More than 154 million treasures fill the Smithsonian’s vaults, but where public view ends, Sidedoor begins. With the help of biologists, artists, historians, archaeologists, zookeepers and astrophysicists, host Lizzie Peabody sneaks listeners through Smithsonian’s side door to search for stories that can’t be found anywhere else. Check out si.edu/sidedoor and follow @SidedoorPod for more info.
More than 154 million treasures fill the Smithsonian’s vaults, but where public view ends, Sidedoor begins. With the help of biologists, artists, historians, archaeologists, zookeepers and astrophysicists, host Lizzie Peabody sneaks listeners through Smithsonian’s side door to search for stories that can’t be found anywhere else. Check out si.edu/sidedoor and follow @SidedoorPod for more info.
During the mid-1800s, one third of all paper money in America was thought to be fake. It was the golden age of counterfeiting, and one exceptionally talented con artist stood out from all the rest. His fakes were nearly perfect…but for a trademark tell. Known to law enforcement only as “Jim the Penman,” this celebrity criminal led many Americans to wonder: can great art truly be criminal?
Guests
Ellen Feingold, curator of the National Numismatic Collection at the Smithsonian’s National Museum of American History