
Each episode will go deep on a big story you’ll definitely want to hear more about. We’ll share with you our best investigations (think private prisons, electoral skullduggery, Dark Money, and Trump's Russia connections), and informative interviews with our reporters and newsmakers. We're hoping to make your week more informed with the stories that really matter, told by us, the folks you trust for smart, fearless reporting.
Each episode will go deep on a big story you’ll definitely want to hear more about. We’ll share with you our best investigations (think private prisons, electoral skullduggery, Dark Money, and Trump's Russia connections), and informative interviews with our reporters and newsmakers. We're hoping to make your week more informed with the stories that really matter, told by us, the folks you trust for smart, fearless reporting.



































































































































































































On this week's show, host Jamilah King interviews the prolific artist, David Byrne about police shootings, Janelle Monáe, stage fright, “True Stories,” and fake news. Since the late-1970s, when Byrne formed Talking Heads, his career has been an endless stream of fascinating side projects, starting with his super-weird, super-cool Brian Eno collab, "My Life in the Bush of Ghosts." He founded his own World Music label, and his obsession with the National Color Guard Championships led to a documentary, "Contemporary Color." In November, as his American Utopia tour wrapped up, Byrne re-released his 1986 film, True Stories, which explores the inner lives and outer quirks of residents of a fictional Texas town. “It’s like 60 Minutes on acid,” Byrne once said. The timing was brilliant—but coincidental, he admits: “I hadn’t looked at it in a while. And a lot of it does seem prescient and newly relevant. There’s a lot of stuff that seems oddly like, ‘Oh. I recognize this! It seemed like fiction in the movie, and now it’s fact.’” Our interview with Byrne kicks off a month-long special holiday series, featuring some of our very most interesting studio interviews.
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