Transistor is podcast of scientific curiosities and current events, featuring guest hosts, scientists, and story-driven reporters. Presented by radio and podcast powerhouse PRX, with support from the Sloan Foundation.

Every October 16th hundreds of people gather in Dublin to celebrate Ireland's greatest mathematician, William Rowan Hamilton. And get this – It was his act of vandalism on Broom Bridge in 1843 that put him in the history books – it actually changed mathematics forever. Samuel Hanson brings us the story.

Every October 16th hundreds of people gather in Dublin to celebrate Ireland's greatest mathematician, William Rowan Hamilton. And get this – It was his act of vandalism on Broom Bridge in 1843 that put him in the history books – it actually changed mathematics forever. Samuel Hanson brings us the story.

Every October 16th, hundreds of people walk from the Dunsink Observatory to Broom Bridge to celebrate Ireland's greatest mathematician. 

Three Letters on Broom Bridge

Vaccinations, in one form or another, have been around longer than the United States. In fact, during the Revolutionary War in 1776, future first lady Abigail Adams pursued the controversial scientific technique to protect her 5 children against a threat more dangerous than an army of Redcoats. Here’s Luke Quinton with the story.

Vaccinations, in one form or another, have been around longer than the United States. In fact, during the Revolutionary War in 1776, future first lady Abigail Adams pursued the controversial scientific technique to protect her 5 children against a threat more dangerous than an army of Redcoats. Here’s Luke Quinton with the story.

A tale of vaccinations and the American Revolution

No Inoculation without Representation!

Cosmic rays from outer space sound like science fiction. They’re not—invisible particles flung from outer space pass through our bodies every minute. But not all cosmic rays are equal; Some are immensely powerful and very rare. For decades scientists have wondered where they're coming from – and what could possibly be hurling them at Earth. Now, they're getting closer to finding out.  Ross Chambless has the story.

Cosmic rays from outer space sound like science fiction. They’re not—invisible particles flung from outer space pass through our bodies every minute. But not all cosmic rays are equal; Some are immensely powerful and very rare. For decades scientists have wondered where they're coming from – and what could possibly be hurling them at Earth. Now, they're getting closer to finding out.  Ross Chambless has the story.

Cosmic rays from outer space sound like science fiction. They’re not—invisible particles flung from outer space pass through our bodies every minute. 

Cosmic Ray Catchers

Hurricanes Harvey and Irma left devastation in their wake all across the southern United States as unimaginable quantities of water swallowed up small towns and cities alike. But what happens to that water and how can cities better prepare ahead of time? Two years ago, reporter Jenny Chen followed two so-called flood hydrologists to learn more about the preparation.

Hurricanes Harvey and Irma left devastation in their wake all across the southern United States as unimaginable quantities of water swallowed up small towns and cities alike. But what happens to that water and how can cities better prepare ahead of time? Two years ago, reporter Jenny Chen followed two so-called flood hydrologists to learn more about the preparation.

 In some areas of the country, floods are growing in intensity. What are we doing to prepare ourselves?

After A Flood

What if the size of our dinner plate, its color, the material of our cutlery - even background sounds - all affect how our food tastes? In other words, what if it’s not just about what we cooked for dinner, but the context of the meal itself?

Reporter Quentin Cooper brings us this story.

What if the size of our dinner plate, its color, the material of our cutlery - even background sounds - all affect how our food tastes? In other words, what if it’s not just about what we cooked for dinner, but the context of the meal itself?
Reporter Quentin Cooper brings us this story.

What if food itself is just a small part of our tasting experience?

Bowl Tastes Delicious

Underneath our vrooms, beeps, and rumbles, natural sound may be more important than we think.

Underneath our vrooms, beeps, and rumbles, natural sound may be more important than we think.

Find a quiet place to listen to the science of soundscapes.

Hurry Up and Listen

On May 2, 2015, beekeepers Pam Arnold and Kristy Allen got hit with a pesticide. They couldn't see it or smell it, but when they saw their bees writhing on the ground and dying they knew something was seriously wrong. They called a panel of scientists at the Minnesota Department of Agriculture.

On May 2, 2015, beekeepers Pam Arnold and Kristy Allen got hit with a pesticide. They couldn't see it or smell it, but when they saw their bees writhing on the ground and dying they knew something was seriously wrong. They called a panel of scientists at the Minnesota Department of Agriculture.

Come along as scientists get to the bottom of a killer pesticide.

A Job for the Bee Team

Thirty-six-year-old twins Carol and Katy are physically identical in every way but one: Katy was born without ovaries, and wanted to start a family. The science and ethics behind ovarian transplants as a treatment for infertility.

Thirty-six-year-old twins Carol and Katy are physically identical in every way but one: Katy was born without ovaries, and wanted to start a family. The science and ethics behind ovarian transplants as a treatment for infertility.

Thirty-six-year-old twins Carol and Katy are physically identical in every way but one: Katy was born without ovaries, and wanted to start a family. 

An Ovarian Transplant Between Twins

The headlines are often full of advice for women about when they should have children. Marnie Chesterton goes digging into the fertility stats and myths for modern women. Prepare to be surprised.

The headlines are often full of advice for women about when they should have children. Marnie Chesterton goes digging into the fertility stats and myths for modern women. Prepare to be surprised.

The data used for the "fertility cliff" is old... really old! Come along as we find out why.

Tick Tock Biological Clock

Humans have always been interested in controlling the weather. In the past we used raindances and sacrifices; today we turn to science. Cloud seeding is practiced all over the world, but there's still a lot we don't know about it. Delve into the surprising history, the controversial present, and the uncertain future of cloud seeding.

Humans have always been interested in controlling the weather. In the past we used raindances and sacrifices; today we turn to science. Cloud seeding is practiced all over the world, but there's still a lot we don't know about it. Delve into the surprising history, the controversial present, and the uncertain future of cloud seeding.

The science of controlling the weather (or trying to).

Owning the Clouds

Visual stylometry is a branch of mathematics that can determine the style of a particular artist’s body of work.

Visual stylometry is a branch of mathematics that can determine the style of a particular artist’s body of work.

Math and art meet at the museum.

Spotting Fake Art -- with Math

<img src="https://transistor.prx.org/wp-content/uploads/NYC_Subway_R160A_9237_on_the_E-1024x768.jpg">

Head underground to hear how some of the first subways were built, and how they are built today.

This story was originally produced by Bishop Sand in 2013. It was hosted for Transistor by Genevieve Sponsler and mixed for Transistor by Josh Swartz.

Image: <a href="https://creativecommons.org/licenses/by-sa/3.0/" rel="nofollow" target="_blank">CC BY-SA 3.0 Adam E. Moreira</a> | Music: Whurlywind from Podington Bear

Head underground to hear how some of the first subways were built, and how they are built today.
This story was originally produced by Bishop Sand in 2013. It was hosted for Transistor by Genevieve Sponsler and mixed for Transistor by Josh Swartz.
Image: CC BY-SA 3.0 Adam E. Moreira | Music: Whurlywind from Podington Bear

Head underground to hear how the first subways were built and how they are built today.

Engineering NYC from Below

<a href="https://transistor.prx.org/wp-content/uploads/Ewing_and_Worzel_1948_report__2.jpeg" rel="nofollow" target="_blank"><img src="https://transistor.prx.org/wp-content/uploads/Ewing_and_Worzel_1948_report__2.jpeg"></a> 
This 1948 graphic shows sound traveling on an axis 700 fathoms down in the Atlantic.

Something unusual happens about a half mile under the sea. Ocean physics create a special zone where sound travels for hundreds, even thousands of miles. Whales use it, and cold warriors plumbed its secrets. Listen in:

This story was produced by David Schulman in 2014. It was hosted for Transistor by Genevieve Sponsler and mixed for Transistor by Josh Swartz.

This 1948 graphic shows sound traveling on an axis 700 fathoms down in the Atlantic.
Something unusual happens about a half mile under the sea. Ocean physics create a special zone where sound travels for hundreds, even thousands of miles. Whales use it, and cold warriors plumbed its secrets. Listen in:
This story was produced by David Schulman in 2014. It was hosted for Transistor by Genevieve Sponsler and mixed for Transistor by Josh Swartz.

Listen in on a channel deep in the ocean where sound travels for thousands of miles.

700 Fathoms Under the Sea

For the next few episodes, we’re featuring the Smithsonian’s new series, Sidedoor, about where science, art, history, and humanity unexpectedly overlap — just like in their museums.

In this episode: an astronomer has turned the night sky into a symphony; an architecture firm has radically re-thought police stations; and an audiophile builds a successful record company on under-appreciated sounds.

For even more from <a href="https://itunes.apple.com/us/podcast/sidedoor/id1168154281?mt=2" rel="nofollow" target="_blank">Sidedoor</a>, subscribe in iTunes or wherever you get your podcasts.

Music credits under backannounce: “Candy” by Jahzzar.

For the next few episodes, we’re featuring the Smithsonian’s new series, Sidedoor, about where science, art, history, and humanity unexpectedly overlap — just like in their museums.
In this episode: an astronomer has turned the night sky into a symphony; an architecture firm has radically re-thought police stations; and an audiophile builds a successful record company on under-appreciated sounds.
For even more from Sidedoor, subscribe in iTunes or wherever you get your podcasts.
Music credits under backannounce: “Candy” by Jahzzar.

An astronomer has turned the night sky into a symphony.

Sidedoor from the Smithsonian: Shake it Up

For the next few episodes, we’re featuring the Smithsonian’s new series, Sidedoor, about where science, art, history, and humanity unexpectedly overlap — just like in their museums.

In this episode: two besties turn into lifelong enemies over a dining room; a researcher embraces the panda craze; and why some dinosaur skulls were built to take a beating.

For even more from <a href="https://itunes.apple.com/us/podcast/sidedoor/id1168154281?mt=2" rel="nofollow" target="_blank">Sidedoor</a>, subscribe in iTunes or wherever you get your podcasts.

Music credits under backannounce: “Walking Barefoot On Grass” by Kai Engel.

For the next few episodes, we’re featuring the Smithsonian’s new series, Sidedoor, about where science, art, history, and humanity unexpectedly overlap — just like in their museums.
In this episode: two besties turn into lifelong enemies over a dining room; a researcher embraces the panda craze; and why some dinosaur skulls were built to take a beating.
For even more from Sidedoor, subscribe in iTunes or wherever you get your podcasts.
Music credits under backannounce: “Walking Barefoot On Grass” by Kai Engel.

Besties, enemies, or frenemies? The Smithsonian finds out.

Sidedoor from the Smithsonian: Butting Heads

<img src="https://transistor.prx.org/wp-content/uploads/SIDE-DOOR-Logo_640x640.png" alt="side_door_cover_art_640x640">For the next few episodes, we’re featuring select episodes from the Smithsonian’s new series, Sidedoor, about where science, art, history, humanity and where they unexpectedly overlap — just like their museums. Up first: tales of scientific deception and trickery.

For even more from Sidedoor, <a href="https://itunes.apple.com/us/podcast/sidedoor/id1168154281?mt=2" rel="nofollow" target="_blank">subscribe in iTunes</a> or wherever you get your podcasts.

For the next few episodes, we’re featuring select episodes from the Smithsonian’s new series, Sidedoor, about where science, art, history, humanity and where they unexpectedly overlap — just like their museums. Up first: tales of scientific deception and trickery.
For even more from Sidedoor, subscribe in iTunes or wherever you get your podcasts.

Scientific deception and trickery with the Smithsonian.

Sidedoor from the Smithsonian: Masters of Disguise

<img src="https://transistor.prx.org/wp-content/uploads/Photo_credit_Jos__Roberto_Corr_a-1024x753.jpg" alt="photo_credit_jos__roberto_corr_a"> 
Bronwyn Tarr with Carimbó dancers.

Oxford evolutionary neuroscientist Bronwyn Tarr was in a remote area of Brazil to begin an experiment. On her first night there, she heard distant drumbeats, went looking for them, and experienced firsthand what she was there to study: how dancing develops a sense of community.

This story was produced by Katie Burke in 2015 with the assistance of Jagmeet Mac, and edited by Andrea Mustain. It was hosted for Transistor by Genevieve Sponsler and mixed for Transistor by Josh Swartz.

Image by: José Roberto Corrêa

Bronwyn Tarr with Carimbó dancers.
Oxford evolutionary neuroscientist Bronwyn Tarr was in a remote area of Brazil to begin an experiment. On her first night there, she heard distant drumbeats, went looking for them, and experienced firsthand what she was there to study: how dancing develops a sense of community.
This story was produced by Katie Burke in 2015 with the assistance of Jagmeet Mac, and edited by Andrea Mustain. It was hosted for Transistor by Genevieve Sponsler and mixed for Transistor by Josh Swartz.
Image by: José Roberto Corrêa

Bronwyn Tarr with Carimbó dancers. Oxford evolutionary neuroscientist Bronwyn Tarr was in a remote area of Brazil to begin an experiment. On her first night there, she heard distant drumbeats, went looking for them,

Dance: It’s Only Human

Vissarion Shebalin was not a great composer. But his music could unlock an important truth about how the brain processes music and language.

This story was produced by Tobin Low in 2015 and edited by Andrea Mustain. It was hosted for Transistor by Genevieve Sponsler and mixed for Transistor by Josh Swartz.

Vissarion Shebalin was not a great composer. But his music could unlock an important truth about how the brain processes music and language.
This story was produced by Tobin Low in 2015 and edited by Andrea Mustain. It was hosted for Transistor by Genevieve Sponsler and mixed for Transistor by Josh Swartz.

Don't judge the music by its composer.

The Words are a Jumble

<img src="http://s3.amazonaws.com/production.mediajoint.prx.org/public/piece_images/386401/11924801_10103660781551281_1272317671636708517_o.jpg">

Ancient navigators traveled across the Pacific without the aid of maps or instruments. We’ll hear from modern-day navigators in New Zealand, Hawai’i and North America about the techniques used to do so. This is the art and science of Polynesian wayfinding, brought to us by producer <a href="http://lilybui.strikingly.com/" rel="nofollow" target="_blank">Lily Bui</a>.

This story was produced by Lily Bui in 2015 and edited by Andrea Mustain. It was hosted for Transistor by Genevieve Sponsler and mixed for Transistor by Josh Swartz. Image by Lily Bui.

Ancient navigators traveled across the Pacific without the aid of maps or instruments. We’ll hear from modern-day navigators in New Zealand, Hawai’i and North America about the techniques used to do so. This is the art and science of Polynesian wayfinding, brought to us by producer Lily Bui.
This story was produced by Lily Bui in 2015 and edited by Andrea Mustain. It was hosted for Transistor by Genevieve Sponsler and mixed for Transistor by Josh Swartz. Image by Lily Bui.

Travel the Pacific Ocean without maps or instruments.

The Art and Science of Polynesian Wayfinding

This episode is brought to you by… science fair memories. I (<a href="https://transistor.prx.org/about-our-hosts/" rel="nofollow" target="_blank">your host Genevieve</a>) remember being inspired to create my sixth grade science fair project by a visit to the Franklin Institute in Philadelphia (more on that below).

I found this piece from Adam Hochberg in our archive. It’s about schools remaking science fairs to include more actual science and less papier-mâché volcanos. Enjoy!

As mentioned in the episode, here’s a photo of my Rube Goldberg machine that I built after seeing Newton’s Dream — a large contraption of golf balls moving along tracks — at the Franklin Institute. My version is obviously a bit simpler: drop a ball from the top, and it would roll through the pipe to flip a die suspended on a pipe cleaner inside the box box.

<img src="https://transistor.prx.org/wp-content/uploads/DieFlipper2-1024x875.jpg" alt="DieFlipper2">

Here’s <a href="https://metavideos.com/video/6237140/repairing-newtons-dream-at-the-franklin-institute" rel="nofollow" target="_blank">a video of Netwon’s Dream</a>. Jump to about 21 seconds to see it more in action.

What inspired you to create when you were a child? Do you have a favorite science fair project you’ve seen or done? Share your #sciencefairmemory with me in the comments below or <a href="https://twitter.com/TransistorShow" rel="nofollow" target="_blank">@TransistorShow</a>.

The story in this podcast was produced by <a href="http://adamhochberg.web.unc.edu/" rel="nofollow" target="_blank">Adam Hochberg</a> in 2013. It was hosted for Transistor by Genevieve Sponsler and mixed for Transistor by Josh Swartz.

Photo copyright Genevieve Sponsler.

This episode is brought to you by… science fair memories. I (your host Genevieve) remember being inspired to create my sixth grade science fair project by a visit to the Franklin Institute in Philadelphia (more on that below).
I found this piece from Adam Hochberg in our archive. It’s about schools remaking science fairs to include more actual science and less papier-mâché volcanos. Enjoy!
As mentioned in the episode, here’s a photo of my Rube Goldberg machine that I built after seeing Newton’s Dream — a large contraption of golf balls moving along tracks — at the Franklin Institute. My version is obviously a bit simpler: drop a ball from the top, and it would roll through the pipe to flip a die suspended on a pipe cleaner inside the box box.

Here’s a video of Netwon’s Dream. Jump to about 21 seconds to see it more in action.
What inspired you to create when you were a child? Do you have a favorite science fair project you’ve seen or done? Share your #sciencefairmemory with me in the comments below or @TransistorShow.
The story in this podcast was produced by Adam Hochberg in 2013. It was hosted for Transistor by Genevieve Sponsler and mixed for Transistor by Josh Swartz.
Photo copyright Genevieve Sponsler.

Schools are remaking science fairs to include more actual science.

Remaking the Science Fair

Some studies suggest that one out of 10 women in her 30s is peeing herself. Others say the numbers could be much much higher. But it’s tough to talk about. Producer <a href="https://twitter.com/laurenwhaley" rel="nofollow" target="_blank">Lauren Whaley</a> shares her story and the scientific approaches to hopefully one day solving this problem.

Some studies suggest that one out of 10 women in her 30s is peeing herself. Others say the numbers could be much much higher. But it’s tough to talk about. Producer Lauren Whaley shares her story and the scientific approaches to hopefully one day solving this problem.

When you need diapers more than your kid.

Peeing in Your Pants… In Your 30s

What’s lost when a song is compressed into an MP3? To the untrained ear, perhaps nothing. But to one composer, these “lost sounds” are a source for his stunning and ghostly musical compositions.

This episode was produced by Emily Richardson-Lorente with editing by Andrea Mustain. It was curated and hosted for Transistor by Genevieve Sponsler, and mixed for Transistor by Josh Swartz.

What’s lost when a song is compressed into an MP3? To the untrained ear, perhaps nothing. But to one composer, these “lost sounds” are a source for his stunning and ghostly musical compositions.
This episode was produced by Emily Richardson-Lorente with editing by Andrea Mustain. It was curated and hosted for Transistor by Genevieve Sponsler, and mixed for Transistor by Josh Swartz.

What's lost when a song is compressed into an MP3?

The Ghost in the MP3

Transistor’s mothership PRX has partnered with Outside Magazine to produce four special podcast episodes on the Science of Survival. You’ll receive them in Transistor’s podcast feed, and for even more, <a href="https://itunes.apple.com/us/podcast/outside-podcast/id1090500561" rel="nofollow" target="_blank">subscribe to the Outside Podcast</a>.

Here’s episode 4.

In the spring 2001, a large group of men set out from Mexico to cross the border into Arizona through some of the harshest desert terrain anywhere. The tragic result helped researchers develop the Death Index, a new model for predicting dehydration fatalities.

Transistor’s mothership PRX has partnered with Outside Magazine to produce four special podcast episodes on the Science of Survival. You’ll receive them in Transistor’s podcast feed, and for even more, subscribe to the Outside Podcast.
Here’s episode 4.
In the spring 2001, a large group of men set out from Mexico to cross the border into Arizona through some of the harshest desert terrain anywhere. The tragic result helped researchers develop the Death Index, a new model for predicting dehydration fatalities.

The science of surviving (or not) in the desert heat.

Outside Podcast: Devil’s Highway, Part 2

Transistor’s mothership PRX has partnered with Outside magazine to produce four special podcast episodes on the Science of Survival. You’ll receive them in Transistor’s podcast feed, and for even more, <a href="https://itunes.apple.com/us/podcast/outside-podcast/id1090500561?mt=2" rel="nofollow" target="_blank">subscribe to the Outside Podcast</a>.

Here’s episode 3.

In the heart of the Sonoran Desert is the remarkable story of Pablo Valencia, a gold prospector who spent six days wandering in 110-degree heat before stumbling into scientist William McGee’s camp.

Transistor’s mothership PRX has partnered with Outside magazine to produce four special podcast episodes on the Science of Survival. You’ll receive them in Transistor’s podcast feed, and for even more, subscribe to the Outside Podcast.
Here’s episode 3.
In the heart of the Sonoran Desert is the remarkable story of Pablo Valencia, a gold prospector who spent six days wandering in 110-degree heat before stumbling into scientist William McGee’s camp.

Free trip to the desert. You may not return...

Outside Podcast: Devil’s Highway, Part 1

Transistor’s mothership PRX has partnered with Outside magazine to produce four special podcast episodes on the Science of Survival. You’ll receive them in Transistor’s podcast feed, and for even more, <a href="https://itunes.apple.com/us/podcast/outside-podcast/id1090500561?mt=2" rel="nofollow" target="_blank">subscribe to the Outside Podcast</a>.

Here’s episode 2.

Most of the time, when lightning makes the news, you’re hearing about it because something really unlikely has happened. Like the park ranger who was struck by lightning seven times. Or the strike survivor who also won the lottery. This is not one of those stories. This is about Phil Broscovak and what his life was really like after he was struck.

Transistor’s mothership PRX has partnered with Outside magazine to produce four special podcast episodes on the Science of Survival. You’ll receive them in Transistor’s podcast feed, and for even more, subscribe to the Outside Podcast.
Here’s episode 2.
Most of the time, when lightning makes the news, you’re hearing about it because something really unlikely has happened. Like the park ranger who was struck by lightning seven times. Or the strike survivor who also won the lottery. This is not one of those stories. This is about Phil Broscovak and what his life was really like after he was struck.

What life is really like after being struck by lightning.

Outside Podcast: Struck by Lightning

<img src="https://transistor.prx.org/wp-content/uploads/DSC_9832-1024x753.jpg" alt="DSC_9832">

Ta-da! Our fifth special episode with Cristina Quinn and Alison Bruzek of <a href="http://tracesfm.github.io/" rel="nofollow" target="_blank">Trace Elements</a> is here. Let us know what you enjoyed about their series and what surprised you in the comment section below. In just five episodes they’ve covered the science of feeling no fear, illusions with robots, bio-hacking, a mystery at a lake, and this time…

Birds of a feather may flock together — but it turns out birds that live in the city sing at higher frequencies, louder, and more often than their rural friends to outmatch the noise pollution of cars and people. The din of city life is creating new divisions between bird species. Researchers like Elizabeth Derryberry are finding those high-pitched tenors of the bird world aren’t quite as attractive to mates as the lower Barry Whites of the country.

Guests: 
Elizabeth Derryberry, Tulane University 
David Luther, George Mason University

Ta-da! Our fifth special episode with Cristina Quinn and Alison Bruzek of Trace Elements is here. Let us know what you enjoyed about their series and what surprised you in the comment section below. In just five episodes they’ve covered the science of feeling no fear, illusions with robots, bio-hacking, a mystery at a lake, and this time…
Birds of a feather may flock together — but it turns out birds that live in the city sing at higher frequencies, louder, and more often than their rural friends to outmatch the noise pollution of cars and people. The din of city life is creating new divisions between bird species. Researchers like Elizabeth Derryberry are finding those high-pitched tenors of the bird world aren’t quite as attractive to mates as the lower Barry Whites of the country.
Guests:

Elizabeth Derryberry, Tulane University

David Luther, George Mason University

We humans are SO noisy. Birds are working around us.

Trace Elements: The Musical

<img src="https://transistor.prx.org/wp-content/uploads/unnamed-8.jpg"> 
Lake Oneida on April 24, 2016. Photo by Carl Hagmann

Special episode #4 featuring <a href="https://blog.prx.org/2016/03/16051/" rel="nofollow" target="_blank">Trace Elements</a> with Cristina Quinn and Alison Bruzek. In the 1970s, a geochemist and a biologist banded together to solve a mystery at Lake Oneida in upstate New York. What they found is changing the way we think about human life, and where the origins of life come from.

Guests: 
Kenneth Nealson, professor, University of Southern California 
Willard Moore, professor emeritus, University of South Carolina

Lake Oneida on April 24, 2016. Photo by Carl Hagmann
Special episode #4 featuring Trace Elements with Cristina Quinn and Alison Bruzek. In the 1970s, a geochemist and a biologist banded together to solve a mystery at Lake Oneida in upstate New York. What they found is changing the way we think about human life, and where the origins of life come from.
Guests:

Kenneth Nealson, professor, University of Southern California

Willard Moore, professor emeritus, University of South Carolina

An electric mystery.

Trace Elements: Mystery at the Lake

It’s here! Episode three of our <a href="https://blog.prx.org/2016/03/16051/" rel="nofollow" target="_blank">special five-part series called Trace Elements</a> with hosts Cristina Quinn and Alison Bruzek.

Hacking your hearing aid to implanting NFC tags into your hands — we are now in the age of DIY Bio. Dive into the growing underworld of body modification from the backrooms of tattoo shops to the lab in your kitchen.

Guests: 
Frank Swain, biohacker/community manager at New Scientist 
Amal Graafstra, CEO of Dangerous Things 
Meredith Patterson, technologist

It’s here! Episode three of our special five-part series called Trace Elements with hosts Cristina Quinn and Alison Bruzek.
Hacking your hearing aid to implanting NFC tags into your hands — we are now in the age of DIY Bio. Dive into the growing underworld of body modification from the backrooms of tattoo shops to the lab in your kitchen.
Guests:

Frank Swain, biohacker/community manager at New Scientist

Amal Graafstra, CEO of Dangerous Things

Meredith Patterson, technologist

Bio-hacking is so hot right now.

Trace Elements: Upgrade

<img src="https://transistor.prx.org/wp-content/uploads/outsidelogo-300x300_medium.jpg">We are interrupting your regularly scheduled podcast feed with a special new episode on the science of survival from Outside Magazine and PRX. Here’s the first episode on the cold, hard facts about what happens when you get lost in the snow.

To get future episodes, which come every two weeks, subscribe to the Outside Podcast on <a href="https://itunes.apple.com/us/podcast/outside-podcast/id1090500561" rel="nofollow" target="_blank">iTunes</a> or wherever you lsiten. You can also get the <a href="https://blog.prx.org/2016/03/outside-and-prx-team-up-to-launch-a-podcast/" rel="nofollow" target="_blank">full scoop from PRX’s press release</a>.

We are interrupting your regularly scheduled podcast feed with a special new episode on the science of survival from Outside Magazine and PRX. Here’s the first episode on the cold, hard facts about what happens when you get lost in the snow.
To get future episodes, which come every two weeks, subscribe to the Outside Podcast on iTunes or wherever you lsiten. You can also get the full scoop from PRX’s press release.

Special episode from Outside Magazine and PRX: Frozen Alive.

Outside Podcast: Frozen Alive

<img src="https://transistor.prx.org/wp-content/uploads/Marco_EDI_CQ-1024x768.jpg" alt="Marco_EDI_CQ"> 
Cristina &amp; Marco hanging out with EDI

Episode two of our <a href="https://blog.prx.org/2016/03/16051/" rel="nofollow" target="_blank">special five-part series called Trace Elements</a> — with hosts Cristina Quinn and Alison Bruzek — is here. This time: the how and why of illusion. Maybe you’ll get some April Fools ideas.

Marco Tempest is not your average magician. He uses robots to do magic tricks on stage — but the real trick is in how easily he can get an audience to believe that robot has personality and is almost human.

Guests: Marco Tempest, cyberillusionist 
Matt Berlin, co-founder IFRobotics, LLC 
Kate Darling, researcher, MIT Media Lab

Engineer: Andrew Kramer 
Theme Song: Rory Jackson 
Additional Music: Lullatone, Keen Collective, and Golden Gram 
Special Thanks: The Great Shiftini, aka Craig LeMoult

Cristina & Marco hanging out with EDI
Episode two of our special five-part series called Trace Elements — with hosts Cristina Quinn and Alison Bruzek — is here. This time: the how and why of illusion. Maybe you’ll get some April Fools ideas.
Marco Tempest is not your average magician. He uses robots to do magic tricks on stage — but the real trick is in how easily he can get an audience to believe that robot has personality and is almost human.
Guests: Marco Tempest, cyberillusionist

Matt Berlin, co-founder IFRobotics, LLC

Kate Darling, researcher, MIT Media Lab
Engineer: Andrew Kramer

Theme Song: Rory Jackson

Additional Music: Lullatone, Keen Collective, and Golden Gram

Special Thanks: The Great Shiftini, aka Craig LeMoult

Magic and robots meet.

Trace Elements: Fooled Ya

<img src="https://transistor.prx.org/wp-content/uploads/newsletterphoto-1024x726.jpg" alt="DSC_9832">

Two hosts, one adventure: This episode marks the beginning of five special Transistor episodes featuring <a href="http://traceelementspodcast.com/" rel="nofollow" target="_blank">Trace Elements</a>. Hosts and producers Cristina Quinn and Alison Bruzek take listeners on an off-road trip into the science that connects us. Learn more here in our super-official <a href="https://blog.prx.org/2016/03/16051/" rel="nofollow" target="_blank">press release</a>.

In this episode: Meet a man who woke up from a hospital procedure and no longer felt any fear.

Guests: 
Jordy Cernik 
Tracy Cernik 
<a href="http://www.massgeneral.org/doctors/doctor.aspx?id=17386" rel="nofollow" target="_blank">Richard Hodin</a>, chief of endocrine surgery at Massachusetts General Hospital 
<a href="http://physiciandirectory.brighamandwomens.org/details/1991" rel="nofollow" target="_blank">Anand Vaidya</a>, director of the center for adrenal disorders at Brigham &amp; Women’s hospital

Engineer: Andrew Kramer 
Theme Song: Rory Jackson 
Additional Music: Rory Jackson, Ashwan, Doxent, Cuarto, Sheeba 
Special Thanks: Sean Sugrue

Two hosts, one adventure: This episode marks the beginning of five special Transistor episodes featuring Trace Elements. Hosts and producers Cristina Quinn and Alison Bruzek take listeners on an off-road trip into the science that connects us. Learn more here in our super-official press release.
In this episode: Meet a man who woke up from a hospital procedure and no longer felt any fear.
Guests:

Jordy Cernik

Tracy Cernik

Richard Hodin, chief of endocrine surgery at Massachusetts General Hospital

Anand Vaidya, director of the center for adrenal disorders at Brigham & Women’s hospital
Engineer: Andrew Kramer

Theme Song: Rory Jackson

Additional Music: Rory Jackson, Ashwan, Doxent, Cuarto, Sheeba

Special Thanks: Sean Sugrue

What if you were no longer afraid of... anything.

Trace Elements: The Reset

We love a good backstory to a scientific invention that is ubiquitous today. Meet the women who got pregnancy tests out of labs and into homes.

In the episode: 
<a href="http://www.wellcome.ac.uk/stellent/groups/corporatesite/@msh_publishing_group/documents/web_document/wtp051802.pdf" rel="nofollow" target="_blank">Audrey Peattie</a> 
<a href="https://en.wikipedia.org/wiki/Margaret_Crane" rel="nofollow" target="_blank">Margaret Crane</a> 
Gloria Allen

Special thanks to <a href="http://www.people.hps.cam.ac.uk/index/fellows-associates/olszynkogryn" rel="nofollow" target="_blank">Dr. Jesse Olszynko-Gryn</a> (University of Cambridge), whose research provided the basis for this piece.

This episode was brought to us by the podcast <a href="https://beta.prx.org/accounts/207438" rel="nofollow" target="_blank">Mother</a>, produced by Amy Gastelum and Anne Noyes Saini.

We love a good backstory to a scientific invention that is ubiquitous today. Meet the women who got pregnancy tests out of labs and into homes.
In the episode:

Audrey Peattie

Margaret Crane

Gloria Allen
Special thanks to Dr. Jesse Olszynko-Gryn (University of Cambridge), whose research provided the basis for this piece.
This episode was brought to us by the podcast Mother, produced by Amy Gastelum and Anne Noyes Saini.

Science + graphic design. The invention of the home pregnancy test.

The Invention of the Home Pregnancy Test

<img src="http://transistor.prx.org/wp-content/uploads/R_Hoots-1.jpg"> 
Rodney Stotts and Mr. Hoots, a Eurasian eagle owl.

“Biophilia” refers to the instinctive affection humans have for nature. It’s a term that was coined in the mid-’80s by renowned biologist E.O. Wilson. This story is about just such a connection: Rodney Stotts grew up selling dope and guns. But he’s always loved caring for birds. The drugs landed him in jail. The birds helped set him free.

<img src="http://transistor.prx.org/wp-content/uploads/rod01-1024x682.jpg" alt="rod01"> 
Rodney Stotts and Mr. Hoots, a Eurasian eagle owl.

<img src="https://transistor.prx.org/wp-content/uploads/rod03-1024x682.jpg" alt="rod03"> 
Producer/reporter Ari Daniel.

This story was produced by Ari Daniel and edited by Andrea Mustain. <a href="http://aridanielshapiro.wordpress.com/" rel="nofollow" target="_blank">Hear more of Ari’s reporting on his site</a> and <a href="http://twitter.com/mesoplodon" rel="nofollow" target="_blank">follow Ari on Twitter</a>.

This episode of Transistor was hosted by Genevieve Sponsler and was mixed by Josh Swartz. The intro/outro music is called “Night Owl” by Broke For Free.

Rodney Stotts and Mr. Hoots, a Eurasian eagle owl.
“Biophilia” refers to the instinctive affection humans have for nature. It’s a term that was coined in the mid-’80s by renowned biologist E.O. Wilson. This story is about just such a connection: Rodney Stotts grew up selling dope and guns. But he’s always loved caring for birds. The drugs landed him in jail. The birds helped set him free.


Rodney Stotts and Mr. Hoots, a Eurasian eagle owl.


Producer/reporter Ari Daniel.
This story was produced by Ari Daniel and edited by Andrea Mustain. Hear more of Ari’s reporting on his site and follow Ari on Twitter.
This episode of Transistor was hosted by Genevieve Sponsler and was mixed by Josh Swartz. The intro/outro music is called “Night Owl” by Broke For Free.

“Biophilia” refers to the instinctive affection humans have for nature. This story is about one such connection.

Rodney Learns to Fly

<img src="https://transistor.prx.org/wp-content/uploads/Georgie_4.jpg"> 
Casey draws his imaginary grandson, Georgie. Photo by Pien Huang.

Casey is just four, but he already has an imaginary grandson. What does science say about what imaginary friends do for kids and the adults they become?

Hey listeners, do you remember your imaginary friends? We’d love to hear who they were. Comment below or tweet us <a href="https://twitter.com/TransistorShow" rel="nofollow" target="_blank">@TransistorShow</a>.

This episode’s story was produced by <a href="https://twitter.com/pienpong" rel="nofollow" target="_blank">Pien Huang</a> and edited by <a href="https://twitter.com/andreamustain" rel="nofollow" target="_blank">Andrea Mustain</a>. It was hosted for this episode of Transistor by Genevieve Sponsler and mixed for Transistor by Josh Swartz.

Casey draws his imaginary grandson, Georgie. Photo by Pien Huang.
Casey is just four, but he already has an imaginary grandson. What does science say about what imaginary friends do for kids and the adults they become?
Hey listeners, do you remember your imaginary friends? We’d love to hear who they were. Comment below or tweet us @TransistorShow.
This episode’s story was produced by Pien Huang and edited by Andrea Mustain. It was hosted for this episode of Transistor by Genevieve Sponsler and mixed for Transistor by Josh Swartz.

Casey is just four, but he already has an imaginary grandson.

Imagine All the People

<img src="http://transistor.prx.org/wp-content/uploads/shutterstock_176296412.jpg">Ebola, salmonella, even measles. All of these have a source, and disease detectives trained at the CDC know how to find the culprits. Join two rookies as as they solve “the case of the nutty dish”.

This episode was originally produced by <a href="https://beta.prx.org/accounts/21866" rel="nofollow" target="_blank">Philip Graitcer</a> for PRX’s STEM Story Project in 2014. It was hosted for this episode of Transistor by Genevieve Sponsler and mixed for Transistor by Josh Swartz.

Ebola, salmonella, even measles. All of these have a source, and disease detectives trained at the CDC know how to find the culprits. Join two rookies as as they solve “the case of the nutty dish”.
This episode was originally produced by Philip Graitcer for PRX’s STEM Story Project in 2014. It was hosted for this episode of Transistor by Genevieve Sponsler and mixed for Transistor by Josh Swartz.

What's it take to be a CDC Disease Detective? Join two rookies as they find out.

Disease Detectives On the Case

Loyal Transistor listeners will remember astronomer Michelle Thaller, <a href="http://transistor.prx.org/category/thaller/" rel="nofollow" target="_blank">who hosted three episodes for us early in 2015</a>. She’s back, now with her own monthly podcast from PRX called <a href="http://orbital.prx.org/about/" rel="nofollow" target="_blank">Orbital Path</a>. It’s all about stars, the universe, and us — for space lovers or just the curious.

The debut episode features the infamous Phil Plait of Bad Astronomy, as Michelle and Phil talk about why aliens get the credit for almost everything unexplainable. And episode two is in the works with another guest you won’t want to miss.

Enjoy the show — and <a href="http://orbital.prx.org/subscribe/" rel="nofollow" target="_blank">get links to subscribe to Orbital Path here</a>.

Orbital Path is produced by Lauren Ober.

Loyal Transistor listeners will remember astronomer Michelle Thaller, who hosted three episodes for us early in 2015. She’s back, now with her own monthly podcast from PRX called Orbital Path. It’s all about stars, the universe, and us — for space lovers or just the curious.
The debut episode features the infamous Phil Plait of Bad Astronomy, as Michelle and Phil talk about why aliens get the credit for almost everything unexplainable. And episode two is in the works with another guest you won’t want to miss.
Enjoy the show — and get links to subscribe to Orbital Path here.
Orbital Path is produced by Lauren Ober.

Why do aliens get all the credit for weird stuff in space?

Orbital Path: Must Be Aliens

What kind of music do animals like? A woman who studies how non-human creatures go mad throws concerts for captive animals to try and enrich their lives, and researchers weigh in on how we can understand animal tastes for music with science. Plus, a bluegrass concert for 52 wolves.

Here’s a video of the concert featured in the audio story:

<a href="https://vimeo.com/105941848" rel="nofollow" target="_blank">Music for Wolves: Black Prairie</a> from <a href="https://vimeo.com/aubreebc" rel="nofollow" target="_blank">Aubree Bernier-Clarke</a> on <a href="https://vimeo.com" rel="nofollow" target="_blank">Vimeo</a>.

This episode was produced for PRX and Studio 360 with Kurt Andersen by Britt Wray in 2014. It was mixed for Transistor by Josh Swartz.

What kind of music do animals like? A woman who studies how non-human creatures go mad throws concerts for captive animals to try and enrich their lives, and researchers weigh in on how we can understand animal tastes for music with science. Plus, a bluegrass concert for 52 wolves.
Here’s a video of the concert featured in the audio story:
Music for Wolves: Black Prairie from Aubree Bernier-Clarke on Vimeo.
This episode was produced for PRX and Studio 360 with Kurt Andersen by Britt Wray in 2014. It was mixed for Transistor by Josh Swartz.

What kind of music do animals like?

Bluegrass…for Wolves?

<img src="http://transistor.prx.org/wp-content/uploads/shutterstock_237180595-11.jpg">

“52 Hz” is the name given to a mysterious whale that vocalizes at a different frequency than other whales. Some refer to him as “The World’s Loneliest Whale,” but other scientists aren’t convinced that its unique call has left the whale isolated at all.

Craig and George went on a whale watch when they reported this story. <a href="http://www.everythingsounds.org/32/" rel="nofollow" target="_blank">See their photos and videos here.</a>

This episode was produced for PRX &amp; Transistor by Craig Shank and George Drake Jr. of <a href="http://www.everythingsounds.org/" rel="nofollow" target="_blank">Everything Sounds</a>, and was mixed for Transistor by Josh Swartz.

Image from <a href="http://www.shutterstock.com/pic-237180595/stock-vector-cute-whale-spouts-water.html" rel="nofollow" target="_blank">Shutterstock</a>. Not 52 Hz.

“52 Hz” is the name given to a mysterious whale that vocalizes at a different frequency than other whales. Some refer to him as “The World’s Loneliest Whale,” but other scientists aren’t convinced that its unique call has left the whale isolated at all.
Craig and George went on a whale watch when they reported this story. See their photos and videos here.
This episode was produced for PRX & Transistor by Craig Shank and George Drake Jr. of Everything Sounds, and was mixed for Transistor by Josh Swartz.
Image from Shutterstock. Not 52 Hz.

“52 Hz” is the name given to a mysterious whale that vocalizes at a different frequency than other whales. Some refer to him as “The World’s Loneliest Whale,” but other scientists aren’t convinced that its unique call has left the whale isolated at all...

All By Myself…Maybe

The sci-fi epic of Dune takes place on a desert planet. There, the water in even a single tear is precious. Can Dune offer lessons for drought-stricken California of 2015?

This is a special episode featuring science magazine <a href="http://nautil.us/" rel="nofollow" target="_blank">Nautilus</a>.

This episode was produced for PRX and Nautilus by <a href="https://beta.prx.org/accounts/854" rel="nofollow" target="_blank">David Schulman</a>.

The sci-fi epic of Dune takes place on a desert planet. There, the water in even a single tear is precious. Can Dune offer lessons for drought-stricken California of 2015?
This is a special episode featuring science magazine Nautilus.
This episode was produced for PRX and Nautilus by David Schulman.

The sci-fi epic "Dune" takes place on a desert planet. Can "Dune" offer lessons for the drought-stricken California of 2015?

Nautilus special: “To Save California, Read Dune”

<img src="http://s3.amazonaws.com/production.mediajoint.prx.org/public/piece_images/306104/IndianaJones_medium.jpg"> 
Ken Golden isn’t your typical mathematician. He’s the Indiana Jones of Mathematics. He gets up from behind his desk, armed with mathematical theory and gets out into the world, having adventures and finding unifying math behind seemingly unconnected subjects.

In this episode, we find him out on the Arctic sea ice drawing on math developed for stealth technology to understand not only the ice, but the bones of people with osteoporosis.

This episode was produced by <a href="https://beta.prx.org/accounts/186306" rel="nofollow" target="_blank">Ben Harden</a> in 2014 for PRX’s STEM Story Project. It was hosted for this episode of Transistor by Genevieve Sponsler and mixed for Transistor by Erika Lantz.

Image by: Amanda Kowalski

Ken Golden isn’t your typical mathematician. He’s the Indiana Jones of Mathematics. He gets up from behind his desk, armed with mathematical theory and gets out into the world, having adventures and finding unifying math behind seemingly unconnected subjects.
In this episode, we find him out on the Arctic sea ice drawing on math developed for stealth technology to understand not only the ice, but the bones of people with osteoporosis.
This episode was produced by Ben Harden in 2014 for PRX’s STEM Story Project. It was hosted for this episode of Transistor by Genevieve Sponsler and mixed for Transistor by Erika Lantz.
Image by: Amanda Kowalski

Join us for a math adventure. Just bring your thickest jacket.

The Indiana Jones of Math

<img src="http://transistor.prx.org/wp-content/uploads/shutterstock_154655528.jpg" alt="shutterstock_154655528">

Over the past 20 years, there’s been a revolution in the science of arson investigations. Many of the clues that had been used for decades to determine that a fire was not accidental, especially the analysis of burn patterns on walls and floors, have been proven to be false. Reporter Michael May looks closely at two deadly fires to explore the cutting edge of fire science.

For more on this case, here’s Dave Mann of the Texas Observer on NPR’s All Things Considered last year:

This episode was produced by <a href="http://michaelmaymedia.com/" rel="nofollow" target="_blank">Michael May</a> in 2013 for PRX’s STEM Story Project. It was hosted for this episode of Transistor by Genevieve Sponsler and mixed for Transistor by Josh Swartz.

Image from <a href="http://www.shutterstock.com/pic-154655528.html" rel="nofollow" target="_blank">Shutterstock</a>.

Over the past 20 years, there’s been a revolution in the science of arson investigations. Many of the clues that had been used for decades to determine that a fire was not accidental, especially the analysis of burn patterns on walls and floors, have been proven to be false. Reporter Michael May looks closely at two deadly fires to explore the cutting edge of fire science.
For more on this case, here’s Dave Mann of the Texas Observer on NPR’s All Things Considered last year:
This episode was produced by Michael May in 2013 for PRX’s STEM Story Project. It was hosted for this episode of Transistor by Genevieve Sponsler and mixed for Transistor by Josh Swartz.
Image from Shutterstock.

Over the past 20 years, there’s been a revolution in the science of arson investigations. Many of the clues that had been used for decades to determine that a fire was not accidental have been proven to be false.

Forensics in Flames

<img src="http://transistor.prx.org/wp-content/uploads/Criminal_Graphics-09_PMS.png">

What does it mean when a woman commits a crime and attributes her actions to PMS? We revisit the court case for — and the science behind — the first use of the “PMS defense” in this country, back in 1981. Featuring the true crime show, <a href="http://thisiscriminal.com" rel="nofollow" target="_blank">Criminal</a>.

This episode was produced by Criminal — Phoebe Judge, Lauren Spohrer, and Eric Mennel — in 2014 for PRX’s STEM Story Project. It was hosted for this episode of Transistor by Genevieve Sponsler and mixed for Transistor by Erika Lantz.

What does it mean when a woman commits a crime and attributes her actions to PMS? We revisit the court case for — and the science behind — the first use of the “PMS defense” in this country, back in 1981. Featuring the true crime show, Criminal.
This episode was produced by Criminal — Phoebe Judge, Lauren Spohrer, and Eric Mennel — in 2014 for PRX’s STEM Story Project. It was hosted for this episode of Transistor by Genevieve Sponsler and mixed for Transistor by Erika Lantz.

What happens if you commit a crime and blame it on PMS?

That Crime of the Month

<img src="http://transistor.prx.org/wp-content/uploads/DSC05880_medium_square.jpeg">As storms raged through Oklahoma in 2013, Martha Lillard waited them out from inside her iron lung. She is one of just dozens of polio survivors who still rely on their decades-old machines.

The Last of the Iron Lungs is a portrait of Martha, who contracted polio in 1953. To Martha, the 1940s iron lung is comfort and survival. As a researcher explains in the story, newer machines operate differently, forcing air into the lungs in a way that doesn’t feel right for iron lung patients.

Producer <a href="http://www.juliascott.net/" rel="nofollow" target="_blank">Julia Scott</a> sent us some thoughts about her experience reporting this story:

<blockquote>
“Martha’s story is fascinating enough on its own. It’s a radio producer’s dream to be able to capture the kinds of sounds no one will ever hear again – the mechanical bellows, pushing air through a machine older than Martha herself.

“Reporting this story made me realize how distant and abstracted polio has become in our national memory. Martha’s bedroom is dominated by her iron lung, a relic of history that most people my age may never even have heard of (I’m 32). To her, it’s a trusted companion and a lifelong friend. But the iron lung symbolized one of the most terrifying, unpredictable health epidemics of the 20th century. Archival photos <a href="http://en.wikipedia.org/wiki/File:Iron_Lung_ward-Rancho_Los_Amigos_Hospital.gif" rel="nofollow" target="_blank">like this one</a> brought home the sheer scale of the outbreak – and the prospect of lifelong paralysis that thousands of people endured.

“One of the highlights of this project was being able to try out Martha’s iron lung – something I was a little scared to do. I laid down on the sliding cot, pushed my head through her foam neck collar and she sealed me in. It wasn’t claustrophobic, but I wasn’t counting on how hard it would be stop drawing breath and let the respirator take over pushing my diaphragm in and out, forcing air to whoosh into my throat. ‘Stop trying to breathe!’ Martha instructed. For her, lying in the iron lung is the most comfortable sensation in the world.

“Since the story has aired I’ve received emails from people whose families were touched by polio, grandfathers and great-aunts who spent time in an iron lung but graduated to breathing on their own. They see Martha’s story as part of the same continuum.”
</blockquote>

This episode was reported and produced by <a href="http://www.juliascott.net/" rel="nofollow" target="_blank">Julia Scott</a>. It was hosted for this episode of Transistor by Genevieve Sponsler and mixed for Transistor by Erika Lantz.

Image of Martha Lillard © Julia Scott.

As storms raged through Oklahoma in 2013, Martha Lillard waited them out from inside her iron lung. She is one of just dozens of polio survivors who still rely on their decades-old machines.
The Last of the Iron Lungs is a portrait of Martha, who contracted polio in 1953. To Martha, the 1940s iron lung is comfort and survival. As a researcher explains in the story, newer machines operate differently, forcing air into the lungs in a way that doesn’t feel right for iron lung patients.
Producer Julia Scott sent us some thoughts about her experience reporting this story:
“Martha’s story is fascinating enough on its own. It’s a radio producer’s dream to be able to capture the kinds of sounds no one will ever hear again – the mechanical bellows, pushing air through a machine older than Martha herself.
“Reporting this story made me realize how distant and abstracted polio has become in our national memory. Martha’s bedroom is dominated by her iron lung, a relic of history that most people my age may never even have heard of (I’m 32). To her, it’s a trusted companion and a lifelong friend. But the iron lung symbolized one of the most terrifying, unpredictable health epidemics of the 20th century. Archival photos like this one brought home the sheer scale of the outbreak – and the prospect of lifelong paralysis that thousands of people endured.
“One of the highlights of this project was being able to try out Martha’s iron lung – something I was a little scared to do. I laid down on the sliding cot, pushed my head through her foam neck collar and she sealed me in. It wasn’t claustrophobic, but I wasn’t counting on how hard it would be stop drawing breath and let the respirator take over pushing my diaphragm in and out, forcing air to whoosh into my throat. ‘Stop trying to breathe!’ Martha instructed. For her, lying in the iron lung is the most comfortable sensation in the world.
“Since the story has aired I’ve received emails from people whose families were touched by polio, grandfathers and great-aunts who spent time in an iron lung but graduated to breathing on their own. They see Martha’s story as part of the same continuum.”
This episode was reported and produced by Julia Scott. It was hosted for this episode of Transistor by Genevieve Sponsler and mixed for Transistor by Erika Lantz.
Image of Martha Lillard © Julia Scott.

Step inside an archaic machine on the brink of extinction: the iron lung.

The Last of the Iron Lungs

<img src="http://s3.amazonaws.com/production.mediajoint.prx.org/public/piece_images/245140/mm02_medium.jpg"> 
Tim and Tanya Chartier present a 
 classic mime stance

Some things can be better left unsaid. Who would have thought that math could be one of them?

Tim Chartier has found a way to fuse his two great loves: math and mime. He and his wife strive to have their audiences become a part of the world that they’re creating on stage, and in so doing, the math becomes at once understandable and unforgettable.

Inside the Episode:

Producer <a href="https://aridanielshapiro.wordpress.com/" rel="nofollow" target="_blank">Ari Daniel</a> gives us an inside look on pulling this story together:

<blockquote>
“The hardest thing about this story was how to bring math (a subject that most people aren’t especially fond of) and mime (a subject which, by definition, just doesn’t work without being able to see it) to life on the radio. I was fortunate that Tim is an incredible storyteller and communicator, and that he and his wife, Tanya, were so generous with their time and expertise when I visited them. In addition, my editor, Sean Cole, helped me improve this piece immensely, by focusing the storyline and adding humor and creative vitality. This piece is one of my favorites to have worked on.”
</blockquote>

After you treat your ears to math and mime, feast your eyes on a video of one of Tim Chartier’s performances. It may not be the most conventional of combinations, but the product of math and mime is nothing short of amazing.

This episode was reported and produced by <a href="https://aridanielshapiro.wordpress.com/" rel="nofollow" target="_blank">Ari Daniel</a> under the name “Loving Math and Mime” in 2014 for PRX’S STEM Story Project. It was hosted for this episode of Transistor by Genevieve Sponsler and mixed for Transistor by Erika Lantz.

Tim and Tanya Chartier present a

 classic mime stance
Some things can be better left unsaid. Who would have thought that math could be one of them?
Tim Chartier has found a way to fuse his two great loves: math and mime. He and his wife strive to have their audiences become a part of the world that they’re creating on stage, and in so doing, the math becomes at once understandable and unforgettable.
Inside the Episode:
Producer Ari Daniel gives us an inside look on pulling this story together:
“The hardest thing about this story was how to bring math (a subject that most people aren’t especially fond of) and mime (a subject which, by definition, just doesn’t work without being able to see it) to life on the radio. I was fortunate that Tim is an incredible storyteller and communicator, and that he and his wife, Tanya, were so generous with their time and expertise when I visited them. In addition, my editor, Sean Cole, helped me improve this piece immensely, by focusing the storyline and adding humor and creative vitality. This piece is one of my favorites to have worked on.”
After you treat your ears to math and mime, feast your eyes on a video of one of Tim Chartier’s performances. It may not be the most conventional of combinations, but the product of math and mime is nothing short of amazing.
This episode was reported and produced by Ari Daniel under the name “Loving Math and Mime” in 2014 for PRX’S STEM Story Project. It was hosted for this episode of Transistor by Genevieve Sponsler and mixed for Transistor by Erika Lantz.

Some things can be better left unsaid. Who would have thought that math could be one of them?

Where Math and Mime Meet

<img src="http://transistor.prx.org/wp-content/uploads/1204_crohns-disease-1-2.jpg" alt="1204_crohns-disease (1)-2">Producer/reporter Jack Rodolico and his wife, Christina.

Told by the couple who lived it, this is a story of how Crohn’s disease can change lives when you least expect it. And it’s a story of how science can present multiple paths to — hopefully — relief or recovery.

What’s it like making a very personal radio piece about your spouse? Jack Rodolico <a href="http://transom.org/2014/up-close-and-way-too-personal/" rel="nofollow" target="_blank">shares it all in this special follow-up article.</a>

For more on treatments for illnesses like Crohn’s and C. diff, listen to <a href="http://transistor.prx.org/2015/03/the-straight-poop/" rel="nofollow" target="_blank">The Straight Poop</a>. Our microbiologist host visits a fecal transplant bank north of Boston and shares some of the questions surrounding this experimental treatment.

This is Crohn’s Disease was reported and produced by <a href="http://nhpr.org/people/jack-rodolico" rel="nofollow" target="_blank">Jack Rodolico</a> in 2014 for PRX’S STEM Story Project. It was hosted for this episode of Transistor by Genevieve Sponsler and mixed for Transistor by Erika Lantz.

Photo of Christina and Jack by Shelley Fajans.

Producer/reporter Jack Rodolico and his wife, Christina.
Told by the couple who lived it, this is a story of how Crohn’s disease can change lives when you least expect it. And it’s a story of how science can present multiple paths to — hopefully — relief or recovery.
What’s it like making a very personal radio piece about your spouse? Jack Rodolico shares it all in this special follow-up article.
For more on treatments for illnesses like Crohn’s and C. diff, listen to The Straight Poop. Our microbiologist host visits a fecal transplant bank north of Boston and shares some of the questions surrounding this experimental treatment.
This is Crohn’s Disease was reported and produced by Jack Rodolico in 2014 for PRX’S STEM Story Project. It was hosted for this episode of Transistor by Genevieve Sponsler and mixed for Transistor by Erika Lantz.
Photo of Christina and Jack by Shelley Fajans.

Told by the couple who lived it, this is a story of how Crohn’s disease can change lives when you least expect it. And it’s a story of how science can present multiple paths to — hopefully — relief or recovery.

This is Crohn’s Disease

<a href="http://transistor.prx.org/wp-content/uploads/IMG_0695.jpg" rel="nofollow" target="_blank"><img src="http://transistor.prx.org/wp-content/uploads/IMG_0695.jpg"></a> 
A hammer tap to the bridge 
 — light as a dried pea — 
 helps Curtin capture an acoustic 
 instrument’s sound signature.

In music, everything seems to have another digital life. Pianists can play with different voicings on an electric keyboard. Guitarists can filter their instrument’s signal through a pedal or amp to create various effects. Why shouldn’t violinists be able to digitally harness the sound of a Stradivarius? For starters, it takes an incredible feat of engineering to make an authentic-sounding digital violin. Radio reporter (and violinist!) <a href="http://www.quietlifemotel.com/" rel="nofollow" target="_blank">David Schulman</a> takes us to visit a top violinmaker who has been working with a physicist and two engineers to create a prototype digital violin.

Inside the Episode:

Scientists say the violin is one of the hardest instruments to mimic. But <a href="http://www.macfound.org/fellows/756/" rel="nofollow" target="_blank">MacArthur Award-winning violin maker Joseph Curtin</a> has been working for several years with physicist <a href="http://josephcurtinstudios.com/people/gabriel-weinreich/" rel="nofollow" target="_blank">Gabi Weinreich</a>, along with sound engineer <a href="http://josephcurtinstudios.com/people/john-bell/" rel="nofollow" target="_blank">John Bell</a> and industrial designer <a href="http://josephcurtinstudios.com/people/alex-sobolev/" rel="nofollow" target="_blank">Alex Sobolev</a>, to <a href="http://josephcurtinstudios.com/digital-violin/" rel="nofollow" target="_blank">create a digital violin</a>. They say its sound will be hard to tell from a recording of a Strad.

<img src="http://transistor.prx.org/wp-content/uploads/IMG_0699.jpg"> 
Data from 12 different locations let violinmaker Joseph Curtin digitize a violin’s sonic fingerprint.

<img src="http://transistor.prx.org/wp-content/uploads/IMG_0744.jpg"> 
Joseph Curtin and Alex Sobolev with prototypes of the digital violin

<img src="http://transistor.prx.org/wp-content/uploads/IMG_0714_smaller.jpg"> 
Joseph Curtin’s workbench, where he carves, builds and varnishes his acoustic instruments.

<img src="http://transistor.prx.org/wp-content/uploads/photo-11.jpg"> 
Closeup of some of the pigments and syses used in varnishes for finishing acoustic instruments.

Convolution Reverb samples:

<ul>
<li>
<a href="http://s3.amazonaws.com/production.mediajoint.prx.org/public/piece_files/11365/CURTIN_ACOUSTIC_IN_ROOM.wav" rel="nofollow" target="_blank">David Schulman plays an acoustic violin</a> by Joseph Curtin in his workshop in Ann Arbor, Michigan</li>
<li>
<a href="http://s3.amazonaws.com/production.mediajoint.prx.org/public/piece_files/11366/CURTIN_ACOUSTIC_IN_ROOM_DisneyHall.wav" rel="nofollow" target="_blank">The same audio, played through a digital sound map of LA’s Disney Hall</a> captured by sound designer Peter Steinbach</li>
<li>
<a href="http://s3.amazonaws.com/production.mediajoint.prx.org/public/piece_files/11367/CURTIN_ACOUSTIC_IN_ROOM_Alcatraz.wav" rel="nofollow" target="_blank">The same audio, played through a digital sound map of Alcatraz prison</a>, captured by sound designer Peter Steinbach</li>
<li>
<a href="http://s3.amazonaws.com/production.mediajoint.prx.org/public/piece_files/11368/CURTIN_ACOUSTIC_IN_ROOM_GizaPyramid.wav" rel="nofollow" target="_blank">The same audio, played through a digital sound map of Egypt’s Giza Pyramid</a> captured by sound designer Peter Steinbach</li>
</ul>

—

Bonus — Meet David Schulman, the reporter of this story:

PRX was able to ask producer/reporter David Schulman about his experience making this audio story. He says,

<blockquote>
“The chance to do this piece brought together several things I am deeply fascinated by — music, violins, sound-rich audio storytelling, and the nature of creativity &amp; discovery.”
</blockquote>

Something that didn’t make the final cut of the story, which sheds more light on why a digital Stradivarius is so difficult to engineer, is

<blockquote>
“Weinreich’s research has shown that a violin’s sound is in fact deeply varied in the spatial dimension, and that, with each note, the physical power and direction of the overtones changes widely  — one likely reason why it’s hard to actually record an acoustic violin well.”
</blockquote>

On convolution, the name of the technology developed for the digital Strad, David says,

<blockquote>
“With it’s potential for alternate aural realities, [convolution] is a richly metaphorical area for scientists, artists and storytellers […] Imagine a situation in which  convolution impulse maps are the most vivid documentation remaining of a ransacked temple, or a lost Stradivarius.”
</blockquote>

While he was gathering tape and doing interviews, David tells us that he was even able to play some of Curtin’s instruments, an added bonus for someone who is a musician on top of being a radio producer. Still, such an idyllic experience still was not without its challenges:

<blockquote>
“The central challenge of the piece involved using demos to link several rich — though rather technical — ideas,and to arrive at a final comparison where you’d hear the digital Strad and an actual Strad, side by side.”
</blockquote>

— 
This episode was reported and produced by David Schulman in 2013 for PRX’S STEM Story Project. It was hosted for this episode of Transistor by Genevieve Sponsler and mixed by Erika Lantz.

Photos: David Schulman

A hammer tap to the bridge

 — light as a dried pea —

 helps Curtin capture an acoustic

 instrument’s sound signature.
In music, everything seems to have another digital life. Pianists can play with different voicings on an electric keyboard. Guitarists can filter their instrument’s signal through a pedal or amp to create various effects. Why shouldn’t violinists be able to digitally harness the sound of a Stradivarius? For starters, it takes an incredible feat of engineering to make an authentic-sounding digital violin. Radio reporter (and violinist!) David Schulman takes us to visit a top violinmaker who has been working with a physicist and two engineers to create a prototype digital violin.
Inside the Episode:
Scientists say the violin is one of the hardest instruments to mimic. But MacArthur Award-winning violin maker Joseph Curtin has been working for several years with physicist Gabi Weinreich, along with sound engineer John Bell and industrial designer Alex Sobolev, to create a digital violin. They say its sound will be hard to tell from a recording of a Strad.


Data from 12 different locations let violinmaker Joseph Curtin digitize a violin’s sonic fingerprint.


Joseph Curtin and Alex Sobolev with prototypes of the digital violin


Joseph Curtin’s workbench, where he carves, builds and varnishes his acoustic instruments.


Closeup of some of the pigments and syses used in varnishes for finishing acoustic instruments.
Convolution Reverb samples:
David Schulman plays an acoustic violin by Joseph Curtin in his workshop in Ann Arbor, Michigan
The same audio, played through a digital sound map of LA’s Disney Hall captured by sound designer Peter Steinbach
The same audio, played through a digital sound map of Alcatraz prison, captured by sound designer Peter Steinbach
The same audio, played through a digital sound map of Egypt’s Giza Pyramid captured by sound designer Peter Steinbach
—

Bonus — Meet David Schulman, the reporter of this story:
PRX was able to ask producer/reporter David Schulman about his experience making this audio story. He says,
“The chance to do this piece brought together several things I am deeply fascinated by — music, violins, sound-rich audio storytelling, and the nature of creativity & discovery.”
Something that didn’t make the final cut of the story, which sheds more light on why a digital Stradivarius is so difficult to engineer, is
“Weinreich’s research has shown that a violin’s sound is in fact deeply varied in the spatial dimension, and that, with each note, the physical power and direction of the overtones changes widely  — one likely reason why it’s hard to actually record an acoustic violin well.”
On convolution, the name of the technology developed for the digital Strad, David says,
“With it’s potential for alternate aural realities, [convolution] is a richly metaphorical area for scientists, artists and storytellers […] Imagine a situation in which  convolution impulse maps are the most vivid documentation remaining of a ransacked temple, or a lost Stradivarius.”
While he was gathering tape and doing interviews, David tells us that he was even able to play some of Curtin’s instruments, an added bonus for someone who is a musician on top of being a radio producer. Still, such an idyllic experience still was not without its challenges:
“The central challenge of the piece involved using demos to link several rich — though rather technical — ideas,and to arrive at a final comparison where you’d hear the digital Strad and an actual Strad, side by side.”
—
This episode was reported and produced by David Schulman in 2013 for PRX’S STEM Story Project. It was hosted for this episode of Transistor by Genevieve Sponsler and mixed by Erika Lantz.
Photos: David Schulman

Science and violin-making meet to try to create an electric violin that sounds like a Stradavarius.

Finding the Elusive Digital Stradivarius

A story of movement, memory, and mentors. <a href="http://transistor.prx.org/about-our-hosts/#wendy" rel="nofollow" target="_blank">Dr. Wendy Suzuki</a> introduces us to <a href="https://ib.berkeley.edu/people/faculty/profiles/more/mdiamond.php" rel="nofollow" target="_blank">Dr. Marian Diamond</a>, whose lively classes ushered Wendy into a career in neuroscience. And Wendy shares how she came to study how exercise profoundly affects the brain, not just the body.

<a href="http://transistor.prx.org/wp-content/uploads/20150520_115214.jpg" rel="nofollow" target="_blank"><img src="http://transistor.prx.org/wp-content/uploads/20150520_115214-1024x699.jpg" alt="20150520_115214"></a>Dr. Marian Diamond and Wendy Suzuki on Wendy’s undergrad graduation day

Here’s more from Wendy:

<blockquote>
A science mentor can make your career. Dr. Marian Diamond not only ushered me into the field of neuroscience with her lively and engaging classes but she has continued to influence me and help me throughout my work as a scientist and teacher.

What made Marian such a profound mentor? Her multi-dimensionality. First, she was the best teacher I have ever experienced in my entire thirty-year career, unendingly fascinated with her specialty, human anatomy, including both brain anatomy and gross human anatomy. Now, if you have never taken an anatomy course before, you should know it can be as dry as learning last year’s tax laws. Marian made anatomy come alive, relating every brain or body part to a question or observation about ourselves, such as “The word uterus means Hysterical- do you agree with this?” Or “Do you know what the largest organ in the body is? It’s your skin- take care of it!” She made anatomy relevant and personal.

Second, she made groundbreaking scientific contributions on the capacity of the brain to change in response to the environment. When she did this work in the late 1950s/early 1960s, nobody believed that the adult brain could change – at least in any ways that scientists could measure. Marian and her colleagues showed that changing a rat’s living space (what she called “enriching” the environment) could have profound effects of the brain’s anatomy and that she could measure them. In this episode, I’ll describe Marian’s pioneering studies and how they related to recent studies showing the profound ways that exercise transforms the brain.

Third, she offered me a role model of a thriving, engaged and enthusiastic female scientist, even if it took me years to appreciate how lucky I was. You see, she was such a powerful presence on the Berkeley campus that I thought that smart strong, successful female neuroscientists who were extraordinary teachers were everywhere! I never questioned whether I would be able to do the same thing, because she showed me that it could be done. Only much later into my post-doctoral studies did I notice that other female scientists didn’t seem to have the same confidence that I did; they saw the sea of men in science with only a few successful women and many found it discouraging.

Only later was I able to fully appreciate what a wonderful gift she gave me as my role model in science. Because Marian did the work she loved, she allowed me to sail right over worries over whether a woman could make it.

In this episode, we’ll hear from Marian herself, as she teaches a class and describes her groundbreaking findings. Her work on brain plasticity is at the heart of the work that I and many neuroscientists pursue today.

— Dr. Wendy Suzuki
</blockquote>

This episode was hosted by <a href="http://transistor.prx.org/about-our-hosts/#wendy" rel="nofollow" target="_blank">Wendy Suzuki</a> and produced by <a href="http://transistor.prx.org/about-our-producers/#julie" rel="nofollow" target="_blank">Julie Burstein</a>, with editing and sound design by <a href="http://www.wbez.org/users/djohn" rel="nofollow" target="_blank">Derek John</a>. Wendy Suzuki’s book <a href="http://wendysuzuki.com/" rel="nofollow" target="_blank">Healthy Brain, Happy Life</a>, is on sale now.

A story of movement, memory, and mentors. Dr. Wendy Suzuki introduces us to Dr. Marian Diamond, whose lively classes ushered Wendy into a career in neuroscience. And Wendy shares how she came to study how exercise profoundly affects the brain, not just the body.
Dr. Marian Diamond and Wendy Suzuki on Wendy’s undergrad graduation day
Here’s more from Wendy:
A science mentor can make your career. Dr. Marian Diamond not only ushered me into the field of neuroscience with her lively and engaging classes but she has continued to influence me and help me throughout my work as a scientist and teacher.
What made Marian such a profound mentor? Her multi-dimensionality. First, she was the best teacher I have ever experienced in my entire thirty-year career, unendingly fascinated with her specialty, human anatomy, including both brain anatomy and gross human anatomy. Now, if you have never taken an anatomy course before, you should know it can be as dry as learning last year’s tax laws. Marian made anatomy come alive, relating every brain or body part to a question or observation about ourselves, such as “The word uterus means Hysterical- do you agree with this?” Or “Do you know what the largest organ in the body is? It’s your skin- take care of it!” She made anatomy relevant and personal.
Second, she made groundbreaking scientific contributions on the capacity of the brain to change in response to the environment. When she did this work in the late 1950s/early 1960s, nobody believed that the adult brain could change – at least in any ways that scientists could measure. Marian and her colleagues showed that changing a rat’s living space (what she called “enriching” the environment) could have profound effects of the brain’s anatomy and that she could measure them. In this episode, I’ll describe Marian’s pioneering studies and how they related to recent studies showing the profound ways that exercise transforms the brain.
Third, she offered me a role model of a thriving, engaged and enthusiastic female scientist, even if it took me years to appreciate how lucky I was. You see, she was such a powerful presence on the Berkeley campus that I thought that smart strong, successful female neuroscientists who were extraordinary teachers were everywhere! I never questioned whether I would be able to do the same thing, because she showed me that it could be done. Only much later into my post-doctoral studies did I notice that other female scientists didn’t seem to have the same confidence that I did; they saw the sea of men in science with only a few successful women and many found it discouraging.
Only later was I able to fully appreciate what a wonderful gift she gave me as my role model in science. Because Marian did the work she loved, she allowed me to sail right over worries over whether a woman could make it.
In this episode, we’ll hear from Marian herself, as she teaches a class and describes her groundbreaking findings. Her work on brain plasticity is at the heart of the work that I and many neuroscientists pursue today.
— Dr. Wendy Suzuki
This episode was hosted by Wendy Suzuki and produced by Julie Burstein, with editing and sound design by Derek John. Wendy Suzuki’s book Healthy Brain, Happy Life, is on sale now.

A story of movement, memory, and mentors.

Totally Cerebral: Exercise and Your Brain

One of the things we assign to science is that there are true, absolute facts. But scientists are human and, it turns out, as prone to blind spots in their thinking as the rest of us, especially when cultural assumptions and biases get in the way.

<img src="http://transistor.prx.org/wp-content/uploads/download-3.jpeg"> 
Emily Martin 
 &amp; Richard Cone

In this episode, biologist <a href="http://transistor.prx.org/about-our-hosts/#christina" rel="nofollow" target="_blank">Christina Agapakis</a> explores ways these blind spots, especially around gender and sexism, have affected research and women’s careers in science. She talks with one of her heroes, anthropologist <a href="http://anthropology.as.nyu.edu/object/emilymartin.html" rel="nofollow" target="_blank">Emily Martin</a>, and her husband, biophysicist <a href="http://biophysics.jhu.edu/faculty-pages/cone.html" rel="nofollow" target="_blank">Richard Cone</a>, <img src="http://transistor.prx.org/wp-content/uploads/Richard_Cone_Photo.jpg">about Emily’s 1991 article “<a href="http://www.jstor.org/discover/10.2307/3174586?uid=3739832&amp;uid=2129&amp;uid=2&amp;uid=70&amp;uid=4&amp;uid=3739256&amp;sid=21106402642431#page_scan_tab_contents" rel="nofollow" target="_blank">The Egg &amp; The Sperm</a>.” Reading that article about the ways cultural romantic assumptions limited scientists’ understanding of human reproduction was a turning point for Christina as a young scientist who considered her feminism as something separate from science.

<img src="http://transistor.prx.org/wp-content/uploads/Kate-Clancy_Image.jpeg"> 
Kate Clancy

She also talks with anthropologist <a href="https://twitter.com/kateclancy" rel="nofollow" target="_blank">Kate Clancy</a> who has spent a lot of time thinking and writing about the ways women’s careers in science are different from men’s. Kate offers some thoughts on what science needs to consider to truly bring in more underrepresented voices and perspectives. New perspectives and voices in science may be key to science seeing blind spots for the first time.

Episode Extras — Your Transistor producers have picked out some further reading on this topic and how it affects both men and women:

<ul>
<li>
<a href="http://www.google.com/url?q=http%3A%2F%2Fwww.jstor.org%2Fstable%2F3174586%3Fseq%3D1%23page_scan_tab_contents&amp;sa=D&amp;sntz=1&amp;usg=AFQjCNEnQ2bFv46QMF_6UQ-4SYmmphJPaw" rel="nofollow" target="_blank">The Egg &amp; the Sperm</a> by Emily Martin</li>
<li>
<a href="http://www.google.com/url?q=http%3A%2F%2Fwww.amazon.com%2FThe-Woman-Body-Cultural-Reproduction%2Fdp%2F0807046450&amp;sa=D&amp;sntz=1&amp;usg=AFQjCNGRU-HgyJgYHDUmjuC3jjSpO80nOw" rel="nofollow" target="_blank">The Woman in the Body: A Cultural Analysis of Reproduction</a> by Emily Martin</li>
<li>
<a href="http://pages.jh.edu/%7Ejhumag/0402web/cone.html" rel="nofollow" target="_blank">Subverting Sperm &amp; Germs</a> by Michael Purdy (April 2002)</li>
<li>
<a href="http://journals.plos.org/plosone/article?id=10.1371/journal.pone.0102172" rel="nofollow" target="_blank">Survey of Academic Field Experiences (SAFE): Trainees Report Harassment and Assault</a> by Kathryn B. H. Clancy, Robin G. Nelson, Julienne N. Rutherford, Katie Hinde, PLoS ONE, July 16, 2014</li>
<li>Kate Clancy’s <a href="http://kateclancy.com/" rel="nofollow" target="_blank">Context and Variation blog</a>
</li>
</ul>

This episode was produced by Kerry Donahue and Sruthi Pinnamaneni, and mixed by David Herman.

Music Credits: 
Hauschka: “Cube” from Salon des amateurs 
Anna Meredith: “Bubble Gun” from Jet Black Raider 
Four Tet: “As Serious As Your Life” from Rounds 
Not Waving: “Two-Way Mirror” from Intercepts 
Laurie Spiegel: “Patchwork” from The Expanding Universe

One of the things we assign to science is that there are true, absolute facts. But scientists are human and, it turns out, as prone to blind spots in their thinking as the rest of us, especially when cultural assumptions and biases get in the way.


Emily Martin

 & Richard Cone
In this episode, biologist Christina Agapakis explores ways these blind spots, especially around gender and sexism, have affected research and women’s careers in science. She talks with one of her heroes, anthropologist Emily Martin, and her husband, biophysicist Richard Cone, about Emily’s 1991 article “The Egg & The Sperm.” Reading that article about the ways cultural romantic assumptions limited scientists’ understanding of human reproduction was a turning point for Christina as a young scientist who considered her feminism as something separate from science.


Kate Clancy
She also talks with anthropologist Kate Clancy who has spent a lot of time thinking and writing about the ways women’s careers in science are different from men’s. Kate offers some thoughts on what science needs to consider to truly bring in more underrepresented voices and perspectives. New perspectives and voices in science may be key to science seeing blind spots for the first time.
Episode Extras — Your Transistor producers have picked out some further reading on this topic and how it affects both men and women:
The Egg & the Sperm by Emily Martin
The Woman in the Body: A Cultural Analysis of Reproduction by Emily Martin
Subverting Sperm & Germs by Michael Purdy (April 2002)
Survey of Academic Field Experiences (SAFE): Trainees Report Harassment and Assault by Kathryn B. H. Clancy, Robin G. Nelson, Julienne N. Rutherford, Katie Hinde, PLoS ONE, July 16, 2014
Kate Clancy’s Context and Variation blog



This episode was produced by Kerry Donahue and Sruthi Pinnamaneni, and mixed by David Herman.
Music Credits:

Hauschka: “Cube” from Salon des amateurs

Anna Meredith: “Bubble Gun” from Jet Black Raider

Four Tet: “As Serious As Your Life” from Rounds

Not Waving: “Two-Way Mirror” from Intercepts

Laurie Spiegel: “Patchwork” from The Expanding Universe

What gender stereotypes get in the way of science?

Science’s Blind Spots

<img src="http://transistor.prx.org/wp-content/uploads/David_Rhoades-Early_Bloom_medium.jpg">When University of Washington researcher David Rhoades discovered that plants could communicate with each other, he was laughed out of science. But now, three decades later, science is reconsidering.

His discovery came on the heels of the book The Secret Life of Plants, which claimed plants were sentient, emotional creatures with the ability to communicate telepathically with humans. It was a huge bestseller and Rhoades’ experiments sounded like they were straight from the book. His work was criticized, grant funding disappeared, and he eventually left science.

Today, however, Rhoades’ experiments have been replicated, and his theories confirmed. Scientists have found evidence that plants not only communicate with each other but also acknowledge kin, respond to sound waves, and share resources through networks of underground fungi.

— 
Bonus! Hear how this radio story went from script to sound-designed mini-doc in this episode of the HowSound podcast:

For even more about the craft of radio storytelling — <a href="https://itunes.apple.com/us/podcast/howsound/id453044527?mt=2" rel="nofollow" target="_blank">subscribe to HowSound right here</a>.

Early Bloom was produced by Peter-Frick Wright and Robbie Carver of <a href="http://30minuteswest.org/" rel="nofollow" target="_blank">30 Minutes West</a>. It was hosted for this episode of Transistor by Genevieve Sponsler and mixed for Transistor by Erika Lantz.

When University of Washington researcher David Rhoades discovered that plants could communicate with each other, he was laughed out of science. But now, three decades later, science is reconsidering.
His discovery came on the heels of the book The Secret Life of Plants, which claimed plants were sentient, emotional creatures with the ability to communicate telepathically with humans. It was a huge bestseller and Rhoades’ experiments sounded like they were straight from the book. His work was criticized, grant funding disappeared, and he eventually left science.
Today, however, Rhoades’ experiments have been replicated, and his theories confirmed. Scientists have found evidence that plants not only communicate with each other but also acknowledge kin, respond to sound waves, and share resources through networks of underground fungi.
—
For even more about the craft of radio storytelling — subscribe to HowSound right here.
Early Bloom was produced by Peter-Frick Wright and Robbie Carver of 30 Minutes West. It was hosted for this episode of Transistor by Genevieve Sponsler and mixed for Transistor by Erika Lantz.

When plant researcher David Rhoades found evidence that plants could communicate, it was a paradigm-shifting discovery. But it could not have come at a worse time.

Early Bloom

What motivates young people to become scientists? Meet Maricruz Jaramillo and Samoa Asigau, two young women scientists from opposite sides of the Pacific Ocean, whose professional aspirations have taken them to the Galapagos Islands. Science reporter <a href="http://twitter.com/KWMUscience" rel="nofollow" target="_blank">Véronique LaCapra</a> joined Mari and Samoa in the Galapagos, where they are studying a type of malaria that is affecting native bird populations.

<a href="http://transistor.prx.org/wp-content/uploads/001_Mari_and_Samoa.jpg" rel="nofollow" target="_blank"><img src="http://transistor.prx.org/wp-content/uploads/001_Mari_and_Samoa-972x1024.jpg" alt="001_Mari_and_Samoa"></a>Maricruz Jaramillo (standing) and Samoa Asigau wait for their ride back to the Charles Darwin Research Station after an early morning of catching birds in an agricultural area on Santa Cruz Island.

<a href="http://transistor.prx.org/wp-content/uploads/002_Male_yellow_warbler-1.jpg" rel="nofollow" target="_blank"><img src="http://transistor.prx.org/wp-content/uploads/002_Male_yellow_warbler-1.jpg" alt="002_Male_yellow_warbler (1)"></a>Samoa holds a male yellow warbler that was caught in a mistnet. Each bird gets weighed and measured, and a small blood sample is taken from underneath one wing to test later for malaria.

<a href="http://transistor.prx.org/wp-content/uploads/004_Mari_measures_warbler.jpg" rel="nofollow" target="_blank"><img src="http://transistor.prx.org/wp-content/uploads/004_Mari_measures_warbler-768x1024.jpg" alt="004_Mari_measures_warbler"></a>Mari measures the wing of a male yellow warbler. This species of warbler is endemic to the Galapagos.

<a href="http://transistor.prx.org/wp-content/uploads/006_Samoa_and_Mari_Media_Luna.jpg" rel="nofollow" target="_blank"><img src="http://transistor.prx.org/wp-content/uploads/006_Samoa_and_Mari_Media_Luna.jpg" alt="006_Samoa_and_Mari_Media_Luna"></a>Samoa (left) and Mari look out over the mist-covered hillside at Media Luna, a peak about 2,000 feet above sea level on the island of Santa Cruz. A reddish, broad-leafed shrub called Miconia robinsoniana dominates the landscape.

<a href="http://transistor.prx.org/wp-content/uploads/008_Samoa_age_7.jpg" rel="nofollow" target="_blank"><img src="http://transistor.prx.org/wp-content/uploads/008_Samoa_age_7-176x300.jpg" alt="008_Samoa_age_7"></a><a href="http://transistor.prx.org/wp-content/uploads/001_Mari_in_tree.jpg" rel="nofollow" target="_blank"><img src="http://transistor.prx.org/wp-content/uploads/001_Mari_in_tree-300x209.jpg" alt="001_Mari_in_tree"></a>

Samoa (L) says growing up in Papua New Guinea’s capital, Port Moresby, she thought of herself as a “fancy city girl.” She is 7 years old in this family snapshot. Mari (R) has always loved being close to nature.

This episode was produced and reported by St. Louis Public Radio science reporter Véronique LaCapra in 2013 for our STEM Story Project. It was mixed for Transistor by Erika Lantz. All photos (except childhood photos courtesty of the scientists) by Véronique LaCapra.

What motivates young people to become scientists? Meet Maricruz Jaramillo and Samoa Asigau, two young women scientists from opposite sides of the Pacific Ocean, whose professional aspirations have taken them to the Galapagos Islands. Science reporter Véronique LaCapra joined Mari and Samoa in the Galapagos, where they are studying a type of malaria that is affecting native bird populations.
Maricruz Jaramillo (standing) and Samoa Asigau wait for their ride back to the Charles Darwin Research Station after an early morning of catching birds in an agricultural area on Santa Cruz Island.
Samoa holds a male yellow warbler that was caught in a mistnet. Each bird gets weighed and measured, and a small blood sample is taken from underneath one wing to test later for malaria.
Mari measures the wing of a male yellow warbler. This species of warbler is endemic to the Galapagos.
Samoa (left) and Mari look out over the mist-covered hillside at Media Luna, a peak about 2,000 feet above sea level on the island of Santa Cruz. A reddish, broad-leafed shrub called Miconia robinsoniana dominates the landscape.

Samoa (L) says growing up in Papua New Guinea’s capital, Port Moresby, she thought of herself as a “fancy city girl.” She is 7 years old in this family snapshot. Mari (R) has always loved being close to nature.
This episode was produced and reported by St. Louis Public Radio science reporter Véronique LaCapra in 2013 for our STEM Story Project. It was mixed for Transistor by Erika Lantz. All photos (except childhood photos courtesty of the scientists) by Véronique LaCapra.

What motivates young people to become scientists? Meet Maricruz Jaramillo and Samoa Asigau, two young women scientists from opposite sides of the Pacific Ocean, whose professional aspirations have taken them to the Galapagos Islands.