The Backstory to Great Audio Storytelling, hosted by Rob Rosenthal, for Transom and PRX.

Headphones on for this one. Rob marks the passing of the groundbreaking composer and sound ecologist R. Murray Schafer with his colleague and fellow composer, Hildegard Westerkamp. This episode will crack open your ears and, hopefully, spark new ways of thinking about the sonic environment and your work as an audio storyteller and producer.

Headphones on for this one. Rob marks the passing of the groundbreaking composer and sound ecologist R. Murray Schafer with his colleague and fellow composer, Hildegard Westerkamp. This episode will crack open your ears and, hopefully, spark new ways of thinking about the sonic environment and your work as an audio storyteller and producer.

The World Orchestra Is Always Playing

Deadlines, production meetings, staff management, show scheduling... in any given day, there's rarely time to pause and consider the craft of audio storytelling. Of course, PRX and Transom hope Sound School provides an easy opportunity to do that. On this episode, we'd like to introduce you to another podcast with the same mission: Sound Judgment hosted by Elaine Appleton Grant and featuring an interview with Jonathan Menjivar about his podcast Classy.

Deadlines, production meetings, staff management, show scheduling... in any given day, there's rarely time to pause and consider the craft of audio storytelling. Of course, PRX and Transom hope Sound School provides an easy opportunity to do that. On this episode, we'd like to introduce you to another podcast with the same mission: Sound Judgment hosted by Elaine Appleton Grant and featuring an interview with Jonathan Menjivar about his podcast Classy.

Here's another great show about the craft of audio storytelling!

Introducing Sound Judgment

Have NPR's news magazines occasionally been sounding more radiophonic lately? Rob thinks so. He's collected a handful of satisfying moments of writing, production, and reporting from several reporters: Daniel Estrin, Avery Keatley, Andrew Limbong, Barbara Moran, Ari Shapiro, and Andrea Shea.

Have NPR's news magazines occasionally been sounding more radiophonic lately? Rob thinks so. He's collected a handful of satisfying moments of writing, production, and reporting from several reporters: Daniel Estrin, Avery Keatley, Andrew Limbong, Barbara Moran, Ari Shapiro, and Andrea Shea.

NPR has been crushing it lately.

Thanks, NPR. That Was Satisfying.

"Ums." You're supposed to cut them out, right? But what if the "um" means something? Talia Augustidis noticed her boyfriend "ummed" when he was lying and she thought "radio story." Talia takes a deep dive into the importance of not cutting out all the "ums" as well as the backstory to her piece for the BBC's Short Cuts called "What's In An Um?"

"Ums." You're supposed to cut them out, right? But what if the "um" means something? Talia Augustidis noticed her boyfriend "ummed" when he was lying and she thought "radio story." Talia takes a deep dive into the importance of not cutting out all the "ums" as well as the backstory to her piece for the BBC's Short Cuts called "What's In An Um?"

"Ums." You're supposed to cut them out, right? 

The Um, A Deep Dive

One of the top three questions Rob often hears when he's teaching is, "Should I record in stereo?" Rob says mono is usually the way to go. But on this archive episode of Sound School, former NPR engineer Flawn Williams evangelizes about the value of stereo recordings, and he brought along several sound-rich examples.

One of the top three questions Rob often hears when he's teaching is, "Should I record in stereo?" Rob says mono is usually the way to go. But on this archive episode of Sound School, former NPR engineer Flawn Williams evangelizes about the value of stereo recordings, and he brought along several sound-rich examples.

Stereo, yes or no?

Revisiting: Should I or Shouldn’t I — Recording in Stereo

In the tsunami of serialized documentary making over the last decade, what happened to the short story? Where are the one-off curious and creative sound portraits or essays or found sound or audio postcards or.... ? Last year Transom commissioned a dozen short stories as part of "Small, Random, and Meaningful." Rob features his three favorites.

In the tsunami of serialized documentary making over the last decade, what happened to the short story? Where are the one-off curious and creative sound portraits or essays or found sound or audio postcards or.... ? Last year Transom commissioned a dozen short stories as part of "Small, Random, and Meaningful." Rob features his three favorites.

Is anyone making short stories anymore?

Small, Random, and Meaningful

In honor of World Radio Day this week, The Sound School Podcast is celebrating with a story that exemplifies the power of radio to evoke striking images — a story reported from a remote hillside in Slovenia.

In honor of World Radio Day this week, The Sound School Podcast is celebrating with a story that exemplifies the power of radio to evoke striking images — a story reported from a remote hillside in Slovenia.

It's World Radio Day! Let's get out of the studio!

For the Love of Radio, Get Out of the Studio!

Katz Laszlo says writing and tracking for herself is complicated enough. But it's an even greater challenge writing for and tracking with the two co-hosts of The Europeans podcast. Katz lays out how she and the hosts wrangle it all on the latest Sound School.

Katz Laszlo says writing and tracking for herself is complicated enough. But it's an even greater challenge writing for and tracking with the two co-hosts of The Europeans podcast. Katz lays out how she and the hosts wrangle it all on the latest Sound School.

Producer Katz Laszlo of "The Europeans" crushes a trifecta of writing hurdles.

A Triple Whammy

It's a brave thing to share the outtakes from a tracking session. All the blemishes are right there. But, Martine Powers and Rennie Svirnovsky from audio team at The Washington Post have graciously done just that. Hearing how they work as tracking partners is a real gift for anyone who wants to perform better in the mic booth.

It's a brave thing to share the outtakes from a tracking session. All the blemishes are right there. But, Martine Powers and Rennie Svirnovsky from audio team at The Washington Post have graciously done just that. Hearing how they work as tracking partners is a real gift for anyone who wants to perform better in the mic booth.

Martine Powers and Rennie Svirnovsky will help you track like a pro

Tracking Partners

While there were many great podcasts released in 2023, no one will remember the year as a good one for the people who make podcasts. There were far too many layoffs and cancellations including a show dear to our radio hearts at Transom, Heavyweight, hosted by Jonathan Goldstein. In honor of the show and Jonathan's remarkable writing, Rob revisits his chat with Jonathan where they talked about process, fonts, and a writing maneuver they jokingly dubbed "The Goldstein."

While there were many great podcasts released in 2023, no one will remember the year as a good one for the people who make podcasts. There were far too many layoffs and cancellations including a show dear to our radio hearts at Transom, Heavyweight, hosted by Jonathan Goldstein. In honor of the show and Jonathan's remarkable writing, Rob revisits his chat with Jonathan where they talked about process, fonts, and a writing maneuver they jokingly dubbed "The Goldstein."

Audio is ours to win.

Revisiting: Goldstein on Writing, Fonts, and The Goldstein

Rob takes himself to task on this episode. He felt the beginning of the last episode of Sound School was so boring, he rewrote it. Compare the old version with the new version be sure to tell us at Transom which is the better open.

Rob takes himself to task on this episode. He felt the beginning of the last episode of Sound School was so boring, he rewrote it. Compare the old version with the new version be sure to tell us at Transom which is the better open.

A Sound School episode makeover

Which Is the Better Open?

Theo Greenly reports for a public radio station in the far-flung Aleutian Islands in Alaska. When he started, about two and a half years ago, he thought he'd hit the ground running reporting in-depth, documentary-style pieces. Instead, he learned he really needed to get his bearings first and just report the news. His stories about how to report -- and navigate all the transportation challenges -- in such a remote location are fun and insightful.

Theo Greenly reports for a public radio station in the far-flung Aleutian Islands in Alaska. When he started, about two and a half years ago, he thought he'd hit the ground running reporting in-depth, documentary-style pieces. Instead, he learned he really needed to get his bearings first and just report the news. His stories about how to report -- and navigate all the transportation challenges -- in such a remote location are fun and insightful.

Think logistics are tough where you are? 

Reporting Out at the Edge

Fiction should stay in its corner, non-fiction in its corner. Or so Rob thought until he heard producer Pippa Johnstone seamlessly and effectively mix the two in her memorable podcast "Expectant," where Pippa explores a remarkably uncomfortable question: In a time of climate change, is it okay to have children?

Fiction should stay in its corner, non-fiction in its corner. Or so Rob thought until he heard producer Pippa Johnstone seamlessly and effectively mix the two in her memorable podcast "Expectant," where Pippa explores a remarkably uncomfortable question: In a time of climate change, is it okay to have children?

Can fiction and nonfiction work together in the same piece?

Mixing Fiction with Non-Fiction

Catherine Carr has turned vox into artful conversation with a deceptively simple question: Where are you going? That's also the name of the podcast she makes (a recent British Podcast Award winner) where she interviews strangers about where they're going and so much more.

Catherine Carr has turned vox into artful conversation with a deceptively simple question: Where are you going? That's also the name of the podcast she makes (a recent British Podcast Award winner) where she interviews strangers about where they're going and so much more.

Catherine Carr has turned vox into artful conversation using a deceptively simple question.

Interview Strangers on the Street, Make a Podcast

Studs Terkel is considered by many to be a patron saint of documentary radio journalism. It's been 15 years since his death. On this archive episode of Sound School from 2012, Rob talks to Syd Lewis who worked with Studs for 25 years. The show also includes a lengthy excerpt from "Working With Studs," a Transom Radio Special produced by Syd, Jay Allison, and Viki Merrick.

Studs Terkel is considered by many to be a patron saint of documentary radio journalism. It's been 15 years since his death. On this archive episode of Sound School from 2012, Rob talks to Syd Lewis who worked with Studs for 25 years. The show also includes a lengthy excerpt from "Working With Studs," a Transom Radio Special produced by Syd, Jay Allison, and Viki Merrick.

Remembering Studs Terkel in this archive episode.

Revisiting: Remembering Studs

Rob acts as a story DJ on this episode, featuring excerpts from stories he’s recently found pleasing to the ear. His "playlist" includes work from "More Perfect," the BBC Radio 4 podcast "Seriously," "The Shortwave Radio Archive," and "That Intimate Feeling." Drop a needle on the episode and press play.

Rob acts as a story DJ on this episode, featuring excerpts from stories he’s recently found pleasing to the ear. His "playlist" includes work from "More Perfect," the BBC Radio 4 podcast "Seriously," "The Shortwave Radio Archive," and "That Intimate Feeling." Drop a needle on the episode and press play.

Rob acts as a story DJ on this episode, featuring excerpts from stories he’s recently found pleasing to the ear.

Pleasing to the Ear

What do radio producers Phoebe Judge (Criminal), Zoe Chase (This American Life), Greg Warner (Rough Translation), Matt Kielty (Radiolab), Emily Kwong (NPR) and dozens if not hundreds of others you've heard on your favorite podcasts and radio shows have in common? Salt. They're all graduates of the Salt Institute for Documentary Studies in Portland, Maine. Salt turns fifty this year! Isaac Kestenbaum, the director of the program, joins Rob to celebrate the occasion and talk about what makes the Salt experience so unique.

What do radio producers Phoebe Judge (Criminal), Zoe Chase (This American Life), Greg Warner (Rough Translation), Matt Kielty (Radiolab), Emily Kwong (NPR) and dozens if not hundreds of others you've heard on your favorite podcasts and radio shows have in common? Salt. They're all graduates of the Salt Institute for Documentary Studies in Portland, Maine. Salt turns fifty this year! Isaac Kestenbaum, the director of the program, joins Rob to celebrate the occasion and talk about what makes the Salt experience so unique.

What makes the Salt Institute for Documentary Studies so special?

Salt at 50!

This year's Third Coast Festival winners and finalists produced incredible work. It got us thinking about winners from previous years. So, we dug up this fantastic interview with Rachel Matlow who won a "Best New Producer" award in 2016 for their thoughtful and creative story "Dead Mom Talking."

This year's Third Coast Festival winners and finalists produced incredible work. It got us thinking about winners from previous years. So, we dug up this fantastic interview with Rachel Matlow who won a "Best New Producer" award in 2016 for their thoughtful and creative story "Dead Mom Talking."

Revisiting: Dead Mom Talking

It's unusual for a producer to share a work in progress. It's rarer still to do it twice. Nina Porzucki updates Rob on the progress of Bird Talk, her comedy podcast in-the-making and the steps it took to make her second pilot funnier and more engaging.

It's unusual for a producer to share a work in progress. It's rarer still to do it twice. Nina Porzucki updates Rob on the progress of Bird Talk, her comedy podcast in-the-making and the steps it took to make her second pilot funnier and more engaging.

It's unusual for a producer to share a work in progress. It's rarer still to do it twice. Nina Porzucki updates Rob on the progress of "Bird Talk," her comedy podcast in-the-making and the steps it took to make her second pilot funnier and more engaging. 

So You STILL Want to Start a Podcast, Eh?

Rebecca Hersher, a climate science reporter at NPR, offers excellent tips on reporting on climate change. But, at the heart of Rob's interview with her is something more philosophical: the role of hope in climate change reporting.

Rebecca Hersher, a climate science reporter at NPR, offers excellent tips on reporting on climate change. But, at the heart of Rob's interview with her is something more philosophical: the role of hope in climate change reporting.

Rebecca Hersher, a climate science reporter at NPR, offers excellent tips on reporting on climate change. But, at the heart of Rob's interview with her is something more philosophical: the role of hope in climate change reporting. 

Going Behind the Mic On Climate Change Reporting

Summer means cicadas. Those crackly, buzzy bugs that drone and drone in the heat like a live electrical wire spewing sparks. Mair Bosworth and Fiona Benson took that sound and crafted "Magicicada," a stunning "sound poem," as they called it, marrying Mair's stellar recordings and sound design and Fiona's nuanced poetry.

Summer means cicadas. Those crackly, buzzy bugs that drone and drone in the heat like a live electrical wire spewing sparks. Mair Bosworth and Fiona Benson took that sound and crafted "Magicicada," a stunning "sound poem," as they called it, marrying Mair's stellar recordings and sound design and Fiona's nuanced poetry.

A summertime sound poem

Revisiting: Sound Art Meets Poetry Meets Cicadas

Get your headphones on for this episode! Rob dives into three remarkable examples of scoring. He features examples from the Serial/NYT series "The Retrievals," scored by Phoebe Wang, "My Mother Made Me" from PRX's Radiotopia Presents scored by Ian Coss, and The Atlantic's "Holy Week," scored by David Herman.

Get your headphones on for this episode! Rob dives into three remarkable examples of scoring. He features examples from the Serial/NYT series "The Retrievals," scored by Phoebe Wang, "My Mother Made Me" from PRX's Radiotopia Presents scored by Ian Coss, and The Atlantic's "Holy Week," scored by David Herman.

Next-level Scoring

Rob's a fan of the "radio art" style of audio storytelling from Europe but often, after listening, he finds himself scratching his head. "What was that about?!" He wonders if the problem isn't the storytelling but his American ears and the way he listens. Alan Hall, of Falling Tree, the English production company, helps him listen in a new way.

Rob's a fan of the "radio art" style of audio storytelling from Europe but often, after listening, he finds himself scratching his head. "What was that about?!" He wonders if the problem isn't the storytelling but his American ears and the way he listens. Alan Hall, of Falling Tree, the English production company, helps him listen in a new way.

Lean In and Listen Like It’s Music

No matter how good you are recording in the field, you're going to encounter challenges. Rob Byers does an incredible job explaining how to avoid and fix those problems on this archive episode of Sound School from 2017. At the time, Rob worked at NPR. He's now the Technical Director at Criminal. His recording tips are invaluable. And so are the resources we used on the episode from NPR's  <a href="https://training.npr.org/2017/01/31/the-ear-training-guide-for-audio-producers/" rel="nofollow" target="_blank">"Ear Training Guide for Audio Producers.”</a>  You'll make better recordings after listening to this episode.

No matter how good you are recording in the field, you're going to encounter challenges. Rob Byers does an incredible job explaining how to avoid and fix those problems on this archive episode of Sound School from 2017. At the time, Rob worked at NPR. He's now the Technical Director at Criminal. His recording tips are invaluable. And so are the resources we used on the episode from NPR's  "Ear Training Guide for Audio Producers.”  You'll make better recordings after listening to this episode.

No matter how good you are recording in the field, sometimes things go wrong. Here's how to fix them.

Revisiting: Avoiding Pesky Sound Problems

Pushkin Industries released a "Best Of Audio Storytelling: 2022" but instead of putting it out as a podcast series, it's an audiobook. Does it matter? Julia Barton at Pushkin says no. On the latest Sound School, Julia talks about tearing down audio silos, and discusses a handful of stories from the collection, including selections from Radiotopia, NPR, Rumble Strip, and more.

Pushkin Industries released a "Best Of Audio Storytelling: 2022" but instead of putting it out as a podcast series, it's an audiobook. Does it matter? Julia Barton at Pushkin says no. On the latest Sound School, Julia talks about tearing down audio silos, and discusses a handful of stories from the collection, including selections from Radiotopia, NPR, Rumble Strip, and more.

Pushkin Industries released a "Best Of Audio Storytelling: 2022" but instead of putting it out as a podcast series, it's an audiobook. Does it matter? Julia Barton at Pushkin says no. On the latest Sound School, Julia talks about tearing down audio silos, and discusses a handful of stories from the collection, including selections from Radiotopia, NPR, Rumble Strip, and more. 

The Best Audio Storytelling According to Pushkin

The Sound School Podcast launched 15 years ago this month. But it was called Saltcast back then. And for the first episode, Rob featured once of his absolute favorite student-produced stories - one that he played in classes for years as an excellent example of documentary audio storytelling. To celebrate the show's 15th anniversary, Rob dusted off the very first Saltcast and this incredible story about a motivational speaker who can't talk.

The Sound School Podcast launched 15 years ago this month. But it was called Saltcast back then. And for the first episode, Rob featured once of his absolute favorite student-produced stories - one that he played in classes for years as an excellent example of documentary audio storytelling. To celebrate the show's 15th anniversary, Rob dusted off the very first Saltcast and this incredible story about a motivational speaker who can't talk.

The Sound School Podcast launched 15 years ago this month. But it was called Saltcast back then. And for the first episode, Rob featured once of his absolute favorite student-produced stories - one that he played in classes for years as an excellent example of documentary audio storytelling. To celebrate the show's 15th anniversary, Rob dusted off the very first Saltcast and this incredible story about a motivational speaker who can't talk. 

Happy 15th Sound School!

Antonia Cereijido has her ear to the ground. It's her job as Executive Producer at LAist to listen to what everyone is putting out. Rob asks her what grabbed her ears lately? She tells us about two recent series: the second season of LaBrega, the Puerto Rican experience in eight songs, and Sold a Story: How Teaching Kids to Read Went So Wrong.

Antonia Cereijido has her ear to the ground. It's her job as Executive Producer at LAist to listen to what everyone is putting out. Rob asks her what grabbed her ears lately? She tells us about two recent series: the second season of LaBrega, the Puerto Rican experience in eight songs, and Sold a Story: How Teaching Kids to Read Went So Wrong.

Antonia Cereijido has her ear to the ground. It's her job as Executive Producer at LAist to listen to what everyone is putting out. Rob asks her what grabbed her ears lately? She tells us about two recent series: the second season of “LaBrega,” the Puerto Rican experience in eight songs, and “Sold a Story: How Teaching Kids to Read Went So Wrong.”

What's Grabbed Antonia's Ears?

A light went out recently. The bright light of Chris Brookes — a sorcerer of audio documentary and sound art. When Rob heard the news, he immediately started work on this remembrance featuring excerpts from several of Chris' distinctive productions — stories where Chris' clear, authorial voice, his fingerprint, is evident and inspiring.

A light went out recently. The bright light of Chris Brookes — a sorcerer of audio documentary and sound art. When Rob heard the news, he immediately started work on this remembrance featuring excerpts from several of Chris' distinctive productions — stories where Chris' clear, authorial voice, his fingerprint, is evident and inspiring.

The Fingerprint of Chris Brookes

What's the value of a non-narrated story for the listener? "It's direct," says NPR's Quil Lawrence. The characters in the story are "talking straight to the listener." He says this is especially important in an audio obituary. So, in a recent remembrance he produced, he made sure to get out of the way of the tape.

What's the value of a non-narrated story for the listener? "It's direct," says NPR's Quil Lawrence. The characters in the story are "talking straight to the listener." He says this is especially important in an audio obituary. So, in a recent remembrance he produced, he made sure to get out of the way of the tape.

Producing a Non-narrated Obituary

Munira Kaoneka first started as a blogger in Tanzania. But she says sometimes you need to shout so she started a podcast, “The Kaya Sessions." A couple of years later, after taking a workshop on narrative audio storytelling and reporting, she's at a crossroads: continue her path to engineering ("the sensible choice for a proper African child," she says) or make the leap into podcasting. Hear Munira's story, and the piece she produced at the workshop, in this episode of The Sound School Podcast.

Munira Kaoneka first started as a blogger in Tanzania. But she says sometimes you need to shout so she started a podcast, “The Kaya Sessions." A couple of years later, after taking a workshop on narrative audio storytelling and reporting, she's at a crossroads: continue her path to engineering ("the sensible choice for a proper African child," she says) or make the leap into podcasting. Hear Munira's story, and the piece she produced at the workshop, in this episode of The Sound School Podcast.

Munira Kaoneka first started as a blogger in Tanzania. But she says sometimes you need to shout so she started a podcast, "The Kaya Sessions." A couple of years later, after taking a workshop on narrative audio storytelling and reporting, she's at a crossroads: continue her path to engineering ("the sensible choice for a proper African child," she says) or make the leap into podcasting. Hear Munira's story, and the piece she produced at the workshop, in this episode of The Sound School Podcast.

What’s Next for Munira?

Rob takes a hard listen to three podcasts -- You Didn't See Nothin', Lights Out, and Noble Champions. He then tosses out darts for work that caused him to ask "Why'd you do that?!" and laurels for work that's just plain crushing it.

Rob opens this episode with a note about Transom.org. Transom is dreaming up a new project and could really use your input. If you have a minute, head on over to <a href="https://transom.org/" rel="nofollow" target="_blank">the Transom homepage</a> and click the link to take a short survey.

Rob takes a hard listen to three podcasts -- You Didn't See Nothin', Lights Out, and Noble Champions. He then tosses out darts for work that caused him to ask "Why'd you do that?!" and laurels for work that's just plain crushing it.
Rob opens this episode with a note about Transom.org. Transom is dreaming up a new project and could really use your input. If you have a minute, head on over to the Transom homepage and click the link to take a short survey.

Rob takes a hard listen to three podcasts -- "You Didn't See Nothin',” "Lights Out," and "Noble Champions." He then tosses out darts for work that caused him to ask "Why'd you do that?!" and laurels for work that's just plain crushing it. 

Still More Darts and Laurels

Steve Junker says he thinks of a radio station as a musical instrument -- a pipe organ, to be specific. It's capable of making all kinds kinds of sounds. But, he thinks public radio stations tend to only play a couple of notes - including WCAI in Falmouth, Massachusetts where he's the Managing Editor for News. In an effort to play a couple of other notes, he produced "Falmouth to Falmouth" a collaboration with another radio station in Falmouth -- Falmouth, England that is.

Steve Junker says he thinks of a radio station as a musical instrument -- a pipe organ, to be specific. It's capable of making all kinds kinds of sounds. But, he thinks public radio stations tend to only play a couple of notes - including WCAI in Falmouth, Massachusetts where he's the Managing Editor for News. In an effort to play a couple of other notes, he produced "Falmouth to Falmouth" a collaboration with another radio station in Falmouth -- Falmouth, England that is.

Think of a Radio Station (or Podcast) as a Musical Instrument

In this episode, Rob turns the mic on himself to mark the 10th anniversary of meeting his birth mother for the first time. He also features the positively stunning portrait of an adopting mom in "Dear Birth Mother," a Third Coast award-winning doc from Dan Collison and Elizabeth Meister at Long Haul Productions.

In this episode, Rob turns the mic on himself to mark the 10th anniversary of meeting his birth mother for the first time. He also features the positively stunning portrait of an adopting mom in "Dear Birth Mother," a Third Coast award-winning doc from Dan Collison and Elizabeth Meister at Long Haul Productions.

In this episode, Rob turns the mic on himself to mark the 10th anniversary of meeting his birth mother for the first time. He also features the positively stunning portrait of an adopting mom in "Dear Birth Mother," a Third Coast award-winning doc from Dan Collison and Elizabeth Meister at Long Haul Productions. 

Dear Birth Mother

It's good to look beyond your borders for inspiration. That's what this episode is about. Brian Harnetty is a sound ethnographer. And quite a bit of what he does resembles the work of radio and podcast producers. But he departs from us with his unique approach to audio storytelling. A meld of composition, fieldwork, oral history, and archive recordings coupled with listening events -- in the woods.

It's good to look beyond your borders for inspiration. That's what this episode is about. Brian Harnetty is a sound ethnographer. And quite a bit of what he does resembles the work of radio and podcast producers. But he departs from us with his unique approach to audio storytelling. A meld of composition, fieldwork, oral history, and archive recordings coupled with listening events -- in the woods.

It's good to look beyond your borders for inspiration. That's what this episode is about. Brian Harnetty is a sound ethnographer. And quite a bit of what he does resembles the work of radio and podcast producers. But he departs from us with his unique approach to audio storytelling. A meld of composition, fieldwork, oral history, and archive recordings coupled with listening events -- in the woods. 

Studs Terkel Meets Brian Eno in the Woods

Three great new podcasts raised production questions for Rob. Why use sound effects in All There Is With Anderson Cooper? Why were the interviews for Bjork’s Sonic Symbolism podcast recorded so poorly? Those questions and more on the latest Sound School Podcast.

Three great new podcasts raised production questions for Rob. Why use sound effects in All There Is With Anderson Cooper? Why were the interviews for Bjork’s Sonic Symbolism podcast recorded so poorly? Those questions and more on the latest Sound School Podcast.

Three great new podcasts raised production questions for Rob. Why use sound effects in "All There Is With Anderson Cooper?" Why were the interviews for Bjork’s "Sonic Symbolism" podcast recorded so poorly? Those questions and more on the latest "Sound School Podcast."

This is Good, But I Have a Question

John Scott Dryden takes a very unique approach to sound design for the fiction podcasts he produces -- he records on location. For "Q&amp;A," the first season of Mumbai Crime from Radiotopia, everything was recorded in Mumbai. The result is a podcast that sounds more organic, less manufactured in a studio. John explains why on this episode of Sound School.

John Scott Dryden takes a very unique approach to sound design for the fiction podcasts he produces -- he records on location. For "Q&A," the first season of Mumbai Crime from Radiotopia, everything was recorded in Mumbai. The result is a podcast that sounds more organic, less manufactured in a studio. John explains why on this episode of Sound School.

John Scott Dryden takes a very unique approach to sound design for the fiction podcasts he produces -- he records on location. For "Q&A," the first season of Mumbai Crime from Radiotopia, everything was recorded in Mumbai. The result is a podcast that sounds more organic, less manufactured in a studio. John explains why on this episode of Sound School. 

Recording Sound Design in the Field

The vast majority of stories are told by one narrator. But not at NPR's Planet Money. They regularly have co-narrators. Why? Why have two narrators when one will suffice? Reporters Erika Beras and Sarah Gonzalez have the answer.

The vast majority of stories are told by one narrator. But not at NPR's Planet Money. They regularly have co-narrators. Why? Why have two narrators when one will suffice? Reporters Erika Beras and Sarah Gonzalez have the answer.

Why Two Narrators When One Will Suffice?

What's the best way for reporters to break out of their boxes and think creatively? Give them an unusual assignment and send them out into the world with microphones. That's just what happened during a week-long workshop Rob taught with 10 reporters in Slovenia. Hear the results on this episode of Sound School.

What's the best way for reporters to break out of their boxes and think creatively? Give them an unusual assignment and send them out into the world with microphones. That's just what happened during a week-long workshop Rob taught with 10 reporters in Slovenia. Hear the results on this episode of Sound School.

What's the best way for reporters to break out of their boxes and think creatively? Give them an unusual assignment and send them out into the world with microphones. That's just what happened during a week-long workshop Rob taught with 10 reporters in Slovenia. Hear the results on this episode of Sound School. 

Caves and Bears and Neanderthal Flutes - Stories from Slovenia

Rarely do reporters turn the mic on themselves to divulge the challenges in their own lives. So, when they do, it’s surprising — and refreshing. Stephanie Foo's personal essay, "The Favorite" is an excellent example. In this archive episode, Stephanie provides sage advice for anyone thinking of turning a mic toward themselves.

Rarely do reporters turn the mic on themselves to divulge the challenges in their own lives. So, when they do, it’s surprising — and refreshing. Stephanie Foo's personal essay, "The Favorite" is an excellent example. In this archive episode, Stephanie provides sage advice for anyone thinking of turning a mic toward themselves.

Rarely do reporters turn the mic on themselves to divulge the challenges in their own lives. So, when they do, it’s surprising — and refreshing. Stephanie Foo's personal essay, "The Favorite" is an excellent example. In this archive episode, Stephanie provides sage advice for anyone thinking of turning a mic toward themselves. 

Writing An Audio Essay

The opening to a story, especially a long series, requires a dance. How much do you give away? How much do you hold on to? On this episode of the Sound School Podcast, I offer two examples: one that didn't hook me because it gave away too much, another that made me eager to hear the whole story. Find out what I think works and what doesn't.

The opening to a story, especially a long series, requires a dance. How much do you give away? How much do you hold on to? On this episode of the Sound School Podcast, I offer two examples: one that didn't hook me because it gave away too much, another that made me eager to hear the whole story. Find out what I think works and what doesn't.

Story Dissection: When the Lede Gives It All Away

When you limit language, you limit thinking. When you limit thinking, you limit creativity. When you limit creativity, audio storytellers wind up making the same thing over and over and over again and that's not good. That's why producer James T. Green says we need new language to describe our work. And we can start by borrowing from art and architecture.

When you limit language, you limit thinking. When you limit thinking, you limit creativity. When you limit creativity, audio storytellers wind up making the same thing over and over and over again and that's not good. That's why producer James T. Green says we need new language to describe our work. And we can start by borrowing from art and architecture.

When you limit language, you limit thinking. When you limit thinking, you limit creativity. When you limit creativity, audio storytellers wind up making the same thing over and over and over again and that's not good. That's why producer James T. Green says we need new language to describe our work. And we can start by borrowing from art and architecture. 

We Need More Words To Describe Audio Stories

Reporter David Weinberg knows the rule: don't pay sources. For fifteen years, he never did – until he reported on Phoenix Jones for the podcast “The Superhero Complex.” What impact did that have on his reporting? David lays it out.

Reporter David Weinberg knows the rule: don't pay sources. For fifteen years, he never did – until he reported on Phoenix Jones for the podcast “The Superhero Complex.” What impact did that have on his reporting? David lays it out.

Hand Over the Cash?

Typically, what happens between an editor and a producer is private. In this archive episode of the Sound School Podcast from 2014, editor Viki Merrick and producer Will Coley offer listeners a gift taking us behind the scenes for the production of Will's first-person documentary "Southern Flight 242: Bringing My Father Home." As Viki put it, she had to coach Will through "the emotional ditch" to fully tell the story.

Typically, what happens between an editor and a producer is private. In this archive episode of the Sound School Podcast from 2014, editor Viki Merrick and producer Will Coley offer listeners a gift taking us behind the scenes for the production of Will's first-person documentary "Southern Flight 242: Bringing My Father Home." As Viki put it, she had to coach Will through "the emotional ditch" to fully tell the story.

Typically, what happens between an editor and a producer is private. In this archive episode of the Sound School Podcast from 2014, editor Viki Merrick and producer Will Coley offer listeners a gift taking us behind the scenes for the production of Will's first-person documentary "Southern Flight 242: Bringing My Father Home." As Viki put it, she had to coach Will  through "the emotional ditch" to fully tell the story. 

Getting Honest —The Editor, Producer Relationship

In another installment of Sound School’s occasional episodes offering darts and laurels for exceptional and not-so-exceptional work, Rob is offering nothing but laurels. Two for This American Life's episode "Name. Age. Detail." Another for a piece reported in Poland by NPR's Ari Shapiro which used translation to great effect.

In another installment of Sound School’s occasional episodes offering darts and laurels for exceptional and not-so-exceptional work, Rob is offering nothing but laurels. Two for This American Life's episode "Name. Age. Detail." Another for a piece reported in Poland by NPR's Ari Shapiro which used translation to great effect.

Darts and Laurels Minus the Darts

This is the first episode of the Sound School Podcast (formerly HowSound). It's still from PRX and Transom. Rob's still the host. And the show is still committed to digging deep on the backstory to great audio storytelling. Our first episode features NPR's education reporter Elissa Nadworny dissecting how she kept everything straight -- all the files, the notes, the story -- while reporting a two-part series about education in prison. Her insight is super helpful regardless of topic and length of time reporting.

This is the first episode of the Sound School Podcast (formerly HowSound). It's still from PRX and Transom. Rob's still the host. And the show is still committed to digging deep on the backstory to great audio storytelling. Our first episode features NPR's education reporter Elissa Nadworny dissecting how she kept everything straight -- all the files, the notes, the story -- while reporting a two-part series about education in prison. Her insight is super helpful regardless of topic and length of time reporting.

This is the first episode of the Sound School Podcast (formerly HowSound)

Two Years of Reporting Whittled Down to Fourteen Minutes – Elissa Nadworny

Field recordist Melissa Pons says one of the most important elements of recording soundscapes isn't the gear -- it's you. If you're humble and connect to how the landscape makes you feel, your recordings will benefit. Recording sounds around the world on this episode of HowSound.

Field recordist Melissa Pons says one of the most important elements of recording soundscapes isn't the gear -- it's you. If you're humble and connect to how the landscape makes you feel, your recordings will benefit. Recording sounds around the world on this episode of HowSound.

Field recordist Melissa Pons says one of the most important elements of recording soundscapes isn't the gear -- it's you. If you're humble and connect to how the landscape makes you feel, your recordings will benefit. Recording sounds around the world on this episode of “HowSound.” 

Wolves, Horses, Boars, Birds, and Bugs

Some interviewees are shy. Others guarded. Yet, you need to talk to them for a story. How do you help them open up? Erika Lantz and Elin Lantz Lesser have a lot of ideas. They spent the better part of a year interviewing former nuns in Mother Teresa's order, the Missionaries of Charity, for The Turning: The Sisters Who Left. Their approach offers valuable lessons for any interviewer.

Some interviewees are shy. Others guarded. Yet, you need to talk to them for a story. How do you help them open up? Erika Lantz and Elin Lantz Lesser have a lot of ideas. They spent the better part of a year interviewing former nuns in Mother Teresa's order, the Missionaries of Charity, for The Turning: The Sisters Who Left. Their approach offers valuable lessons for any interviewer.

Some interviewees are shy. Others guarded. Yet, you need to talk to them for a story. How do you help them open up? Erika Lantz and Elin Lantz Lesser have a lot of ideas. They spent the better part of a year interviewing former nuns in Mother Teresa's order, the Missionaries of Charity, for "The Turning: The Sisters Who Left." Their approach offers valuable lessons for any interviewer.

Tips For Interviewing Shy People (Especially Nuns)

Almost every reporting trip has its pitfalls. Andrew Leland's recent story for Radiolab had more than most: He reported people with disabilities participating in tests for travel in space. Along with the nausea and recording challenges in zero gravity, Andrew has lost much of his sight. On this HowSound, Andrew lays out how he navigated it all.

Almost every reporting trip has its pitfalls. Andrew Leland's recent story for Radiolab had more than most: He reported people with disabilities participating in tests for travel in space. Along with the nausea and recording challenges in zero gravity, Andrew has lost much of his sight. On this HowSound, Andrew lays out how he navigated it all.

Almost every reporting trip has its pitfalls. Andrew Leland's recent story for Radiolab had more than most: He reported people with disabilities participating in tests for travel in space. Along with the nausea and recording challenges in zero gravity, Andrew has lost much of his sight. On this HowSound, Andrew lays out how he navigated it all. 

Nausea, Forehead Mics, and Immersion 

For more than twenty years, radio journalist Laurel Morales followed the rules: Don't share scripts with sources. Laurel now produces the podcast "2 Lives" and she's tossed that rule out the window. She explains why on this episode of HowSound.

For more than twenty years, radio journalist Laurel Morales followed the rules: Don't share scripts with sources. Laurel now produces the podcast "2 Lives" and she's tossed that rule out the window. She explains why on this episode of HowSound.

For more than twenty years, radio journalist Laurel Morales followed the rules: Don't share scripts with sources. Laurel now produces the podcast "2 Lives" and she's tossed that rule out the window. She explains why on this episode of HowSound. 

Share the Script?

Ben Calhoun, formerly of This American Life, sat for two hours staring at a Google doc trying to figure out what to say. It was a delicate piece of writing about race and his own identity. Ben unpacks what he wrote on this episode of HowSound.

Ben Calhoun, formerly of This American Life, sat for two hours staring at a Google doc trying to figure out what to say. It was a delicate piece of writing about race and his own identity. Ben unpacks what he wrote on this episode of HowSound.

Delicately Revealing Your Identity in the Story

Back in 2007, when Andrea Silenzi was a rookie reporter just learning the craft as a student, she reported a story about a woman dying of ALS. It was not easy to report and she regularly wondered "Who am I to be here?"  That's a vital question for all journalists. How do you answer it?

Back in 2007, when Andrea Silenzi was a rookie reporter just learning the craft as a student, she reported a story about a woman dying of ALS. It was not easy to report and she regularly wondered "Who am I to be here?"  That's a vital question for all journalists. How do you answer it?

Back in 2007, when Andrea Silenzi was a rookie reporter just learning the craft as a student, she reported a story about a woman dying of ALS. It was not easy to report and she regularly wondered "Who am I to be here?"  That's a vital question for all journalists. How do you answer it? 

Who Am I To Be Here? 

Hillary Frank says middle school can be brutal. The bullying, the harassment, the homophobia, the racism, the sexism... it's all there, along with the complicated emotions of pre-teens. "Here Lies Me," a podcast Hillary wrote, directed, and produced, tackles it all and then some. Hillary lays out what made this podcast one of the best of last year — and maybe this year, too.

Hillary Frank says middle school can be brutal. The bullying, the harassment, the homophobia, the racism, the sexism... it's all there, along with the complicated emotions of pre-teens. "Here Lies Me," a podcast Hillary wrote, directed, and produced, tackles it all and then some. Hillary lays out what made this podcast one of the best of last year — and maybe this year, too.

Producing YA Fiction

Davia Nelson, one half of the legendary Kitchen Sisters, shares the pair's incredible news: The Library of Congress will acquire the Kitchen Sisters' archive, decades of innovative audio work. Davia also talks with Rob about collaborating with performance artist Laurie Anderson on "The Great Amish Pandemic Sewing Frolic," a story about the power of working together.

Davia Nelson, one half of the legendary Kitchen Sisters, shares the pair's incredible news: The Library of Congress will acquire the Kitchen Sisters' archive, decades of innovative audio work. Davia also talks with Rob about collaborating with performance artist Laurie Anderson on "The Great Amish Pandemic Sewing Frolic," a story about the power of working together.

Collaboration Is the Only Way Forward

Rob doles out another collection of darts and laurels on this episode. Darts for missing credits and superfluous sound effects. Laurels for stupendous production values, character development, and just plain weirdness. Featured work is from The BBC, Vice, Wonder Media, and others.

Rob doles out another collection of darts and laurels on this episode. Darts for missing credits and superfluous sound effects. Laurels for stupendous production values, character development, and just plain weirdness. Featured work is from The BBC, Vice, Wonder Media, and others.