Scene on Radio is a two-time Peabody-nominated podcast that dares to ask big, hard questions about who we are—really—and how we got this way. Our latest is Season 7, Scene on Radio: Capitalism. Previous series include Seeing White (Season 2), looking at the roots and meaning of white supremacy; MEN (Season 3), on patriarchy and its history; The Land That Never Has Been Yet (Season 4), exploring democracy in the U.S. and why we don’t have more of it; The Repair (Season 5), on the cultural roots of the climate crisis; and Season 6, Echoes of a Coup, the story of the only successful coup d'etat in U.S. history, in Wilmington, North Carolina, in 1898. Produced and hosted by John Biewen, with collaborators, Scene on Radio comes from the Kenan Institute for Ethics at Duke University.
The show is distributed by PRX.
Scene on Radio is a two-time Peabody-nominated podcast that dares to ask big, hard questions about who we are—really—and how we got this way. Our latest is Season 7, Scene on Radio: Capitalism. Previous series include Seeing White (Season 2), looking at the roots and meaning of white supremacy; MEN (Season 3), on patriarchy and its history; The Land That Never Has Been Yet (Season 4), exploring democracy in the U.S. and why we don’t have more of it; The Repair (Season 5), on the cultural roots of the climate crisis; and Season 6, Echoes of a Coup, the story of the only successful coup d'etat in U.S. history, in Wilmington, North Carolina, in 1898. Produced and hosted by John Biewen, with collaborators, Scene on Radio comes from the Kenan Institute for Ethics at Duke University.
The show is distributed by PRX.
Welcome to Season 7: Capitalism. The world's dominant economic system is on trial as it hasn't been for at least half a century. This season tells the story of capitalism -- how people with power built and shaped it over time. We'll also explore what to do now that many people see capitalism as the problem, not the solution. Produced by host/producer John Biewen with co-host Ellen McGirt and story editor Loretta Williams. From the Kenan Institute for Ethics at Duke University, in partnership with Imperative 21.
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