
Scene on Radio is a two-time Peabody-nominated podcast that dares to ask big, hard questions about who we are—really—and how we got this way. Our latest is Season 7, Scene on Radio: Capitalism. Previous series include Seeing White (Season 2), looking at the roots and meaning of white supremacy; MEN (Season 3), on patriarchy and its history; The Land That Never Has Been Yet (Season 4), exploring democracy in the U.S. and why we don’t have more of it; The Repair (Season 5), on the cultural roots of the climate crisis; and Season 6, Echoes of a Coup, the story of the only successful coup d'etat in U.S. history, in Wilmington, North Carolina, in 1898. Produced and hosted by John Biewen, with collaborators, Scene on Radio comes from the Kenan Institute for Ethics at Duke University.
The show is distributed by PRX.
Scene on Radio is a two-time Peabody-nominated podcast that dares to ask big, hard questions about who we are—really—and how we got this way. Our latest is Season 7, Scene on Radio: Capitalism. Previous series include Seeing White (Season 2), looking at the roots and meaning of white supremacy; MEN (Season 3), on patriarchy and its history; The Land That Never Has Been Yet (Season 4), exploring democracy in the U.S. and why we don’t have more of it; The Repair (Season 5), on the cultural roots of the climate crisis; and Season 6, Echoes of a Coup, the story of the only successful coup d'etat in U.S. history, in Wilmington, North Carolina, in 1898. Produced and hosted by John Biewen, with collaborators, Scene on Radio comes from the Kenan Institute for Ethics at Duke University.
The show is distributed by PRX.

































































































































We're sharing an episode from another podcast that asks big questions about who we are and how we got here: The Alabama Murders, a new series by bestselling author Malcolm Gladwell's Revisionist History podcast. Entangled in an affair with a parishioner, a Northwest Alabama minister made a devastating choice. Eventually, the consequences led to the center of a hot national debate about who should be allowed to live, who should die, and how the state should kill them. Malcolm asks: why, in our efforts to alleviate suffering, do we so often make it worse?
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