Under the Radar with Callie Crossley looks to alternative presses and community news for stories that are often overlooked by big media outlets. In our roundtable conversation, we aim to examine the small stories before they become the big headlines with contributors in Boston and New England. For more information, visit our website: wgbhnews.org/utr
Under the Radar with Callie Crossley looks to alternative presses and community news for stories that are often overlooked by big media outlets. In our roundtable conversation, we aim to examine the small stories before they become the big headlines with contributors in Boston and New England. For more information, visit our website: wgbhnews.org/utr
Seven musicians, two recordings, five songs: musical magic. This week marks the 65th anniversary of “Kind of Blue,” the iconic album recorded and performed by a young group of talented rising stars – John Coltrane, Julian “Cannonball” Adderly, Bill Evans, Paul Chambers, Jimmy Cobb and Wynton Kelly – before they were jazz legends, all under the leadership of the visionary trumpeter Miles Davis. “Kind of Blue” remains a treasured classic recording and is still selling copies, still taught in music classrooms, still covered by jazz musicians and still deconstructed by cultural critics. So why has Kind of Blue endured as the top classic jazz album for 65 years? We speak with three jazz experts to learn more about the revolutionary album.