was that there were
three traffic cameras being put

577
00:29:18.445 --> 00:29:20.925
up in New York City, and they
did whole these whole cloth

578
00:29:20.925 --> 00:29:23.725
things. And Pat says a little
over three years later in

579
00:29:23.725 --> 00:29:26.445
02/2009, I was in a first year
computer science studies

580
00:29:26.445 --> 00:29:26.845
lecture.

581
00:29:27.200 --> 00:29:30.240
And even by that point, the
surveillance state felt like a

582
00:29:30.240 --> 00:29:33.440
given. So my jaw nearly hit the
floor when the professor told an

583
00:29:33.440 --> 00:29:37.040
anecdote about how he had led a
push to stop the administration

584
00:29:37.040 --> 00:29:39.995
from installing cameras all
around the university. I

585
00:29:39.995 --> 00:29:42.875
remember him telling the story
like his view that the idea of

586
00:29:42.875 --> 00:29:45.435
cameras everywhere was a creepy
prospect with little upside was

587
00:29:45.435 --> 00:29:47.595
obviously correct and, like,
everyone in the room would

588
00:29:47.595 --> 00:29:50.475
agree. Meanwhile, I'm sitting
there like, you mean we have a

589
00:29:50.475 --> 00:29:52.315
choice in this matter? We can
opt out of this?

590
00:29:52.315 --> 00:29:54.715
Honestly, I hadn't even noticed
that the university lacked

591
00:29:54.715 --> 00:29:58.040
cameras. I had just assumed that
they were like everywhere else.

592
00:29:58.040 --> 00:30:01.080
I remained involved in
university life until 2016, and

593
00:30:01.080 --> 00:30:05.080
they did not install any cameras
I was aware of during that time.

594
00:30:05.880 --> 00:30:08.120
And I think that timeline makes
a ton of sense. So in the

595
00:30:08.120 --> 00:30:12.205
research for the piece that I
did, I had written an entire

596
00:30:12.205 --> 00:30:15.325
section that I wanted to put in
that I thought I was gonna put

597
00:30:15.325 --> 00:30:18.285
in using the research of
Shoshana Zuboff, who's a

598
00:30:18.285 --> 00:30:21.005
sociologist from Harvard.

599
00:30:21.165 --> 00:30:23.485
And she has this whole thing
about surveillance capitalism

600
00:30:23.485 --> 00:30:27.880
that she does, which is about
the industry, the money that

601
00:30:27.880 --> 00:30:32.120
gets put into surveillance all
over the place. And she actually

602
00:30:32.120 --> 00:30:36.440
puts the rise of cameras into
the late nineties, mid to late

603
00:30:36.440 --> 00:30:40.215
nineties with Gore. And there's
a we'll put a link to it in the

604
00:30:40.215 --> 00:30:43.175
show notes, but she's got this
really great talk where she

605
00:30:43.175 --> 00:30:46.055
tells these anecdotes of being
right around that time and being

606
00:30:46.055 --> 00:30:48.775
in conferences and having people
be like, the information is

607
00:30:48.775 --> 00:30:50.855
everything. We need to surveil.
We need to surveil.

608
00:30:51.620 --> 00:30:54.260
And so, like, you're exactly
right to have noticed it at that

609
00:30:54.260 --> 00:30:57.780
moment that that was really what
the ascendancy was. And a lot of

610
00:30:57.780 --> 00:31:02.020
it was in response to to nine
eleven, but it started even

611
00:31:02.020 --> 00:31:02.580
before then.

612
00:31:02.580 --> 00:31:05.540
<v Mike Rugnetta>And I feel like
we're only just now starting to

613
00:31:06.225 --> 00:31:11.025
see what the people who wanted
the cameras might want to and be

614
00:31:11.025 --> 00:31:13.745
able to use them for. Yeah.
Twenty years ago, they were

615
00:31:13.745 --> 00:31:18.065
like, we should install. We
should build a horrible machine.

616
00:31:18.465 --> 00:31:18.705
Yeah.

617
00:31:18.705 --> 00:31:22.370
And in 2025, they're like, we
should turn the machine on.

618
00:31:22.850 --> 00:31:23.570
Yeah. For

619
00:31:24.450 --> 00:31:26.850
<v Hans Buetow>that 02/2006 AP
article, I found a New York

620
00:31:26.850 --> 00:31:30.050
Times article also that was
talking about that same event

621
00:31:30.050 --> 00:31:34.575
from February. And in that, they
basically were like, yeah. It's

622
00:31:34.575 --> 00:31:37.855
kinda weird, I guess, but, like,
the quality of them is so low,

623
00:31:37.855 --> 00:31:40.655
and the data is so big, and you
have to actually go to, like,

624
00:31:40.655 --> 00:31:43.695
pull the data out of the camera.
So I don't think it'll ever get

625
00:31:43.695 --> 00:31:47.775
big. We laid the groundwork back
then, and all we had to do is

626
00:31:47.775 --> 00:31:48.575
fix those small.

627
00:31:48.740 --> 00:31:51.060
You really didn't think cameras
were gonna get better? You

628
00:31:51.060 --> 00:31:54.420
really didn't think connectivity
was gonna improve? Like, that

629
00:31:54.420 --> 00:31:57.540
was the only way it was gonna be
limited, and now here we are

630
00:31:57.540 --> 00:32:01.700
exactly like Mike says. Chris
also wrote in, and I really I

631
00:32:01.700 --> 00:32:05.915
think this is a really striking
comment. Chris works at Walmart

632
00:32:05.915 --> 00:32:07.995
and says that there are cameras
everywhere.

633
00:32:08.155 --> 00:32:11.595
The self checkout area alone has
at least two cameras per

634
00:32:11.595 --> 00:32:15.035
checkout spot. One is to look at
your face as a customer, and the

635
00:32:15.035 --> 00:32:17.675
other is to watch your scanning
technique waiting for when you

636
00:32:17.675 --> 00:32:20.210
make a mistake or you might be
trying to steal like the carrot

637
00:32:20.210 --> 00:32:24.050
technique. There are very few
spots where there is not a

638
00:32:24.050 --> 00:32:26.930
camera of some kind. In fact, I
tend to take notice of where

639
00:32:26.930 --> 00:32:30.130
there is a blind spot or a weird
lack of cameras. I feel

640
00:32:30.130 --> 00:32:32.850
constantly watched because I'm
being constantly watched.

641
00:32:33.395 --> 00:32:36.835
That's true. But I also know
from talking to coworkers and

642
00:32:36.835 --> 00:32:40.915
customers that they do not
really feel this way, which is

643
00:32:41.075 --> 00:32:44.675
very interesting. But also,
like, I can't say that. That's

644
00:32:44.675 --> 00:32:46.915
deeply relatable. Like, that's
what my whole piece was about.

645
00:32:46.915 --> 00:32:48.130
Like Yeah.

646
00:32:48.130 --> 00:32:50.050
<v Jason Oberholtzer>Yeah. Yeah.
You normalize it. Yeah. I know

647
00:32:50.050 --> 00:32:53.010
I'm constantly being watched,
but I rarely engage with that

648
00:32:53.010 --> 00:32:53.650
knowledge.

649
00:32:53.890 --> 00:32:56.130
<v Hans Buetow>Yeah. I don't have
feelings about it. And and it

650
00:32:56.130 --> 00:32:59.330
took me a lot of looking at it
to actually have have any

651
00:32:59.330 --> 00:32:59.650
feeling.

652
00:32:59.650 --> 00:33:03.585
<v Georgia Hampton>I wanna briefly
return to this self checkout

653
00:33:03.585 --> 00:33:11.025
thing. Because just the fact of
the normalization of of watching

654
00:33:11.025 --> 00:33:13.985
yourself. Because I even think
of this at Target. Right? Like,

655
00:33:13.985 --> 00:33:18.060
the self checkout camera is
showing you yourself.

656
00:33:18.060 --> 00:33:21.180
Like, you can look at it. You're
watching yourself there. And

657
00:33:21.180 --> 00:33:23.340
what's interesting to me is,
like, I have a lot of friends

658
00:33:23.340 --> 00:33:26.380
whose impulse when they see that
is to, like, take a picture of

659
00:33:26.380 --> 00:33:30.540
themselves, like, with their
phone of the self checkout

660
00:33:30.495 --> 00:33:34.735
screen that's showing them.
Yeah. And it's I don't I just

661
00:33:34.735 --> 00:33:37.295
find that's, like, such an
interesting reaction in the

662
00:33:37.295 --> 00:33:39.455
conversation of this
normalization of just like, yep.

663
00:33:39.455 --> 00:33:41.855
That's me, and here's me, and
here's my phone, and here's the

664
00:33:41.855 --> 00:33:42.095
screen.

665
00:33:42.590 --> 00:33:44.510
<v Jason Oberholtzer>Taking the
power back. And now I'm the

666
00:33:44.670 --> 00:33:48.670
you're I'm making content out of
you. So yeah. You're the

667
00:33:48.670 --> 00:33:49.310
commodity.

668
00:33:49.310 --> 00:33:51.630
<v Mike Rugnetta>Have you guys
tried to buy a power tool at a

669
00:33:51.630 --> 00:33:53.230
like a Home Depot recently?

670
00:33:54.270 --> 00:33:55.470
<v Georgia Hampton>Oh, you know,
haven't.

671
00:33:55.470 --> 00:33:58.055
<v Mike Rugnetta>In the in the
hardware aisle where, like, you

672
00:33:58.055 --> 00:34:01.095
know, the angle grinders or
whatever are in the Home Depot,

673
00:34:01.815 --> 00:34:05.895
there are cameras now and then
small little screens that again

674
00:34:05.895 --> 00:34:09.840
show you what camera what the
camera that you're on. And that

675
00:34:09.840 --> 00:34:13.200
picture is sent to a building
somewhere else. I don't I don't

676
00:34:13.200 --> 00:34:16.000
know where in another state
where there are people who just

677
00:34:16.000 --> 00:34:17.120
sit there and watch.

678
00:34:17.520 --> 00:34:17.840
<v Clip>Woah.

679
00:34:17.840 --> 00:34:20.000
<v Mike Rugnetta>It is an
outsourced company that looks

680
00:34:20.000 --> 00:34:23.775
specifically at the tools in
Home Depot to make sure that no

681
00:34:23.775 --> 00:34:26.895
one steals them. And I once
heard a man, like, talk to

682
00:34:26.895 --> 00:34:30.895
someone through the camera to,
like, explain because someone

683
00:34:30.895 --> 00:34:32.735
was, like, trying to pick up
something, and they was like,

684
00:34:32.735 --> 00:34:34.975
hey. You can't you're not gonna
be able to pick that up. You

685
00:34:34.975 --> 00:34:35.855
gotta go get someone.

686
00:34:36.000 --> 00:34:36.880
<v Georgia Hampton>If you

687
00:34:36.880 --> 00:34:38.960
<v Mike Rugnetta>pull harder,
you're gonna set the alarm off.

688
00:34:39.200 --> 00:34:42.800
<v Georgia Hampton>Woah. Oh my
god. This actually transitions

689
00:34:42.800 --> 00:34:48.320
perfectly into the voicemail
that Carl sent us about an

690
00:34:48.320 --> 00:34:51.445
experience that he had at a
local restaurant regarding

691
00:34:51.445 --> 00:34:52.165
cameras.

692
00:34:52.165 --> 00:34:55.605
<v Carl>I was just in New Haven
last weekend and I went to a

693
00:34:55.605 --> 00:34:58.325
really great vegan restaurant or
vegetarian restaurant called

694
00:34:58.325 --> 00:35:00.885
Claire's Corner Copia, which
I've been to a couple of times.

695
00:35:01.125 --> 00:35:04.405
And it's this really homey,
really cute little restaurant

696
00:35:04.405 --> 00:35:09.330
with like drawings of farms on
the walls. And really, I mean, I

697
00:35:09.330 --> 00:35:15.250
think kitsch in a fun way decor.
And as I was kind of looking

698
00:35:15.250 --> 00:35:19.010
around enjoying my vegan French
toast and taking in the

699
00:35:19.010 --> 00:35:22.425
environment, I noticed the
camera. I was like, okay,

700
00:35:22.665 --> 00:35:23.945
that's, I guess, normal.

701
00:35:23.945 --> 00:35:27.465
Normal for a little restaurant
to have a camera. As I was

702
00:35:27.465 --> 00:35:30.185
looking around enjoying more of
the decor, I noticed another

703
00:35:30.185 --> 00:35:35.490
camera and another camera and
then two more cameras. And by

704
00:35:35.490 --> 00:35:42.290
the end of my sort of aesthetic
scan, I've identified 11 cameras

705
00:35:42.530 --> 00:35:43.810
in a small dining room

706
00:35:43.970 --> 00:35:44.530
<v Mike Rugnetta>Too many.

707
00:35:44.770 --> 00:35:49.055
<v Carl>Of a small restaurant in
the middle of New Haven. Mean, I

708
00:35:49.055 --> 00:35:51.375
was bothered, obviously, by all
these cameras. But the biggest

709
00:35:51.375 --> 00:35:55.615
question for me was how can
there be this many cameras

710
00:35:55.615 --> 00:35:59.215
covering so small a space? And
this sort of like surveillance

711
00:36:00.255 --> 00:36:05.850
ideology is so invisible that
the owner of, like, a homey

712
00:36:05.850 --> 00:36:09.290
vegetarian restaurant in New
Haven can think it's good and

713
00:36:09.290 --> 00:36:13.930
appropriate to to surveil from
every angle possible everybody

714
00:36:13.930 --> 00:36:14.970
in the restaurant at once.

715
00:36:15.425 --> 00:36:17.825
<v Mike Rugnetta>I saw this happen
on my block with Ring cameras.

716
00:36:17.825 --> 00:36:20.785
The exact same thing. When
people ins people install a Ring

717
00:36:20.785 --> 00:36:24.305
camera, and they're like, I can
I can finally see all of the

718
00:36:24.305 --> 00:36:27.825
horrible nonsense? They become
Batman. And they're like, you

719
00:36:27.825 --> 00:36:30.580
know, I must surveil Gotham from
the rooftops.

720
00:36:30.580 --> 00:36:33.380
And then they install another
camera to get this angle, and

721
00:36:33.380 --> 00:36:35.540
then a third camera to get the
other angle, and then a fourth.

722
00:36:35.540 --> 00:36:38.580
And then they're just watching
it all day long to be like,

723
00:36:38.580 --> 00:36:41.315
who's that person that walked by
in this? And I like I had to

724
00:36:41.315 --> 00:36:44.035
leave. My block had a group
text, and I was like, I had to

725
00:36:44.035 --> 00:36:47.715
leave. I left it because
everybody was going insane about

726
00:36:47.715 --> 00:36:52.115
just, like, normal city shit
that happens on every block.

727
00:36:52.580 --> 00:36:55.460
And I think I think it is
surveillance ideology. I think

728
00:36:55.460 --> 00:36:57.060
people get addicted to it.

729
00:36:57.140 --> 00:36:59.060
<v Georgia Hampton>Yeah. Once you
pop, you can't stop.

730
00:36:59.220 --> 00:37:06.885
<v Mike Rugnetta>I can just one
more camera. Just one more. But

731
00:37:06.885 --> 00:37:08.965
agree. Yeah. Jason.

732
00:37:09.045 --> 00:37:11.525
<v Jason Oberholtzer>I just back
to this rest how many different

733
00:37:11.525 --> 00:37:14.485
types of behavior are you
policing in that restaurant?

734
00:37:14.485 --> 00:37:18.325
Like, I don't know. Put one by
the door. If someone ditches,

735
00:37:18.740 --> 00:37:21.300
you'll be able to, like, see
their face and make this is the

736
00:37:21.300 --> 00:37:23.140
guy who ditched. Don't let them
back in.

737
00:37:23.300 --> 00:37:27.220
Like, are they eating weird?
What do you need to know?

738
00:37:27.220 --> 00:37:29.940
<v Georgia Hampton>Well, that's my
thing is that I'm like like, to

739
00:37:29.940 --> 00:37:34.465
Carl's point, who's watching?
Like, what are they why do they

740
00:37:34.465 --> 00:37:38.945
need this? It's too much. It's
just undeniably too much.

741
00:37:40.225 --> 00:37:42.945
<v Jason Oberholtzer>Noah Hertz
writes in in response to

742
00:37:42.945 --> 00:37:48.590
George's piece on the impending
once and future never resolves

743
00:37:48.590 --> 00:37:54.750
TikTok ban Yes. To brag that he
deleted TikTok off his phone.

744
00:37:54.910 --> 00:37:56.030
Well well well.

745
00:37:56.030 --> 00:37:57.230
<v Georgia Hampton>Well well,
Noah.

746
00:37:58.575 --> 00:38:01.375
<v Mike Rugnetta>Noah, who you all
might remember from the David

747
00:38:01.375 --> 00:38:02.335
Social segment.

748
00:38:02.335 --> 00:38:06.095
<v Jason Oberholtzer>Yes. Right.
And so interestingly, Noah

749
00:38:06.095 --> 00:38:09.535
remarks that he doesn't really
think his average screen time

750
00:38:09.535 --> 00:38:12.175
has come down all that much
since he deleted TikTok off the

751
00:38:12.175 --> 00:38:14.990
phone. Oh. He was hoping that
that would be the case.

752
00:38:15.230 --> 00:38:18.990
He just replaced it with using
Instagram more. But he finds

753
00:38:18.990 --> 00:38:21.950
that the average scrolling
session on Instagram is far far

754
00:38:21.950 --> 00:38:24.750
shorter than it was on TikTok.

755
00:38:24.830 --> 00:38:26.190
<v Mike Rugnetta>Mhmm. Because it
sucks.

756
00:38:26.190 --> 00:38:28.315
<v Jason Oberholtzer>Yeah. Because
it's bad. Yeah. But your body

757
00:38:28.315 --> 00:38:30.555
still needs the same amount of
raw

758
00:38:30.955 --> 00:38:32.875
<v Georgia Hampton>feed.
Scrolling.

759
00:38:32.955 --> 00:38:35.195
<v Jason Oberholtzer>Yeah. Now it
says they learned a lot of cool

760
00:38:35.195 --> 00:38:38.555
stuff, saw lots of cute funny
videos. Thanks to TikTok, but

761
00:38:38.555 --> 00:38:41.275
also felt like they spend a lot
of their time watching whatever

762
00:38:41.275 --> 00:38:45.140
slop was being fed to them. Now
they think they're getting more

763
00:38:45.140 --> 00:38:49.620
out of Instagram than it's
getting out of them, which they

764
00:38:49.620 --> 00:38:53.540
stopped feeling like with
TikTok. So I guess that's

765
00:38:53.540 --> 00:38:54.180
progress.

766
00:38:54.580 --> 00:38:58.855
Congratulations, Noah. Thank you
for bragging, and I hope that

767
00:38:58.855 --> 00:39:02.215
you continue to love what
Instagram is giving you. But

768
00:39:02.215 --> 00:39:04.455
it's a post script, which I
found particularly interesting

769
00:39:04.455 --> 00:39:07.975
here. In light of some other
emails that came in, Noah

770
00:39:07.975 --> 00:39:14.110
included a picture of him
listening to Never Post on a

771
00:39:14.110 --> 00:39:15.470
classic iPod.

772
00:39:15.470 --> 00:39:16.830
<v Georgia Hampton>Oh my god.

773
00:39:16.830 --> 00:39:20.590
<v Mike Rugnetta>I'm seeing more
and more classic iPods, pictures

774
00:39:20.590 --> 00:39:25.685
of them refurbished and modified
and jailbroken and whatever in

775
00:39:25.685 --> 00:39:30.245
the feed, and I support it. I
fully support. Yeah. I think it

776
00:39:30.245 --> 00:39:30.565
rules.

777
00:39:30.565 --> 00:39:31.285
<v Georgia Hampton>Oh my god.

778
00:39:31.285 --> 00:39:33.285
<v Jason Oberholtzer>And this
leads me to some emails we got

779
00:39:33.285 --> 00:39:36.565
harkening back to last summer's
Sound Files of Summer episode,

780
00:39:37.090 --> 00:39:40.610
where we talked about our
evolving strategies of music

781
00:39:40.610 --> 00:39:44.210
curation and how we stored and
streamed and lost and deleted

782
00:39:44.210 --> 00:39:47.810
and refound files of music in
our lives. We got an email from

783
00:39:47.810 --> 00:39:51.605
Lenny who might not be using the
iPod Classic still, but is

784
00:39:51.605 --> 00:39:55.685
trading USBs with their friends.
Living in Canada where music

785
00:39:55.685 --> 00:39:58.085
streaming services and phone
data plans cost a lot more than

786
00:39:58.085 --> 00:40:00.805
The US, it's common to drive or
visit places where you lose cell

787
00:40:00.805 --> 00:40:03.400
service and there are no radio
stations. Old phones, ancient

788
00:40:03.400 --> 00:40:07.160
iPods, and visor holders full of
CDs are our friends during these

789
00:40:07.160 --> 00:40:10.120
stretches. I often wonder if
other places have similar

790
00:40:10.120 --> 00:40:13.640
experiences, especially with the
rise of cheap Android phones and

791
00:40:13.640 --> 00:40:16.200
SD cards for storage.

792
00:40:16.715 --> 00:40:20.875
This is basically becoming our
reject modernity use old gear

793
00:40:20.875 --> 00:40:23.195
and old protocols episode.

794
00:40:23.195 --> 00:40:24.395
<v Georgia Hampton>Yeah. Really
is. I love

795
00:40:24.395 --> 00:40:27.515
<v Mike Rugnetta>the idea of a
like a file swap. Yeah. Like you

796
00:40:27.515 --> 00:40:32.830
go to a place and you bring your
USB, your thumb drive, you swap

797
00:40:32.830 --> 00:40:34.270
files. Sounds great.

798
00:40:34.510 --> 00:40:36.750
<v Jason Oberholtzer>Lenny's final
contribution to the Sound Files

799
00:40:36.750 --> 00:40:40.110
of Summer discourse is to tell
me for the second time in this

800
00:40:40.110 --> 00:40:42.590
podcast that I was wrong about
something.

801
00:40:42.750 --> 00:40:44.750
<v Mike Rugnetta>You should
reconsider being wrong so much.

802
00:40:47.045 --> 00:40:49.365
<v Jason Oberholtzer>I went on the
record as a person who used the

803
00:40:49.365 --> 00:40:52.405
star ratings on iTunes. My
favorite songs were five stars.

804
00:40:52.405 --> 00:40:54.805
My least favorite were one star.
Lenny tells me that this is

805
00:40:54.805 --> 00:40:58.085
wrong, and that the on the go
music management system that

806
00:40:58.085 --> 00:41:01.290
works the best is one star for
your best music, five stars for

807
00:41:01.290 --> 00:41:03.770
the ones you wanna delete so
that you can quickly mark a song

808
00:41:03.770 --> 00:41:06.650
to delete without taking your
iPod out of your pocket, which

809
00:41:06.650 --> 00:41:10.250
is some next level behavior,
Lenny. You keep up literally

810
00:41:10.250 --> 00:41:11.850
everything you're doing up
there.

811
00:41:14.205 --> 00:41:17.805
<v Mike Rugnetta>Ronald wrote in
in response to the segment that

812
00:41:17.805 --> 00:41:23.245
I made about real photos that
look like AI and what this does

813
00:41:23.245 --> 00:41:27.245
to sort of like our sense of
being able to know things and

814
00:41:27.245 --> 00:41:30.810
what the truth is and what is
real. Ronald wrote, thought you

815
00:41:30.810 --> 00:41:33.450
might want to know that AI is
already well and truly

816
00:41:33.450 --> 00:41:35.930
contributing to the erosion of
the foundations of modern

817
00:41:35.930 --> 00:41:39.930
scientific inquiry. Academic
watchdog blog Retraction Watch

818
00:41:39.930 --> 00:41:44.010
recently published an article on
vegetative electron microscopy,

819
00:41:44.425 --> 00:41:47.785
a borderline nonsense phrase
that began making its way into

820
00:41:47.785 --> 00:41:51.865
publications apparently because
an AI algorithm spliced together

821
00:41:51.865 --> 00:41:56.585
words across the gap between two
justified columns in an article

822
00:41:56.585 --> 00:42:02.730
from 1959. Holy shit. Regardless
of its origins, the phrase is

823
00:42:02.730 --> 00:42:05.530
almost always an indicator that
a paper was produced by a

824
00:42:05.530 --> 00:42:06.730
publication mill.

825
00:42:06.890 --> 00:42:09.690
One set of authors claims to use
the phrase to define a specific

826
00:42:09.690 --> 00:42:12.250
analytic technique, but I'm not
enough of an expert in

827
00:42:12.250 --> 00:42:15.095
microscopy to adjudicate this
claim. If you're trained in the

828
00:42:15.095 --> 00:42:18.615
STEM fields, searching Google
Scholar for vegetative electron

829
00:42:18.615 --> 00:42:22.775
microscopy with the quotation
marks is good for a chuckle or

830
00:42:22.775 --> 00:42:25.575
maybe a looming sense of dread
as one of humanity's best tools

831
00:42:25.575 --> 00:42:27.895
for fashioning truth from
falsehoods falls into

832
00:42:27.895 --> 00:42:31.390
fabrications. One of my favorite
results, this article, and we'll

833
00:42:31.390 --> 00:42:34.350
put a link in the show notes
from 2022, which was low key

834
00:42:34.350 --> 00:42:38.590
corrected in June 2024 to remove
the offending phrase and to

835
00:42:38.590 --> 00:42:41.630
renumber most of the citations,
which were apparently wrong.

836
00:42:42.145 --> 00:42:43.665
See? Hilarious.

837
00:42:45.425 --> 00:42:47.665
Please help. I'm scared. Ronald,

838
00:42:47.665 --> 00:42:48.065
<v Georgia Hampton>right there

839
00:42:48.065 --> 00:42:52.225
<v Mike Rugnetta>with you. I
think, you know, it's you wanna

840
00:42:52.225 --> 00:42:56.570
believe that this sort of
technology is used for fun, you

841
00:42:56.570 --> 00:42:59.850
know, in with a bunch of quotes
around it to make weird silly

842
00:42:59.850 --> 00:43:02.970
pictures that you couldn't make
otherwise, you know, and maybe

843
00:43:02.970 --> 00:43:06.330
people don't know what the cost
of that is. But, yeah, it's

844
00:43:06.330 --> 00:43:07.050
everywhere.

845
00:43:07.050 --> 00:43:07.850
<v Jason Oberholtzer>Yeah. Yeah.

846
00:43:07.850 --> 00:43:08.250
<v Mike Rugnetta>Whoops.

847
00:43:08.425 --> 00:43:08.905
<v Hans Buetow>Whoops.

848
00:43:08.905 --> 00:43:11.945
<v Mike Rugnetta>Whoops. Some
folks also wrote in about my

849
00:43:11.945 --> 00:43:14.825
segment on blocking, where I
spoke with Caroline Cinders

850
00:43:14.825 --> 00:43:17.465
about what it feels like to
block people and what the

851
00:43:17.465 --> 00:43:20.105
technology is for and its
usefulness and the kind of

852
00:43:21.300 --> 00:43:24.660
ambivalence that you can feel
around blocking. Alex Posten

853
00:43:24.660 --> 00:43:27.700
says, please forgive the
following tortured metaphors. I

854
00:43:27.700 --> 00:43:30.980
will. Like a lot of people, I
began the process of jumping

855
00:43:30.980 --> 00:43:34.260
ship from Twitter after the Elon
takeover and finally permanently

856
00:43:34.260 --> 00:43:36.835
deleted my account after the
changes to the block function

857
00:43:36.835 --> 00:43:37.715
were announced.

858
00:43:37.875 --> 00:43:41.075
Blocking, IMO, is the most
important safety feature for a

859
00:43:41.075 --> 00:43:43.715
social platform, and when safety
features don't function

860
00:43:43.715 --> 00:43:46.915
properly, people get hurt. If
Kia pushed an update to my car

861
00:43:46.915 --> 00:43:49.795
telling me that going forward,
my airbags would only sort of

862
00:43:49.795 --> 00:43:53.180
work, I'm shopping for a new car
that day. To paraphrase a line

863
00:43:53.180 --> 00:43:56.860
from doctor who, blocking isn't
self care, it's pest control.

864
00:43:57.180 --> 00:44:00.060
And so far, as I'm aware, nobody
has built a better mousetrap

865
00:44:00.060 --> 00:44:03.260
than blue sky. The nuclear block
should be the standard for

866
00:44:03.260 --> 00:44:03.820
social media.

867
00:44:04.285 --> 00:44:08.205
I'm sure the of blue sky will
come eventually, but for now,

868
00:44:08.205 --> 00:44:10.605
I'll just sit back and enjoy the
sound of my own voice and the

869
00:44:10.605 --> 00:44:13.405
voices of folks I actually wanna
hear instead of listening to all

870
00:44:13.405 --> 00:44:17.325
the rats skittering behind the
walls. I mean, I will say the

871
00:44:17.325 --> 00:44:21.400
blue sky block is incredible.
It's really great. One wonders

872
00:44:21.400 --> 00:44:25.400
whether or not it will
eventually be nerfed in some way

873
00:44:25.400 --> 00:44:29.320
or another as brands show up
because, you know, if Blue Sky

874
00:44:29.320 --> 00:44:32.595
wants to make money from brand
presence and they want if they

875
00:44:32.595 --> 00:44:35.795
end up wanting to do in line
advertising, you're right. They

876
00:44:35.795 --> 00:44:39.155
almost certainly will not allow
you to block as effectively

877
00:44:39.155 --> 00:44:43.795
those accounts as they do, you
know, other posters because

878
00:44:43.795 --> 00:44:46.300
that's gonna be part of their
business model.

879
00:44:46.300 --> 00:44:49.020
But fingers crossed, you know,
whatever solution comes along,

880
00:44:49.340 --> 00:44:53.500
it doesn't detract from what is
yeah. Like, a really, really

881
00:44:53.500 --> 00:44:57.580
just incredibly effective
moderation tool. Ellie also

882
00:44:57.580 --> 00:45:02.205
wrote in on a difficult decision
to block or to not block someone

883
00:45:02.205 --> 00:45:04.205
that she knows in meatspace.

884
00:45:04.365 --> 00:45:07.085
<v Elli>You know, I think often we
think about blocking as a tool

885
00:45:07.085 --> 00:45:12.045
that we can use for harassment,
like you like you mentioned on

886
00:45:12.045 --> 00:45:16.020
the show. But the only reason I
haven't blocked this particular

887
00:45:16.020 --> 00:45:19.780
person that I'm thinking about
is that they are, to some

888
00:45:19.780 --> 00:45:26.180
extent, still within my existing
IRL social network. Right? And

889
00:45:26.180 --> 00:45:30.455
this is somebody that had sort
of career power over me for a

890
00:45:30.455 --> 00:45:35.335
while and is still, to my
knowledge, relatively well

891
00:45:35.335 --> 00:45:40.615
regarded. And so, you know, I
the the thing that's kept me

892
00:45:40.615 --> 00:45:45.020
from blocking her for so long is
like, what if she finds out?

893
00:45:45.020 --> 00:45:50.540
And then she's like, what beef
does Ellie have with me? And,

894
00:45:50.540 --> 00:45:55.660
you know, could that have
consequences in my career or in

895
00:45:55.980 --> 00:45:59.705
or or could that be a reason
that I don't get an opportunity

896
00:45:59.705 --> 00:46:02.985
later? What does it mean to
block someone when you can't

897
00:46:02.985 --> 00:46:06.105
block them in real life also,
you know?

898
00:46:06.185 --> 00:46:08.025
<v Mike Rugnetta>Yeah. This is
extremely

899
00:46:08.025 --> 00:46:11.305
<v Jason Oberholtzer>relatable.
We're all staring at each other

900
00:46:11.305 --> 00:46:12.985
uneasily right

901
00:46:13.920 --> 00:46:15.680
<v Mike Rugnetta>Jason doesn't
know I have him muted on

902
00:46:15.680 --> 00:46:16.400
everything.

903
00:46:16.960 --> 00:46:19.200
<v Jason Oberholtzer>I was gonna
say, is this is the case for

904
00:46:19.200 --> 00:46:20.080
mute. Right?

905
00:46:20.320 --> 00:46:23.040
<v Mike Rugnetta>Yes. Yes.
Absolutely. Unless you don't

906
00:46:23.120 --> 00:46:25.375
like, it depends upon, I think,
how well you know the person and

907
00:46:25.375 --> 00:46:27.295
how likely it is in
conversation. They're gonna be

908
00:46:27.295 --> 00:46:28.655
like, oh, you saw that thing I
put.

909
00:46:28.655 --> 00:46:31.695
Right? Like, whatever whatever.
Sure. Like, you can always say,

910
00:46:31.695 --> 00:46:33.695
like, oh, no. Like, I haven't
signed in in a couple days, and

911
00:46:33.695 --> 00:46:35.935
there's some, you know,
plausible deniability.

912
00:46:36.175 --> 00:46:38.770
But, yeah, there's the case for
mute. I also like there are

913
00:46:38.770 --> 00:46:42.530
people who I haven't unfollowed
because I'm like, I don't I feel

914
00:46:42.530 --> 00:46:45.810
some pressure to be, like,
continuing to follow this person

915
00:46:45.810 --> 00:46:48.930
that I like, you know, really
have no interest in seeing

916
00:46:48.930 --> 00:46:52.450
anything that goes on with them.
Mhmm. But I justify it to myself

917
00:46:52.450 --> 00:46:54.985
where I'm like, well, I'm like,
think the creepiest way to put

918
00:46:54.985 --> 00:46:57.705
it is, like, keeping tabs on
them. See what they're up to.

919
00:46:57.865 --> 00:46:58.425
<v Georgia Hampton>Yeah.

920
00:46:58.425 --> 00:46:59.785
<v Mike Rugnetta>Make sure I'm not
where they are.

921
00:46:59.785 --> 00:47:02.105
<v Jason Oberholtzer>Is this your
version of a vegetarian

922
00:47:02.105 --> 00:47:08.300
restaurant full of cameras? And
finally, as a tradition rounding

923
00:47:08.300 --> 00:47:11.900
out the mailbag and update to
cool graffiti that people have

924
00:47:11.900 --> 00:47:12.780
sent us. I

925
00:47:13.020 --> 00:47:15.020
<v Mike Rugnetta>think isn't it
funny graffiti? I think it's

926
00:47:15.020 --> 00:47:15.980
funny tags.

927
00:47:15.980 --> 00:47:17.020
<v Georgia Hampton>Right? Okay.
Yeah.

928
00:47:17.020 --> 00:47:19.980
<v Jason Oberholtzer>It used to be
single word graffiti. Its purest

929
00:47:19.980 --> 00:47:25.125
state is single word graffiti
that you found funny. And Hans,

930
00:47:25.125 --> 00:47:27.365
I think there's a name in here
you might recognize.

931
00:47:27.845 --> 00:47:29.205
<v Hans Buetow>Oh, Steven Heil.

932
00:47:29.205 --> 00:47:30.965
<v Jason Oberholtzer>Eagle eared
listeners might recognize from

933
00:47:30.965 --> 00:47:34.485
earlier in the program, Steven
Heil. Yeah. Who spotted in

934
00:47:34.485 --> 00:47:38.990
Brooklyn, a purist's one word
answer, which is okra.

935
00:47:39.230 --> 00:47:43.070
<v Georgia Hampton>Yes. Scrolled
on just a regular brick wall.

936
00:47:43.070 --> 00:47:43.710
Yes.

937
00:47:44.350 --> 00:47:46.030
<v Jason Oberholtzer>And then for
those of us who are allowing

938
00:47:46.030 --> 00:47:48.990
more words in these things, a
beautiful bathroom wall that

939
00:47:48.990 --> 00:47:51.305
says watch Star Trek the next
generation.

940
00:47:53.705 --> 00:47:54.345
<v Toby>Solid advice.

941
00:47:54.345 --> 00:47:56.585
<v Mike Rugnetta>I didn't get a
picture of it, but I will. And

942
00:47:56.585 --> 00:47:59.305
then I will formally submit it
for the next. But I saw a tag

943
00:47:59.305 --> 00:48:03.705
also in Brooklyn yesterday. Very
artfully. Clearly, someone spent

944
00:48:03.705 --> 00:48:04.825
a lot of time on it.

945
00:48:04.825 --> 00:48:08.080
It said, oh boy, enema.

946
00:48:09.920 --> 00:48:10.960
<v Georgia Hampton>Oh boy.

947
00:48:11.040 --> 00:48:14.320
<v Jason Oberholtzer>That's great.
That's great. There's a lot more

948
00:48:14.320 --> 00:48:16.640
graffiti in the mailbag. I'm
gonna save some of it for next

949
00:48:16.640 --> 00:48:18.960
week because we are running out
of time that we have for this

950
00:48:18.960 --> 00:48:21.040
week to talk. But there's one
more graffiti I wanna talk about

951
00:48:21.040 --> 00:48:22.535
before send us all home.

952
00:48:23.175 --> 00:48:28.375
And that is friend of the show
Talia has found us another

953
00:48:28.375 --> 00:48:29.255
Garfies.

954
00:48:29.255 --> 00:48:31.255
<v Hans Buetow>Woo. Oh, no. Woo.

955
00:48:31.495 --> 00:48:34.400
<v Mike Rugnetta>It looks like it
looks like this is forever. This

956
00:48:34.400 --> 00:48:35.920
is a big titty Garfies.

957
00:48:35.920 --> 00:48:36.640
<v Georgia Hampton>It sure is.

958
00:48:36.640 --> 00:48:39.120
<v Mike Rugnetta>A big titty
Garfie holding a bomb? A bomb?

959
00:48:39.120 --> 00:48:39.840
Yes. Absolutely.

960
00:48:39.840 --> 00:48:40.480
<v Jason Oberholtzer>I did

961
00:48:40.480 --> 00:48:40.880
<v Mike Rugnetta>a little bit

962
00:48:40.880 --> 00:48:43.200
<v Jason Oberholtzer>of research.
Now that there's two Garfies.

963
00:48:43.920 --> 00:48:47.120
This is apparently a thing in
Melbourne. Most specifically,

964
00:48:47.120 --> 00:48:50.025
there are Garfies everywhere.
Garfies across Say right.

965
00:48:52.265 --> 00:48:57.545
Melbourne. Sorry, everyone. For
those of you who are new to

966
00:48:57.545 --> 00:49:01.560
Garfies, it is Garfield with
tits doing things.

967
00:49:01.800 --> 00:49:03.880
<v Georgia Hampton>Big tittie
Garfield.

968
00:49:04.040 --> 00:49:06.680
<v Jason Oberholtzer>They're
apparently all over Melbourne,

969
00:49:06.840 --> 00:49:09.160
and I have no idea why. And no
one else does.

970
00:49:09.160 --> 00:49:10.840
<v Georgia Hampton>I actually like
it less when you do that.

971
00:49:10.840 --> 00:49:14.475
<v Mike Rugnetta>But to remind our
listeners that we do accept

972
00:49:14.475 --> 00:49:15.995
pitches. Yes.

973
00:49:17.275 --> 00:49:20.475
<v Georgia Hampton>We the line is
open, and we're ready to listen

974
00:49:20.475 --> 00:49:21.115
to you.

975
00:49:21.115 --> 00:49:22.795
<v Jason Oberholtzer>Toby. Toby.

976
00:49:24.395 --> 00:49:27.030
<v Mike Rugnetta>Okay. That's what
we got for you in mailbag. Thank

977
00:49:27.030 --> 00:49:30.150
you everybody for writing in,
calling in, sending us your

978
00:49:30.150 --> 00:49:33.030
voice memos, sending us your
emails. Thank you friends for

979
00:49:33.030 --> 00:49:36.550
the conversation. We're gonna be
back in the feed one week from

980
00:49:36.550 --> 00:49:39.355
today on April 9.

981
00:49:39.835 --> 00:49:40.955
We'll see you then.

982
00:49:41.275 --> 00:49:41.915
<v Hans Buetow>Bye.