The Truth delivers original short fiction with cinematic sound design and unforgettable performances. When you press play on a new episode, there’s no telling what you’re going to get, because each episode is a brand new story with a new cast of characters, and a whole new world to explore. Some are suspenseful, others funny, or shocking, or uplifting. What you’re guaranteed is incredible performances, thoughtful writing, and detailed, immersive sound design that pulls you in and never lets go. If you're new, some good starting places are: The Dark End of the Mall, Silvia's Blood, Can You Help Me Find My Mom, The Hilly Earth Society, or Robocalls. Listening with headphones is recommended!
The Truth delivers original short fiction with cinematic sound design and unforgettable performances. When you press play on a new episode, there’s no telling what you’re going to get, because each episode is a brand new story with a new cast of characters, and a whole new world to explore. Some are suspenseful, others funny, or shocking, or uplifting. What you’re guaranteed is incredible performances, thoughtful writing, and detailed, immersive sound design that pulls you in and never lets go. If you're new, some good starting places are: The Dark End of the Mall, Silvia's Blood, Can You Help Me Find My Mom, The Hilly Earth Society, or Robocalls. Listening with headphones is recommended!
The sounds we make don't just fade away; they're embedded in the wood around us.
Performed by Ed Herbstman, Kevin Cragg, Annemarie Cullen, Dennis Pacheco, and Rebecca Robles, with Melanie Hoopes, Bea Herbstman, Alex Marino, and Kerry Kastin.
Music performed by Isabel Kim, Matt Evans, and Shawn Lovato.
Written and produced by Jonathan Mitchell. It was written for a program in New York City called Experiments in Opera. Special thanks this week to Jason Cady, Aaron Siegel, and Mathew Welch
This was recorded at New York Public Radio by George Wellington and Ed Haber.
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