Rock That Doesn’t Roll looks at how Christian music shaped the world we're living in now by telling individual stories from the peak era of the contemporary Christian music industry. In the 80s, 90s and early 2000s CCM grew into a billion dollar business that affected millions of evangelical young people. Through interviews with artists, industry players and average fans we trace the long-lasting personal, cultural and political impact of sometimes cringe-worthy music. Expect hilarious moments and heartfelt yearning, purity culture and conservative politics- all in equal measure. Whether you’ve deconstructed, come out or renegotiated your faith, we hope you feel seen. If you’ve never given Christian music any thought beyond a punchline, we hope you’ll gain a deeper understanding of a subculture that’s shaping the world around us now.
Rock That Doesn’t Roll looks at how Christian music shaped the world we're living in now by telling individual stories from the peak era of the contemporary Christian music industry. In the 80s, 90s and early 2000s CCM grew into a billion dollar business that affected millions of evangelical young people. Through interviews with artists, industry players and average fans we trace the long-lasting personal, cultural and political impact of sometimes cringe-worthy music. Expect hilarious moments and heartfelt yearning, purity culture and conservative politics- all in equal measure. Whether you’ve deconstructed, come out or renegotiated your faith, we hope you feel seen. If you’ve never given Christian music any thought beyond a punchline, we hope you’ll gain a deeper understanding of a subculture that’s shaping the world around us now.
How do you make fake Contemporary Christian Music? Creating fictional Christian music that feels authentic without crossing the line into parody or pastiche is a tricky artistic challenge. But we found the creators up to the task. Joseph Stephens, composer for HBO's The Righteous Gemstones, a crime-comedy about a family of musical televangelists, and composer Daniel Smith (Danielson) and filmmaker Chris White of Electric Jesus, an independent film about an aspiring 80s Christian metal band, pay homage to Christian music makers of the past and create catchy Christian music that's feels and sounds an awful lot like the real thing. On this episode of Rock that Doesn't Roll, music journalist Andrew Gill (Sound Opinions), and historian Leah Payne (God Gave Rock and Roll to You: a History of Contemporary Christian Music), immerse themselves in the Southern Gospel strains of The Righteous Gemstones and glam-band anthems of Electric Jesus, and get a behind-the-scenes look at the artistry, craftsmanship, and heart involved in creating convincing fake CCM songs for the screen.
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