Scene on Radio is a two-time Peabody-nominated podcast that dares to ask big, hard questions about who we are—really—and how we got this way. Previous series include Seeing White (Season 2), looking at the roots and meaning of white supremacy; MEN (Season 3), on patriarchy and its history; The Land That Never Has Been Yet (Season 4), exploring democracy in the U.S. and why we don’t have more of it; The Repair (Season 5), on the cultural roots of the climate crisis; and Season 6, Echoes of a Coup, the story of the only successful coup d'etat in U.S. history, in Wilmington, North Carolina, in 1898. Produced and hosted by John Biewen and created at the Center for Documentary Studies at Duke University, Scene on Radio comes from the Kenan Institute for Ethics at Duke University. Season 7, Scene on Radio: Capitalism, is produced in partnership with Imperative 21. The show is distributed by PRX.
Scene on Radio is a two-time Peabody-nominated podcast that dares to ask big, hard questions about who we are—really—and how we got this way. Previous series include Seeing White (Season 2), looking at the roots and meaning of white supremacy; MEN (Season 3), on patriarchy and its history; The Land That Never Has Been Yet (Season 4), exploring democracy in the U.S. and why we don’t have more of it; The Repair (Season 5), on the cultural roots of the climate crisis; and Season 6, Echoes of a Coup, the story of the only successful coup d'etat in U.S. history, in Wilmington, North Carolina, in 1898. Produced and hosted by John Biewen and created at the Center for Documentary Studies at Duke University, Scene on Radio comes from the Kenan Institute for Ethics at Duke University. Season 7, Scene on Radio: Capitalism, is produced in partnership with Imperative 21. The show is distributed by PRX.
For hundreds of years, the white-dominated American culture has raised the specter of the dangerous, violent black man. Host John Biewen tells the story of a confrontation with an African American teenager. Then he and recurring guest Chenjerai Kumanyika discuss that longstanding image – and its neglected flipside: white-on-black violence.