Logo for the memory palace

the memory palace

Nate DiMeo

From public radio producer, Nate DiMeo, comes The Memory Palace, a finalist for the 2016 Peabody Award and one of iTunes Best Podcast of 2015. Short, surprising stories of the past, sometimes heartbreaking, sometimes hysterical, often a little bit of both.

"The most potent pieces of audio being produced today." - The AvClub

thememorypalace.us

The Memory Palace is a proud member of Radiotopia, from PRX, a curated network of extraordinary, story-driven shows. Learn more at radiotopia.fm

©Nate DiMeo

From public radio producer, Nate DiMeo, comes The Memory Palace, a finalist for the 2016 Peabody Award and one of iTunes Best Podcast of 2015. Short, surprising stories of the past, sometimes heartbreaking, sometimes hysterical, often a little bit of both.

"The most potent pieces of audio being produced today." - The AvClub

thememorypalace.us

The Memory Palace is a proud member of Radiotopia, from PRX, a curated network of extraordinary, story-driven shows. Learn more at radiotopia.fm

©Nate DiMeo

Episode 81 (Below, from Above)

Thumbnail for "Episode 81 (Below, from Above)".
January 27, 201617min 2sec

Music

* We start off with Wien, by Labradford. * The guys head out to the work site to Piano 3, from Jon Brion's score to Synecdoche, New York. * Then we hear a bit of Metamorphosis by Vladamir Ussachevsky before being bombarded with bits of Fast Pasture by Todd Reynolds. * There's a long stretch of Fog Tropes by Ingram Marshall * Followed by Fragment I by Library Tapes * Before ending on Berceuse, by Alexandra Sileski.

Notes * This is a story I've been wanting to do forever. In fact, falling in love with the story of the Brooklyn Bridge was one of the things that sent me on a path to doing The Memory Palace at all. So, most of this stuff I just kind of already knew. But it was a particular pleasure to go back and read David McCullough's masterful, lovely The Great Bridge. And to read a ton of contemporary accounts of its construction, particularly the New York Time's piece where the reporter heads down into the Brooklyn Caisson.