On Tuesdays and Fridays The Moth’s podcast feed presents episodes of the Peabody-Award Winning Moth Radio Hour and original episodes of The Moth Podcast.Since its launch in 1997, The Moth has presented thousands of true stories, told live and without notes, to standing-room-only crowds worldwide. Moth storytellers stand alone, under a spotlight, with only a microphone and a roomful of strangers. The storyteller and the audience embark on a high-wire act of shared experience which is both terrifying and exhilarating. Since 2008, The Moth podcast has featured many of our favorite stories told live on Moth stages around the country. For information on all of our programs and live events, visit themoth.org.
On Tuesdays and Fridays The Moth’s podcast feed presents episodes of the Peabody-Award Winning Moth Radio Hour and original episodes of The Moth Podcast.Since its launch in 1997, The Moth has presented thousands of true stories, told live and without notes, to standing-room-only crowds worldwide. Moth storytellers stand alone, under a spotlight, with only a microphone and a roomful of strangers. The storyteller and the audience embark on a high-wire act of shared experience which is both terrifying and exhilarating. Since 2008, The Moth podcast has featured many of our favorite stories told live on Moth stages around the country. For information on all of our programs and live events, visit themoth.org.
The Germans have a word for second-hand embarrassment -- Fremdschämen! This hour may have you blushing on our storytellers' behalves. Wince-worthy moments from the halls of academia to a foreign train station, and a reminder to ALWAYS check who you're emailing before you hit "send." This episode is hosted by Moth Senior Director Meg Bowles. The Moth Radio Hour is produced by The Moth and Jay Allison of Atlantic Public Media.
Storytellers:
Marissa sees more of her mother than she'd like at her dissertation defense.
Azhar Bawde-Ali creates an embarrassing situation over e-mail.
On his way to a meeting at Warner Bros., Gbenga Akinnagbe ends up stranded on the side of a mountain.
Joanne Richards has trouble saying "no."
Wendy Suzuki describes her relationship to her emotions as "a struggle for control."