Critics at Large | The New Yorker
The New YorkerCritics at Large is a weekly culture podcast from The New Yorker. Every Thursday, the staff writers Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss current obsessions, classic texts they’re revisiting with fresh eyes, and trends that are emerging across books, television, film, and more. The show runs the gamut of the arts and pop culture, with lively, surprising conversations about everything from Salman Rushdie to “The Real Housewives.” Through rigorous analysis and behind-the-scenes insights into The New Yorker’s reporting, the magazine’s critics help listeners make sense of our moment—and how we got here.
Critics at Large is a weekly culture podcast from The New Yorker. Every Thursday, the staff writers Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss current obsessions, classic texts they’re revisiting with fresh eyes, and trends that are emerging across books, television, film, and more. The show runs the gamut of the arts and pop culture, with lively, surprising conversations about everything from Salman Rushdie to “The Real Housewives.” Through rigorous analysis and behind-the-scenes insights into The New Yorker’s reporting, the magazine’s critics help listeners make sense of our moment—and how we got here.
Kendrick Lamar, Drake, and the Benefits of Beef
The rap superstars Drake and Kendrick Lamar have been on a collision course for a decade, trading periodic diss tracks to assert their superiority—but earlier this month the long-simmering beef erupted into a showdown that said as much about the artists as it did about the art. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz examine how the back-and-forth devolved from a litigation of craft into a series of ad-hominem attacks alleging everything from cultural appropriation to pedophilia. They discuss the way rivalries function in the creative world, fuelling new work and compelling audiences to pay closer attention to it than ever before. The hosts also consider other feuds of note, from a nineteenth-century debate over Shakespearean actors that ended in violence to the writer Renata Adler’s blistering takedown of the film critic Pauline Kael in The New York Review of Books. Why do so many of these schisms revolve around fundamental questions of authenticity and belonging? And, once they start to spiral, is there any going back? “Conflict can be productive emotionally and also artistically,” Schwartz says. “But this is not a place that we can permanently reside.”
Read, watch, and listen with the critics:
“DAMN.,” by Kendrick Lamar
“To Pimp a Butterfly,” by Kendrick Lamar
“Control,” by Big Sean featuring Kendrick Lamar and Jay Electronica
“First Person Shooter,” by Drake featuring J. Cole
“Like That,” by Future, Metro Boomin, and Kendrick Lamar
“Push Ups,” by Drake
“Taylor Made Freestyle,” by Drake
“Back to Back,” by Drake
“euphoria,” by Kendrick Lamar
“6:16 in LA,” by Kendrick Lamar
“meet the grahams,” by Kendrick Lamar
“Not Like Us,” by Kendrick Lamar
“THE HEART PART 6,” by Drake
“Stormy Daniels’s American Dream,” by Naomi Fry (The New Yorker)
“The Perils of Pauline,” by Renata Adler (The New York Review of Books)
New episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts.