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Critics at Large | The New Yorker

The New Yorker

Critics at Large is a weekly culture podcast from The New Yorker. Every Thursday, the staff writers Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss current obsessions, classic texts they’re revisiting with fresh eyes, and trends that are emerging across books, television, film, and more. The show runs the gamut of the arts and pop culture, with lively, surprising conversations about everything from Salman Rushdie to “The Real Housewives.” Through rigorous analysis and behind-the-scenes insights into The New Yorker’s reporting, the magazine’s critics help listeners make sense of our moment—and how we got here.

Condé Nast 2023

Critics at Large is a weekly culture podcast from The New Yorker. Every Thursday, the staff writers Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss current obsessions, classic texts they’re revisiting with fresh eyes, and trends that are emerging across books, television, film, and more. The show runs the gamut of the arts and pop culture, with lively, surprising conversations about everything from Salman Rushdie to “The Real Housewives.” Through rigorous analysis and behind-the-scenes insights into The New Yorker’s reporting, the magazine’s critics help listeners make sense of our moment—and how we got here.

Condé Nast 2023
63hr 38min
Thumbnail for "Kate Middleton and the Internet’s Communal Fictions".
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he ex-congressman has already pivoted from politics to pop culture—and become the latest beneficiary of America’s enduring fascination with con artists. Are we the ones being duped?
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The Japanese filmmaker behind “My Neighbor Totoro” and “Spirited Away” is renowned for stories about resourceful children navigating surreal, often perilous circumstances. In “The Boy and the Heron,” the eighty-two-year-old makes a rare return to his own youth.
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“The Buccaneers,” a new television series based on the Edith Wharton novel of the same name, is the latest in a string of shows to mix a historical setting and a distinctly modern sensibility. Are the updates revelatory, or pandering?
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Is “The Golden Bachelor” Too Good to Be True?
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Why We Dine Out (or Don’t)
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Britney Spears Tells Her Horror Story
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Martin Scorsese’s America
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Spies, Sex, and John le Carré
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Taylor Swift Is Everywhere All at Once
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The Myth-Making of Elon Musk
Thumbnail for "What Is Cringecore, and Why Is It Everywhere?".
What Is Cringecore, and Why Is It Everywhere?
Thumbnail for "Introducing: Critics at Large".
On a new culture podcast, The New Yorker’s critics take on some of the defining texts of our era, from Rushdie to “The Real Housewives.”

Kate Middleton and the Internet’s Communal Fictions

Thumbnail for "Kate Middleton and the Internet’s Communal Fictions".
March 28, 202445min 20sec

News of Kate Middleton’s cancer diagnosis arrived after months of speculation regarding the royal’s whereabouts. Had the Princess of Wales, who had not been seen in public since Christmas Day, absconded to a faraway hideout? Was trouble at home—an affair, perhaps—keeping her out of the public eye? What truths hid behind the obviously doctored family photograph? #WhereisKateMiddleton trended as the online world offered up a set of elaborate hypotheses increasingly untethered from reality. On this episode of Critics at Large, the staff writers Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss how a particular brand of “fan fiction” has enveloped the Royal Family, and how, like the #FreeBritney movement, the episode illustrates how conspiracy thinking has become a regular facet of online life. The hosts discuss “The Paranoid Style in American Politics,” an essay by the historian Richard Hofstadter, from 1964, that traces conspiratorial thought across history, as well as Naomi Klein’s 2023 book “Doppelganger.” How, then, should we navigate a world in which it’s more and more difficult to separate fact from fiction? Some antidotes may lie in the fictions themselves. “The rest of us who are not as conspiratorial in bent could spend more time looking at those conspiracies,” Cunningham says. “To understand what a troubling number of our fellows believe is a kind of tonic action.”


Read, watch, and listen with the critics:
Don’t Blame ‘Stupid People on the Internet’ for Palace’s Princess Kate Lies,” by Will Bunch (the Philadelphia Inquirer)
Doppelganger,” by Naomi Klein
The Paranoid Style in American Politics,” by Richard Hofstadter (Harper’s Magazine)
“The Parallax View” (1974)
“Cutter’s Way” (1981)
Reddit’s I.P.O. Is a Content Moderation Success Story,” by Kevin Roose (the New York Times)
New episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts.

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Thumbnail for "Kate Middleton and the Internet’s Communal Fictions".
Kate Middleton and the Internet’s Communal Fictions
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