Selections of interviews, fiction, essays, and poetry from America’s most legendary literary quarterly, brought to life in sound.

The Paris Review Podcast returns with a new season on November 15, 2023. Selections of interviews, fiction, essays, and poetry from America’s most legendary literary quarterly, brought to life in sound. Catch up now on earlier seasons &amp; then tune in November 15th for the fourth season.

The Paris Review Podcast returns with a new season on November 15, 2023. Selections of interviews, fiction, essays, and poetry from America’s most legendary literary quarterly, brought to life in sound. Catch up now on earlier seasons & then tune in November 15th for the fourth season.

The Paris Review Podcast returns with its 4th Season on November 15th

Season 4 Trailer: The Paris Review Podcast

The Pulitzer Prize and National Book Award finalist Joy Williams reads entries from “Concerning the Future of Souls” (issue no. 247, Spring 2024), a collection of stories following Azrael, the angel of death and transporter of souls.

This episode was produced by John DeLore and Helena de Groot, and was mixed and sound-designed by John DeLore. Our theme song this season is “Shadow,” composed and performed by<a href="https://ernstreijseger.com/" rel="nofollow" target="_blank"> Ernst Reijseger</a>.

Additional Links:

<a href="https://www.theparisreview.org/fiction/8252/concerning-the-future-of-souls-joy-williams" rel="nofollow" target="_blank">https://www.theparisreview.org/fiction/8252/concerning-the-future-of-souls-joy-williams</a>

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The Pulitzer Prize and National Book Award finalist Joy Williams reads entries from “Concerning the Future of Souls” (issue no. 247, Spring 2024), a collection of stories following Azrael, the angel of death and transporter of souls.
This episode was produced by John DeLore and Helena de Groot, and was mixed and sound-designed by John DeLore. Our theme song this season is “Shadow,” composed and performed by Ernst Reijseger.
Additional Links:
https://www.theparisreview.org/fiction/8252/concerning-the-future-of-souls-joy-williams
Subscribe to the Paris Review

“Concerning the Future of Souls” by Joy Williams

S4E12 | Concerning the Future of Souls, by Joy Williams

In Zach Williams’s “Trial Run” (issue no. 239, Spring 2022), an employee is subjected to two coworkers’ conspiracy theories when their office is targeted by an anonymous white supremacist hacker. The story is read by Michael Chernus, Danny Mastrogiorgio, and Gabriel Marin.

This episode was produced by John DeLore and Helena de Groot, and was mixed and sound-designed by John DeLore. Our theme song this season is “Shadow,” composed and performed by<a href="https://ernstreijseger.com/" rel="nofollow" target="_blank"> Ernst Reijseger</a>.

Additional Links: 

<a href="https://www.theparisreview.org/fiction/7873/trial-run-zach-williams" rel="nofollow" target="_blank">www.theparisreview.org/fiction/7873/trial-run-zach-williams</a>

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In Zach Williams’s “Trial Run” (issue no. 239, Spring 2022), an employee is subjected to two coworkers’ conspiracy theories when their office is targeted by an anonymous white supremacist hacker. The story is read by Michael Chernus, Danny Mastrogiorgio, and Gabriel Marin.
This episode was produced by John DeLore and Helena de Groot, and was mixed and sound-designed by John DeLore. Our theme song this season is “Shadow,” composed and performed by Ernst Reijseger.
Additional Links: 
www.theparisreview.org/fiction/7873/trial-run-zach-williams
Subscribe to the Paris Review

Zach Williams short story "Trial Run" is read by actors Michael Chernus, Danny Mastrogiorgio, and Gabriel Marin.

S4E11 | Trial Run

“We were thirteen and conspiratorial and what was said is now out of reach.” Jim Fletcher reads Peter Orner’s “Foley’s Pond” (issue no. 202, Fall 2012), a quietly devastating short story about the effects of a tragic accident on a boy and his community.

This episode was produced by John DeLore and Helena de Groot, and was mixed and sound-designed by John DeLore. Our theme song this season is “Shadow,” composed and performed by<a href="https://ernstreijseger.com/" rel="nofollow" target="_blank"> Ernst Reijseger</a>.

Additional Links:

<a href="https://www.theparisreview.org/fiction/6173/foleys-pond-peter-orner" rel="nofollow" target="_blank">https://www.theparisreview.org/fiction/6173/foleys-pond-peter-orner</a>

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“We were thirteen and conspiratorial and what was said is now out of reach.” Jim Fletcher reads Peter Orner’s “Foley’s Pond” (issue no. 202, Fall 2012), a quietly devastating short story about the effects of a tragic accident on a boy and his community.
This episode was produced by John DeLore and Helena de Groot, and was mixed and sound-designed by John DeLore. Our theme song this season is “Shadow,” composed and performed by Ernst Reijseger.
Additional Links:
https://www.theparisreview.org/fiction/6173/foleys-pond-peter-orner
Subscribe to the Paris Review

Peter Orner's gripping short story, “Foley’s Pond,” read by actor Jim Fletcher.

S4E10 | Foley’s Pond

The legendary actor George Takei reads one of the oldest stories in the Review’s archive. Published by the magazine in 1957, “<a href="https://www.theparisreview.org/fiction/4872/the-victim-junichiro-tanizaki" rel="nofollow" target="_blank">The Victim</a>” is Ivan Morris’s English translation of the Japanese author Jun'ichirō Tanizaki’s 1910 literary debut.

This episode was produced by John DeLore and Helena de Groot, and was mixed and sound-designed by John DeLore. Our theme song this season is “Shadow,” composed and performed by<a href="https://ernstreijseger.com/" rel="nofollow" target="_blank"> Ernst Reijseger</a>.

Additional Links:

<a href="https://www.theparisreview.org/fiction/4872/the-victim-junichiro-tanizaki" rel="nofollow" target="_blank">theparisreview.org/fiction/4872/the-victim-junichiro-tanizaki</a>

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The Japanese American Museum: <a href="https://www.janm.org/" rel="nofollow" target="_blank">https://www.janm.org/</a>

The legendary actor George Takei reads one of the oldest stories in the Review’s archive. Published by the magazine in 1957, “The Victim” is Ivan Morris’s English translation of the Japanese author Jun'ichirō Tanizaki’s 1910 literary debut.
This episode was produced by John DeLore and Helena de Groot, and was mixed and sound-designed by John DeLore. Our theme song this season is “Shadow,” composed and performed by Ernst Reijseger.
Additional Links:
theparisreview.org/fiction/4872/the-victim-junichiro-tanizaki
Subscribe to the Paris Review
The Japanese American Museum: https://www.janm.org/

George Takei delivers a stunning read of this 1910 story from legendary Japanese author, Jun'ichirō Tanizaki.

S4E9 | “The Victim” by Jun'ichirō Tanizaki

Sean Thor Conroe shares entries from “The Walk Book”—his meticulous, funny travelogue about his 2014 attempt to walk across the United States—including some rain-soaked field recordings.

 
This episode was produced by Helena de Groot and John DeLore, and was sound-designed by Helena de Groot. Our theme song this season is “Shadow,” composed and performed by<a href="https://ernstreijseger.com/" rel="nofollow" target="_blank"> Ernst Reijseger</a>. 
 
Additional Links:

<a href="https://www.theparisreview.org/letters-essays/8039/the-walk-book-sean-thor-conroe" rel="nofollow" target="_blank">theparisreview.org/letters-essays/8039/the-walk-book-sean-thor-conroe</a>

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Sean Thor Conroe shares entries from “The Walk Book”—his meticulous, funny travelogue about his 2014 attempt to walk across the United States—including some rain-soaked field recordings.

This episode was produced by Helena de Groot and John DeLore, and was sound-designed by Helena de Groot. Our theme song this season is “Shadow,” composed and performed by Ernst Reijseger.
theparisreview.org/letters-essays/8039/the-walk-book-sean-thor-conroe
Subscribe to the Paris Review

Sean Thor Conroe shares entries from “The Walk Book”—his meticulous, funny travelogue about his 2014 attempt to walk across the United States.

S4E8 | The Walk Book

The Nobel Prize–winning Polish writer Olga Tokarczuk discusses the souls of animals, discovering feminism, and her home in the village of Krajanów where she was once neighbors with “three different translators of William Blake in an excerpt from her <a href="https://www.theparisreview.org/interviews/7968/the-art-of-fiction-no-258-olga-tokarczuk" rel="nofollow" target="_blank">Art of Fiction</a> interview with Marta Figlerowicz.

This episode was produced and sound-designed by John DeLore. Our theme song this season is “Shadow,” composed and performed by<a href="https://ernstreijseger.com/" rel="nofollow" target="_blank"> Ernst Reijseger</a>.

Additional Links:

<a href="https://www.theparisreview.org/interviews/7968/the-art-of-fiction-no-258-olga-tokarczuk" rel="nofollow" target="_blank">theparisreview.org/interviews/7968/the-art-of-fiction-no-258-olga-tokarczuk</a>

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The Nobel Prize–winning Polish writer Olga Tokarczuk discusses the souls of animals, discovering feminism, and her home in the village of Krajanów where she was once neighbors with “three different translators of William Blake in an excerpt from her Art of Fiction interview with Marta Figlerowicz.
This episode was produced and sound-designed by John DeLore. Our theme song this season is “Shadow,” composed and performed by Ernst Reijseger.
Additional Links:
theparisreview.org/interviews/7968/the-art-of-fiction-no-258-olga-tokarczuk
Subscribe to the Paris Review

Nobel Prize–winning Polish writer Olga Tokarczuk, interviewed in her home in the village of Krajanów. 

S4E7 | Olga Tokarczuk’s Divine Cosmos

“We needed erotic touch to tell us what we were.” Robert Glück reads from <a href="https://theparisreview.org/miscellaneous/7896/about-ed-robert-gluck" rel="nofollow" target="_blank">About Ed</a>, a memoir about his relationship with his former partner Ed Aulerich-Sugai. The performance is paired with excerpts from his <a href="https://www.theparisreview.org/interviews/8016/the-art-of-fiction-no-260-robert-gluck" rel="nofollow" target="_blank">Art of Fiction</a> interview with Lucy Ives.

This episode was produced by Helena de Groot and John DeLore, and was mixed and sound-designed by Helena de Groot. Our theme song this season is “Shadow,” composed and performed by<a href="https://ernstreijseger.com/" rel="nofollow" target="_blank"> Ernst Reijseger</a>.

Additional Links:

<a href="https://www.theparisreview.org/interviews/8016/the-art-of-fiction-no-260-robert-gluck" rel="nofollow" target="_blank">https://www.theparisreview.org/interviews/8016/the-art-of-fiction-no-260-robert-gluck</a>

<a href="https://theparisreview.org/miscellaneous/7896/about-ed-robert-gluck" rel="nofollow" target="_blank">https://theparisreview.org/miscellaneous/7896/about-ed-robert-gluck</a>

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“We needed erotic touch to tell us what we were.” Robert Glück reads from About Ed, a memoir about his relationship with his former partner Ed Aulerich-Sugai. The performance is paired with excerpts from his Art of Fiction interview with Lucy Ives.
This episode was produced by Helena de Groot and John DeLore, and was mixed and sound-designed by Helena de Groot. Our theme song this season is “Shadow,” composed and performed by Ernst Reijseger.
Additional Links:
https://www.theparisreview.org/interviews/8016/the-art-of-fiction-no-260-robert-gluck
https://theparisreview.org/miscellaneous/7896/about-ed-robert-gluck
Subscribe to the Paris Review

Robert Glück reading from his memoir, "About Ed," and in conversation with Lucy Ives. 

S4E6 | About Ed

“Nothing reifies a romance like proximate disaster.” Seated at her kitchen table, Jean Garnett reads her essay “<a href="https://www.theparisreview.org/blog/2022/06/29/scenes-from-an-open-marriage/" rel="nofollow" target="_blank">Scenes from an Open Marriage</a>” and chats with the Review’s deputy editor, Lidija Haas, and senior producer of the podcast, Helena de Groot.

This episode was produced, sound-designed, and mixed by Helena de Groot. Our theme song this season is “Shadow,” composed and performed by<a href="https://ernstreijseger.com/" rel="nofollow" target="_blank"> Ernst Reijseger</a>.

Additional Links:

<a href="https://www.theparisreview.org/blog/2022/06/29/scenes-from-an-open-marriage/" rel="nofollow" target="_blank">theparisreview.org/blog/2022/06/29/scenes-from-an-open-marriage/</a>

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“Nothing reifies a romance like proximate disaster.” Seated at her kitchen table, Jean Garnett reads her essay “Scenes from an Open Marriage” and chats with the Review’s deputy editor, Lidija Haas, and senior producer of the podcast, Helena de Groot.
This episode was produced, sound-designed, and mixed by Helena de Groot. Our theme song this season is “Shadow,” composed and performed by Ernst Reijseger.
Additional Links:
theparisreview.org/blog/2022/06/29/scenes-from-an-open-marriage/
Subscribe to the Paris Review

Scenes from an Open Marriage, read by Jean Garnett

S4E5 | Scenes from an Open Marriage

“The only colors we’re going to use will be blacker than most blacks. Mm-kay.” Terrance Hayes reads his poem, “<a href="https://www.theparisreview.org/poetry/7883/bob-ross-paints-your-portrait-terrance-hayes" rel="nofollow" target="_blank">Bob Ross Paints Your Portrait</a>.” An homage to the iconic host of the PBS show The Joy of Painting, and an exploration of Blackness: “deep-space black, black-hole black … lampblack and ink black, boot black and blackjack and blacker.”

 
This episode was produced by Helena de Groot and John DeLore. It was sound-designed, mixed, and features original scoring by Helena de Groot. Our theme song this season is “Shadow,” composed and performed by<a href="https://ernstreijseger.com/" rel="nofollow" target="_blank"> Ernst Reijseger</a>.

Additional Links:

<a href="https://www.theparisreview.org/poetry/7883/bob-ross-paints-your-portrait-terrance-hayes" rel="nofollow" target="_blank">theparisreview.org/poetry/7883/bob-ross-paints-your-portrait-terrance-hayes</a>

<a href="https://www.penguin.co.uk/books/457422/so-to-speak-by-hayes-terrance" rel="nofollow" target="_blank">https://www.penguin.co.uk/books/457422/so-to-speak-by-hayes-terrance</a>

<a href="https://ssl.drgnetwork.com/ecom/TPR/app/live/subscriptions?org=TPR&amp;publ=PR&amp;key_code=ENAPRFX&amp;type=S&amp;gift_key=TESTFXG&amp;utm_source=SubButton&amp;utm_medium=SubButton&amp;utm_campaign=SubButton&amp;utm_term=SubButton" rel="nofollow" target="_blank">Subscribe to the Paris Review</a>

“The only colors we’re going to use will be blacker than most blacks. Mm-kay.” Terrance Hayes reads his poem, “Bob Ross Paints Your Portrait.” An homage to the iconic host of the PBS show The Joy of Painting, and an exploration of Blackness: “deep-space black, black-hole black … lampblack and ink black, boot black and blackjack and blacker.”

This episode was produced by Helena de Groot and John DeLore. It was sound-designed, mixed, and features original scoring by Helena de Groot. Our theme song this season is “Shadow,” composed and performed by Ernst Reijseger.
Additional Links:
theparisreview.org/poetry/7883/bob-ross-paints-your-portrait-terrance-hayes
https://www.penguin.co.uk/books/457422/so-to-speak-by-hayes-terrance
Subscribe to the Paris Review

Terrance Hayes reads his poem, "Bob Ross Paints Your Portrait."

S4E4 | Bob Ross Paints Your Portrait

The Pulitzer Prize–winning poet Sharon Olds discusses sex, religion, and writing poems that "women were definitely not supposed to write,” in an excerpt from her<a href="https://www.theparisreview.org/interviews/8000/the-art-of-poetry-no-114-sharon-olds" rel="nofollow" target="_blank"> Art of Poetry </a>interview with Jessica Laser. Olds also reads three of her poems: “<a href="https://www.theparisreview.org/poetry/3462/the-sisters-of-sexual-treasure-sharon-olds" rel="nofollow" target="_blank">Sisters of Sexual Treasure</a>” (issue no. 74, Fall–Winter 1978), “True Love,” and “The Easel.” 
 
This episode was produced and sound-designed by John DeLore. The audio recording of “Sisters of Sexual Treasure” is courtesy of the Woodberry Poetry Room, Harvard University. Our theme song this season is “Shadow,” composed and performed by <a href="https://ernstreijseger.com/" rel="nofollow" target="_blank">Ernst Reijseger</a>.

Additional Links:

<a href="http://theparisreview.org/interviews/8000/the-art-of-poetry-no-114-sharon-olds" rel="nofollow" target="_blank">theparisreview.org/interviews/8000/the-art-of-poetry-no-114-sharon-olds</a>

<a href="http://theparisreview.org/poetry/3462/the-sisters-of-sexual-treasure-sharon-olds" rel="nofollow" target="_blank">theparisreview.org/poetry/3462/the-sisters-of-sexual-treasure-sharon-olds</a>

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The Pulitzer Prize–winning poet Sharon Olds discusses sex, religion, and writing poems that "women were definitely not supposed to write,” in an excerpt from her Art of Poetry interview with Jessica Laser. Olds also reads three of her poems: “Sisters of Sexual Treasure” (issue no. 74, Fall–Winter 1978), “True Love,” and “The Easel.”
Ernst Reijseger.
Additional Links:
theparisreview.org/interviews/8000/the-art-of-poetry-no-114-sharon-olds
theparisreview.org/poetry/3462/the-sisters-of-sexual-treasure-sharon-olds
Subscribe to the Paris Review

Pulitzer Prize winner Sharon Olds discusses sex, religion, and writing poems that "women were definitely not supposed to write, and reads three of her poems.

S4E3 | The I is Made of Paper

A stealth poetry reading inside a bustling IKEA. Poet Maggie Millner reads her own <a href="https://www.theparisreview.org/poetry/7855/from-couplets-maggie-millner" rel="nofollow" target="_blank">poem</a> (Issue no. 239, Spring 2022), as well as two more from the archive: Toi Dericotte’s “<a href="https://www.theparisreview.org/poetry/2039/two-poems-toi-derricotte" rel="nofollow" target="_blank">Bird</a>” (Issue No. 124, Fall 1992) and Rainer Maria Rilke’s “<a href="https://www.theparisreview.org/poetry/6855/death-rainer-maria-rilke" rel="nofollow" target="_blank">Death</a>” (Issue No. 82, Winter 1981). This episode was produced by Helena de Groot and John DeLore, and was sound-designed by John DeLore. Our theme song this season is “Shadow,” composed and performed by <a href="https://ernstreijseger.com/" rel="nofollow" target="_blank">Ernst Reijseger</a>.

Additional Links:

<a href="https://www.theparisreview.org/poetry/7855/from-couplets-maggie-millner" rel="nofollow" target="_blank">theparisreview.org/poetry/7855/from-couplets-maggie-millner</a>

<a href="https://www.theparisreview.org/poetry/6855/death-rainer-maria-rilke" rel="nofollow" target="_blank">theparisreview.org/poetry/6855/death-rainer-maria-rilke</a>

<a href="https://www.theparisreview.org/poetry/2039/two-poems-toi-derricotte" rel="nofollow" target="_blank">theparisreview.org/poetry/2039/two-poems-toi-derricotte</a>

<a href="https://www.maggiemillner.com/" rel="nofollow" target="_blank">maggiemillner.com/</a>

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A stealth poetry reading inside a bustling IKEA. Poet Maggie Millner reads her own poem (Issue no. 239, Spring 2022), as well as two more from the archive: Toi Dericotte’s “Bird” (Issue No. 124, Fall 1992) and Rainer Maria Rilke’s “Death” (Issue No. 82, Winter 1981). This episode was produced by Helena de Groot and John DeLore, and was sound-designed by John DeLore. Our theme song this season is “Shadow,” composed and performed by Ernst Reijseger.
Additional Links:
theparisreview.org/poetry/7855/from-couplets-maggie-millner
theparisreview.org/poetry/6855/death-rainer-maria-rilke
theparisreview.org/poetry/2039/two-poems-toi-derricotte
maggiemillner.com/
Subscribe to the Paris Review

A stealth poetry reading inside a bustling IKEA. Poet Maggie Millner reads her own poem, as well as two more from the archive: Toi Dericotte’s “Bird” and Rainer Maria Rilke’s “Death.” 

S4E2 | The Same IKEA Bed

Actor, producer, and screenwriter Lena Waithe reads Rivers Solomon’s “<a href="https://www.theparisreview.org/fiction/7963/this-is-everything-there-will-ever-be-rivers-solomon" rel="nofollow" target="_blank">This Is Everything There Will Ever Be</a>,” which was published in issue no. 243 of the Review. The story, dark and uplifting by turns, is a portrait of “just another late-forties dyke entirely too into basketball, dogs, and memes.” This episode was produced and sound-designed by Helena de Groot. Our theme song this season is “Shadow,” composed and performed by <a href="https://ernstreijseger.com/" rel="nofollow" target="_blank">Ernst Reijseger</a>.

Additional Links:

<a href="https://www.theparisreview.org/fiction/7963/this-is-everything-there-will-ever-be-rivers-solomon" rel="nofollow" target="_blank">theparisreview.org/fiction/7963/this-is-everything-there-will-ever-be-rivers-solomon</a>

<a href="https://rivers-solomon.com/" rel="nofollow" target="_blank">rivers-solomon.com/</a>

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Actor, producer, and screenwriter Lena Waithe reads Rivers Solomon’s “This Is Everything There Will Ever Be,” which was published in issue no. 243 of the Review. The story, dark and uplifting by turns, is a portrait of “just another late-forties dyke entirely too into basketball, dogs, and memes.” This episode was produced and sound-designed by Helena de Groot. Our theme song this season is “Shadow,” composed and performed by Ernst Reijseger.
Additional Links:
theparisreview.org/fiction/7963/this-is-everything-there-will-ever-be-rivers-solomon
rivers-solomon.com/
Subscribe to the Paris Review

Actor, producer, and screenwriter Lena Waithe reads Rivers Solomon’s “This Is Everything There Will Ever Be,” which was published in issue no. 243 of the Review. The story, dark and uplifting by turns, is a portrait of “just another late-forties dyke entirely too into basketball, dogs, and memes.”

S4E1 | “This is Everything There Will Ever Be” by Rivers Solomon

Our Season 3 finale opens with “<a href="https://urldefense.com/v3/%20__https://theparisreview.org/poetry/7393/the-trick-is-to-pretend-natalie-scenters-zapico__%20;!!NUnUjx3wvH5xgA!Yd5gmnz3oSGEvCXkkinNAdcuvSm_ek-ucpntw_nSiZOerhq2QltRFVAY-hTHG37PQZvrxKAdfTG66hic5E8V%24" rel="nofollow" target="_blank">The Trick Is to Pretend</a>,” a poem by Natalie Scenters-Zapico, read by the singer-songwriter Phoebe Bridgers: “I climb knowing the only way down / is by falling.” The actor Jessica Hecht plays Joan Didion in a reenactment of her classic <a href="https://urldefense.com/v3/%20__https://theparisreview.org/interviews/3439/the-art-of-fiction-no-71-joan-didion__%20;!!NUnUjx3wvH5xgA!Yd5gmnz3oSGEvCXkkinNAdcuvSm_ek-ucpntw_nSiZOerhq2QltRFVAY-hTHG37PQZvrxKAdfTG66rYPEo2d%24" rel="nofollow" target="_blank">Art of Fiction interview</a> with Linda Kuehl. Jericho Brown reads his poem “<a href="https://urldefense.com/v3/%20__https://theparisreview.org/poetry/7230/hero-jericho-brown__%20;!!NUnUjx3wvH5xgA!Yd5gmnz3oSGEvCXkkinNAdcuvSm_ek-ucpntw_nSiZOerhq2QltRFVAY-hTHG37PQZvrxKAdfTG66o9w3lcB%24" rel="nofollow" target="_blank">Hero</a>”: “my brothers and I grew up fighting / Over our mother’s mind.” The actor, comedian, and podcaster Connor Ratliff reads Bud Smith’s “<a href="https://urldefense.com/v3/%20__https://www.theparisreview.org/fiction/7565/violets-bud-smith__%20;!!NUnUjx3wvH5xgA!Yd5gmnz3oSGEvCXkkinNAdcuvSm_ek-ucpntw_nSiZOerhq2QltRFVAY-hTHG37PQZvrxKAdfTG66m50JkJ0%24" rel="nofollow" target="_blank">Violets</a>,” the story of two unlikely arsonists rediscovering life in the flames. The episode closes with Bridgers performing “Garden Song.”

To hear more from Connor Ratliff, check out his podcast <a href="https://urldefense.com/v3/%20__https://headgum.com/dead-eyes__%20;!!NUnUjx3wvH5xgA!Yd5gmnz3oSGEvCXkkinNAdcuvSm_ek-ucpntw_nSiZOerhq2QltRFVAY-hTHG37PQZvrxKAdfTG66rlvxl46%24" rel="nofollow" target="_blank">Dead Eyes</a>. To hear Avery Trufelman’s latest show, find the podcast <a href="https://urldefense.com/v3/%20__https://podcasts.voxmedia.com/show/nice-try__%20;!!NUnUjx3wvH5xgA!Yd5gmnz3oSGEvCXkkinNAdcuvSm_ek-ucpntw_nSiZOerhq2QltRFVAY-hTHG37PQZvrxKAdfTG66tQYMwYK%24" rel="nofollow" target="_blank">Nice Try!</a>

“Hero” by Jericho Brown appears courtesy of the 92nd Street Y Unterberg Poetry Center.

This episode was sound designed and mixed by Hannis Brown, and mastered by Justin Shturtz.

Our Season 3 finale opens with “The Trick Is to Pretend,” a poem by Natalie Scenters-Zapico, read by the singer-songwriter Phoebe Bridgers: “I climb knowing the only way down / is by falling.” The actor Jessica Hecht plays Joan Didion in a reenactment of her classic Art of Fiction interview with Linda Kuehl. Jericho Brown reads his poem “Hero”: “my brothers and I grew up fighting / Over our mother’s mind.” The actor, comedian, and podcaster Connor Ratliff reads Bud Smith’s “Violets,” the story of two unlikely arsonists rediscovering life in the flames. The episode closes with Bridgers performing “Garden Song.”
To hear more from Connor Ratliff, check out his podcast Dead Eyes. To hear Avery Trufelman’s latest show, find the podcast Nice Try!
“Hero” by Jericho Brown appears courtesy of the 92nd Street Y Unterberg Poetry Center.
This episode was sound designed and mixed by Hannis Brown, and mastered by Justin Shturtz.

In an essay specially commissioned for the podcast, Aisha Sabatini Sloan describes rambling around Paris with her father, Lester Sloan, a longtime staff photographer for Newsweek, and a glamorous woman who befriends them. In an excerpt from The Art of Fiction no. 246, Rachel Cusk and Sheila Heti discuss how writing her first novel helped Cusk discover her “shape or identity or essence.” Next, Allan Gurganus’s reading of his story “It Had Wings,” about an arthritic woman who finds a fallen angel in her backyard, is interspersed with a version of the story rendered as a one-woman opera by the composer Bruce Saylor. The episode closes with “Dear Someone,” a poem by Deborah Landau.

S3E5 | A Strange Way to Live (with Phoebe Bridgers, Connor Ratliff, Joan Didion, Natalie-Scenters Zapico, Bud Smith, Jericho Brown, Jessica Hecht, Avery Trufelman)

In an essay specially commissioned for the podcast, Aisha Sabatini Sloan describes rambling around Paris with her father, Lester Sloan, a longtime staff photographer for Newsweek, and a glamorous woman who befriends them. In an excerpt from <a href="https://urldefense.com/v3/%20__https://www.theparisreview.org/interviews/7535/the-art-of-fiction-no-246-rachel-cusk__%20;!!NUnUjx3wvH5xgA!IaTc-Xk8-muV5VaAVyoLqSUCkzCDYUgm2i8eYc4wCLfsP4-VQbkD45XSDYoyxQ%24" rel="nofollow" target="_blank">The Art of Fiction no. 246</a>, Rachel Cusk and Sheila Heti discuss how writing her first novel helped Cusk discover her “shape or identity or essence.” Next, Allan Gurganus’s reading of his story “<a href="https://urldefense.com/v3/%20__https://www.theparisreview.org/fiction/2848/it-had-wings-allan-gurganus__%20;!!NUnUjx3wvH5xgA!IaTc-Xk8-muV5VaAVyoLqSUCkzCDYUgm2i8eYc4wCLfsP4-VQbkD45Vn1_FwXg%24" rel="nofollow" target="_blank">It Had Wings</a>,” about an arthritic woman who finds a fallen angel in her backyard, is interspersed with a version of the story rendered as a one-woman opera by the composer Bruce Saylor. The episode closes with “Dear Someone,” a <a href="https://urldefense.com/v3/%20__https://www.theparisreview.org/poetry/6009/dear-someone-deborah-landau__%20;!!NUnUjx3wvH5xgA!IaTc-Xk8-muV5VaAVyoLqSUCkzCDYUgm2i8eYc4wCLfsP4-VQbkD45Wlt23yBQ%24" rel="nofollow" target="_blank">poem</a> by Deborah Landau.

To check out Captioning the Archives, the book Aisha Sabatini Sloan created with her father, Lester Sloan, visit <a href="https://urldefense.com/v3/%20__https://store.mcsweeneys.net/products/captioning-the-archives__%20;!!NUnUjx3wvH5xgA!L2YKKk0gaYqyUFwJs_s7rSeV1y-cZCMD4NKqH6m32uQyLUBAv-nq0RNPhvRJjPzmVRI%24" rel="nofollow" target="_blank">McSweeney’s</a>.

This episode was sound designed and mixed by John DeLore, and mastered by Justin Shturtz.

In an essay specially commissioned for the podcast, Aisha Sabatini Sloan describes rambling around Paris with her father, Lester Sloan, a longtime staff photographer for Newsweek, and a glamorous woman who befriends them. In an excerpt from The Art of Fiction no. 246, Rachel Cusk and Sheila Heti discuss how writing her first novel helped Cusk discover her “shape or identity or essence.” Next, Allan Gurganus’s reading of his story “It Had Wings,” about an arthritic woman who finds a fallen angel in her backyard, is interspersed with a version of the story rendered as a one-woman opera by the composer Bruce Saylor. The episode closes with “Dear Someone,” a poem by Deborah Landau.
To check out Captioning the Archives, the book Aisha Sabatini Sloan created with her father, Lester Sloan, visit McSweeney’s.
This episode was sound designed and mixed by John DeLore, and mastered by Justin Shturtz.

S3E4 | Form and Formlessness (with Rachel Cusk, Aisha Sabatini Sloan, Allan Gurganus, Deborah Landau)

This episode focuses exclusively on the work of fiction writer Edward P. Jones, Pulitzer Prize–winning author of The Known World and All Aunt Hagar’s Children, and subject of the <a href="https://urldefense.com/v3/%20__https://www.theparisreview.org/interviews/6283/the-art-of-fiction-no-222-edward-p-jones__%20;!!NUnUjx3wvH5xgA!JWu_kauOdWM2nUD8xJ1876s0TU4g8BeQ6Nd9LdZcxxXY0xaTVGeshlGiEFuJAA%24" rel="nofollow" target="_blank">Art of Fiction no. 222</a>. The episode opens with an excerpt from that interview, a conversation between Jones and Hilton Als. Then actor Amber Gray (Hadestown) reads Jones’s story “<a href="https://urldefense.com/v3/%20__https://www.theparisreview.org/fiction/2099/marie-edward-p-jones__%20;!!NUnUjx3wvH5xgA!JWu_kauOdWM2nUD8xJ1876s0TU4g8BeQ6Nd9LdZcxxXY0xaTVGeshlEgqAoXzA%24" rel="nofollow" target="_blank">Marie</a>” from issue no. 122.

This episode was sound designed and mixed by Helena de Groot, and mastered by Justin Shturtz.

This episode focuses exclusively on the work of fiction writer Edward P. Jones, Pulitzer Prize–winning author of The Known World and All Aunt Hagar’s Children, and subject of the Art of Fiction no. 222. The episode opens with an excerpt from that interview, a conversation between Jones and Hilton Als. Then actor Amber Gray (Hadestown) reads Jones’s story “Marie” from issue no. 122.
This episode was sound designed and mixed by Helena de Groot, and mastered by Justin Shturtz.

November 10th, 2021PODCAST SEASON 3 This episode focuses exclusively on the work of fiction writer Edward P. Jones, Pulitzer Prize–winning author of The Known World and All Aunt Hagar’s Children, and the subject of the Art of Fiction no. 222.

S3E3 | Without Malice, Without Triumph (with Edward P Jones, Hilton Als, Amber Gray)

George Saunders, in an excerpt from his <a href="https://urldefense.com/v3/%20__https://www.theparisreview.org/interviews/7506/the-art-of-fiction-no-245-george-saunders__%20;!!NUnUjx3wvH5xgA!Ih4NSODKsvbQD7eG-61tLHFGy4ztakXVLc0abad88V4l4mWjpx9pXyU518wxpg%24" rel="nofollow" target="_blank">Art of Fiction interview</a>, explains how his teenage job delivering fast food prepared him to write fiction; Monica Youn reads her poem “<a href="https://urldefense.com/v3/%20__https://www.theparisreview.org/poetry/6592/goldacre-monica-youn__%20;!!NUnUjx3wvH5xgA!Ih4NSODKsvbQD7eG-61tLHFGy4ztakXVLc0abad88V4l4mWjpx9pXyWTVvFG1Q%24" rel="nofollow" target="_blank">Goldacre</a>,” which tells the truth about Twinkies; Molly McCully Brown reads her essay “<a href="https://urldefense.com/v3/%20__https://theparisreview.org/letters-essays/7505/if-you-are-permanently-lost-molly-mccully-brown__%20;!!NUnUjx3wvH5xgA!Ih4NSODKsvbQD7eG-61tLHFGy4ztakXVLc0abad88V4l4mWjpx9pXyWQXgIqDA%24" rel="nofollow" target="_blank">If You Are Permanently Lost,</a>” in which she confesses that “space makes no sense”; and Venita Blackburn reads “Fam,” a very short story about self-love and social media.

This episode was sound designed and mixed by Helena de Groot, and mastered by Justin Shturtz.

George Saunders, in an excerpt from his Art of Fiction interview, explains how his teenage job delivering fast food prepared him to write fiction; Monica Youn reads her poem “Goldacre,” which tells the truth about Twinkies; Molly McCully Brown reads her essay “If You Are Permanently Lost,” in which she confesses that “space makes no sense”; and Venita Blackburn reads “Fam,” a very short story about self-love and social media.
This episode was sound designed and mixed by Helena de Groot, and mastered by Justin Shturtz.

George Saunders, in an excerpt from his Art of Fiction interview, explains how his teenage job delivering fast food prepared him to write fiction; Monica Youn reads her poem “Goldacre,” which tells the truth about Twinkies; Molly McCully Brown reads her essay “If You Are Permanently Lost,” in which she confesses that “space makes no sense”; and Venita Blackburn reads “ Fam,” a very short story about social media and self-love.

S3E2 | A Gift for Burning (with Monica Youn, Molly McCully Brown, Venita Blackburn, George Saunders)

Robert Frost defines modern poetry in an excerpt from his [Art of Poetry interview](<a href="https://urldefense.com/v3/" rel="nofollow" target="_blank">https://urldefense.com/v3/</a> <a href="https://www.theparisreview.org/interviews/4678/the-art-of-poetry-no-2-robert-frost" rel="nofollow" target="_blank">https://www.theparisreview.org/interviews/4678/the-art-of-poetry-no-2-robert-frost</a> ;!!NUnUjx3wvH5xgA!La9JzfrCxrTLTJC-BUCjhUWQaEI9PUYzjObTI7BHU1X34cu0PG5sG9hZ3SP6-g%24); the Italian poet Antonella Anedda discusses her poem “[Historiae 2](<a href="https://urldefense.com/v3/" rel="nofollow" target="_blank">https://urldefense.com/v3/</a> <a href="https://theparisreview.org/poetry/7487/historiae-2-antonella-anedda" rel="nofollow" target="_blank">https://theparisreview.org/poetry/7487/historiae-2-antonella-anedda</a> ;!!NUnUjx3wvH5xgA!La9JzfrCxrTLTJC-BUCjhUWQaEI9PUYzjObTI7BHU1X34cu0PG5sG9j2rn0NSQ%24)” with her translator Susan Stewart before the American vocal ensemble Tenores de Aterúe re-imagines the poem as a song in the folk tradition of Anedda’s native Sardinia; and Yohanca Delgado reads her story “[The Little Widow from the Capital](<a href="https://urldefense.com/v3/" rel="nofollow" target="_blank">https://urldefense.com/v3/</a> <a href="https://theparisreview.org/fiction/7644/the-little-widow-from-the-capital-yohanca-delgado" rel="nofollow" target="_blank">https://theparisreview.org/fiction/7644/the-little-widow-from-the-capital-yohanca-delgado</a> ;!!NUnUjx3wvH5xgA!La9JzfrCxrTLTJC-BUCjhUWQaEI9PUYzjObTI7BHU1X34cu0PG5sG9iWagiT-A%24),” a tale of mystery, heartbreak, and embroidery set in a New York apartment building.

Robert Frost’s December 16, 1959, interview with Richard Poirier appears courtesy of the Woodberry Poetry Room at Harvard University's Houghton Library. PS3511.R94 Z467 1959x. [HOLLIS Permalink: 990023780790203941](<a href="https://urldefense.com/v3/" rel="nofollow" target="_blank">https://urldefense.com/v3/</a> <a href="http://id.lib.harvard.edu/alma/990023780790203941/catalog" rel="nofollow" target="_blank">http://id.lib.harvard.edu/alma/990023780790203941/catalog</a> ;!!NUnUjx3wvH5xgA!La9JzfrCxrTLTJC-BUCjhUWQaEI9PUYzjObTI7BHU1X34cu0PG5sG9jnvzRIow%24).

To learn more about Tenores de Aterúe, check out their documentary feature at [<a href="http://www.aterue.com%5C%5D(https://urldefense.com/v3/" rel="nofollow" target="_blank">www.aterue.com\](https://urldefense.com/v3/</a> <a href="http://www.aterue.com" rel="nofollow" target="_blank">http://www.aterue.com</a> ;!!NUnUjx3wvH5xgA!La9JzfrCxrTLTJC-BUCjhUWQaEI9PUYzjObTI7BHU1X34cu0PG5sG9j0o67FmA%24). Visit [Bandcamp](<a href="https://urldefense.com/v3/" rel="nofollow" target="_blank">https://urldefense.com/v3/</a> <a href="https://tenoresdeaterue.bandcamp.com/" rel="nofollow" target="_blank">https://tenoresdeaterue.bandcamp.com/</a> ;!!NUnUjx3wvH5xgA!La9JzfrCxrTLTJC-BUCjhUWQaEI9PUYzjObTI7BHU1X34cu0PG5sG9hoyiL-Pg%24) to hear more of their music.

This episode was sound designed and mixed by John DeLore, and mastered by Justin Shturtz.

Robert Frost defines modern poetry in an excerpt from his [Art of Poetry interview](https://urldefense.com/v3/ https://www.theparisreview.org/interviews/4678/the-art-of-poetry-no-2-robert-frost ;!!NUnUjx3wvH5xgA!La9JzfrCxrTLTJC-BUCjhUWQaEI9PUYzjObTI7BHU1X34cu0PG5sG9hZ3SP6-g%24); the Italian poet Antonella Anedda discusses her poem “[Historiae 2](https://urldefense.com/v3/ https://theparisreview.org/poetry/7487/historiae-2-antonella-anedda ;!!NUnUjx3wvH5xgA!La9JzfrCxrTLTJC-BUCjhUWQaEI9PUYzjObTI7BHU1X34cu0PG5sG9j2rn0NSQ%24)” with her translator Susan Stewart before the American vocal ensemble Tenores de Aterúe re-imagines the poem as a song in the folk tradition of Anedda’s native Sardinia; and Yohanca Delgado reads her story “[The Little Widow from the Capital](https://urldefense.com/v3/ https://theparisreview.org/fiction/7644/the-little-widow-from-the-capital-yohanca-delgado ;!!NUnUjx3wvH5xgA!La9JzfrCxrTLTJC-BUCjhUWQaEI9PUYzjObTI7BHU1X34cu0PG5sG9iWagiT-A%24),” a tale of mystery, heartbreak, and embroidery set in a New York apartment building.
Robert Frost’s December 16, 1959, interview with Richard Poirier appears courtesy of the Woodberry Poetry Room at Harvard University's Houghton Library. PS3511.R94 Z467 1959x. [HOLLIS Permalink: 990023780790203941](https://urldefense.com/v3/ http://id.lib.harvard.edu/alma/990023780790203941/catalog ;!!NUnUjx3wvH5xgA!La9JzfrCxrTLTJC-BUCjhUWQaEI9PUYzjObTI7BHU1X34cu0PG5sG9jnvzRIow%24).
To learn more about Tenores de Aterúe, check out their documentary feature at [www.aterue.com\](https://urldefense.com/v3/ http://www.aterue.com ;!!NUnUjx3wvH5xgA!La9JzfrCxrTLTJC-BUCjhUWQaEI9PUYzjObTI7BHU1X34cu0PG5sG9j0o67FmA%24). Visit [Bandcamp](https://urldefense.com/v3/ https://tenoresdeaterue.bandcamp.com/ ;!!NUnUjx3wvH5xgA!La9JzfrCxrTLTJC-BUCjhUWQaEI9PUYzjObTI7BHU1X34cu0PG5sG9hoyiL-Pg%24) to hear more of their music.
This episode was sound designed and mixed by John DeLore, and mastered by Justin Shturtz.

Robert Frost defines modern poetry in an excerpt from his Art of Poetry interview; the Italian poet Antonella Anedda discusses her poem "Historiae 2" with her translator Susan Stewart before the American vocal ensemble Tenores de Aterúe re-imagines the poem as a song in the folk tradition of Anedda's native Sardinia; and Yohanca Delgado reads her story "The Little Widow from the Capital," a tale of mystery, heartbreak, and embroidery set in a New York apartment building.

S3E1 | A Memory of the Species (with Robert Frost, Yohanca Delgado, Antonella Anedda)

The celebrated podcast returns for its third season. Join us on an audio odyssey through the pages of The Paris Review, featuring the best fiction, poetry, interviews, and archival recordings, from the world's most legendary literary quarterly.

This season features fiction by Yohanca Delgado, Venita Blackburn, Bud Smith, Allan Gurganus, and Edward P Jones. Poetry from Monica Youn, Deborah Landau, Jericho Brown, Antonella Anedda, and Natalie Scenters-Zapico. Plus excerpts of interviews with Joan Didion, Robert Frost, Rachel Cusk, and George Saunders. This season includes the voices of Phoebe Bridgers, Connor Ratliff, Jessica Hecht, and Amber Gray.

Check out this trailer for a preview of the upcoming season, and subscribe now to hear the first episode on October 27th, 2021.

The celebrated podcast returns for its third season. Join us on an audio odyssey through the pages of The Paris Review, featuring the best fiction, poetry, interviews, and archival recordings, from the world's most legendary literary quarterly.
This season features fiction by Yohanca Delgado, Venita Blackburn, Bud Smith, Allan Gurganus, and Edward P Jones. Poetry from Monica Youn, Deborah Landau, Jericho Brown, Antonella Anedda, and Natalie Scenters-Zapico. Plus excerpts of interviews with Joan Didion, Robert Frost, Rachel Cusk, and George Saunders. This season includes the voices of Phoebe Bridgers, Connor Ratliff, Jessica Hecht, and Amber Gray.
Check out this trailer for a preview of the upcoming season, and subscribe now to hear the first episode on October 27th, 2021.

The celebrated podcast returns for its third season. Join us on an audio odyssey through the pages of The Paris Review, featuring the best fiction, poetry, interviews, and archival recordings, from the world's most legendary literary quarterly.

Season 3 Trailer: The Paris Review Podcast Returns

A special bonus episode of The Paris Review Podcast celebrating N. Scott Momaday, the winner of the Review’s 2021 Hadada Award, which recognizes a distinguished member of the writing community who has made a strong and unique contribution to literature. What you are about to hear is an exclusive excerpt of the first step in the process of conducting Momaday’s Writers at Work interview, a bit of the very first call between Momaday and his interviewer, the poet Layli Long Soldier. They discuss the importance of oral tradition to literature, especially to the Native American tradition.

A special bonus episode of The Paris Review Podcast celebrating N. Scott Momaday, the winner of the Review’s 2021 Hadada Award, which recognizes a distinguished member of the writing community who has made a strong and unique contribution to literature. What you are about to hear is an exclusive excerpt of the first step in the process of conducting Momaday’s Writers at Work interview, a bit of the very first call between Momaday and his interviewer, the poet Layli Long Soldier. They discuss the importance of oral tradition to literature, especially to the Native American tradition.

A special bonus episode of The Paris Review Podcast celebrating N. Scott Momaday, the winner of the Review’s 2021 Hadada Award, which recognizes a distinguished member of the writing community who has made a strong and unique contribution to literature.

Celebrating N. Scott Momaday

A special bonus episode, recorded live at <a href="https://urldefense.proofpoint.com/v2/url?u=http-3A__onairfest.com_&amp;d=DwMFaQ&amp;c=aLv4kG3eFBuAUFgZFQ07JQ&amp;r=Y_euPyYCdjaSCAzhF8RFR6D7wcKX2TVWojZY3F763h8&amp;m=bGHvoOY2qqXhHklJJqCn7v7Lh2qE-nkfoqu4jNB3fxU&amp;s=6GjuC1Y4uKBhYBsIExyj39SxquFmvbl2tWjMSX2TsEk&amp;e=" rel="nofollow" target="_blank">On Air Fest</a> on March 8, 2020 (just before social distancing sent everyone home), featuring a crowded room of lovely human beings enjoying an immersive live performance of The Paris Review Podcast. The show opens with excerpts of Toni Morrison’s <a href="https://www.theparisreview.org/interviews/1888/the-art-of-fiction-no-134-toni-morrison" rel="nofollow" target="_blank">1993 Art of Fiction Interview</a>, scored live by some of the musicians that created the score for Seasons 1 and 2. Then Vijay Seshadri reads his poem “<a href="https://www.theparisreview.org/poetry/415/ailanthus-vijay-seshadri" rel="nofollow" target="_blank">Ailanthus</a>”; Quincy Tyler Bernstine reads “<a href="https://www.theparisreview.org/fiction/7531/a-story-for-your-daughters-a-story-for-your-sons-rebecca-makkai" rel="nofollow" target="_blank">A Story for Your Daughters, A Story for Your Sons</a>” by Rebecca Makkai; finally, Emily Wells provides live scoring for Bill Callahan’s rendition of Adrienne Rich’s poem “<a href="https://www.theparisreview.org/poetry/5013/the-tree-adrienne-rich" rel="nofollow" target="_blank">The Tree</a>.”

“The Tree” excerpted from Collected Poems: 1950-2012 © 2016 by the Adrienne Rich Literary Trust. Used with permission of the publisher, W. W. Norton &amp; Company, Inc. All rights reserved. // The musicians providing the live scoring are <a href="https://www.curtisjsocial.com/" rel="nofollow" target="_blank">Curtis Brewer</a>on guitar, <a href="https://www.samospovat.com/" rel="nofollow" target="_blank">Sam Ospovat</a> on drums, and <a href="http://lilbrownbass.com/" rel="nofollow" target="_blank">Mike Brown</a> on bass. // Our theme song is composed by <a href="https://www.davidcieri.com/" rel="nofollow" target="_blank">David Cieri.</a>

A special bonus episode, recorded live at On Air Fest on March 8, 2020 (just before social distancing sent everyone home), featuring a crowded room of lovely human beings enjoying an immersive live performance of The Paris Review Podcast. The show opens with excerpts of Toni Morrison’s 1993 Art of Fiction Interview, scored live by some of the musicians that created the score for Seasons 1 and 2. Then Vijay Seshadri reads his poem “Ailanthus”; Quincy Tyler Bernstine reads “A Story for Your Daughters, A Story for Your Sons” by Rebecca Makkai; finally, Emily Wells provides live scoring for Bill Callahan’s rendition of Adrienne Rich’s poem “The Tree.”
“The Tree” excerpted from Collected Poems: 1950-2012 © 2016 by the Adrienne Rich Literary Trust. Used with permission of the publisher, W. W. Norton & Company, Inc. All rights reserved. // The musicians providing the live scoring are Curtis Breweron guitar, Sam Ospovat on drums, and Mike Brown on bass. // Our theme song is composed by David Cieri.

A special bonus episode, recorded live at On Air Fest on March 8, 2020 (just before social distancing sent everyone home), featuring a crowded room of lovely human beings enjoying an immersive live performance of The Paris Review Podcast.

A Tree Grows Live in Brooklyn (A Live Recording at On Air Fest 2020)

The final episode of Season 2. The incomparable Charlotte Rampling reenacts Simone de Beauvoir’s classic 1965 Paris Review interview; Danez Smith reads their poem “my bitch!”; Sarah Manguso shares her lyric essay “Oceans,” about moving to California, cancer, and writing oceanically; actor Griffin Dunne reads Henry Green’s story “Arcady; or a Night Out.”; and we close with a recording of the late WS Merwin reading his poem “Night Singing.”

The final episode of Season 2. The incomparable Charlotte Rampling reenacts Simone de Beauvoir’s classic 1965 Paris Review interview; Danez Smith reads their poem “my bitch!”; Sarah Manguso shares her lyric essay “Oceans,” about moving to California, cancer, and writing oceanically; actor Griffin Dunne reads Henry Green’s story “Arcady; or a Night Out.”; and we close with a recording of the late WS Merwin reading his poem “Night Singing.”

S2E5 | Odd Planets (with Charlotte Rampling, Simone de Beauvoir, Danez Smith, Griffin Dunne, Henry Green, Sarah Manguso, and WS Merwin)

Singer/songwriter Bill Callahan reads “Laguna Blues,” a poem by former U.S. poet laureate Charles Wright; J.M. Holmes reads his Pushcart Prize–winning story “What’s Wrong with You? What’s Wrong with Me?”; seminal dramatist Tennessee Williams describes his daily rituals in an archival interview; and comedian Jenny Slate channels Anne Sexton in her reading of the poet’s “Admonitions to a Special Person.”

Singer/songwriter Bill Callahan reads “Laguna Blues,” a poem by former U.S. poet laureate Charles Wright; J.M. Holmes reads his Pushcart Prize–winning story “What’s Wrong with You? What’s Wrong with Me?”; seminal dramatist Tennessee Williams describes his daily rituals in an archival interview; and comedian Jenny Slate channels Anne Sexton in her reading of the poet’s “Admonitions to a Special Person.”

S2E4 | Lift and Fall (with Tennessee Williams, Charles Wright, Bill Callahan, J.M. Holmes, Anne Sexton, and Jenny Slate)

Salman Rushdie reads an apologetic letter written by Dylan Thomas to his editor; poet Sharon Olds identifies “The Solution” to America’s problems; Alexandra Kleeman reads her haunting story “Fairy Tale”; and singer/songwriter Devendra Banhart reads the little-known legend of “The Woe Shirt,” as written by Paulé Bártón.“Mea Culpa” © The Dylan Thomas Trust. <a href="https://slack-redir.net/link?url=http%3A%2F%2Fwww.discoverdylanthomas.com" rel="nofollow" target="_blank">www.discoverdylanthomas.com</a>.

Salman Rushdie reads an apologetic letter written by Dylan Thomas to his editor; poet Sharon Olds identifies “The Solution” to America’s problems; Alexandra Kleeman reads her haunting story “Fairy Tale”; and singer/songwriter Devendra Banhart reads the little-known legend of “The Woe Shirt,” as written by Paulé Bártón.“Mea Culpa” © The Dylan Thomas Trust. www.discoverdylanthomas.com.

Salman Rushdie reads an apologetic letter written by Dylan Thomas to his editor; poet Sharon Olds identifies “The Solution” to America’s problems; Alexandra Kleeman reads her haunting story “Fairy Tale”; and singer/songwriter Devendra Banhart reads the little-known legend of “The Woe Shirt,” as written by Paulé Bártón.

S2E3 | Memory, Rich Memory (with Dylan Thomas, Salman Rushdie, Sharon Olds, Alexandra Kleeman, Devendra Banhart, and Paulé Bártón)

Actor Quincy Tyler Bernstine revisits one of the most unsettling scandals of the nineties with her reading of Lucille Clifton’s poem “lorena”; Jason Alexander brings Philip Roth’s early story “The Conversion of the Jews” to vivid life; and poet Brenda Shaughnessy contemplates “All Possible Pain.”Lucille Clifton, “lorena” from The Collected Poems of Lucille Clifton. Copyright © 1996 by Lucille Clifton. Used with permission of The Permissions Company, LLC on behalf of BOA Editions, Ltd., <a href="https://slack-redir.net/link?url=http%3A%2F%2Fboaeditions.org" rel="nofollow" target="_blank">boaeditions.org</a>.

Actor Quincy Tyler Bernstine revisits one of the most unsettling scandals of the nineties with her reading of Lucille Clifton’s poem “lorena”; Jason Alexander brings Philip Roth’s early story “The Conversion of the Jews” to vivid life; and poet Brenda Shaughnessy contemplates “All Possible Pain.”Lucille Clifton, “lorena” from The Collected Poems of Lucille Clifton. Copyright © 1996 by Lucille Clifton. Used with permission of The Permissions Company, LLC on behalf of BOA Editions, Ltd., boaeditions.org.

Actor Quincy Tyler Bernstine revisits one of the most unsettling scandals of the nineties with her reading of Lucille Clifton’s poem “lorena”; Jason Alexander brings Philip Roth’s early story “The Conversion of the Jews” to vivid life; and poet Brenda Shaughnessy contemplates “All Possible Pain.”Lucille Clifton, “lorena” from The Collected Poems of Lucille Clifton.

S2E2 | Making Light (with Philip Roth, Jason Alexander, Lucille Clifton, Quincy Tyler Bernstine, Brenda Shaughnessy)

Legendary novelist and Nobel laureate Toni Morrison explains why beauty is absolutely necessary in an interview from the magazine’s archives; Molly Ringwald channels adolescent grief in her reading of “Guests,” a story by Mary Terrier; and poet Alex Dimitrov reads his poem “Impermanence.”

Legendary novelist and Nobel laureate Toni Morrison explains why beauty is absolutely necessary in an interview from the magazine’s archives; Molly Ringwald channels adolescent grief in her reading of “Guests,” a story by Mary Terrier; and poet Alex Dimitrov reads his poem “Impermanence.”

S2E1 | Before the Light (with Toni Morrison, Molly Ringwald, Mary Terrier, Alex Dimitrov)

The celebrated podcast from the legendary literary magazine returns! Join us for new audio adventures through The Paris Review's fiction, poetry, interviews, archival recordings, and sonic imaginings with the likes of Simone de Beauvoir , Tennessee Williams, and today's leading writers. 
Featuring readings and writings from Charlotte Rampling, Jason Alexander, Jenny Slate, Devendra Banhart, Danez Smith, Sharon Olds, Lucille Clifton, Molly Ringwald, Salman Rushdie, and more!

Check out this trailer for a preview of the upcoming season, and subscribe now to hear the first episode on October 23rd. More info at <a href="https://urldefense.proofpoint.com/v2/url?u=http-3A__www.theparisreview.org_podcast&amp;d=DwMFaQ&amp;c=aLv4kG3eFBuAUFgZFQ07JQ&amp;r=Y_euPyYCdjaSCAzhF8RFR6D7wcKX2TVWojZY3F763h8&amp;m=RxchMsj5apkt-TH9t3vWagSvOzxKlxgjbFSBroSVb-Q&amp;s=tHJcP72l8mSjAl7UK-EQ8txnVxJBIzVCkylik53ksUQ&amp;e=" rel="nofollow" target="_blank">www.theparisreview.org/podcast</a>

The celebrated podcast from the legendary literary magazine returns! Join us for new audio adventures through The Paris Review's fiction, poetry, interviews, archival recordings, and sonic imaginings with the likes of Simone de Beauvoir , Tennessee Williams, and today's leading writers.

Featuring readings and writings from Charlotte Rampling, Jason Alexander, Jenny Slate, Devendra Banhart, Danez Smith, Sharon Olds, Lucille Clifton, Molly Ringwald, Salman Rushdie, and more!
Check out this trailer for a preview of the upcoming season, and subscribe now to hear the first episode on October 23rd. More info at www.theparisreview.org/podcast

Season 2 Trailer: The Paris Review Podcast Returns

Before Philip Roth was an American icon, he published one of his first short stories in The Paris Review in 1958. In 2010 he received the Hadada, our award for lifetime achievement. Here is his acceptance speech.

Before Philip Roth was an American icon, he published one of his first short stories in The Paris Review in 1958. In 2010 he received the Hadada, our award for lifetime achievement. Here is his acceptance speech.

Time Has Stood Still: Philip Roth (1933–2018)

The final episode of Season 1. Jamaica Kincaid in conversation and reading her short story WHAT I HAVE BEEN DOING LATELY; James Salter’s story BANGKOK read by Dick Cavett; Sadie Stein encounters a literary specter on the 1 Train; Frederick Seidel reads his poem THE END OF SUMMER; and Caitlin Youngquist reads Robert Bly’s CHORAL STANZA NUMBER ONE, which appeared in the very first issue of The Paris Review, in the Spring of 1953.

The final episode of Season 1. Jamaica Kincaid in conversation and reading her short story WHAT I HAVE BEEN DOING LATELY; James Salter’s story BANGKOK read by Dick Cavett; Sadie Stein encounters a literary specter on the 1 Train; Frederick Seidel reads his poem THE END OF SUMMER; and Caitlin Youngquist reads Robert Bly’s CHORAL STANZA NUMBER ONE, which appeared in the very first issue of The Paris Review, in the Spring of 1953.

S1E12 | Thunder, They Told Her (with Jamaica Kincaid, James Salter, Dick Cavett, Sadie Stein, Frederick Seidel, Robert Bly, and Caitlin Youngquist)

Shotguns, peacocks, golf, acid. Editor Terry McDonell recounts his 1984 visit, along with George Plimpton, to Hunter S. Thompson's home in Colorado, including never-before-heard archival tape; a poem by Pablo Neruda, translated by Alastair Reid and read by Antonio Gueudinot; and actor Paul Heesang Miller reads WILLIAM WEI, a short story by Amie Barrodale.

"Emerging" from EXTRAVAGARIA by Pablo Neruda, translated by Alastair Reid. Translation copyright © 1974 by Alastair Reid. Used by permission of Farrar, Straus and Giroux.

Shotguns, peacocks, golf, acid. Editor Terry McDonell recounts his 1984 visit, along with George Plimpton, to Hunter S. Thompson's home in Colorado, including never-before-heard archival tape; a poem by Pablo Neruda, translated by Alastair Reid and read by Antonio Gueudinot; and actor Paul Heesang Miller reads WILLIAM WEI, a short story by Amie Barrodale.
"Emerging" from EXTRAVAGARIA by Pablo Neruda, translated by Alastair Reid. Translation copyright © 1974 by Alastair Reid. Used by permission of Farrar, Straus and Giroux.

Shotguns, peacocks, golf, acid. Editor Terry McDonell recounts his 1984 visit, along with George Plimpton, to Hunter S. Thompson's home in Colorado, including never-before-heard archival tape; a poem by Pablo Neruda, translated by Alastair Reid and read by Antonio Gueudinot; and actor Paul Heesang Miller reads WILLIAM WEI, a short story by Amie Barrodale.

S1E11 | Tomorrow's Reason (with Hunter S. Thompson, George Plimpton, Terry McDonell, Pablo Neruda, Antonio Gueudinot, Amie Barrodale, Paul Heesang Miller)

David Sedaris reads Frank O'Hara; Mary-Louis Parker reads Joy Williams; Dakota Johnson reads Roberto Bolaño; John Ashbery is scored by musician Steve Gunn; and The Paris Review's Southern Editor John Jeremiah Sullivan sings Robert Johnson.

"A True Account of Talking to the Sun at Fire Island" from THE COLLECTED POEMS OF FRANK O'HARA by Frank O'Hara, copyright © 1971 by Maureen Granville-Smith, Administratrix of the Estate of Frank O'Hara, copyright renewed 1999 by Maureen O'Hara Granville-Smith and Donald Allen. Used by permission of Alfred A. Knopf, an imprint of the Knopf Doubleday Publishing Group, a division of Penguin Random House LLC. All rights reserved.

“Soonest Mended” from The Double Dream of Spring by John Ashbery. Copyright © 1970, 1969, 1968, 1967, 1966 by John Ashbery. Used by permission of Georges Borchardt, Inc., on behalf of the author. All rights reserved.

David Sedaris reads Frank O'Hara; Mary-Louis Parker reads Joy Williams; Dakota Johnson reads Roberto Bolaño; John Ashbery is scored by musician Steve Gunn; and The Paris Review's Southern Editor John Jeremiah Sullivan sings Robert Johnson.
"A True Account of Talking to the Sun at Fire Island" from THE COLLECTED POEMS OF FRANK O'HARA by Frank O'Hara, copyright © 1971 by Maureen Granville-Smith, Administratrix of the Estate of Frank O'Hara, copyright renewed 1999 by Maureen O'Hara Granville-Smith and Donald Allen. Used by permission of Alfred A. Knopf, an imprint of the Knopf Doubleday Publishing Group, a division of Penguin Random House LLC. All rights reserved.
“Soonest Mended” from The Double Dream of Spring by John Ashbery. Copyright © 1970, 1969, 1968, 1967, 1966 by John Ashbery. Used by permission of Georges Borchardt, Inc., on behalf of the author. All rights reserved.

David Sedaris reads Frank O'Hara; Mary-Louis Parker reads Joy Williams; Dakota Johnson reads Roberto Bolaño; John Ashbery is scored by musician Steve Gunn; and The Paris Review's Southern Editor John Jeremiah Sullivan sings Robert Johnson.

S1E10 | The Occasional Dream (with Frank O'Hara, David Sedaris, Joy Williams, Mary-Louise Parker, Roberto Bolaño, Dakota Johnson, John Ashbery, Steve Gunn, John Jermiah Sullivan, Robert Johnson)

A frat boy encounters the divine in Benjamin Nugent's story GOD, performed by Jesse Eisenberg; Rowan Ricardo Phillips examines the difference between heaven and paradise in his poem KINGDOM COME; and Kristin Dombek sends us a LETTER FROM WILLIAMSBURG.

A frat boy encounters the divine in Benjamin Nugent's story GOD, performed by Jesse Eisenberg; Rowan Ricardo Phillips examines the difference between heaven and paradise in his poem KINGDOM COME; and Kristin Dombek sends us a LETTER FROM WILLIAMSBURG.

S1E9 | God, Etc. (with Jesse Eisenberg, Benjamin Nugent, Rowan Ricardo Phillips, Kristen Dombek)

Stockard Channing and Anna Sale recreate the Review's 1956 interview with Dorothy Parker; writer Idra Novey talks about the taste of the letter "H"; Helga Davis reads Alexia Arthurs short story BAD BEHAVIOR; acclaimed playwright John Guare shares former Review editor Blair Fuller's true story AN EVENING WITH JD SALINGER; and Jeff Gleaves, the Review's Digital Director, recites Elena Wilkinson's poem AFTER THE LOSS OF A LIMB.

Stockard Channing and Anna Sale recreate the Review's 1956 interview with Dorothy Parker; writer Idra Novey talks about the taste of the letter "H"; Helga Davis reads Alexia Arthurs short story BAD BEHAVIOR; acclaimed playwright John Guare shares former Review editor Blair Fuller's true story AN EVENING WITH JD SALINGER; and Jeff Gleaves, the Review's Digital Director, recites Elena Wilkinson's poem AFTER THE LOSS OF A LIMB.

S1E8 | Questionable Behavior (with Dorothy Parker, Stockard Channing, Anna Sale, Alexia Arthurs, Helga Davis, Blair Fuller, John Guare, Idra Novey, Elena Wilkinson, Jeff Gleaves)

Denise Levertov's poem SOUND OF THE AXE, read by actor Glynis Bell; Eudora Welty tells George Plimpton about the time Henry Miller visited her in Jackson, Mississippi, and recounts the mysterious tale of Thelma; Ottessa Moshfegh reads her story A DARK AND WINDING ROAD.

This episode is sponsored by Audible. Go to audible.com/PARIS for a 30-trial and free first audiobook.

Denise Levertov's poem SOUND OF THE AXE, read by actor Glynis Bell; Eudora Welty tells George Plimpton about the time Henry Miller visited her in Jackson, Mississippi, and recounts the mysterious tale of Thelma; Ottessa Moshfegh reads her story A DARK AND WINDING ROAD.
This episode is sponsored by Audible. Go to audible.com/PARIS for a 30-trial and free first audiobook.

Denise Levertov's poem SOUND OF THE AXE, read by actor Glynis Bell; Eudora Welty tells George Plimpton about the time Henry Miller visited her in Jackson, Mississippi, and recounts the mysterious tale of Thelma; Ottessa Moshfegh reads her story A DARK AND WINDING ROAD.

S1E7 | The Listening Forest (with Eudora Welty, George Plimpton, Denise Levertov, Ottessa Moshfegh, Glynis Bell)

Eudora Welty recalls the time her mother saved Dickens; David Sedaris ponders the unsettled dead in his essay LETTER FROM EMERALD ISLE; Nadja Spiegelman reads Sharon Olds's poem THE BEETLE; and Peter Ho Davies's short story THE ENDS tells a tale of Nazis, gallows, and basketball.

Eudora Welty recalls the time her mother saved Dickens; David Sedaris ponders the unsettled dead in his essay LETTER FROM EMERALD ISLE; Nadja Spiegelman reads Sharon Olds's poem THE BEETLE; and Peter Ho Davies's short story THE ENDS tells a tale of Nazis, gallows, and basketball.

S1E6 | The Beetle and the Butterfly (with David Sedaris, Eudora Welty, George Plimpton, Sharon Olds, Peter Ho Davies)

Acclaimed poet Eileen Myles reads SWEET HEART; two-time Tony nominee Alison Fraser lends her voice to Lucia Berlin's story B.F. AND ME; author Caleb Crain encounters the angel of death; and Brian Cullman shares a story about the time Van Morrison bought him a drink.

Acclaimed poet Eileen Myles reads SWEET HEART; two-time Tony nominee Alison Fraser lends her voice to Lucia Berlin's story B.F. AND ME; author Caleb Crain encounters the angel of death; and Brian Cullman shares a story about the time Van Morrison bought him a drink.

S1E5 | To See You Again (with Lucia Berlin, Alison Fraser, Brian Cullman, Eileen Myles, Caleb Crain)

Marc Maron reads THE WORM IN PHILLY, a story by Sam Lipsyte; Robert Pattinson reads a poem by James Wright; George Plimpton recalls a boxing match in Hemingway's dining room; and Sadie Stein shares a true story about missed connections.

Marc Maron reads THE WORM IN PHILLY, a story by Sam Lipsyte; Robert Pattinson reads a poem by James Wright; George Plimpton recalls a boxing match in Hemingway's dining room; and Sadie Stein shares a true story about missed connections.

S1E4 | Missed Connections (with Marc Maron, Sam Lipsyte, Robert Pattinson, James Wright, Sadie Stein, George Plimpton)

LeVar Burton recreates the Review's Art of Fiction interview with James Baldwin; Morgan Parker reads her poem HOTTENTOT VENUS; Dakota Johnson reads a poem by Dorothea Lasky; and Lorin Stein reads WHY DON'T YOU DANCE, a classic story by Raymond Carver.

“Soonest Mended” from The Double Dream of Spring by John Ashbery. Copyright © 1970, 1969, 1968, 1967, 1966 by John Ashbery. Used by permission of Georges Borchardt, Inc., on behalf of the author. All rights reserved.

LeVar Burton recreates the Review's Art of Fiction interview with James Baldwin; Morgan Parker reads her poem HOTTENTOT VENUS; Dakota Johnson reads a poem by Dorothea Lasky; and Lorin Stein reads WHY DON'T YOU DANCE, a classic story by Raymond Carver.
“Soonest Mended” from The Double Dream of Spring by John Ashbery. Copyright © 1970, 1969, 1968, 1967, 1966 by John Ashbery. Used by permission of Georges Borchardt, Inc., on behalf of the author. All rights reserved.

LeVar Burton recreates the Review's Art of Fiction interview with James Baldwin; Morgan Parker reads her poem HOTTENTOT VENUS; Dakota Johnson reads a poem by Dorothea Lasky; and Lorin Stein reads WHY DON'T YOU DANCE, a classic story by Raymond Carver.

S1E3 | I Was There (with James Baldwin, LeVar Burton, Morgan Parker, Dorothea Lasky, Dakota Johnson, Raymond Carver)

A visit to Jack Kerouac’s house ends with the story of Buddha; Hailey Gates reads a poem by Erica Ehrenberg about love and moving on; and MY WIFE, IN CONVERSE, Shelly Oria’s tale of marriage, poetry, and cooking class, as performed by Donnetta Lavinia Grays.

A visit to Jack Kerouac’s house ends with the story of Buddha; Hailey Gates reads a poem by Erica Ehrenberg about love and moving on; and MY WIFE, IN CONVERSE, Shelly Oria’s tale of marriage, poetry, and cooking class, as performed by Donnetta Lavinia Grays.

S1E2 | Always Leaving (with Jack Kerouac, Hailey Gates, Erica Ehrenberg, Shelly Oria, Donnetta Lavinia Grays)

Poet and downtown icon Eileen Myles reading a poem by James Schuyler; archival tape of Maya Angelou interviewed by George Plimpton, the founding editor of the Review; the legendary actor and writer Wallace Shawn reading Denis Johnson’s famous story “Car-Crash While Hitchhiking”; and a true story by Sadie Stein, read by herself, about doing the twist alone on a Tuesday night.

Poet and downtown icon Eileen Myles reading a poem by James Schuyler; archival tape of Maya Angelou interviewed by George Plimpton, the founding editor of the Review; the legendary actor and writer Wallace Shawn reading Denis Johnson’s famous story “Car-Crash While Hitchhiking”; and a true story by Sadie Stein, read by herself, about doing the twist alone on a Tuesday night.

S1E1 | Times of Cloud (with Eileen Myles, Wallace Shawn, Maya Angelou, Sadie Stein)

The world's most legendary literary magazine invites you on an audio odyssey through fiction, archival tape, interviews and late nights with the likes of James Baldwin, Dorothy Parker, and the cutting edge writers of our time.  Featuring readings from LeVar Burton, Stockard Channing, Jesse Eisenberg, Marc Maron, Eileen Myles, David Sedaris, Dick Cavett, Dakota Johnson, and more! Check out this trailer for the upcoming season, and subscribe now to hear the first episode on November 8th. More info at <a href="http://www.theparisreview.org/podcast" rel="nofollow" target="_blank">www.theparisreview.org/podcast</a>.

The world's most legendary literary magazine invites you on an audio odyssey through fiction, archival tape, interviews and late nights with the likes of James Baldwin, Dorothy Parker, and the cutting edge writers of our time.  Featuring readings from LeVar Burton, Stockard Channing, Jesse Eisenberg, Marc Maron, Eileen Myles, David Sedaris, Dick Cavett, Dakota Johnson, and more! Check out this trailer for the upcoming season, and subscribe now to hear the first episode on November 8th. More info at www.theparisreview.org/podcast.