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Critics at Large | The New Yorker

The New Yorker

Critics at Large is a weekly culture podcast from The New Yorker. Every Thursday, the staff writers Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss current obsessions, classic texts they’re revisiting with fresh eyes, and trends that are emerging across books, television, film, and more. The show runs the gamut of the arts and pop culture, with lively, surprising conversations about everything from Salman Rushdie to “The Real Housewives.” Through rigorous analysis and behind-the-scenes insights into The New Yorker’s reporting, the magazine’s critics help listeners make sense of our moment—and how we got here.

Condé Nast 2023

Critics at Large is a weekly culture podcast from The New Yorker. Every Thursday, the staff writers Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss current obsessions, classic texts they’re revisiting with fresh eyes, and trends that are emerging across books, television, film, and more. The show runs the gamut of the arts and pop culture, with lively, surprising conversations about everything from Salman Rushdie to “The Real Housewives.” Through rigorous analysis and behind-the-scenes insights into The New Yorker’s reporting, the magazine’s critics help listeners make sense of our moment—and how we got here.

Condé Nast 2023
29hr 25min
Thumbnail for "Can Slowness Save Us?".
Thumbnail for "Summer Obsessions".
Thumbnail for "The Therapy Episode".
Thumbnail for "Is Travel Broken?".
Thumbnail for "The Many Faces of the Hit Man".
Thumbnail for "The Rising Tide of Slowness".
Thumbnail for "The New Midlife Crisis".
Thumbnail for "Kendrick Lamar, Drake, and the Benefits of Beef".
Thumbnail for "Our Collective Obsession with True Crime".
Thumbnail for "Why the Sports Movie Always Wins".
Thumbnail for "“Civil War” ’s Unsettling Images".
Thumbnail for "“Curb Your Enthusiasm” and the Art of the Finale".
Thumbnail for "Why We Want What Tom Ripley Has".
Thumbnail for "Kate Middleton and the Internet’s Communal Fictions".
Thumbnail for "Is Science Fiction the New Realism?".
Thumbnail for "The New Coming-of-Age Story".
Thumbnail for "Why We Love an Office Drama ".
Thumbnail for "The Politics of the Oscar Race".
Thumbnail for "How Usher, Beyoncé, and Taylor Swift Build Their Own Legacies".
Thumbnail for "The Painful Pleasure of “Wretched Love”".
Thumbnail for "Why We Can’t Quit the Mean Girl".
Thumbnail for "From In the Dark: The Runaway Princesses".
Thumbnail for "What Is the Comic For?".
Thumbnail for "The Case for Criticism".
Thumbnail for "Portraits of the Artist".
Thumbnail for "From The New Yorker Radio Hour: a Conversation with Dolly Parton".
Thumbnail for "The Year of the Doll".
Thumbnail for "George Santos and the Art of the Scam".
he ex-congressman has already pivoted from politics to pop culture—and become the latest beneficiary of America’s enduring fascination with con artists. Are we the ones being duped?
Thumbnail for "Hayao Miyazaki’s Magical Realms".
The Japanese filmmaker behind “My Neighbor Totoro” and “Spirited Away” is renowned for stories about resourceful children navigating surreal, often perilous circumstances. In “The Boy and the Heron,” the eighty-two-year-old makes a rare return to his own youth.
Thumbnail for "The Past, Present, and Future of the Period Drama".
“The Buccaneers,” a new television series based on the Edith Wharton novel of the same name, is the latest in a string of shows to mix a historical setting and a distinctly modern sensibility. Are the updates revelatory, or pandering?
Thumbnail for "Samantha Irby Knows How to Be Funny".
Samantha Irby Knows How to Be Funny
Thumbnail for "Is “The Golden Bachelor” Too Good to Be True?".
Is “The Golden Bachelor” Too Good to Be True?
Thumbnail for "Why We Dine Out (or Don’t)".
Why We Dine Out (or Don’t)
Thumbnail for "Britney Spears Tells Her Horror Story".
Britney Spears Tells Her Horror Story
Thumbnail for "Martin Scorsese’s America".
Martin Scorsese’s America
Thumbnail for "Are Straight Couples O.K.?".
Are Straight Couples O.K.?
Thumbnail for "Spies, Sex, and John le Carré".
Spies, Sex, and John le Carré
Thumbnail for "Taylor Swift Is Everywhere All at Once".
Taylor Swift Is Everywhere All at Once
Thumbnail for "The Myth-Making of Elon Musk".
The Myth-Making of Elon Musk
Thumbnail for "What Is Cringecore, and Why Is It Everywhere?".
What Is Cringecore, and Why Is It Everywhere?
Thumbnail for "Introducing: Critics at Large".
On a new culture podcast, The New Yorker’s critics take on some of the defining texts of our era, from Rushdie to “The Real Housewives.”

Can Slowness Save Us?

Thumbnail for "Can Slowness Save Us?".
January 11, 202447min 23sec

In recent years, in the realms of self-improvement literature, Instagram influencers, and wellness gurus, an idea has taken hold: that in a non-stop world, the act of slowing down offers a path to better living. In this episode of Critics at Large, the staff writers Vinson Cunningham, Naomi Fry, and Alexandra Schwartz trace the rise of “slowness culture”—from Carl Honoré’s 2004 manifesto to pandemic-era trends of mass resignations and so-called quiet quitting. The hosts discuss the work of Jenny Odell, whose books “How to Do Nothing” and “Saving Time” frame reclaiming one’s time as a life-style choice with radical roots and revolutionary political potential. But how much does an individual’s commitment to leisure pay off on the level of the collective? Is too much being laid at the feet of slowness? “For me, it’s about reclaiming an aspect of humanness, just the experience of not having to make the most with everything we have all the time,” Schwartz says. “There can be a degree of self-defeating critique where you say, ‘Oh, well, this is only accessible to the privileged few.’ And I think the better framing is, how can more people access that kind of sitting with humanness?”

Read, watch, and listen with the critics:

How Millennials Became the Burnout Generation,” by Anne Helen Petersen (BuzzFeed)
How to Do Nothing: Resisting the Attention Economy,” by Jenny Odell
Improving Ourselves to Death,” by Alexandra Schwartz (The New Yorker)
In Praise of Slowness: Challenging the Cult of Speed,” by Carl Honoré
The Sabbath,” by Abraham Joshua Heschel
Saving Time: Discovering a Life Beyond Productivity Culture,” by Jenny Odell
Slow Down: The Degrowth Manifesto,” by Kohei Saito

New episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts.