Scene on Radio is a two-time Peabody-nominated podcast that dares to ask big, hard questions about who we are—really—and how we got this way. Our latest is Season 7, Scene on Radio: Capitalism. Previous series include Seeing White (Season 2), looking at the roots and meaning of white supremacy; MEN (Season 3), on patriarchy and its history; The Land That Never Has Been Yet (Season 4), exploring democracy in the U.S. and why we don’t have more of it; The Repair (Season 5), on the cultural roots of the climate crisis; and Season 6, Echoes of a Coup, the story of the only successful coup d'etat in U.S. history, in Wilmington, North Carolina, in 1898. Produced and hosted by John Biewen, with collaborators, Scene on Radio comes from the Kenan Institute for Ethics at Duke University.
The show is distributed by PRX.
Scene on Radio is a two-time Peabody-nominated podcast that dares to ask big, hard questions about who we are—really—and how we got this way. Our latest is Season 7, Scene on Radio: Capitalism. Previous series include Seeing White (Season 2), looking at the roots and meaning of white supremacy; MEN (Season 3), on patriarchy and its history; The Land That Never Has Been Yet (Season 4), exploring democracy in the U.S. and why we don’t have more of it; The Repair (Season 5), on the cultural roots of the climate crisis; and Season 6, Echoes of a Coup, the story of the only successful coup d'etat in U.S. history, in Wilmington, North Carolina, in 1898. Produced and hosted by John Biewen, with collaborators, Scene on Radio comes from the Kenan Institute for Ethics at Duke University.
The show is distributed by PRX.
For millennia, Western culture (and most other cultures) declared that men and women were different sorts of humans—and, by the way, men were better. Is that claim not only wrong but straight-up backwards?
Co-hosts Celeste Headlee and John Biewen explore the current state of the nature-nurture gender debate, with help from Lisa Wade of Occidental College and Mel Konner of Emory University.
Music by Alex Weston, and by Evgueni and Sacha Galperine.
Music and production help from Joe Augustine at Narrative Music.